For those who don’t know, Train to Busan (2016) was a hugely successful south-Korean zombie flick from 2016, which made use of its tight £8.5 million budget to create, believe it or not, a unique and exciting entry into the world of modern zombie films. The film utilised strong direction, a cast including zombies played by dancers and contortionists, exhilarating action in a snowpiercer-esque limited setting and some genuinely emotional moments to engage critics the world over. Then, the one thing happened that nobody really wanted: Next Entertainment went and got sequel fever. 

Train to Busan worked because of its limited setting and, dare I say, its limited budget. A common gripe with sequels of films like this is that they go “all Hollywood” and layer in as many computer-generated effects as they can over a rushed plot and basically try to crank every aspect up to eleven, many times missing the point of what made the original great and alienating those who appreciated it the most. That, sadly, is exactly what has happened here. 

Train to Busan presents: Peninsula Has No Heart

Firstly, the heart of Train to Busan has been ripped out in Peninsula and replaced with one mechanical and unfeeling, one that tries desperately to imitate the organic beating of its predecessor while any right-minded viewer frowns at the blatant algorithms forming their emotional experience. Basically, the sentiment is so forced into Peninsula that it borders on emotional manipulation at several points, wherein the film may as well have held up title cards saying FEEL NOW rather than spend so much time lingering on mediocrely-portrayed anguish and cheap, oh so cheap misdirection. Without spoiling anything, I honestly wished they’d committed to the more tragic ending that was implied in the final scenes rather than backpedal in their inferral that we as viewers couldn’t handle it.

That being said, for the most part Peninsula knows what it is, and as a result is a fast-paced and often fun action movie. Much of the claustrophobic tension falls by the wayside for car chases and gunfights so heavy on CGI that one would be forgiven for thinking they’d wandered into Zack Snyder’s latest picture. Every time we are shown a crowd of zombies, which here serve more as fodder than a threat, at least half of them look superimposed or computer generated which, along with the borderline cartoonish style, can break immersion regularly. Some of the long-take action scenes are competently pulled off and enjoyable, even despite feeling a little derivative. Any scene in which a somehow-indestructible car mows down hundreds of computer-generated undead (which happens more than enough) is enough to draw an exasperated groan from anyone familiar with modern, high-budget zombie flicks. 

Aside from a few unique ideas, such as twisted survivors throwing strays into their zombie arena to battle captured undead and a clever idea involving a little girl and her remote-control cars, a lot of Peninsula feels a little too familiar to justify its runtime. If they are indeed setting up a series of zombie films here then I hope they continue the variation in concept and boil things back down in an attempt at a more focused zombie flick. We all know the genre has more to give, if only those creating it could show enough restraint to remember what made zombies great in the first place. 

Joe Clements

Joe first knew he wanted to write in year six after plaguing his teacher’s dreams with a harrowing story of World War prisoners and an insidious ‘book of the dead’. Clearly infatuated with horror, and wearing his influences on his sleeve, he dabbled in some smaller pieces before starting work on his condensed sci-fi epic, System Reset in 2013.Once this was published he began work on many smaller horror stories and poems in bid to harness and connect with his own fears and passions and build on his craft.
Joe is obsessed with atmosphere and aesthetic, big concepts and even bigger senses of scale, feeding on cosmic horror of the deep sea and vastness of space and the emotions these can invoke. His main fixes within the dark arts include horror films, extreme metal music and the bleakest of poetry and science fiction literature.
He holds a deep respect for plot, creative flow and the context of art, and hopes to forge deeper connections between them around filmmakers dabbling in the dark and macabre.

linktr.ee/Joeclements

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The post Train to Busan presents: Peninsula (2020) appeared first on Puzzle Box Horror.

1978’s Dawn of the Dead is a movie about decadence in every sense of the word. Faced with the threat of human extinction, the film’s heroes barricade themselves inside a shopping mall, living out a consumerist utopia while zombies run rampant outside. The more they lose themselves in material pleasures and hedonism, the more obvious it becomes that the world as they know it has ended. This horror classic from George Romero is a scathing indictment of a civilization in decline, a chronicle of American decadence in all of its glitz, glamor, and gore.

Initially, the social commentary in Dawn of the Dead may seem a touch on-the-nose. Watching zombies stagger around the mall, the characters comment how their behavior is not so different from before. They return to the mall due to “some kind of instinct,” says Stephen (David Emge), “a memory of what they used to do.” Horrified by the almost-human behavior of the shopping dead, Francine (Gaylen Ross) asks: “What are they?” Peter (Ken Foree) responds: “They’re us, that’s all.” There is little difference, Romero implies, between the mindless consumerism of 1970s America and the shambling of an undead horde.

Direct equivalence between mall-goers and zombies, though, is a more simplistic reading than Dawn of the Dead deserves. A richer meaning can be found by moving beyond simple metaphors and thoughtfully examining the dynamics between human beings and their environment. What this cinematic “dissection” reveals is a recurrent motif of decadence. Throughout the film, there is a consistent mismatch between living, flourishing tissue on the outside, and stagnation and decay beneath the surface. The characters who are unwilling to recognize the ugliness beneath a thin veneer of decadence are doomed; the only hope for survival is to stop living in denial and face the grim, unavoidable truth.

Dawn of the Dead 1978 Original Trailer

This mismatch is present from the very beginning of the film, and harkens back to Romero’s original Night of the Living Dead. In Night, the news was a source of security — TV anchors gave advice to survivors throughout the film, even directing them to evacuation sites. In the first moments of Dawn, however, we are taken behind the scenes at a news station where it is clear that nobody knows what they are doing. The studio is in chaos, with half of the staff yelling over one another, and the other half abandoning their posts. Even the list of evacuation sites from Night is revealed to be out-of-date — although this last detail does not stop an executive from insisting that the studio continue to broadcast the list. What’s sending a few survivors to their deaths, after all, as long as viewership remains high?

Right after this introduction comes another crucial sequence, in which a unit of the National Guard invades a public housing complex whose tenants have refused to give up their dead. By clinging to old rituals and refusing to accept their new reality, these tenement-dwellers have locked themselves in with a horde of zombies. More depraved, though, is the behavior of the National Guard toward these (mostly black and latinx) civilians; they fire machine guns indiscriminately, causing more deaths than the zombies themselves. Hidden beneath a thin layer of government-sanctioned authority, the moral decay of these unhinged, bigoted soldiers is apparent. Once again a curtain is whipped aside, revealing the ugly truth of a society hopelessly in decline.

These two introductory sequences expose how central institutions of modern America — media and law enforcement — are thin bandages over seeping wounds. The rest of the film, set almost entirely in the shopping mall, doubles down on this theme. Even after our heroes establish a secure base camp with enough supplies to last a lifetime, there is little comfort to be found. The novelty of an unlimited shopping spree wears off quickly, and it is soon clear that they are merely going through the motions of decadence. The more they distract themselves with lavish outfits and expensive toys, the more their consumerist paradise resembles a slaughterhouse.

Eventually the contradictions between outer decadence and internal decay become impossible to reconcile. After one of the four is killed securing the perimeter of the mall, the others decide they would rather face an uncertain future than die inside a prison of their own making. This about-face comes too late, though, as their attempts to flee attract the attention of a roving gang of bikers. The sinister delight with which the bikers descend on the mall may seem a bit over the top, but that is the point. Other than their lack of restraint, there is no substantial difference between these cackling Mad Max rejects and our own heroes. If the world as they know it has died, then what is really more depraved: basking in decadence, or stripping it for parts?
As the ending credits play over a cheerful montage of zombies romping through the mall, the film’s message stays with the viewer like a bad taste.

If Night of the Living Dead showed America as a powder keg ready to burst, then 1978’s Dawn of the Dead makes the claim that it has been dead for years already; we are simply living our last, decadent years inside its rotting corpse. What better way to illustrate this than to juxtapose the literal walking dead next to the rituals of modern consumerism? George Romero proved with his followup to Night that he could go bigger, bloodier, and more ambitious. But more than forty years later, it is the powerful social message of this horror classic that stands out the most.

Meadow Green

Joseph Green is a writer, filmmaker, and lifelong horror nut. When he isn’t watching horror movies or listening to heavy metal music, he is writing articles about them.

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Even if you’ve never been buried alive, rest assured, this movie cannot hope to capture the terror that one must feel waking up to the darkness and heart-stopping fear of waking up in a coffin, with no possible hope of being rescued. If you have not yet seen The Serpent and the Rainbow (1988), then perhaps it’s time—this movie has aged well, at the time of this posting, it’s nearly thirty-two years old, still relevant and pretty terrifying through the right lens. Given the fact that this movie was created in the late eighties, it stands to reason that if it were remade, it could be given new life, it definitely has the potential with a higher-rated actor and better cinematography to be a more nail-biting journey to have a glimpse into what zombification in the voodoo culture is truly about. The Serpent and the Rainbow was based on a book with the same name and directed by Wes Craven—a highly regarded thrill-maker in his heyday—and is given the attribute of being inspired by a true story, which is believable considering the attention to detail that was paid to even the most insignificant aspects of the story.

“In the legends of voodoo
The Serpent is a symbol of Earth.
The Rainbow is a symbol of Heaven.
Between the two, all creatures must live and die.
But because he has a soul
Man can be trapped in a terrible place
Where death is only the beginning.”

The Serpent and the Rainbow (1988)

Set during the political unrest of Haiti in 1978, Dr. Dennis Alan (Bill Pullman), an anthropologist turned field-researcher has just come back from exploring for medicinal herbs and plants; he’s hailed as a hero at the biological research company, at which he works because he’s brought back medicines that no one before has ever been able to collect. No rest is given for the weary though and he’s immediately asked to go investigate the mysteries of zombification in Haiti—they have just come across evidence of a case eerily similar to that of real-life Clairvius Narcisse. Christophe was a man who died and was brought back to life. So, Dr. Alan sets off to find this mysterious zombification powder, something his bosses hope to find useful in their medical research.

Surprisingly, much of the lore of voodoo is represented quite faithfully, which has a lot to do with the fact that most of the movie was filmed on location during a time of political and social unrest; the scenes in which voodoo rituals occur, they were actually filming voodoo practitioners who were in a trance state. The authenticity of these scenes sets this movie apart from any other movie about voodoo that is out there, it can’t get more realistic than this without being an outright documentary. The whole movie was based loosely around The Serpent and the Rainbow (1985) a non-fiction book was written by Wade Davis. The author is to this day, an anthropologist who initially made himself famous by his research in the field of psychoactive plants; he was one of the first outsiders to gain access to the secrets of zombification and how the powder was created, which are highly guarded secrets in the community of voodoo in Haiti.

So, while simultaneously staying true to much of what voodoo is about and not intending to create a horror movie, director Wes Craven was somehow able to make the movie a psychological experience that kept it both interesting and entertaining, long enough to get to the meat and bones of the plot. Insights into the poorly staffed insane asylums and the psychological state of a person who had undergone the trauma of being drugged, declared dead, buried alive and then being dug up and made to serve a master, created an environment early in the movie that this entire expedition was going to be a dangerous one for Dr. Alan. Like a well-trained and eager anthropologist, our antagonist goes above and beyond what any sane field researcher would do, finding himself in graveyards searching for a mentally unstable resurrected Christophe, attending voodoo rituals in which he witnesses men chewing on fire and women eating glass, and running into an evil witch doctor, Peytraud, who does not want him to be successful in finding the secrets to zombification. It’s important to watch this movie without any lens of bias, as far as what valid religion and spiritual practice are, it requires people to be open to what is possible when belief in the strange and unnatural is strong and unwavering.

Possessing the knowledge that Wes Craven never intended this movie to be a horror flick, it’s quite easy to see past the dated effects and experience Dr. Alan’s nightmarish visions with the depth of fear that someone that has had the superstition of the land seeded into his brain. With an added element of complexity, Dr. Alan falls for the beautiful psychiatrist who aids him in his journey to the highly sought-after zombification powder, which allows him to be more easily manipulated by Peytraud who later has Dr. Alan in his clutches. The cinematography in the torture room of Peytraud is intense, especially considering the time in which the movie was made, the gore wasn’t a necessary element to induce fear in audiences. We know what is going to happen to our antagonist when we find him being strapped into a chair, with his underwear around his ankles, when Peytraud reveals a coffin nail and tells Dr. Alan that he wants to, “hear (him) scream.”

Not to be deterred, we see the effects that Peytraud has had to Dr. Alan’s mental state, his nightmares and visions get worse—he’s being buried alive in his dreams, he screams as blood begins to fill the coffin and quickly consumes his body. Political tactics are taken to scare Dr. Alan into leaving Haiti without what he came for, which nearly works if it weren’t for his hidden ally who ends up sneaking it to him after he has been forced into a plane that will take him home. Threats of being arrested and executed have been levied on him, which means he has to leave his lover, Marielle (Cathy Tyson), behind despite the danger she would be in for her associations with him. The brief time back in Boston is punctuated with the powder having been researched, which the movie is also incredibly true to its source, noting that the subject would be aware of everything that was going on, while still appearing clinically dead. Peytraud shows himself through magical means, making it clear that he can reach Dr. Alan wherever he may be—his visions have not ceased since arriving back home. Dr. Alan returns to Haiti in order to make sure Marielle is safe, he finds the ally that gave him the powder has been executed for what he has done—this is where things truly turn bad for him.

Don’t let them bury me. I’m not dead.

Dr. Alan – The Serpent and the Rainbow (1988)

After having zombie powder blown into his face by one of Peytraud’s associates, Dr, Alan stumbles through the village and eventually falls to the ground, pale and apparently dying–he utters the words that the movie is famous for, “Don’t let them bury me. I’m not dead.” The fear in his eyes is not overplayed, in fact, this part was incredibly well done. After being declared dead in the hospital, we see Peytraud has taken control of his body and is seeing to it that Dr. Alan is put in the grave.

“When you wake up, Dr. Alan—scream.
Scream all you want, there is no escape from the grave.”

Peytraud – The Serpent and the Rainbow (1988)

Before watching this movie, I read reviews of it, so this is always where I was led to believe that the movie ended—our hero, the noble anthropologist, seeking secrets for the future of medicine gets buried alive and that’s that—the ultimate fear of someone who is claustrophobic, meeting their demise in a cramped box with severely limited oxygen. Except, this isn’t where we end—Christophe, comes to Dr. Alan’s rescue when he awakens from his drug-induced trance and begins to scream. In a moment of unexpected vulnerability, Christophe consoles the anthropologist, “You’re alive. You see things the living can’t see. In a daring rescue of his lover, Dr. Alan squares off against Peytraud where he encounters several setbacks and finally overcomes the mind control of his nemesis, defeats the bad guy, rescues the girl, and saves the day. His visions cease and we’re led to believe that he goes on to live a happy and full life.

All in all, this movie has stayed relevant over the past three decades and is highly recommended for being both unique and authentic in its representation of zombies. You’ve got to check this one out!

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post The Serpent and the Rainbow: Dissecting the Truth of Voodoo in Movies appeared first on Puzzle Box Horror.

Part 02 — The Monster Inside of Me

Such is the unnatural body of this god, which has no kinship with the dust of our world; indeed, it is not flesh as we know flesh, but as crystal or glass, and soft so that during his dreaming death it often breaks apart, but when it breaks it at once reforms itself, held in its pattern by the will of the great one. Such is the unnatural nature of this sleep, which has no kinship with those who were left standing…

It took an effort to open my eyes and when I finally did, I couldn’t see much of anything but a blur—someone was moving in the room I was in. I was feeling groggy and that unbearably painful hangover ache—except, I stopped drinking a long time ago. Didn’t I? Why did I feel so different? What’s wrong with me? My eyes blinked rapidly of their own volition, in an attempt to clear the blur, but my vision barely improved. It wasn’t until I tried to move that I realized I was strapped down and a panicked groan—I suppose that’s when the person realized I was awake.

“Do you know your name?” The pale white blur asked me with a muffled voice, what an odd question, I thought to myself.

“Of course, my name is—,” what the fuck is my name?

“Don’t worry, the memory loss is normal, it’ll come back to you soon,” a flash of white hit each of my eyes, it must have been a flashlight because the pain hit the back of my head. There were more questions, I had fewer answers—the more he probed me for information, the more I realized I didn’t know who I was, let alone where I was. He was talking about my vision and memory coming back as my brain regenerated.

“Wait, what do you mean? What happened to me? Where am I?”

“Easy answers first, I suppose. We’re in Whittier—,” how the hell did I get to Whittier? According to Dr. Blur, it was very nearly the end of the world. The next few weeks were a little more revealing; I slowly began remembering things from before it all happened. I remembered where I had grown up, a small almost-no-name town in the interior of Alaska. I was never used to an abundance of people being around during the early parts of my life. All the same, I would still wake up in a cell and not know where I was for a time. It was all incredibly jarring.

The medical staff weren’t very talkative, which was understandable. The few details I was able to pry out of them painted the picture clearly enough. The contagion had nearly converted all of the human population into mindless, soulless killers—small pockets of humanity were able to somehow hold on to hope long enough to stay alive throughout the last surge of the dead before the cure came. It’s not like they weren’t well prepared, Alaska is an open-carry state after all. A lot of people died. 

My first thought was Trudy, she was the closest thing I had to family, but I was hundreds of miles away from home; there was no way I would know. The beginning of the pandemic was all rumor, but then the major news stations started going off the air, permanently. I eventually remembered the day that our communications systems went down and that’s when I truly felt alone for the first time in my life. Now I remember that day like it was yesterday—the process of infection from the time it hit the United States until it reached Alaska took a week at most.

Cities and other largely populated areas were run through in a matter of a day or two; after the shit hit the fan, doctors and scientists became incredibly scarce throughout the world, not to mention in Alaska. Within the last year in no less than a miracle, they had somehow developed a serum, but I suppose since it wasn’t a matter of money, test subjects were widely available—albeit a touch aggressive—and there were no federal regulations anymore it was just a brassy and ballsy group of nerds who saw a problem and figured out how to tackle it. Without knowing any organized cure was being sought after, the last pockets of uninfected people had all but given up, or at least that was what I had been told. I missed a great deal of it while stuck in a dark cloud of calamitous hunger, the melodious satisfaction of hot copper—it felt like a lifetime ago, but they told me my treatment had started a month ago. I only remember the last week of scientists observing me in their dirty spacesuits, the look of fear in their eyes, and perspiration looming on their temples as they gave me my daily injections.

Although I hadn’t been told much about where I was being kept, I had to deduce based on the limited information I came across. As an example, the armed guards weren’t opposed to taking book requests—since there had been at least a few individuals who had hoarded books for fear of losing humanity completely. That meant that there had to be room for a library. There were obviously cells already present since I was in one. There were dedicated medical rooms and on my escorted journey from my cell to the hospital wing we passed what looked to be a dilapidated and rotting movie theatre. There was also evidence of covered graffiti on the walls, covered in white paint.

I had only been to Whittier a handful of times before, but it was the thick concrete that made up the walls, floors, and ceilings that ultimately gave it away. I was being kept in the Buckner Building. It was created to be a city under one roof, but the last time I remember seeing it, there had been a lot more degradation than this. They must have finally gotten the financing to refurbish the property before everything went to shit and it seemed as if the first steps they took to reclaim the property from the elements was to install all new windows and doors. Or maybe they just painted over the doors, but the ones I was shuttled in and out of looked new to me. I was curious, though, why it seemed as if the jail cells had been refurbished as well—but it was a pretty historic monument to the Cold War, so maybe they had been planning to turn part of this creepy fortress into a museum. Who knows, I just had a lot of time alone in my cell to think and still missing chunks of my memory, even the most boring topics were enough to keep me entertained during those long sleepless nights.

After one such night, a metal hatch opened in the door of my cement cell, and I sat up in my cot. A smell wafted in, it was an odor that fell rancid upon my tongue and it caused my stomach to twist. I wasn’t used to this kind of hunger anymore, but being met with the smell of what I used to know as food was enough to make me nauseous. The tray was sparse, just powdered eggs, tomato soup, and no appetite for any of this; I could only assume they were still working with the supplies they could scavenge, but I wasn’t privy to the way things worked just yet. 

“When am I going to be let out of here?” I asked the man wearing protective gear on the other side of the cell door, but I got no response. “Please,” my voice was hoarse, my throat was still raw from the guttural language of ravenous growls and screams that had abused my vocal cords over the last year. Standing up was still a chore, but I blamed that largely on the black and purple swollen mass that used to look like my right foot.

The doctor had told me that it was healing, but it was still immensely painful so I would have to take their word on that. I was one of the lucky ones who hadn’t sustained many injuries. Other than the initial bite that turned me, I was intact, but through the course of traveling with a roaming horde of other revenants, I must have had a bad fall. I hobbled over to the tray of what my brain recognized as food, while my body’s reaction to it argued that it was anything but. “Is there anything else to eat, this smells rotten…” 

“I assure you it’s fresh,” the mousy whisper of the male voice inside the suit infuriated me, “but I heard them say your trial group will be out next week.” I found myself wondering how a meek young man had made it through an apocalypse unscathed when I hadn’t. Maybe he had been here all along. Whittier itself was a port town that was only accessible by boat or through a single-track train tunnel. If they had been desperate enough they could have collapsed the tunnel, but it had been much more effective to simply barricade the entrance and brave the outside world to hunt and scavenge during the summer months. To be honest they probably went the entire time with hardly a run-in or a disturbance until they began the medical trials here.

I took the tray and he snapped the hatch back up so quickly that it startled me; I ended up splashing the red soup down my white jumpsuit. I watched it trail down my front, the lurid clash as it stained the fresh white fabric brought me back to the present; then, a pang of hunger electrified my body. It reminded me of blood, one of the only pleasurable things I could remember in that vast nothingness and aggression that I had been lost in, but then I knew that my hunger being aroused by the thought of blood wasn’t exactly a normal thing. Their cure had restored my logical brain, the one that reminded me I was human, that gave me control over my body, and allowed me to make more than just knee-jerk choices. It had begun the process of healing that was much needed after what the last year of rot and walking death had brought upon my body. Surely if I had been found any later, I would have been amongst those who could not be brought back.

I hear a scream from down the way, it was followed by the sound of footsteps running down the hall and more yelling. I pressed my face against the bars to try to get a glimpse of what was happening. There was a blood curdling, inhuman screech and the commotion just became louder. I heard someone yell, “just shoot her!” and that’s when the gunshots rang through the jail. After that, I heard the head doctor curse loudly, something about what a waste of fucking time. Ten minutes later, they were dragging a body bag past my cell—another incident happened a couple of days later.  It was worrisome, to say the least, they had been here longer than I had. If they were reverting, what did that mean for me?

I only knew as much as I could pull from my brief interactions with the people bringing my meals and the medical staff that came with my daily injection; some of them had hardened severe expressions, but most seemed nervous or frightened that at any moment I might be another failed experiment. The constant feeling of being observed was unsettling, like being stalked on a dark street with predatory anticipation. We were experiments, now—lab rats that could communicate—living only to satisfy their need to control an uncontrollable pandemic that had reduced the world population to just an eighth of what it had been.

The diseased walked freely in more than doubled the numbers of the uninfected. It was easy to see why they approached with such trepidation, but feeling as if I were a rabid dog that would no doubt bite their hand was at best dehumanizing. Falling asleep was getting progressively more difficult as I got closer to having my condition “contained.” That night was no exception, the only difference was that the nightmares started sooner, but I was starting to believe they were memories.

Another week went by of feeling the cool indifference of those who were treating me—it was the day before I was going to be released into a controlled population where I would be observed for my interactions with the uninfected. The discharge process was a five-hour lecture on how I needed to complete my daily outpatient treatments for the following month. The clock on the wall ticked each second by languidly with each new presenter. Considering it had been almost two years since I had last had a joy, I didn’t expect it would be too difficult for me to adhere to their demands to keep the uninfected safe.

Then again, with the whole state of the world still being without much of the former technological triumphs, finding people was more of a chore than finding a cure for the rising dead. In the end, I resolved to keep up my end of the bargain and walk back to the clinic from the rehab facility to get my daily treatments. I was finally allowed to go outside into the fenced yard where I was able to see the other people in the trial treatment with me; according to their limited research, it was not possible to get reinfected, so they weren’t exactly worried about us. I sat in the yard in the shade of a large birch tree that day when a girl a bit younger than myself sat down next to me.

“Did they find your family?” Her voice sounded as ragged as my own, I shook my head and examined the dandelion fluff that I had plucked out of the grass at my side. There was a moment of clarity as I stared at the dandelion, I remembered sitting in an overgrown field during the summer as a child, making wishes and blowing the fluff into the wind. “I’m Elle.” The woman offered her hand to me and I didn’t recognize the urge to shake it, it felt like an alien tradition that was lost to me now.

“Um—Molly,” it didn’t feel like my name either. “Why didn’t they let us out here until today? Aren’t we getting released tomorrow?”

“Yeah, but only because they have to make room for the next batch of… well,” Elle gestured broadly to everyone in the gated yard, “what we used to be. What we still could be…”

“What do you mean by that?”

“I’m not sure, I’ve heard other patients talking about something they call ‘the reversion’ but as far as I know, it’s just a rumor.” Her shoulders rose to her ears and the uncertainty in her voice was clear, “apparently some of the others they thought they cured, the treatments just… didn’t stick.”

Oh is that all? No big deal, I guess.

The next day we were woken up early and there was such strange anxiety when they handed me clean street clothes and directions to the rehab house I would be staying in. The sunlight was exceptionally warm on my cold skin and burned my eyes as I stepped out of the lobby of the old fortress. The fresh air was a nice reprieve from the stale, sterile air they had managed to maintain within the makeshift labs. I shielded my eyes and glanced either way down the street; the pavement was devastated, broken, and overgrown. There seemed to be people living across from the Buckner Building when I finally walked out of the front. I turned and saw that the Buckner Building was similarly crumbled—so it was just the inside that they had improved. There were only a few signs of life on the streets outside it was an eerie sort of isolation that left me feeling as if the world were ending all over again.

I found myself wondering if Elle was going to be at the same facility as I was, it had been so long since I had seen a friendly face and she was the first person to talk to me like a human being since… I don’t know, I didn’t have any sense of time anymore. There were several people outside tending to a community garden as I turned a corner. They all stopped working when they saw me limping by them, I’m sure I was a sight to see—a pale, hobbling former dead girl, walking among them, reborn back into this shit show. I just kept my eyes on the ground in front of me, before I knew it was I standing in front of the house where I was going to be staying.

That’s when the screaming started. It instantly made my blood run cold. Glass shattered in the alley just around the side of the house which caused me to take a couple of steps back. Then suddenly my face met the pavement as I was knocked violently to the ground by the people who had been tending the garden. They had their guns raised and ready as they dashed toward the sounds of struggle, I rolled, dazed, and watched as this large man tore a woman apart in the alleyway—her screams were enough to draw a small crowd of people on the street behind me. Where the hell did they all come from?

One—Two—Three—and a head-shot for good measure. The people behind me were murmuring amongst themselves, “I thought they were cured!” I pushed myself up from the pavement onto my knees and watched the rest of the scene play out, “what if they all change back?”

There were no second chances here.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Duology of the Damned: Part 02 – The Monster Inside of Me appeared first on Puzzle Box Horror.

I woke up to the unsettling caw of a raven sitting in a tree near my window. I could feel the sweat that had built up on my forehead overnight and I was feeling greasy, but the prospect of what I had to do this morning grated on my nerves. I rolled over on my other side, having decided to give myself a few more hours to improve my mood. The moment I closed my eyes I fell back into the dreary embrace of blackness.

I was already pulling my boots on when I realized that it had snowed overnight. Again. A glance out of the back window of my cabin revealed the heavily snow-laden trees, they bowed in submission to the densely packed wet slush that persisted despite the climbing temperatures. The quiet stillness that came with a fresh blanket of snow provided an unflappable peace. There was a certain appeal to the idea that Mother Nature cared just as much about the affairs of men as I did. I wrapped the rough brown-dyed moose leather ties around my second mukluk and secured it, right before my annoyingly devoted husky pushed her face underneath into my armpit and flung my arm upward to tell me what time it was.

I set her kibble in front of her, she plopped down, wrapped her front paws around the silver bowl, and began to eat it daintily; it had taken me almost two years to teach her how to be a lady at chow time. Hash-browns and eggs hit the hot skillet with a loud sizzle, I was counting on those extra carbs to give me a bit of a boost of energy today, it was still frigid outdoors and I had a lot to do. A shovel full of the wet snow felt as heavy as lead and the next hour proved to exacerbate my sciatica, but it was the combination of painfully numb fingertips and the sweat running down my back that was the most unpleasant aspect of it all. Nevertheless, if I wanted to get out of my driveway, I needed to clear enough space to give myself a running start out onto the unplowed road.

My stark white pup, Scottie, had begun to run circles around me, her joyful frolic in the fresh snow had not quite come to an end. This was her favorite time of year, she was built for this weather, and then she disappeared into a large pile of snow and reemerged with a goofy, tongue-lolled-out smile.  I stuck the shovel upright into one of the snow berms I had built up and started up my Jeep to warm the engine—that was Scottie’s cue and she knew we were going to town before I could even make it back to the house for my wallet and coat. She was already sittin’ purdy in front of the door.

I stopped on the top step, kicked my mukluks together, and snow fell off in wet clumps. A chickadee caught my eye, as it flew past my head and landed on a nearby branch, then my line of sight was drawn to my neighbors’ cabins. They had been oddly quiet today, each of their cabins had their respective car or truck parked in front when they would normally have been gone by that point. I hadn’t seen them going in or out of their cabin all day either, and I couldn’t see tracks in the fresh snow around their houses and that was strange, to say the least. Then again, I guess it wasn’t any of my business.

I knew the drive out to the main road wasn’t going to be a picnic, but I just needed to get out of that cabin. So today, Scottie and I were going to indulge in our favorite pastime of watching The Price is Right whenever we could make it to the bar by the time they opened their doors in the morning—I had been told that today would be the last day it would be open for at least two months while the rest of the city slept in quarantine. I didn’t understand why they were closing all sit-in establishments, why couldn’t people just wash their damn hands and stay home if they were sick? One bad apple… or something like that. So, this was officially the last chance I would have where I could get out of the house for more than just some colas and toilet paper for a while. I was going to take full advantage of it if I could. 

Cabin fever was a bitch and sitting at home with nowhere to go would be fine for a while, but it was only tolerable if there were brief punctuations of exposure to the outside world. It was barely 10 in the morning, the bar had just opened its doors and somehow the same five regulars were already there for coffee and our morning ritual of the boob tube. Delicate white flakes of snow drifted down from the grey sky when I pulled into the parking lot of the dull red riverboat-turned-bar.

Scottie slipped through my legs into our favorite dive bar as soon as I opened the door and then she made her rounds to greet her favorite people. Her favorite people being the ones who offered her the dog biscuits that were kept behind the bar. When Scottie finally came back around, I had my coffee in front of me and the sound of Johnny Olson’s trademarked, “come on down!” was coming in clear over the cacophony of applause and theme song. Gary, to my left, passed me the local paper once he was done with it and there it was. The headline struck me abruptly; my heart inched further and further up my throat.

MANHATTAN OVERRUN

I swallowed down the lump in my throat and I set the paper aside, because ignorance is bliss, at least for now. A bubbly older woman on the television was bobbing up and down on the balls of her feet as she leaned in to spin the huge wheel for the Showcase Showdown; I threw back the rest of my now cold coffee and fended off the bartender’s attempt to refill my cup.

“I’ll be back later with Trudy,” I mentioned in passing before I pulled my Carhartt jacket on over my sweater, the bartender smiled and waved as Scottie and I opened the door to leave. I had a date with an old lady and a shopping cart, so I knew I would get an earful of the latest news on what was happening in the world from Trudy soon enough. Worrying too much about the headlines right now would just make my mood worse—no need to ruminate.

 I loaded Scottie into the back of my Jeep and in no time at all, we were cautiously pulling into Trudy’s driveway. I popped my head in through her front door to let her know I was there, then came the inevitable shoveling of snow to clear her driveway enough for her to get through to my Jeep without too much difficulty. Tiny Trudy appeared at her front door just as I finished creating a path for her and I held out a hand to her, so I could help her down the rickety stairs. Her frail form moved agonizingly slow over the slick black ice near her door. Her cleated boots made no difference in consideration of her near weightless state. The drive was quiet, except for her unceasing country music and her tar-coated lungs wheezing with each breath. The store was startlingly barren, the panic still hadn’t subsided it seemed—Trudy’s normal complaints had gone into overdrive.

“There’s no toilet paper, honey!” She wheezed indignantly, her creaky voice announced both her dissatisfaction and her disbelief. Once she saw the headlines of the scandal sheets, she broke into a brief political tangent. I could tell that she didn’t quite get the panic that had overtaken people—but then again, did any of us understand it? Trudy wasn’t incredibly worried about the pandemic, she was eighty-seven years old, a life-long smoker, and had lived through the pipeline days. If she hadn’t croaked yet, then she wasn’t going to start worrying about it now—she didn’t see the reason for being concerned about “a little fever and breathing problems,” she had told me, “—I’ve already gotten my flu shot!” I had to be careful not to let my eyeballs roll straight out of my head. Her logic always seemed to take me by surprise, but I wasn’t going to complain, after all, I was all she had during the winter.

By the time I sat down at the bar for the second time that day all of the regulars except for Gary had gone. Frail and wispy Trudy, surprisingly, could still get up into the tall squishy blue barstools that towered over her and she settled in. She ordered herself a Carolans and coffee, then paid for another coffee for me—the bartender was always happy to see Trudy, but the gloom over the patrons of the bar was palpably different than when I had been there earlier. I didn’t honestly think much of it until Eeyore incarnate began speaking to me. 

“The end is fucking nigh,” Gary muttered and leaned awkwardly to one side, he hadn’t moved seats from this morning, but it was clear he was already three sheets to the wind. I figured that he must have been mulling over that headline for the past few hours; I watched him sink into his third beer since Trudy and I had arrived. Gary was always a glass-half-empty kind of person so it was pointless to try to cheer him up, but considering I was already dealing with cranky little Trudy, it wasn’t high on my priority list, to begin with.

I must have been letting the alarm of the general population of this small city get to me—or was that sweat gathering on his greying brow? It was too chilly to be sweating. The more I thought about it, the more I realized that Gary wasn’t being the normal whiny drunk he was known to be. My thoughts were disturbed by a violent outburst of coughing from Gary who was looking paler by the minute, I was sincerely glad Trudy and I had decided to sit on the opposite end of the bar from him. The last thing I needed was for 87-year-old Trudy to catch the virus that had just been announced on a national level.

“Gary, you might want to think about heading home,” I projected over the low buzz of the conversations of the other patrons. I cast a look at the bartender and then gestured to Trudy, at my side, with my eyes. The bartender nodded, you could see her anxiety even behind her practiced smile—the bartender walked off to use the phone to call a cab for Gary. There was no way anyone in this bar would want to drive Gary home; it’s not that they didn’t want him to get home safely they just didn’t want to do it themselves. Why was he even here in the first place? Was he trying to get people sick, or was he unaware of just how ill he was? 

It was probably too late by that time, Gary had probably already exposed us all to the virus—there were rumors that it was airborne, but the first cases only popped up within the last couple of days and so far all we knew is that some of them were already in the ICU. No one had recovered from it yet, but if it was anything like any other new virus, surely it would take at least a couple of weeks to see what recovery looked like. Regardless, I was worried about Trudy being exposed to whatever Gary was coughing up, so when his cab finally came and he bumbled drunkenly out of the bar the rest of us were able to breathe a little easier.

It took an hour, but I was finally able to convince Trudy to let me take her home. I must emphasize how relieving that was, mostly because I wanted to go home and Scottie was still waiting in the car. She made it down the slick, ice-patched stairs with a little help—but, something was wrong. I just realized that Scottie was barking at something on the other side of the car and that wasn’t like her at all. Scottie noticed us and her barks immediately turned to whines, but I couldn’t see through the dark tint of the back windows. I loaded Trudy into the car, she was so neatly tucked into her fluffy down winter coat. She reminded me of that scene with Ralphie’s little brother from A Christmas Story, where the mom wraps Randy up in so many layers that he’s incapable of moving his body.

I rounded the back of the car, keys in hand; that’s when I realized Gary was slumped against the back driver’s side door of my Jeep, “Gary—what in the hell are you doing?” Gary sounded like his words were garbled—and he groaned, he looked even more pale and green than he had before if that was even possible. Gary lurched forward, swiped his arms as if reaching for me, and upon sidestepping out of his way, he landed firmly on the ground. Gary didn’t waste any time though, he crawled back toward me and tried to grab my ankles this time. That raspy growl would stay with me forever, turned into a half scream as Gary began to rise to his feet and come at me once again. I opened the driver’s side door, jumped in, and slammed it just in time to put a barrier between Gary and us. With a closer look, I could see that his eyes were red and completely vacant.

“What is it, honey?” Trudy was exasperated, her eyesight was fading, her hearing wasn’t what it used to be. I weighed the decision if I should tell her what just happened—better not for right now. 

“Nothing Trudy, we’re just going to get you home.” I tried to sound nonchalant but what had just happened truly freaked me out, Trudy didn’t need to know. She didn’t leave the house without me anyway, so what good would it do her to worry? The news hadn’t reported on this though, it only talked about major panics in smaller towns. When we finally pulled into her driveway we had passed at least a half dozen wrecks on the side of the road and I could tell that they weren’t just due to slick and slushy roads.

Her neighborhood was quiet, I helped her to her front door and proceeded to unload the groceries for her. Once I joined her inside I saw that she was already sitting in her favorite rocking chair smoking a cigarette in the garage. I resigned to put the groceries away, took out her trash, and then said my goodbyes. I didn’t feel right leaving her there on her own, but she never opened the door for anyone else and I needed to find out what was going on. Scottie had hopped into the front seat and was waiting for me when I slid back into the driver’s seat and we were on our way back home. Maybe the local news would give me an idea of what was going on, the paper had been vague at best, what I had seen with Gary had to be newsworthy, but Manhattan was over four thousand miles away, how could whatever that was be happening here?

The road that led to my driveway was still unplowed when I drove back through and my brakes made an audible creak as I slowed to a stop in my driveway. There was a heaviness in my chest that couldn’t be alleviated by coming home, it didn’t feel like my usual home-coming, no relief from being in public, no, indeed the stress lingered. I turned my car off, gave my pup a gentle pat on her back, then began to climb out onto my hard-packed driveway. That’s when I heard the strange sirens coming down my dead-end road and a few strange military-looking vehicles stopped directly in front of my neighbor’s cabin. Soldiers with guns quickly made a perimeter and two people in Hazmat suits stood behind their line. I stood there, awestruck—Scottie, took me by surprise when she jumped down in front of me, her hackles were up.

“Miss, get inside now!” One of the soldiers shouted at me, that’s when my neighbor Rachel emerged from her cabin across the way, against my better judgment I took a step toward the soldiers and Rachel’s cabin—I couldn’t tell if her eyes looked like Gary’s but, her movements sure mimicked what I had seen in the parking lot at the bar. “MISS, I SAID GET INSIDE!” The soldier barked at me again, I hesitantly took a couple of steps back, then signaled for Scottie to go to the cabin. Except… I couldn’t look away, I needed to know what was going on.

Rachel had begun to scream and growl before she lunged at the closest soldier and took a chunk out of his neck—holy shit.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Duology of the Damned: Part 01 – When the Sickness Reached Alaska appeared first on Puzzle Box Horror.

Tell me a bit about your production company?

We are an association called « Les Films Guacamole » based in France. Composed by different friends who love horror movies. Joe & Paul, the directors, started to shoot music video for Paul’s band. And now we would like to do short film and maybe one day a long one.

What inspired this film?

One day Paul was hiking in the forest and he imagined if he was followed by zombies.

This film was inspired by the Romero’s classic Night of the living dead of course. But also some Troma movies or even the TV Show : Scooby-Doo for the kind of characters.

What were some major challenges in filming?

The big challenge was to shoot in 1 day and without authorization. 

What is your favorite scene?

We like the scene when the guys arrive in front of the tree and the blond girl says « Il est chelou cet arbre ! » (That’s a weird tree!). Best punchline in the movie (inside joke).

Did anything funny happen on the set?

Oh yes, when Paul (the zombie who puked) tried to put some fake blood on his face one day before the shoot. He did it 2 hours before an important professional meeting. Then, when he wanted to clean his face before the meeting, he couldn’t erase the blood trail on his face. So he finally went it like that.

Can you give us some film recommendations that you love?

Scream (Wes Craven)

Halloween (Carpenter)

Night of the living dead (Romero)

Psychose (Hitchcock)

Suspiria (Dario Argento)

Where can we find and follow you? Twitter, FaceBook, Instagram

Tritone

Tritone’s love of horror and mystery began at a young age. Growing up in the 80’s he got to see some of the greatest horror movies play out in the best of venues, the drive-in theater. That’s when his obsession with the genre really began—but it wasn’t just the movies, it was the games, the books, the comics, and the lore behind it all that really ignited his obsession. Tritone is a published author and continues to write and write about horror whenever possible.

puzzleboxhorror.com

The post Zombiphosate – French Zombies.. Yep We Have Those appeared first on Puzzle Box Horror.

While zombies have been on the pop culture radar pretty heavily for several decades now, the history of this undead phenomenon has a history deeply rooted in the Haitian Voodoo religion—in fact, the belief in zombies is still a relevant aspect of New Orleans Voodoo. In our western society, we rely heavily upon our knowledge of what is presented to us in movies and television, but the zombie culture we know and love evolved from a very real magical tradition. Original zombification didn’t involve leaks from biological factories, like what happened in Train to Busan (2016), or an airborne virus as was the case in AMC’s The Walking Dead (2010)—it involved a spiritual, magical, and chemical process that arose through voodoo ritual which required the calling of several voodoo spirits (Loa).

Where we see zombies being portrayed as people who have died then coming back to life, the voodoo tradition it is actually a person who is under the powerful influence of psychoactive drugs. These drugs are usually administered to the unfortunate person by a bokor, the voodoo equivalent to a sorcerer or witch doctor. After being dosed with these psychoactive drugs, the victim essentially goes into drug-induced paralysis which mimics death so profoundly that it is rumored that people have been buried alive after being zombified. This is the case in one of the original, classic zombie films The Serpent and the Rainbow (1988), where the main antagonist, is buried alive while fully cognizant—which, needless to say would be incredibly terrifying.

The Process of Zombification

There is a lot of disagreement about whether or not the person who is to become a zombie is actually deceased or not—some believe that the process revives the recently dead into mindless, soulless automatons, while others insist it’s just the effect of psychoactive drugs that leaves the victim in a state of deep, chemical-induced paralysis, which mimics death to the point that even vital signs are not measurable. Within the Voodoo religion, only bokors have the power to create and control zombies, while the methods and ingredient amounts changes from each individual bokor, the process follows the same pattern. Some processes use voodoo dolls, blood and hair from the intended victim, and others use a “zombie” powder—this powder is a concoction of varies herbs and animal parts, most of which are poisonous, as well as human remains.

This powder can then be administered through ingestion or injection and begins to take effect immediately. Immobility, slowed vitals, and reduced oxygen intake occur within minutes which results in the death-like paralysis where the victim is still fully conscious of their surroundings. Once officially declared dead, the victim is buried alive and within eight hours, the bokor digs up the body to keep the victim from actually dying from asphyxiation. Other procedures follow, which result in a mindless and easily controlled zombie which does the bidding of the bokor who created it. The person remains a zombie until the bokor passes away and is no longer capable of administering the drug that maintains the victim’s zombie-like state.

Clairvius Narcisse the Real Haitian Zombie

Zombification is often referred to as either a solely magical or physical experience, but in truth it is a mixture of both, it’s essential for a person to have a belief in voodoo and the ability to be turned into a zombie in order for the process to work in its entirety. This was the case for Clairvius Narcisse, the man who claimed to be a zombie, but returned home after eighteen years and his story was finally told.

In 1962, Narcisse was admitted to the Albert Schweitzer Hospital in Deschapelles, Haiti. He complained of fever, body aches, and ‘general malaise,’ but after being admitted he began to spit up blood. His condition declined rapidly, until two days later when he was officially pronounced dead by two separate physicians. Narcisse’s sister, Angelina, was present when he was declared dead and then notified the rest of the family, a day thereafter his body was buried, and ten days after that a concrete memorial slab was placed atop the grave by his family.

What most the family didn’t know is that Clairvius had actually been pulled out of the grave and resuscitated. He was given the zombie concoction and kept in a zombie-like state for two years, working as slave labor in a region of the country that was much farther north. This was all done at the behest of his brother, after refusing to sell his portion of the family estate to him. After two years of being a zombie, his master had been killed, then he and all of the other zombie-slaves were released from their chemical induced state of submission. Clairvius stayed away from his home for the next sixteen years, knowing that his return would make his brother aware that he was no longer being controlled by another. Once his brother passed, he finally returned home, where he approached his sister Angelina in a local marketplace and introduced himself by his childhood nickname which she and a few other intimate family members alone were aware of.

Investigating the Haitian Zombie with Hamilton Morris

The following six-part Vice production follows the investigation of The Haitian Zombie, with Hamilton’s Phramacopeia, in order to find the truth behind the folk magic and legends of this walking dead phenomenon; Hamilton follows the scientific trail to the origin of the poisons that are said to cause Zombification in order to bring them back for formal chemical analysis.

Please watch the following footage with discretion–there are scenes and images that some viewers may find disturbing.

These videos are meant to be educational in nature.

Part One

This first episode goes into the initial introduction, including the nature of what Zombification entails.

Part Two

The following video contains graphic footage included in a voodoo ritual, in which an animal sacrifice is made for the Loa, please be advised it may be considered disturbing to some viewers.

Part Three

In this third episode, Hamilton goes to find a Bokor in order to witness the process of Zombification, but results in angering the Bokor and being told the deal is off.

Part Four

Hamilton goes to find the main ingredient of Zombie powder, in this fourth episodes, which is a species of puffer fish.

Part Five

In the fifth part of Investigating the Haitian Zombie, Hamilton meets up with another Bokor who possesses the Zombie powder that they have been searching for and witnesses a real zombie.

Part Six

The final installment of the investigation into Haitian zombies, they travel back to the Bokor who showed them what they had been searching for to come through with the final product they paid for.

Knowing what we have learned from different sources, about the process of Zombification, can it truly be said that it is a purely chemical process? These videos in particular have all but debunked the rationale that it can all be chalked up to a chemical reaction, so some aspects of this spiritual process is often contributed to the powerful belief in their magical practices. What do you think about the phenomenon of Zombification? Let us know in the comments below.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post A Voodoo Practice: Mysteries of Zombification appeared first on Puzzle Box Horror.

The roots of voodoo run deep with the sordid history of slavery in America, originating from the traditional West African religion of vodoun (also vodun), it further evolved once it reached Haiti and Louisiana. Louisiana voodoo—properly known as vodoun—the queens and priestesses hold the highest position within this matriarchal religion. Something that may surprise those unfamiliar with vodoun, is that it’s actually a monotheistic religion which centers around the supreme creator, Bondye (French Creole for “good god”) who controls life and destiny. Bondye manifests his will through the many loa (also lwa) present within this belief system.

Loa: Spirits of Vodoun

The loa are spirits who connect the followers of vodoun to their deity—through the use of vèvè, symbols which serve as visual representation of the loa during ritual, practitioners are able to call upon the loa for their assistance in personal matters. Despite many people not having any formal knowledge of loa or their role in the religious practices of vodoun, they would easily recognize the visage of popular spirits such as Papa Ghede and Papa Legba, if not just as cultural references that they associate with New Orleans in general.

Misconceptions of Voodoo Dolls

Misrepresented time and time again, voodoo dolls have come to represent something far beyond the reach of what they were originally used for. Hollywood would have us convinced that they’re instruments of evil, used to control the actions of people, or otherwise wreak havoc, and destroy their lives. Except voodoo dolls are not traditionally used to cause people harm in any sense of the word. These dolls are indeed used as a physical representation of the person who is the focus of the ritual, but instead of harm, they are often used for among other things, love, success, and healing.

The Mystery of Zombification

A far cry from the stereotypical walking dead that has made the horror genre of international cinema so powerful, the origin of zombies is quite a bit more disturbing than we’re used to these days. When it comes to the origin of zombie lore, the fear isn’t derived from the idea of being the main course of a zombie feast—instead it’s the idea of being turned into a zombie. The short and sweet version? Zombies as derived from the Haitian vodun practice are actually living people, who have been chemically induced to have no free-will.

Hoodoo, Conjure, and Rootwork: African American Folk Magic

Many people believe that hoodoo and voodoo are interchangeable—it’s not a tough concept to explain that while they’re similar, they’re not the same, but it still seems to be an ongoing issue of mistaken identity. Voodoo, as has been explained now, is actually a religion that utilizes the folk magic practice, whereas hoodoo is actually just a folk magic practice with no hard and fast religious affiliation, although most practitioners identify as Protestant Christians. To be clear, hoodoo is but one of the most common types of African American Folk Magic, with other practices such as conjure and rootwork being nearly interchangeable with minimal differences, other than the region in which they are practiced.

Santería: The Worship of Saints

Another religion that is commonly mistaken for voodoo, is Santería—a religion that also has West African origins, but was further developed in Cuba among West African descendants. One of Louisiana’s best kept religious secrets, this Yoruba based religion merged with Roman Catholicism and embraced the Catholic saints, referred to often as orishas who act as emissaries to God—Olodumare.

The Honey Island Swamp Monster

A legend known in the Bayou is that of the Honey Island Swamp Monster—a bipedal cryptid that is likened to bigfoot, but described physically as being quite dissimilar other than its stature. This grey-haired, yellow (or red, depending on the source) eyed monster is said to be a creature that was born from chimpanzees that escaped from a circus train that wrecked on the tracks, and the local alligator population.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Oddities of the Bayou: Religions and the Occult appeared first on Puzzle Box Horror.

Stories of Zombie Road continued to grow through the years, one being the “Zombie Killer”, a deranged man living in a shack just off the road who hunted and killed young lovers. Other chilling stories continued to surface and spread, including ghosts, vanishings, and strange noises. One of the most spine-tingling stories is about the ghost of a man hit by a train who is said to now haunt Zombie Road. This legend becomes all the more terrifying with the real story of Della Hamilton McCullough. It is said that in 1876, Della was hit and killed by a passing train car on the tracks in Glencoe, Missouri. There are no other records of anyone else hit by a train and dying near Glencoe. Is this then Della Hamilton McCulloughs’ spirit that haunts the Zombie Road tracks? If you go, perhaps you can call out to Della.

Many visitors also claim strange experiences near the old homes towards the end of the trail. One legend mentions the ghost of an elderly woman who screams at people from the doorway of one of the old houses. But the closer you get, the old woman disappears. The houses here date back to circa 1900 when the area around Glencoe served as a resort community. Could these be the screams of a past resident? Many believe so.

Legends abound of American Indian and Confederate rebel spirits, packs of child ghosts, and the tortured souls of working men killed in industrial accidents on the nearby railroad. While the sensation of being watched may be dismissed by the spooky surroundings alone, the weird sounds, and inexplicable footsteps heard here, cannot completely be ignored. Though Zombie Road is now paved and has been remade into a bike trail and jogging path, the eerie lore and legends still loom heavily on the land. If you visit, be vigilant. Spirits cannot be paved over.

The post Zombie Road: A Trail of Terror appeared first on Puzzle Box Horror.