Alaska’s Bigfoot: The Tornit

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History and Mythology of the Tornit

Photography by Elmira Gokoryan

Back in the old times, when Baffin Island was still known as Nunatsiarmiut (new-naht-saw-me-oot) and before European influence, the Inuit people lived near the coast of Kangiqtualuk. They were master kayak-builders and survived by means of subsistence—they were excellent hunters, regularly bringing in seals and whales to feed the people in their villages. They were not the only people living on the island though, they lived under the shadow of fear with a tribe of much bigger and aggressive people. Their way of living was different than their Inuit counterparts, as they could not build kayaks, tan hides, or preserve food in the traditional ways of the north.

These people are known as the Tornit (tore-knit) and possessed not only a larger stature but extraordinary strength; they would build houses out of stones and boulders that were much too large for any Inuit person to lift. These creatures, although human-like, are not human at all, with long arms and legs, they present more like a large ape or Neanderthal. Although they are bipedal in nature they would still be mistaken for a bear at a distance, due to their hairy appearance. Despite their largely physical advantages over a regular man, the Tornit have exceedingly poor eyesight which hinders their ability to hunt. They often smell like ghastly rotting flesh at worst and at best as if they have been freshly sprayed by a skunk—this concept also connects them largely to the creature of the southern United States known as the Skunk Ape.

So What’s the Story?

Photography by Kelly Sikkema

There is an abundance of lore available on these creatures through the published anthropological surveys of the Northern territories from the late nineteenth to the early twentieth centuries. Franz Boas wrote down the oral traditions of the Inuit people from Baffin Island to Hudson Bay and captured many stories of the unscrupulous nature of the Tornit. There were some inconsistencies, with some villages recalling oral traditions that painted the Tornit to be a friendlier beast and even other recollections that the Tornit were actually hunted as a food source.

Their tense relationship with most of the Inuit tribes may have had less to do with the race of people as a whole and more so with the idea that neither the Inuit nor the Tornit seemed to be too fond of each other in general. The overwhelming consensus with all of the information available in books and online suggest they are a morally repugnant, dim-witted, unpleasant, and vicious creature. All of the lore taken into consideration, the reputation that the Tornit have, smacks more of a feudal war than that of a monster that hunts its prey from the shadows, but the isolated incidents of Tornit invading Inuit villages while the men were away simply to kill all of the women and children, in my opinion, makes them creatures to be feared.

Read the first installation of our original story, which features a rendition of the Tornit folktale, or check out other fascinating Alaskan cryptids!

At The Mountains of Madness – Illustrated

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Francois Baranger’s illustrated version of HP Lovecraft’s At The Mountains of Madness, blown up to double its impact, rings out in the ears as if echoing from the highest snowy peak. This is only Volume 1 and for someone like me who has never indulged in this particular tale, it’s quite the cliffhanger. The line could easily be self-referencial of much of Lovecraft’s work, in that a lot of the ‘cosmic-horror’ that he coined and regularly explored relies heavily on the imagination of the reader. As I mentioned in a previous article on visualizing cosmic-horror in film, adding any form of physical imagery to Lovecraft’s work often poses the risk of detracting from its intended effect. That is, thankfully, not the case here. 

Imagination could conceive almost anything in connexion with this place.

H.P. Lovecraft – At The Mountains of Madness

The first thing to notice is the size of the At The Mountains of Madness Illustrated book, released by Free League Publishing. A hardback at 26x36cm, displaying the beautiful and atmospheric artwork of Baranger, has an obvious air of quality; a first glance bringing hopes that it only echoes the scale and majesty held within. It might be considered impractical by those wanting to read anywhere other than a desk, but the thing holds an intrinsic weight that makes your perusal all the richer. A foreword by Maxime Chattam compares the tale to the icy horrors of The Thing (1982) which, again for a first time reader, was rather exciting. 

Before reading I was asked by a friend, “Does he picture the monstrosities at the camp?” Of course I had no idea to which monstrosities he was referring, though it was a question I kept coming back to while wading through the heavy descriptions of the first few pages. Well-placed illustrations aid the flow of the story greatly, as well as some resizing of sentences for emphasis that helps bring home the point of many of Lovecraft’s ramblings without feeling cartoonish. Much of the artwork acts as flavouring, in the way sound effects and music would to an audiobook, and by the time the aforementioned monstrosities are encountered, and pictured vividly, it feels like a true horror payoff within an already interesting story of exploration. The things look incredible and prove Barangers skill and imagination to be far above that of simple docking ships and icy wastes, though these introductory scenes are inarguably stunning. 

While I can’t compare to the simple text-only format of this particular story, I can somewhat to other stories in Lovecraft’s oeuvre, and here the imagery is a refreshing and welcome addition. While I fully believe that the power of Lovecraft’s monsters exists in our inability to comprehend them on a physical level, seeing the big slimy nasties in this case puts us much closer to the mentality of the poor souls at the dig site. 

Baranger’s art expertly treads a tightrope between detail and atmosphere, displaying a degree of realism that should by rights be impossible to achieve alongside the sense of wonder permeating each piece. The more you look, the more layers reveal themselves within portraits of sunset-drenched mountaintops, views of meetings through frosted cabin windows and some sparse yet effectively-placed gore including the harrowing scene of a man’s bust-open chest. These aren’t simple accompaniments but integral parts in this telling of Lovecraft’s tale, inserted with intent to aid the reader’s immersion but also to stand as their own pieces, rich and textured. 

At The Mountains of Madness – Illustrated Book Cover

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The story itself is fantastic. A classic, even by Lovecraft’s standards. His style can be long-winded and hard to fall into for some, though this works for his longer pieces such as this one. The themes of exploration and the wonder it conjures were perfect to set up the icy horrors in the mountains; as the many details of the expedition are reeled off one can’t help but feel the excitement of it all. The overload of information, once pushed through, leads on to discoveries vivid and startling, made all the more realistic by their precursing pages. Lovecraft has the ability, mainly through his grounded and earthly first acts, to make readers begin to question just what, if any, horror (as we now know it) will be about to occur. This makes the subsequent deaths, tentacled abominations and nightmarish icy wastes that much more impactful and unexpected. All of this is helped greatly by purposeful and well-thought-out text formatting, mainly being some upsized sentences which add a great deal of weight to occurrences and help break up some of HP’s longer esoteric rants. 

A lot of the issues with visualizing Lovecraft’s elder beings are in no way as apparent here as within the realms of film and television. This particular undertaking allows the story itself, beholder of all of the real power here, to remain the focal point while all additions serve as flavor and make the whole ordeal that much more vivid and evocative. The mind still builds on these images, just as it would visualize on a story while reading. I absolutely must know what happens next in this tale, though I will wait to purchase the second volume of this version rather than find the classic story in a collection I own. That should say it all. 

Best Horror Coloring Books for Adults

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Who said that scary things aren’t for kids? Or that coloring books aren’t for adults? Both of these things are proven dreadfully wrong with the best coloring books inspired by the horror genre. Yes, they’re a thing. Your favorite monsters jump off the page as you color in between the lines and create a ghoulishly gorgeous work of art – all while relieving stress and soothing the mind with a set of crayons as your guide. If you’re looking to unwind and relax after a long day – and need something a bit more abnormal than the typical Netflix and wine – try these horror coloring books for adults to channel your dark side with a bit of creepy color. 

The Beauty Of Horror: A GOREgeous Coloring Book

This horror coloring book by Alan Robert is one of the most popular on the web, and you’ll see why as you glance into its pages. GOREgeous features “an onslaught of severed heads, monsters, deadly weapons, and skeletal remains” as you “visit burial grounds, the zombie apocalypse, serial killer lairs and gruesome torture chambers.” Their words… cute, right? Invest in this page-turner that has tons of gore-geously good reviews on GoodReads on Amazon, and get that red crayon ready for all the blood, clown noses, and leftover guts. You’re going to need it. 

Horror Coloring Book for Adults : Horror Stress Relieving Illustrations with Scary Monsters, Creepy Scenes, and a Spooky Adventure

This horror coloring book isn’t for the faint of heart. You won’t find any “good witches” or soft scares within these black-and-white pages – only the most terrifying and intricate illustrations that will freak you out and frustrate you as you try desperately to color within the lines. Trust us, once you see the complexity of these designs, you’ll see that you’ll need the entire box of crayons. That being said, this horror coloring book is ideal for the artsy scare lover… and you’ll want to stick this art up on your bedroom wall for the most gorgeous horror house on the block.

Zombie Coloring Book

Take a break from witches, skeletons, and killer clowns as you go back to basics with a horror staple: zombies. These undead creatures will always have a place in your favorite scary movies and TV shows… and now on your nightstand, too. Choose from 20+ zombie illustrations – ranging from ugly and gross to interesting and a bit cute – and fill them in with your favorite colors to bring life back into your relaxation routine with a few undead monsters. Sure, the title of this book is a mouthful, but Zombie Coloring Book really is an incredible habit for everybody!

Alice’s Nightmare in Wonderland Coloring Book 

Plenty of children’s movies are a lot more creepy once you watch them as an adult, like Alice in Wonderland. Between the Chesire Cat’s scary smile and the Queen of Hearts yelling about beheading children, this classic Disney film is almost as scary as any horror film from the early 2000’s. And it gets even more horrifying with this adult coloring book that features demonic versions of the film’s classic characters. A giant, murderous rabbit is something that you didn’t even know you needed until now, and you can make him any color you like for ultimate nightmare fuel. 

The Beauty of Horror 2: Ghouliana’s Creepatorium Coloring Book

It’s pretty rare in the world of horror for the sequel to be just as spooky and stunning as the original – unless we’re talking about horror coloring books for adults. Ghouliana’s Creepatorium has just as many distorted ghosts and scary skeletons as the GOREgeous book that we told you about earlier… and it doesn’t even need to be Halloween to stick these finished illustrations up on your refrigerator. Let loose and embrace your inner artist with these spooky designs that never go out of style… and know that there are plenty more coloring books to try in the The Beauty of Horror lineup. Thanks, Alan Robert!

Best of Avant Garde Horror Comics

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Let’s get weird! Horror is one of the most exciting genres out there. The sheer terror of the unknown and experiencing the fear of death in it’s many shapes with our favorite characters is something unique to horror. However, the moments when something is so far from our expectations or completely mind-bending, it can make a deeper imprint than the jump scares we’ve come to know and love. For those moments, we look to the avant garde horror genre.

Avant Garde, with a history rooted in challenging social norms, is art that pushes the boundary and stands at the forefront of what art can be capable of. Today, it’s much less associated with social change but is still known for its existence as an experimental and bold expression of art. This radical art form, combined with horror, can build adrenaline spikes in ways other subgenres can’t. In honor of that mind-bending style, here is our list of graphic novels and comics that bring the Best of Avant Garde Horror to life.

Uzumaki by Junji Ito

I love everything about this avant garde horror comic. It’s black and white. It’s has that signature japanese style. It also is focused around the Uzumaki, or spiral, symbol that has cursed this coastal Japanese town. But it isn’t like the Ring, where you’re haunted by this undead girl. I would tell you what it is really like, but that would be a spoiler. This is a must-read, and you don’t know where or how far this is going to go. 

Ghosts and Ruins

Some artists fit very neatly into what we expect from our comics, and they work very well. Sometimes, they go for something a bit different, and today is all about different. Ben Catmull ditches the panels and text bubbles, laying out his stories in full page illustrations. With bits of background and flavor text to accompany each of the 13 stills, its amazing what our imaginations can do with such a minimalist and maximalist approach to horror. 

Sleep of Reason

This anthology from Iron Circus Comics features some pretty warped illustrations, and some of it reminds me of Midnight Gospel’s creative use of color and form. This collection of avant garde horror also avoids a lot of the typical tropes of horror and instead creates that creeping sense of unease that we are always unable to ignore.

Understanding Monster by Theo Ellsworth

This graphic novel may not exist exclusively in the avant garde horror genre, but I’m not sure it exists in any genre. The protagonist of the story finds his spirit trapped in a mouse, while his skeleton wanders around aimlessly. He’s aided by misfit toys and another spirit, this one trapped in a fly. The antagonists are equally diverse and include the Devil, a mummified pharaoh, and “The Mean Kids in the Wall.” They all exist in “negative time.” It’s weird. We like it. 

Bodyworld by Dash Shaw

This web avant garde horror comic by Dash Shaw was compiled and revised into a graphic novel, and they both will blow you away. Our protagonist, Paulie Panther, is a deranged botanist who’s the kind of creep that imagines himself a romantic. His current obsession is a psychedelic drug that grows at the outskirts of the Boney Borough High School. It lets you feel what other people feel, and when smoked together, you can feel the other person feeling their feelings felt by your feelings. Get it? It’s a mind-warping story set in 2060, a post-apocalyptic civil war future, that dives further and further into a dark fantasy. 

I Feel Sick by Jhonen Vasquez

This Jhonen Vasquez comic is a spin-off of his previous work, Johnny the Homicidal Maniac. The unhinged approach is still very much alive in I Feel Sick, whose protagonist, Devi D., learns about the destructive psychological and supernatural influences that drove Johnny insane. The acid trip starts on page one, with Devi ripping up a painting, only to find intact a few panels later, and doesn’t end until everyone is entirely unhinged.

It’s hard to number these or rank them in any particular order. The stories are so engaging and the art so wildly entrancing, I think there’s something for everyone’s kind of strange in this list. We update these lists every now and again, so if you think your kind of strange is missing from this list, let us know in the comments below. Keep Puzzle Box weird, guys! Thanks for reading. 

Best of Supernatural Horror Comics

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The supernatural holds a strong place in the societal psyche. There aren’t many subjects that are as alluring in terms of the unknown and the extraordinary and also as terrifying. Searching for and approaching the supernatural is exhilarating, but finding it and seeing it is risky business. It’s enticing, spine-tingling, hair-raising, and if you’re reading this, it’s impossible to look away. What better to enjoy the best supernatural horror than in a comic book format?

Witches – check, demons – got em, ghosts – of course. This list of incredible supernatural horror comics demand to be read, and are the greatest reward to those that burn the midnight oil. 

Gideon Falls by Jeff Lemire and Andrea Sorentino

Norton Sinclair, a recluse with interesting dumpster theories, and Father Fred, a pastor in Gideon Falls, have otherworldly visions of “the Black Barn.” Each of our leading men has their own riddles to crack, from clues hidden in city litter to sinister small town mysteries, but they both lead them to Gideon Fall’s central omen: the Black Barn, and the trip-fest inside breathe new meaning to ideas of “otherworldly doom.” Definitely one of the best supernatural horror comics out there.

Girl From the Other Side by Nagabe

“The God of Light took everything away from the God of Darkness, changing him into the shape of a hideous monster.” Well, I was hooked. Turns out, victors are not always fair, and the God of Light is no exception. This story follows Shiva, the only human in the Outside, the land of the God of Darkness. She is accompanied by her Teacher and lives among the Outsiders, commanded never to touch Shiva by the Teacher, lest they corrupt her. The mysteries of the Outside and it’s cursed denizens are numerous and devilish, and I loved every bit of it. 

Exorsisters by Ian Boothby and Gisèle Lagacé

These sacred sisters are great for exorcisms on a budget. Coming-of-age stories are great pretenses for horror, and the Harrow sisters grow up averting the end of the world, defeating demon-obsessed boyfriends, and dealing with their mom. The Veronica Mars vibes are pretty high, with a bit of Charmed mixed in. Need I say more?

Redlands by Jordie Bellaire & Vanesa R. Del Rey

Southern gothic and Southern horror are powerful. I’ve lived in the South for years now, and it has always struck me how it feels like the physical terrain holds the scars of the past, today. Redlands is another incarnation of this great American tradition, starring a coven of witches in a foggy Florida town and the citizens they subjugate. And when those citizens want to make a change, the supernatural exploits in Redlands, Florida, only get worse. 

BPRD by Mike Mignola

Demon frogs, demon detectives, and the CIA paint the pages of BPRD, the Bureau of Paranormal Research and Defense. Mike Mignola’s expanded universe takes place after Hellboy leaves the BPRD, who still have to stop the End of the World as We Know It. Success becomes a very relative term as the story progresses, and the frogs become the least of their problems. Mike Mignola’s universe barely gives our heroes any breaks, and when it does–wait, does it ever?

Harrow County by Cullen Bunn and Tyler Crook

What started as Countless Haints on Cullen Bunn’s website became Harrow County, a supernatural fairy tale told in a southern gothic style to hainting success. Emmy, a peaceful country girl, starts to hear things in the woods; monsters, ghosts, and shadows, speaking to her like old friends. An old oak tree at the edge of the farm calls out in her dreams, and a witch’s curse may come true, or so it seems. 

Fatale by Deon Taylor

Femme fatale’s are classic, badass, and electric protagonists. Fatale’s femme du jour is Josephine, an enchantress from the 1930s, alive in the present day, enchanting as ever. Interestingly, this attraction doesn’t always go in her favor, and the men around her typically pay the price. Struggling with her “gift” and battling a cult obsessed with her seeming-immortality are all in a days work for Jo, and her escapades keep her world, and our heads, spinning. 

Rachel Rising by Terry Moore

The trick to a good murder is making sure the dead stay dead. Rachel Beck has other plans. After waking in a shallow grave, apparently strangled, and with no memory of her death, she begins trying to solve her attempted murder. What she finds is witchcraft and demons, hellbent on destroying her town. Demons and the undead typically mean one thing: the end is near. 

The Chilling Adventures of Sabrina by Robert Aguirre-Sacasa

This teenage witch may seem familiar, and so too do the names and faces, but the stakes are more than a bit higher, and the spells much darker. Sabrina Spellman’s coming-of-age story collides with catty witches, dead parents, and satanic rituals. Such is the life of any half-witch high schooler. 

Nocturnals by Dan Brereton

The Nocturnals is a great of example of an ensemble supernatural comic, written and illustrated by Dan Brereton and published by Dark Horse Comics. We start with Doc Horror, the patriarch of the patchwork Horror family, a gang of supernatural outcasts, with extraordinary abilities. Our protagonists fight against supernatural enemies as well as corrupt corporations in a fictional California city, Pacific City. Here, we love horror, we love the supernatural, and we love ensembles. Nocturnals does it all.

These are my personal Tales of the Crypt, ladies and gentleman. These are the best supernatural horror comics I have read yet. They’ve kept me up at night–reading and otherwise. I love to hear from you all, so please comment and tell us where we screwed up or uncover that hidden gem only you have discovered. Discourse is the foundation of democracy, and the difference between seventh and eighth is a big deal, okay?! If you like supernatural horror comics you will also love cosmic horror comics.

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