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The Beleaguered Buckner Building of Whittier, Alaska

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Featured Haunted Places Horror Mystery and Lore

The Buckner Building stands in Whittier, Alaska—the gateway to Prince William Sound—as a relic to a forgotten past. It is tucked away in the hidden port town of Whittier, a town that can only be accessed by boat, plane, or through a single train tunnel that moonlights as a passage way for big rigs, and automobiles. The bay area that surrounds Whittier is solely deep-water ports that stay ice-free year round and the railroad port is one of two, all-weather ports that supplied Anchorage with military necessities and during times of war was of key importance in order for it to stay functioning and safeguarded. The climate that the port operates under is one of nearly constant cloud coverage, which is beneficial in the respect that it protects the port and its facilities from air strikes. With all aspects of this port town taken into consideration, Whittier was possibly the most perfect place to have a military base of this caliber.

The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
The Buckner Building in Whittier, Alaska
Photography by Mary Farnstrom

The Construction and Function of the Buckner Building

Early in the course of World War II General Simon Buckner, the commander of the defensive forces of the state of Alaska was highly concerned that the state would be vulnerable to air attacks. Buckner also believed that the best type of facility would be one that autonomous, with its own power plant, sufficient storage space, and bomb-proof. The Cold War began two short years after the end of World War II and in 1953, six years into the second red scare, the construction of the Buckner Building was completed, and having been cast in place by reinforced concrete on a bedrock of slate and greywacke the building was on stable ground not susceptible to seismic shifting from earthquakes, or from thawing of any remaining permafrost.

The building was once listed as one of the largest in the state, it stands six stories tall, is approximately 500 feet long and between 50-150 feet wide (depending on which part of the floor plan it is)—all of this adds up to around 275,000 square feet of space. This massive concrete building was built in seven sections, each section having been separated by eight-inch gaps—as a means to have the structural flexibility to ride out large magnitude earthquakes and concussive forces.

In its heyday, The Buckner Building once housed the entire city of Whittier, Alaska—within its walls were also all of the relevant services were located. There was a small hospital, a 350 seat theater, four-lane bowling alley, six-cell jail, church, bakery, barbershop, library, radio station, rifle range, photography lab, commissary, officers’ lounge, as well as a mess hall, and innumerable sleeping quarters for military personnel and their families.

  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom

The Earthquake of 1964

In March of 1964, Alaska was hit by the most powerful earthquake in the history of North America (second most powerful throughout world history)—registering at a magnitude of 9.2 and lasting a full four minutes and thirty-eight seconds, the Great Alaskan earthquake caused multiple ground fissures along south central Alaska, but it also collapsed structures and caused multiple tsunamis—all of this resulted in an estimated 131 deaths. Whittier itself was not immune to the natural disaster, with thirteen people dead and damages to private and federally owned property that were over five million dollars. The Buckner building itself was also slightly damaged, although the structural integrity was not compromised due to the foundation upon the bedrock—the rest of the town received considerably more in damages due to the unconsolidated sediment that it rests on.

The Abandonment of the Base

The building was in operation until 1966, when the military finally pulled out of the Port of Whittier, the building was then transferred to the General Services Administration; after being vacated by the military, however, the ownership of the building changed hands several times. At one point Pete Zamarello, a man dubbed as the “Anchorage Strip Mall Czar”, obtained ownership of the Buckner Building with ideas of turning it into the state prison—but his deal with the state fell through and it was purchased by the citizens of the new City of Whittier in 1972. By the 1980s, the building had fallen into disrepair, windows and doors were missing, so the building began to decompose—being exposed to the elements allowed water to begin accumulating, and the building itself being in a constant state of freeze and thaw.

  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom

By 2014, nearly every inch of the building, inside and out, had been vandalized—the floors were covered in at least an inch of water, and was riddled with asbestos, mold, and mildew—suffice it to say it was no longer a safe environment for people to go exploring in. The problem was, was that there was hardly any regulation in place to keep people out of the building—so they began to crack down on trespassers on the property.

The city of Whittier came under the ownership of the Buckner Building in 2016 when the building officially went into foreclosure, it was at this point that a fence went up around the building to keep trespassers out. While the Whittier Department of Public Works and Public Utilities has done work on the property, and the city continues to express their desire to maintain it in order to preserve history, the Alaska Department of Environment Conservation has recommended demolition. While there have been many discussions to demolish the building, it has been ruled as being cost-prohibitive—this is due to the sheer amount of asbestos that is in the building and that the only land route in and out of Whittier. This route is through the Anton Anderson Memorial Tunnel, a two and a half mile railroad tunnel which allots thirty-minute windows for cars to travel through at certain times during the day—the only other option to remove debris would be on ships.

Having been abandoned for over forty years has taken its toll on the interior—where the ceilings are falling in, the light fixtures are and some parts of the exterior of the building which is tagged and degraded. The Buckner Building does still stand as of July 2020—it stands as a crumbling, darkened, cracked, and adulterated monument of an era of military and government ambition that has not since returned.

A Look Inside the Abandoned Buckner Building

  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
  • The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom

Is the Buckner Building Haunted?

While this enormous abandoned building in Whittier looks incredibly spooky against the typically overcast, grey dreary skies of this hidden port town, there are also rumors of the building being haunted. While this writer’s personal investigation didn’t result in the capture of any evidence of the paranormal, other people have reported encounters and experiences that they have been more than happy to share. The Buckner Building is closed to the public, so going into the building itself is a no-go unless you want to risk health complications (mercury, lead, and asbestos poisoning is possible), injury, death, or–most likely, a hefty fine from the local police. Locals of Whittier are pretty vigilant to keep people away from and out of the building, but it doesn’t mean people haven’t ventured in to get an up-close and personal experience inside of these reportedly haunted walls. There are believed to be multiple presences within the building, although there are no records to explain these hauntings.

Due to the dilapidation of the building, the first basement is only accessible through a hole in the wall now, where the second basement is now only accessible through a hole in the floor. These two rooms are said to house an entity of “pure evil,” and people are warned to stay away from the area completely, especially the stairwell that has red, detached wiring hanging from the ceiling. Far southwest stairwell, the second corridor on the second floor, the jail, and the third floor are all haunted by apparitions–in particular, an entity that is witnessed hanging from water pipes on the second floor, and a little girl who is seen wandering the third floor crying. Room three to the right of the mental ward of the hospital, within the corridor right before the jail is reported to be especially haunted, to the point that the entity within will only allow certain people to enter the room. If this entity does not accept the person trying to enter, the door will slam shut before they can enter and seems to be locked from the inside.

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The Qalupalik: Monsters of the Deep

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Featured Horror Mystery and Lore

When you think of a mermaid, you may conjure images of a kind-hearted, beautiful half-fish, half-human or the dangerous siren that can lure sailors to their death—however, the Inuit legend of the Qalupalik is a little bit different. The Qalupalik is likewise a creature of the sea, but she is more often thought of as a water spirit, a sea monster, or a demon. In this respect, it is said to be more similar to the Japanese Kappa, a water demon who steals children and consumes them. Folklore recorded from Inuit sources are purposefully vague on whether or not the Qalupalik is the only one of her kind, or whether there are great numbers of these monsters living in the Arctic seas, but she is regularly referenced as being a single creature.

Legend of the Inuit Siren

Photography by Li Yang

In Alaskan and Canadian Inuit culture, there are Arctic ocean-dwelling creatures known as Qalupaliit (kah-loo-pah-leet)—unlike other mythical mermaids and sirens, there is absolutely nothing attractive about the Qalupalik. Despite the persistent popular mermaid princess culture that surrounds much of the lore of this aquatic creature’s cousins in lore, the Qalupalik (kah-loo-pah-leek) is not described as having any pleasant features, let alone an amenable demeanor. Wraith-like in appearance, her long black hair is perpetually plastered to her sallow, slimy, scaly skin—her ghastly despondent face is paired with her dark and hollow eyes. These creatures are often depicted as having fins that jut out of their heads, backs and arms, and their webbed feet and hands are topped with long sharp claws—all of this is enough to strike terror into the hearts of the children that the Qalupalik preys upon.

The Qalupalik is rumored to reek of sulfur—you know, the smell of rotting eggs? So it’s curious that she would ever get close enough to someone without them noticing, but adventurous children who don’t heed the warnings of their parents are the ones she seeks to claim; she hums beautiful melodies to lure them to the icy banks of the ocean’s shore where she snatches them up and stuffs them in her amauti, a duck-skin coat similar to a parka with a pouch for young children to be carried in. It’s quite normal for Inuit parents to caution their children about the dreadful Qalupalik and they would do so frequently, telling their children that if they hear the humming noise near the shore that the Qalupalik is near. Unfortunately for children, the humming is similar to that of a Siren’s song, as it is meant to entice children to come closer to the shore or out onto the dangerously thin ice.

Those who have sighted the Qalupalik report that these creatures can only be seen for an instant before they are gone, but the child victims of the Qalupalik would not be as lucky. She would leap out from under the water, sink her shark claws into their flesh and drag them forward into the water. It is said, once she seizes a child, she takes them down to the freezing depths of the ocean where she either eats them, or takes them away enchanting them with sleep and feeding off of their youth so that she may remain young forever; the child is never to be seen or heard from by their family again. Alternatively, the child would get a brief glimpse of the face of the Qalupalik, which might resemble a woman’s face that had turned green and bloated from rotting and under the sea—this child would experience their last few moments of life in pain as the freezing water rushed into their open, screaming throat, and feel the blood in their veins freeze as they heard the distant voices of their family, crying out their name.

So what purpose does the myth of the Qalupalik serve for the Inuit society? Well, the harsh arctic environment within which the Inuit people live is terrifying and dangerous; within a community that works so hard to survive, the parents and elders used storytelling as a way of aiding in the upbringing and survival of the children of the village. Essentially, the use of scare-tactics was a way for children to avoid the dangerous aspects of their environment when they were alone,. The story of the Qalupalik was created to encourage these children to fear to be alone near the dangerous shores of the sea, where they could easily fall prey to the natural elements by either drowning or dying from hypothermia.

Photography by Jana Sabeth

Tales & Traditions: Qallupilluit

The Central Eskimo (1888) recorded by Franz Boas

An old woman lived with her grandson in a small hut. As they had no kinsmen they were very poor. A. few Inuit only took pity on them and brought them seal’s meat and blubber for their lamp”. Once upon a time, they were very hungry and the boy cried. The grandmother told him to be quiet, but as he did not obey she became angry and called Qallupilluk to come and take him away. He entered at once and the woman put the boy into the large hood, in which he disappeared almost immediately.

Later on the Inuit were more successful in sealing and they had an abundance of meat. Then the grandmother was sorry that she had so rashly given the boy to Qallupilluk and wished to see him back again. She lamented about it to the Inuit, and at length a man and his wife promised to help her.

When the ice had consolidated and deep cracks were formed near the shore by the rise and fall of the tide, the boy used to rise and sit alongside the cracks, playing with a whip of seaweed, Qallupilluk, however, was afraid that somebody might carry the boy away and had fastened him to a string of seaweed, which he held in his hands. The Inuit who had seen the boy went toward him, but as soon as he saw them coming he sang, “Two men are coming, one with a double jacket, the other with a foxskin jacket” (Inung maqong tikitong, aipa mirqosailing. aipa kapiteling). Then Qallupilluk pulled on the rope and the boy disappeared. He did not want to return to his grandmother, who had abused him.

Some time afterward the Inuit saw him again sitting near a crack. They took the utmost caution that he should not hear them when approaching, tying pieces of deerskin under the soles of their boots. But when they could almost lay hold of the boy he sang, “Two men are coming, one with a double jacket, the other with a foxskin jacket.” Again Qallupilluk pulled on the seaweed rope and the boy disappeared.

The man and his wife, however, did not give up trying. They resolved to wait near the crack, and on one occasion when the boy had just come out of the water they jumped forward from a piece of ice behind which they had been hidden and before he could give the alarm they had cut the rope and away they went with him to their huts.

The boy lived with them and became a great hunter.

Nunavut Animation Lab: Qalupalik

Nunavut Animation Lab created an animated version of one of the traditional tales about the Qalupalik, just like all of the folklore originating in Alaskan Native culture, there is always a moral to the story. This is an example of one told to children, to inform them of the dangers of not obeying their parents and wandering by the icy coastal waters on their own. Not to be mistaken with her more traditional lore, the video (linked below) describes a circumstance where the child who was kidnapped is rescued by his father, which of course is not what would typically happen if a child were kidnapped by this Inuit monster of the deep.

Mythical Monsters Podcast: Qalupalik

Another excellent resource for this particular mythical beast is Mythical Monsters Podcast who produced this podcast episode entitled “Qalupalik”. Check it out below!

The Qalupalik by Elisha Kilabuk

The Qalupalik (2011)

An even less traditional take on the legend of the Qalupalik was fairly recently made into a children’s book, but it errs more on the side of child-friendly, where it suggests that despite her frightful appearance, she is rather easily tricked. It’s clear through all of the recent reimaginings of the legend of the Qalupalik that this story is still very widely told within Inuit communities, where the parents and teachers alike share this story with the children of the village in order to protect them from a curious and wandering nature.

The Qalupalik (2011) by Elisha Kilabuk is a mystical Inuit tale that has been reworked from its original well-known narrative. In the original folk tale, the children are always considered the victims and much like the grim nature of the folk tales told by the Brothers Grimm, the story ends without coming to the realization of a happy ending. In this version, we see the new tradition of vulnerable children, or the underdog, outsmarting the monster that happens to be bigger, older, and stronger than themselves; an orphan gets the better of the Qalupalik and survives an encounter with the monster.

This is the first book in the Inhabit Media’s Unikkakuluit Series, which features traditional native folklore being retold in new and interesting ways—while these stories pay homage to the original oral tradition of storytelling, they give the newest generation their own stories to identify with. Despite illustrator Joy Ang creating an incredibly frightening visage for these creatures, her illustrations are incredible and the story they sit alongside can give the meekest child reassurance that even the scariest of opponents will have a weakness that can be exploited.

Works Cited

Akulukjuk, Roselynn. “PUTUGUQ & KUBLU AND THE QALUPALIK.” Kirkus Reviews, Inhabit Media, 7 May 2019.

Houston, James. “Inuit Myth and Legend“. The Canadian Encyclopedia, 04 March 2015, Historica Canada. Accessed 17 December 2020.

Hrodvitnir, Yamuna. “Qalupalik: The Monstrous Inuit Mermaid.” Medium, Medium, 26 May 2020.

“INUIT MYTHOLOGY.” Inuit Mythology.

Kilabuk, Elisha, and Sarah Sorensen. “The Qalupalik.” Quill and Quire, 30 June 2011.

National Film Board of Canada. “Nunavut Animation Lab: Qalupalik.” National Film Board of Canada, 2 Dec. 2010.

Oliver, Mark. “11 Mythological Creatures That Reveal Humanity’s Deepest Fears.” All That’s Interesting, All That’s Interesting, 17 June 2020.

Pfeifle, Tess. Qalupalik. 8 Jan. 2019, www.astonishinglegends.com/astonishing-legends/2019/1/7/qalupalik.

“Qalupalik.” Mythpedia Wiki, mythpedia.fandom.com/wiki/Qalupalik.

“Tales and Traditions.” The Central Eskimo: Introd. by Henry B. Collins, by Franz Boas, Smithsonian Institution, Bureau of Ethnology, 1888, pp. 212–213.

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Thunderbird: Nightmare of the Skies

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Horror Mystery and Lore

What is the Thunderbird?

The legend of the Thunderbird has roots in the history of North America—going back all the way to before external influences touched the continent—this enormous bird of prey was noted in folktales to be seen most often during the spring and summer seasons and in many instances its appearance would forecast a destructive storm coming to the area. Despite bringing life-giving water to the area, the omen of the Thunderbird always meant death and destruction to the people of the land.

Photography from Getty Images

Descriptions of this unbelievable black bird report that it has a wing-span between 10-20 feet, with some people comparing it to the size of a small airplane. The only comparable bird, scientifically speaking, would be the Pelagornis sandersi a species which hasn’t existed in over 24 million years. Many also lump the Thunderbird in with a similar cryptid who has been sighted in the Midwest, but it bears more of a resemblance to the extinct Pteranodon as opposed to a feathered bird. Regardless, simply the size of this aerial threat is enough to cause panic in parents of small children, as these creatures have been found attempting to snatch children off of the ground while playing outside.

Photography by Quentin Dr

While this creature is not a new avian phenomenon, the Thunderbird has had reported sightings in Juneau, Alaska as recently as the early parts of 2018—and the late Mark A. Hall even wrote an entire book dedicated to the topic. There are many writers out there with an opinion on the topic, some suggesting that it shouldn’t be categorized as a cryptid at all, considering the basis in historical science of birds like these existing once upon a time. It can difficult to get behind, without physical evidence that can be studied in a lab, but this is one cryptid that doesn’t necessarily require a flight of fancy to get people wondering whether or not it truly exists in our modern world.

In the end, reports of this child-snatching terror in the skies are not only an isolated incident in Alaska. Destination Truth even had an episode where they featured the search for the mysterious Thunderbird and while most of their episodes are a little lackluster when it comes to evidential support, I think it’s interesting that the legend of it warranted their time and efforts to try to capture it on film. So what do you think, have you ever seen a Thunderbird?

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Tornit

Date of Discovery

While the actual date of discovery is unknown, due to the historically oral tradition that it originated from. It is said that these creatures have existed in story-form since before the Bering Land Bridge, which dates back at least 20,000 years.

Name

The Tornit is likened to the Bigfoot or Sasquatch of the contiguous United States, as well as parts of Canada. It is the Alaskan counterpart, known well in the Inuit culture, that goes by the names of Tornit, Alaska Bushman, or simply Bushman.

Physical Description

More suited for an arctic climate, it resembles the Bigfoot quite a bit in its visage, like giants who are ape-like in demeanor with longer arms and a body covered in a thick dark brown hair, or fur. It stands an intimidating seven feet tall and possessed a strength that was infamous amongst the Inuit people.

Origin

The Tornit stems from the Inuit culture, an indigenous culture of the arctic circle, but since there is no written history of this culture before the late 1800s, only the cultural anthropological studies done on the Inuit tribes during that time can be relied upon for information on their origin. We see that most of the accounts of these stories coming from Newfoundland and Labrador, which reference the modern-day Baffin Bay in Greenland.

Mythology and Lore

They were feared as brutish thieves and killers, although there is some folklore where they were painted as being shy, making themselves scarce, and doing their utmost to avoid encounters with the Inuit people. In the most popular versions of the oral tales, storytellers would talk of these hairy giants that would stalk their villages until nighttime, to steal their food and kayaks—the most important things that these communities possessed. They also spoke of how these creatures would murder villagers who may have gotten in their way.

There are stories that depict the Tornit species as being these murderous villains that they were known widely to be, but there were also stories that spoke the opposite of their character. Alternate versions of the tale suggest that the Tornit would get away with their thievery, but would be tracked back to their own villages where all of the Tornit present, male, female, and any children would be slaughtered by the individual native who had the most stolen from him.

Never to be confused with being an overly intelligent species of humanoid, the overall idea of them can be considered oafish in nature, but not necessarily murderous so much as protective, defensive, or vengeful creatures—possessing only the baser instincts of survival. In certain regions where the Inuit tribes thrived, there were still less popular stories where Tornit and native women intermarried and lived peacefully with those who came and went within their territory.

Modern Pop-Culture References

While not necessarily modern in nature, these books convey the stories of the Inuit people that these creatures originated from.

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