His Youth and Education

Robert Albert Bloch was born in Chicago, Illinois on April 5 in 1917, to two German Jews, Raphael Bloch and Stella Loeb who, despite their Jewish heritage, had the family attend a Methodist Church. When Bloch was only eight years of age, he attended a screening of Lon Chaney Sr.’s The Phantom of the Opera (1925) on his own, where he was traumatized by his first horror scene—where Chaney removes his mask to reveal the Phantom’s horrific face. According to Bloch, “it scared the hell out of [him] and [he] ran all the way home to enjoy the first of about two years of recurrent nightmares.” Like many fans of horror who see their first horror flick too young, this trauma and subsequent nighttime hauntings sparked his interest in horror. He became an avid reader at eight, reading books well above his own level of schooling, as well as experimenting with pencil sketches and watercolor art. While he very much had a love for artwork, but he was diagnosed with myopia in his youth and it deterred him from pursuing it professionally.

At the age of twelve, Robert’s father lost his job at the bank and the family moved to Milwaukee, Wisconsin, where he grew up throughout the Great Depression. During his youth, he delighted in the Golden Age of horror films that played in the picture houses, and the magazine Weird Tales, which he scrimped and saved for each month from his allowance so as to purchase a copy of this pulp magazine. Bloch’s favorite childhood short story was one of Lovecraft’s first-person narratives about an artist whose disturbing creations lead to his disappearance, entitled “Pickman’s Model,” and he would also end up doing flattering imitations of his mentor’s style later on. When Bloch was just seventeen years old he wrote to his highly regarded idol, H.P. Lovecraft, to proclaim his admiration for the writer’s short stories. It is said that he greatly preferred Lovecraft’s particular flavor of genre—cosmic or as it’s often regarded, Lovecraftian horror—over what he was being taught in his own high school English classes.

To the unending joy of Bloch, Lovecraft wrote him back and sent him copies of earlier stories he had written and asked Robert if he himself had written any weird fiction. This is when he would be admitted into The Lovecraft Circle as well as when he began writing some of his first (of many) short stories that would be published in Weird Tales. He would be the youngest member of The Lovecraft Circle, which were a group of writers who followed H.P. Lovecraft and published their short fiction in Weird Tales—a pulp horror magazine that circulated during the Great Depression.

Career

With the early influence of Lovecraft and his cosmic horror, Bloch’s earliest short stories took place in Lovecraft’s Cthulhu Mythos fictional universe. Not too long later, Bloch would begin to associate with the Milwaukee Fictioneers, a group of writer’s dedicated to pulp fiction where he began to deviate and develop his own style, instead of relying upon the Lovecraft influence. When Lovecraft died in 1937, Robert was deeply affected by the loss of his mentor, but used it as a reason to keep writing.

Novels

Bloch’s first novel to be published was The Scarf (1947) and was very reminiscent of the style he had developed when he was involved with the Lovecraft circle, but also marked the beginning the development of a style he would explore later that would be considered pulp fiction. Like most other horror writers, Bloch had a certain kind of story that inspired him—for some writers it’s urban legends, supernatural monsters, or wicked folklore; but Robert’s inspiration didn’t come from folklore so much as it did true-crime serial killers from all throughout history. Jack the Ripper, Marquis de Sade, and Lizzie Borden were amongst those whom Robert created stories based on their legacies, which included short stories such as “A Toy for Juliette” and “Lizzie Borden Took an Ax….”

When Ed Gein was arrested in his home in Plainsfield, Wisconsin for the murders of two women in 1957, authorities discovered that Gein had been stealing corpses from fresh graves of local women and then using their flesh to create furniture, silverware, and clothing. Bloch only lived about thirty-five miles away from where Gein had lived, so after the discovery of this serial so close to home, he became obsessed. The idea of his next door neighbor being a monster, but going undetected even in such a small town is what he considered his largest inspiration for Norman Bates, the anti-hero of Psycho (1959). The story of Ed Gein was sensational at the time, but what really translated Bloch’s Psycho into an instant classic both in text and Alfred Hitchcock’s adaptation for the big screen, was due to the psychological not-so-undertones of the story.

While Bloch had enjoyed some critical and commercial success before he produced Psycho, it wasn’t until the novel was published that his life changed forever. With Psycho and its instant success, he was approached by a Hollywood production company with an offer to purchase the rights to the film. He made a whopping $9,500 which through inflation would equate to $84,472 and some change.

The world of horror would be forever changed by Norman Bates, the sensitive mama’s boy, whose domineering mother corrupted him—which brought an interesting air to the 1960s as the field of psychoanalysis and the research of the Oedipus Complex which coincided with a crisis in contemporary American masculinity which followed the women’s movement of liberation. When Norman psychologically becomes his mother at the end of the novel it was representative of Freudian horror in the utmost of extreme cases. Psycho wasn’t Bloch’s only success and he continued on with his creative writing, winning awards and accolades for his talent.

Death

Bloch was seventy-seven when he passed away on September 23, 1994—he had long battled with cancer and it finally took him at his home in Los Angeles. Before he passed, however, he wrote what was considered an unauthorized autobiography, which was titled Once Around the Bloch (1993) and while he didn’t speak of his illness, it was clear that it was written with the realization that he was not long for this world.

Index of Sources

• Sublime Horror – Psycho and the Legacy of Robert Bloch
• Writer’s Bloch – A Brief Tribute to the Author of Psycho
• The Backstory to Robert Bloch’s Psycho

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

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The post From Traumatized to Terror Creator, the Life of Robert Bloch appeared first on Puzzle Box Horror.

How would you feel if you suddenly started receiving letters from someone you didn’t know? Personal letters, from someone who seemed to know more about you than you ever wanted to admit to yourself? The End of the Sentence (2014) delivers–it’s not only difficult to put down, (or stop listening to, if you opt to experience it as an audiobook) but it is also easily digestible and instantly gives the reader that desirable feeling of unease and fear.

With every turn of the page, we find ourselves more and more deeply immersed in the life of Malcolm Mays, a man whose life is falling apart as he moves into a foreclosed home in Ione, Oregon–what he doesn’t realize is that the original owner never left and doesn’t intend to. The end of his 117-year sentence is almost over…

Interview with Kat Howard

We found out that you’re not just a horror writer, but you have also explored the science fiction and fantasy genres, so what initially drew you to horror fiction?

I’ve always loved horror. Some of the first “grown up” books I read were by Stephen King, but even before that I loved stories that scared me. I like to write horror because sometimes that’s the genre that works best for what I have to say. Plus, it’s fun writing stories that might give people the shivers.

Can you tell me about how you and Maria Dahvana Headley decided to come together to co-write The End of the Sentence?

Maria’s a dear friend. We were guests at an annual convention (ConFusion) and made a comment about wanting to write something together in front of Bill Schafer, the head of Subterranean Press. He said he’d buy it, and we wrote a contract on his arm. (There was a much more official contract later.) It was honestly a joy of a project to write with her.

How did you come up with the idea of The End of the Sentence?

Maria had recently moved, and had been getting mistaken letters delivered to her address. Things kind of went from there.

Kat, we understand that this was your debut novella, how did it feel being named one of NPR’s Best Books of 2014?

I literally fell out of my chair when I found out. I’m really proud of the work we did on this novella. It remains one of my favorite things that I’ve written, and so I’m always extremely happy to see it find readers. Seeing it recognized like that meant so much.

Is there anything new that you’ve published or are working on that you’d like to talk to us about?

As this is a horror venue, I have to say I was extremely pleased when my recent collection, A Cathedral of Myth and Bone, was long-listed for the [Bram Stoker Award]. It didn’t make the final ballot, but just to see it recognized was a delight. I’m currently working on A Sleight of Shadows, the sequel to my novel An Unkindness of Magicians.

A lot of our fans are actually aspiring writers and artists, do you have any advice for them?

I always feel a little weird about giving advice, because I feel like I’m still figuring things out myself. But I think that one of the great (and yes, sometimes terrifying!) things about writing or art is that there are so many ways to come into the field. Don’t cut yourself off because you think you’re too old, or you should have gone to a different school, or that people have already done what you’re interested in. No one else can make what you will.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Interview with Female Horror Author Kat Howard appeared first on Puzzle Box Horror.

The best of Old-school Cosmic Horror books

What sets old-school cosmic horror apart from the newer literature within the genre, is pretty much what sets old classic literature apart from newer literature in any genre–language, surrounding culture, and societal advantage. It goes deeper than that of course, but what is important when getting acquainted with any form of literature is understanding the time within which it was created.

The Willows (1907)

While not exactly a book, The Willows by Algernon Blackwood, is technically the first cosmic horror novella that began to establish the cosmic horror genre. It was originally published among a series of other stories in 1907, as a part of his collection The Listener and Other Stories. It’s a great example of early modern horror and despite not receiving the credit it was due, was very much connected within the literary tradition of “weird fiction,” a genre later realized as cosmic horror.

The Willows is a story that invites fear of the unknown, there is a sense of agitation, fear, exhaustion, and eternal trepidation that does not leave the characters or the readers, because there is never a relief from the situation at hand. Available on Amazon here.

And, apart quite from the elements, the willows connected themselves subtly with my malaise, attacking the mind insidiously somehow by reason of their vast numbers, and contriving in some way or other to represent to the imagination a new and mighty power, a power, moreover, not altogether friendly to us.

Excerpt from The Willows by Algernon Blackwood

Listen to Algernon Blackwood’s The Willows below through HorrorBabble.

The Man Who Found Out (1912)

Another shorter existential horror story, Algernon Blackwood’s The Man Who Found Out really just begs the question about personal religious beliefs–what is the ultimate question and answer when it comes to a higher power, particularly that of “God?” Do we really know anything with any certainty? Or is belief and faith what matters most when seeking a higher truth? These unanswered questions are what make this one of the best cosmic horror books out there. Available on Amazon here.

LibriVox has given us Blackwood’s The Man Who Found Out through audiobook and it’s worth checking out.

The Call of Cthulhu and Other Weird Stories (1927)

It seems that the most successful additions to the cosmic horror genre are generally shorter stories; short stories are benefitted in this particular genre due to the fact that they limit the amount of information that can be conveyed within the confines of the short story’s maximum of ten thousand words.

All of the stories that appear within this particular anthology are by H.P. Lovecraft and are, of course, part of the public domain, so we have included a list of the stories with external links to the stories themselves. Those interested in reading some of the most well-known cosmic horror pieces can find them below. The entire anthology is available on Amazon here.

What Stories Appear Within This Anthology?

• Dagon / Audiobook by HorrorBabble
• The Statement of Randolph Carter / Audiobook by HorrorBabble
• Facts Concerning the Late Arthur Jermyn and His Family / Audiobook by Intellectual Exercise
• Celephaïs / Audiobook by HorrorBabble
• Nyarlathotep / Audiobook by HorrorBabble
• The Picture in the House / Audiobook by HorrorBabble
• The Outsider / Audiobook by HorrorBabble
• Herbert West–Reanimator / Audiobook by HorrorBabble
• The Hound / Audiobook by HorrorBabble
• The Rats in the Walls / Audiobook by HorrorBabble
• The Festival / Audiobook by HorrorBabble
• He / Audiobook by HorrorBabble
• Cool Air / Audiobook by HorrorBabble
• The Call of Cthulhu / Audiobook by HorrorBabble
• The Colour Out of Space / Audiobook by HorrorBabble
• The Whisperer in Darkness / Audiobook by HorrorBabble
• The Shadow Over Innsmouth / Audiobook by HorrorBabble
• The Haunter of the Dark / Audiobook by HorrorBabble

Shadows of Carcosa (2014)

Yeah, we know that this book came out in 2014–but that doesn’t discount the fact that it is actually full of old-school cosmic horror, because it’s actually an anthology from some of the best horror writers that literary culture has ever had to offer. These stories span almost an entire century, which illustrates how many authors can be credited for their contributions to cosmic or existential horror.

Luckily for readers who haven’t been well-enough introduced to cosmic horror by now, all of these stories are also within the public domain; we hope that these stories from Shadows of Carcosa (2014) give readers a full picture of what cosmic horror is truly about. The collection is available on Amazon here.

What Stories Appear Within This Anthology?

• MS. Found in a Bottle (1833) by Edgar Allan Poe / Audiobook by Priceless Audiobooks
• The Squaw by Bram Stoker (1893) / Audiobook by Edward French
• Moxon’s Master by Ambrose Bierce (1899) / Audiobook by Adventures in Audio
• The Damned Thing by Ambrose Bierce (1893) / Audiobook by HorrorBabble
• An Inhabitant of Carcosa by Ambrose Bierce (1886) / Audiobook by M Nakadai
• The Repairer of Reputations by R. W. Chambers (1895) / Audiobook by HorrorBabble
• The House of Sounds by M. P. Shiel (1911) / Audiobook by Manfred Arcane
• The White People by Arthur Machen (1904) / Audiobook by HorrorBabble
• The Willows by Algernon Blackwood (1907) / Audiobook by HorrorBabble
• The Jolly Corner by Henry James (1908) / Audiobook by Old Library Audiobooks
• Seaton’s Aunt by Walter De La Mare (1921) / Audiobook by Manfred Arcane
• The Colour Out of Space by H.P. Lovecraft (1927) / Audiobook by HorrorBabble

The best of Modern Cosmic Horror Books

Songs of a Dead Dreamer and Grimscribe (1985)

Thomas Ligotti’s debut short horror story collection Songs of a Dead Dreamer and Grimscribe possibly made his career–he’s often spoken of in the same manner as authors such as Poe and Lovecraft, and has been referred to as “horror incarnate.” Ligotti never seems to have to try to make his stories work, they take on settings that immediately put the reader into a mood where horror is inescapable without being presumptuous or predictable.

Ligotti’s style is singular and everything he has put into this particular anthology is wholly worth the time to read. Available on Amazon here.

What Stories Appear Within This Anthology?

Songs of a Dead Dreamer

• Dreams for Sleepwalkers
  • The Frolic
  • Les Fleurs
  • Alice’s Last Adventure
  • Dream of a Manikin
  • The Nyctalops Trilogy:
    • The Chymist
    • Drink to Me Only with Labyrinthine Eyes
    • Eye of the Lynx
  • Notes on the Writing of Horror: A Story
• Dreams for Insomniacs
  • The Christmas Eves for Aunt Elise
  • The Lost Art of Twilight
  • The Troubles of Dr. Thoss
  • Masquerade of a Dead Sword: A Tragedie
  • Dr. Voke and Mr. Veech
  • Professor Nobody’s Little Lectures on Supernatural Horror
• Dreams for the Dead
  • Dr. Locrian’s Asylum
  • The Sect of the Idiot
  • The Greater Festival of Masks
  • The Music of the Moon
  • The Journal of J.P. Drapeau
  • Vastarien

Grimscribe

• The Voice of the Damned
  • The Last Feast of Harlequin
  • The Spectacles in the Drawer
  • Flowers of the Abyss
  • Nethescurial
• The Voice of the Demon
  • The Night School
  • The Glamour
• The Voice of the Child
  • The Library of Byzantium
  • Miss Plarr
• The Voice of Our Name
  • The Shadow at the Bottom of the World

The Imago Sequence and Other Stories (2007)

Laird Barron’s first short story collection The Imago Sequence and Other Stories set a precedent for the rest of his career; what could be expected from him in his other works really was set up with this collection. The fact that it received the Shirley Jackson Award for best collection was not even the most wondrous part of this particular body of work–Barron has an ability to create an image within the reader’s mind that is unlike any other author. He has been compared to the likes of Stephen King, but with the advantage of making his details count for more than just words towards an ultimate goal. Available on Amazon here.

What Stories Appear Within This Anthology?

• Old Virginia (2003)
• Shiva, Open Your Eye (2001)
• Procession of the Black Sloth (2007)
• Bulldozer (2004)
• Proboscis (2005)
• Hallucigenia (2006)
• Parallax (2005)
• The Royal Zoo Is Closed (2006)
• The Imago Sequence (2005)

White is For Witching (2009)

Helen Oyeyemi’s White is For Witching reads almost like a journal, which has always given the reader less of a feeling that they’re getting the full picture. Why look at the forest when you can see the trees more clearly? In truth, focusing on the details from a personal perspective often leaves much more to the imagination and that is a huge part of weird fiction and cosmic horror.

When you don’t know what is going on outside of the perspective of the narrator, it leaves you with a sense of emptiness–what is happening beyond their ideal truth? Available on Amazon here.

Cthulhu’s Reign (2010)

Another anthology designed to pay tribute to the father of cosmic horror, this collection of short stories gives a more complete image of what would happen once the old ones have taken over the world as we know it–when humans are no longer the dominant force on the Earth and when we can no longer rely on what we have become accustomed to.

What kind of horror would we endure when the old ones take over the world? What would we be able to expect from an uncaring force of nature and could we really hate the force that overwhelms society as we know it when it is not maliciously ending our world, or would it simply be something that we fear beyond anything else? Available on Amazon here.

What Stories Appear Within This Anthology?

• The Walker in the Cemetery (2010) by Ian Watson
• Sanctuary (2010) by Don Webb
• Her Acres of Pastoral Playground (2010) by Mike Allen
• Spherical Trigonometry (2010) by Ken Asamatsu
• What Brings the Void (2010) by Will Murray
• The New Pauline Corpus (2010) by Matt Cardin
• Ghost Dancing (2010) by Darrell Schweitzer
• This is How the World Ends (2010) by John R. Fultz
• The Shallows (2010) by John Langan
• Such Bright and Risen Madness in Our Names (2010) by Joseph E. Lake, Jr.
• The Seals of New R’lyeh (2010) by Gregory Frost
• The Holocaust of Ecstasy (2010) by Brian Stableford
• Vastation (2010) by Laird Barron
• Nothing Personal (2010) by Richard A. Lupoff
• Remnants (2010) by Fred Chappell

The Croning (2012)

The Croning can be considered, without a doubt, the debut cosmic horror novel by Laird Barron–unlike his collection of short stories, The Imago Sequence and Other Stories, this is a full-length novel within the genre of cosmic horror.

We see cults, dark magic, and a plethora of other themes that are common fixtures of the genre and we can’t look away–we highly recommend this particular literary spectacle, it’s a novel that without which, this list would be incomplete. Available on Amazon here.

Dreams From the Witch House (2016)

This particular anthology, Dreams From the Witch House: Female Voices of Lovecraftian Horror, while honoring the origins of the genre is something different and singular. This anthology of short stories contains, as can be derived from the title, stories of cosmic horror that were written by female authors in the genre. Available on Amazon here.

What Stories Appear Within This Anthology?

• Shadows of the Evening (1998) by Joyce Carol Oates
• The Genesis Mausoleum (2015) by Colleen Douglas
• The Woman in the Hill (2015) by Tamsyn Muir
• The Face of Jarry (2015) by Cat Hellisen
• Our Lady of Arsia Mons (2012) by Caitlín R. Kiernan
• The Body Electric (2015) by Lucy Brady
• The Child and the Night Gaunts (2015) by Marly Youmans
• All Our Salt-Bottled Hearts (2015) by Sonya Taaffe
• Every Hole in the Earth We Will Claim As Our Own (2015) by Gemma Files
• But Only Because I Love You (2015) by Molly Tanzer
• Cthulhu’s Mother (2015) by Kelda Crich
• All Gods Great and Small (2015) by Karen Heuler
• Dearest Daddy (2015) by Lois H. Gresh
• Eye of the Beholder (2015) by Nancy Kilpatrick
• Down at the Bottom of Everything (2015) by E.R. Knightsbridge
• Spore (2015) by Amanda Downum
• Pippa’s Crayons (2015) by Christine Morgan
• The Wreck of the Charles Dexter Ward (2012) by Elizabeth Bear & Sarah Monette
• From the Cold Dark Sea (2015) by Storm Constantine
• Mnemeros (2015) by R.A. Kaelin

The Ballad of Black Tom (2016)

Victor LaValle grew up reading the horror stories that came from the life of H.P. Lovecraft, but it wasn’t until much later in his life that LaValle realized the excessive amounts of racism and agoraphobia that was present in Lovecraft’s body of work. As an African-American man, he used this eye-opening moment in his life to respond in kind, from one writer to another, by reinventing Lovecraft’s short story The Horror at Red Hook from the perspective of a black man.

LaValle’s re-imagining of this story was invigorating, riveting, and a triumph of creative responses to unacceptable biases–he succeeded in showing that Lovecraft’s work would have been even better had it not been rife with bigotry and bias for those who were not like Lovecraft. Available on Amazon here.

It’s important to understand that while we here at Puzzle Box Horror greatly appreciate the body of work that Lovecraft added to the horror genre, we recognize his biases and do not endorse them or agree with them. We were more than ecstatic when we found that there were actually literary responses to these particular issues and hope that such responses continue to appear within the literary community. Read the original story, by Lovecraft, that this novella was based off of, The Horror of Red Hook, then read Victor LaValle’s The Ballad of Black Tom.

Lovecraft Country (2016)

Following The Ballad of Black Tom, the novel Lovecraft Country also addresses the topic of racism within the context of Lovecraftian horror–this particular book has been adapted to screen recently and will soon be seen on HBO as a series–we certainly hope it will be as good as it looks, because the prospect of this one making it to infamy on screen makes us incredibly excited. The novel is available on Amazon here.

From executive producer Jordan Peele, we believe that this production will be worth every minute of time it takes to watch!

The Fisherman (2016)

Another from our list of best cosmic horror boos is The Fisherman. Described as a captivating read from beginning to end, John Langan’s The Fisherman gives us a dark, mysterious, fictional assertion of horror and cosmic fantasy. It follows the story of two widowers through their quiet and powerful story of loss and grief, by acknowledging the melancholy situation and the fact that things are never the same after the loss of a loved one. A definite addition to any cosmic horror novel list and one of the best out there. Available on Amazon here.

It would be a lie to say the time passes quickly. It never does, when you want it to.

What the Hell Did I Just Read (2017)

The third installment in the trilogy that started with John Dies at the End (2007), was followed with This Book is Full of Spiders (2012) and finally What the Hell Did I Just Read (2017). This book is largely hinged upon the narrative–we live in a world where we largely base our opinions on the story that the narrator presents, but what happens when the narrator isn’t exactly the most trustworthy of sources? Does it change how we view the story? Do we realize before it’s too late that our entire perception has been incorrect? Available on Amazon here.

The true weird tale has something more than a secret murder, bloody bones, or a sheeted form clanking chains. An atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; a hint of that most terrible conception of the human brain—a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.

H. P. Lovecraft

We’re curious to know what you thought about these best of cosmic horror books, novellas, and anthologies. Have you read anything that’s not listed here that fits the cosmic horror genre? We’re interested in reading it too, so leave us a comment and let us know!

Don’t feel like reading about cosmic horror? No problem, check out our list of recommended cosmic horror movies too.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post The Best Cosmic Horror Books appeared first on Puzzle Box Horror.

What She’s Known For

I started writing for young adults because I was one.

Lois Duncan in The Sarasota Herald-Tribune 2005

Duncan wanted to create something relatable for readers who were too old for children’s books and too young for adult books–something in between that could bridge the gap between, something that would carry them over and enable them to be lifelong reading enthusiasts. Authors like Lois Duncan are incredibly important, they breed the interest and love for the written word long after our parents stop reading us bedtime stories and well before we lose interest in school-assigned reading. Duncan’s most well-known books to date were written well before young adult fiction had become a popular genre—among these, she had created Down a Dark Hall (1974), Killing Mr. Griffin (1978), and Stranger With My Face (1981). These books were all considerably violent in their own right, but when her 1973 novel I Know What You Did Last Summer was adapted to the big screen, Duncan was “utterly horrified.”

The movie adaptation, which was released in 1997, horribly skewed her suspenseful thriller—a book about a group of teenagers who were desperate to conceal an accidental killing–into a slasher horror film. She recounted going to see the movie for the first time, “the first time I knew it was a slasher movie was when I bought my popcorn and bought my ticket and excitedly walked into the theater … the heads were dropping and the blood was spurting and I was screaming and the audience was screaming.” Truly it was never her intention for it to be as bloody and shocking as it turned out to be on film and it didn’t ring true with the message she tried to embed in her stories, that what you do in life matters and accepting responsibility for your actions is paramount.

Not all of Duncan’s work lies within the realm of the terrifying and dark, some of it is decidedly light—especially the work that followed after her daughter Kaitlyn—and many of her works have been adapted into film. Like most authors who have had their work adapted into screenplays, Duncan didn’t exactly make her name from audiences knowing who came up with the original idea for them. Instead she made her name through the amazing wealth of novels that she contributed to multiple genres and the awards she received for them.

What the Critics Had to Say

Lois Duncan is regularly given credit by critics and journalists alike for pioneering the genre of young adult fiction—she made most of these strides within the teen suspense and horror genres and was even dubbed as the “queen of teen thrillers.” The Washington Post’s Emily Langer stated that Duncan, “plucked her characters from normalcy and placed them in extraordinary, often dark circumstances,” which for a time when Beverly Cleary, Judy Blume, and Robert Cormier were big names in fiction, was decidedly against the grain of the genre.

What the Fans Have to Say

Even four years after her death, Lois Duncan is still on the minds of the people she inspired to write during their youths—her impact was profound and lasting because she finally gave teens a voice for the dark and dismal forces that play a large part in the imaginations and fantasies of so many of us during a time of chaotic emotions and hormones. She isolated that turmoil and removed it from the internal struggle by creating these dark tales and then illustrated how much worse things could really be beyond our own thoughts, fears, and expectations.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post The Legacy of Horror Writer, Lois Duncan appeared first on Puzzle Box Horror.

Well, I have loved all things supernatural since I was in elementary school. I remember checking out R.L. Stine books from the library every week, first Goosebumps and then Fear Street.  Reading has always been an escape for me and the creepier the story the better.  This is why I write what I write. People say you write what you love to read. I love mysteries, I love the supernatural and I love horror. So naturally when I sit down to write that’s what my mind steers towards. 

You have detectives, undead, necromancer, spirits, and a living sculpture all tied together. What inspired that and did it take a lot of research to get all the pieces to come together? 

I would love to say that this was all planned from the beginning, but it wasn’t.  Honestly, I just added the things that I like, and what I thought would be cool and make sense. Introducing magic and the supernatural into the real world can be tricky.  I didn’t want it to be too cliché and I didn’t want it to be too out there.  I wanted the magical creatures to have a role in this world that fits their nature. Vampires need blood so them being a blood analyst in the Medical Examiner’s office makes sense. Necromancers deal with death magic so working in the Medical Examiner’s office makes sense. When possible, they resurrect victims so the detectives can interview them.  Using water dragons as ferries make sense.

What I had to research were serial killers and different types of magical and mythical creatures. While my serial killer has some magic, he doesn’t use it when he murders his victims. He does this by torturing them and then removing their eyes while they are still alive and then their organs. I researched different serial killers and tried to understand why they did what they did. Or what could make a person decide that the only true joy in life is killing people. I still don’t have any kind of understanding of what would make a person do it but this research did give me some insight into my character and his friends. I am not a budding serial killer, I just wanted to point that out. 

I also had to research poaching. I figured if some people find joy in poaching rhinos and elephants then those same people would probably find the same joy in poaching unicorns, firebirds, and other mythical creatures. I wanted to show that just because our world has magic now doesn’t mean that everything is magical.

Is the second book the finale or do we have more in store here?

The second book, which is much darker than the first, is not the end.  I have ideas for several more in the series and it is only going to get darker.

What has been the biggest challenge in writing this story?

I would say the biggest challenge was writing from the killer’s point of view. He also has serial killer friends.  Being in their heads was particularly draining but it was also a little fun. I don’t know what that says about me, but it was.  I think writing dark characters can be both challenging and interesting. Their attitudes towards what they do were by far the creepiest part of the book for me.

You’ve published a few books now, any advice for new horror writers? 

I have two different series. One (Rachel Dixon series) is new and the other (Moon Investigations) I am republishing.  I find it hard to advise anyone on `writing because writing is one of those things that changes with every book. Also, what works for one person may not work for another. My one piece of advice is to finish. Whatever you are writing finish it. It might be crap and if it is the first draft it will be crap, but you need to finish it. You can fix it when you’re done.  Also, if you want to write in the horror genre then you should read in that genre and not just the popular horror. Read popular horror, obscure horror, good horror, and bad.  If you don’t read in the genre you want to write, then you aren’t going to be very good at it and you probably won’t finish it. Also, don’t be so hard on yourself.

You must be a horror fan? What are some of your recommended readings and movies? 

In horror, there is something for everyone depending on what you like. If you like comedy, Ash vs The Evil Dead and Shaun of the Dead is something you’ll like. The Haunting of Hill House is amazing and the book by Shirley Jackson is something every horror writer should read.  I loved every movie based on the case files of the Warrens which include: Insidious, The Conjuring, and Annabelle. If you love zombies, iZombie is funny, and the zombies eat brains in interesting ways. Dawn of the Dead is a good one along with my favorite 28 Days Later.  American Horror Story, Supernatural, and Chilling Adventures of Sabrina have a really good story and character arcs that may inspire you to write something new.

-Where can we get the first book and where and when can we get this second in the series? 

The first book, The Last Thing You See is available on Amazon. It will be available on other platforms in July. The second book One by One is basically about a murder circus and a house infused with magic and blood lust. More of the serial killers are introduced and it is much darker than the first book. It will be available on October 30^th, 2020.

Finally, where can we find and follow you? 

I can be found on Instagram @mariebatisteauthor or my website mariebatiste.com.

Thank you for doing this. I have gotten a few ideas from going through your site so thank you.

Tritone

Tritone’s love of horror and mystery began at a young age. Growing up in the 80’s he got to see some of the greatest horror movies play out in the best of venues, the drive-in theater. That’s when his obsession with the genre really began—but it wasn’t just the movies, it was the games, the books, the comics, and the lore behind it all that really ignited his obsession. Tritone is a published author and continues to write and write about horror whenever possible.

puzzleboxhorror.com

The post Interview with Horror Author Marie Batiste appeared first on Puzzle Box Horror.

The Films Based on Matheson’s Novels

I Am Legend (1954) is Richard Matheson’s most talked-about novel–it was such a success and inspiration to creatives everywhere that it was even adapted to film three separate times. The Last Man On Earth (1964), The Omega Man (1971), and I Am Legend (2007) all wonderful movies in their own right, just never seemed to capture the concept behind the original novel.

The Last Man On Earth (1964)

The dark tale of The Last Man On Earth takes place in a post-epidemic nightmare world, where a scientist by the name of Robert Morgan–played by Vincent Price–is the only man immune to a vampire plague which has transformed the entire population on Earth. This vampire society comes to fear Morgan, as he turns into a monster slayer. As a scientist, he studies the plague and ends up being able to cure one of them, by transfusing his blood into her. This upsets the vampire race and they end up killing him for what he has done to Ruth.

The Last Man On Earth on IMDB

The Omega Man (1971)

Considered the second adaptation of I Am Legend to film, Charlton Heston plays Robert Neville, a man who is the only recipient of a serum that made him immune to the germ warfare between Russia and China. This caused him to be the only known normal human left alive and he lives in a gaudy, antique-decorated penthouse in Los Angeles where he roams the vacant city by day and fends off bloodthirsty (read: vampire) mutant scavengers. Eventually, Neville comes across a young group of healthy non-vampires, which destroys the idea of him being the last remaining normal human being.

The Omega Man on IMDB

I Am Legend (2007)

The third adaptation of Richard Matheson’s I Am Legend, this attempt at the film follows Robert Neville–played by Will Smith–as the last man on Earth struggling to survive and fend off the infected victims of the vampiric plague. He’s a brilliant scientist who is meant to find the cure to a highly contagious superbug–something he is inexplicably immune to, as we find out later in the film. By day, Neville searches high and low for supplies, sends out desperate radio messages with the hope to find other survivors, and by night he hunkers down in his fortress of a home while attempting to find the cure to the virus by using his own blood in experiments on vampires he has captured. The horde of vampires is more intelligent than Neville realizes, however, and they take vengeance upon him after he captures a vampire woman who the alpha vampire is bonded to.

I Am Legend on IMDB

The Legend of Hell House (1973)

Adapted from Hell House by Matheson, into a screenplay by Matheson himself, four people with supposed extrasensory powers are hired to spend the weekend in a haunted house in order to gather evidence of the haunting.

The Legend of Hell House on IMDB

Stir of Echoes (1999)

Tom Witzky lives a fairly normal life, he works in Chicago and lives with his wife and son, not believing in anything out of the ordinary. One night, while at a party, Tom and his sister-in-law, Lisa, get into a verbal debate about psychic communication and the power of hypnosis–he challenges Lisa to hypnotize him, so she does. She plants a post-hypnotic suggestion for Tom to be more open-minded and things begin to happen.

A Stir of Echoes on IMDB

Television Shows Inspired by Matheson

Matheson wrote several screenplays, including sixteen episodes of The Twilight Zone, where he could simply pitch an idea and spur an entire episode.

Nightmare at 20,000 Feet (2002)

A salesman is traveling via plane after a recent nervous breakdown–after being told that he’s recovered from his issues–while flying, he begins to believe he’s seeing a monster climbing on the wing of the plane and damaging the engine. The only problem is, is that he’s the only one who sees it.

Nightmare at 20,000 Feet from The Twilight Zone on IMDB

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Cinema and Television Inspired by Horror Author Richard Matheson appeared first on Puzzle Box Horror.

Richard Matheson has been aptly described as, “the most famous horror writer that you’ve never heard of,” meaning that you know his body of work, you just never knew the face behind it. So here’s your chance to learn about one of the most prolific writers of the genre, with a career that spanned nearly seven decades.

The Early Years

Born in Allendale, New Jersey on February 20, 1926, Richard Matheson was the child of Norwegian parents and was raised in Brooklyn, New York. As a child he had his heart set on a musical career, but he stumbled upon his love of fantasy that sparked his creativity and imagination—by the time he was eight years old his stories had already appeared in a local newspaper called The Brooklyn Eagle. Transfixed by the earliest examples of Dracula on the big screen, he already had his idea for the vampire story I Am Legend (1954).

Introduction to Adulthood: His Time in World War II

Matheson graduated from Brooklyn Technical High School in 1943, during the late years of World War II, he was a hardworking student who planned to continue on his education in the field of engineering. Due to the timing of his graduation, he enlisted in Army Specialized Training at Cornell in order to go into the military as an engineer instead of being enlisted as an infantry soldier—as luck would have it, the program was canceled and he ended up in the infantry anyway. According to biographical sources, Matheson served in the Eight-Seventh Division of the U.S. Infantry—known as The Golden Acorn Division—in France and Germany until nearly the end of the war when he was medically discharged due to trench foot. In 1960 he published The Beardless Warriors which described his experiences through the eyes of a common soldier and was the first known instance where his style was captured—first-person narratives from male characters who were confused in ambiguous situations.

A Formal Education

Following his return from the war, Matheson lived with his mother while he sought advice on how to proceed with his career in life—a guidance counselor suggested the journalism program at the University of Missouri. By 1949, Matheson had earned a bachelor’s degree in journalism and also published his first story, “Born of Man and Woman,” in the third issue of the Magazine of Fantasy and Science Fiction from which he earned $25. Matheson often sent stories into this publication after reading the first issue and feeling as if it were one-of-a-kind, something that appealed to his eclectic writing style. After graduating from the University of Missouri in 1949, he moved to the west coast where he met his future wife, Ruth Ann Woodson on a beach in Santa Monica. They were married by 1952.

When his first story appeared in the summer of 1950, he was immediately contacted by an agent. In Richard Matheson’s Monsters: Gender in the Stories, Scripts, Novels, and Twilight Zone Episodes it was said that Matheson would regularly submit his stories to newer publications, to maximize his exposure, since he knew the importance of working with them. Later, when Matheson was ready to publish his first story collection, he dedicated it to William Peden at the University of Missouri, a man who had been his professor and someone who Matheson had considered his mentor.

A Literary Career

There are very few authors who, when truly recognized for their work in the horror and fantasy genre of the twentieth century, would be considered greater than Richard Matheson—while he’s known for many of his novels, such as I Am Legend as well as his work in television with sixteen of the original Twilight Zone episodes, and made-for-TV movie The Night Stalker, it’s only usually his work that is recognized and not his name. It’s truly a shame though, as he was a major influence on nearly every major writer of science fiction, horror, and fantasy—including the greats like Stephen King, Neil Gaiman, Peter Straub, Joe Hill as well as filmmakers such as Stephen Spielberg and J.J. Abrams.

With the type of legacy that Richard Matheson has left behind, it’s wonderful to know that he was around long enough for people to take notice of his talent–and this particular video was made for aspiring writers who would appreciate any advice from someone they might look up to.

His Final Years

Matheson passed away in June 2013 at the age of eighty-seven. As of this posting, it has been seven full years since Richard Burton Matheson passed away, but this prolific American writer of fantasy, horror, science fiction left behind a legacy of work that helped to shape the horror culture that we have today.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post The Life and Death of Richard Matheson appeared first on Puzzle Box Horror.

Growing Up…

Born Dennis William Etchison on March 30, 1943 in Stockton, California and he grew up as an only child when World War II was still ravaging the globe. He, therefore, didn’t have any men in his home and as a result believed he was spoiled greatly as a child where he spent most of his time without normal exposure to children his own age. It’s said that this sense of isolation from his peers, as well as the need to interact with society, was reflected later as parts of the themes of many of his work. His father regularly took him to attend shows at the Olympic Auditorium where he developed a fascination in the fight between good and evil–and gave him the ability as a young boy to become a fan of wrestling as a sport.

During his teenage years he wrote for his school papers and was a decidedly good writer for his age, having discovered Ray Bradbury and emulated his style before he had developed his own. This was the time that he began writing short stories, but upon submitting them for publication was rejected every time–that is until he remembered Ray Bradbury, who had suggested that a writer should look to a market that would be the least likely to publish their work. After heeding the advice of his source of inspiration, he was promptly accepted for publication in a gentlemen’s magazine entitled Escapade.

Career

While we’re going to focus more on the literary career of Dennis Etchison in our next installment of the Dead Author Dedication for the month of May, we feel it’s important to recognize here some of the highlights of his achievements. Dennis Etchison had a prolific writing career when it came to short story fiction, something utterly unheard of for an author who was actually quite popular during their lifetime–considered a king of anthologies, he began with publications of his short stories in the 1960s.

At UCLA he sought a higher education in the 1960s, Etchison studied film and eventually became highly knowledgable on the subject; he wrote various screenplays, many of which were never produced. He even became a consultant to Stephen King for his non-fiction volume Danse Macabre (1981) and also wrote for television. In his expansive five-decade career, his range included short stories, movie novelizations, original novels, anthologies, essays, editorials, and radio work.

Not surprisingly, Etchinson also served as the President of the Horror Writers Association from 1992 to 1994. At the turn of the century, in 2002, he adapted almost one hundred episodes of the original Twilight Zone television series for a CBS radio series which was hosted by Stacy Keach. Over the course of his career, he won the British Fantasy Award three times for fiction, as well as two World Fantasy Awards for anthologies he was responsible for editing. In 2017, Etchison was recognized by the Horror Writers of America when they bestowed the honor of the Bram Stoker lifetime achievement award upon him.

Much of Etchison’s work can be found under his pen name, Jack Martin, One thing that Etchison can be credited for aside from all of his other achievements is his excessive humility when regarding his own work. Inspiration can be found from his relatability for aspiring writers and we think that this can be summarized by one quote in particular.

I know a short story or a book that I’ve written much better than anybody else in the world. I’ve read it a hundred times. And just because it’s published doesn’t mean I think it’s perfect. You don’t write in a vacuum. You write on a schedule, professionally, and something may be published that I know is flawed. I understand the weaknesses of the work better than anybody else.

I could give you an annotated version of one of my stories that would point out not only the references and the origins of the lines and thoughts, but what I was trying to do – what I wished there were more of, what I now think there’s too much of. After you’ve written it and set it aside, you can come back to it and you see it in a different light. So I now look back at any story of mine more than a couple of years old and it does not look good to me. I could go through it and make it better, but I don’t do that. It represents the best I could do at that time, under those circumstances, and it’s representative of the person I was. I am embarrassed by some of the early stories, which continue to come back in reprint anthologies around the world.

It’s nice to be paid for work I did in my teens! But I can look at it as if someone else had written them and say, “My God! Is he aware of how these words look on the page?” I have a more acute sense of style than I did then; a better understanding of myself and human relationships. Two years from now I’ll look back at the present stories and be appalled. But it’s like life: what you do is the best you can do on that day. You have to finish your job at the end of the day and say, given the circumstances, this was the best that I could do. But tomorrow’s a new day. I can try to do better.

Dennis Etchison on his own writing.

Throughout his career Etchison gave back to the next generation of aspiring writers, by teaching classes in creative writing at his alma mater, UCLA. The most admirable trait of this horror master, is that he inspired many to write down their stories and accept that our flaws as writers actually contribute to our ability to evolve and improve.

Death

Although his cause of death has still been relatively unreported upon, we do know that Etchison was reported to have died during the night on May 28, 2019, at the age of 76. This was a tremendous blow to the modern horror community, as it lost one of the most influential modern writers who brought originality and life to such an exciting genre of fiction.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post A Look into the Life of Horror Writer Dennis Etchison appeared first on Puzzle Box Horror.

This week, for the third installment of our Dead Author Dedication in honor of Bram Stoker. We’re going to be discussing one of his characters who doesn’t get quite as much attention as the vampire king Dracula, but is still a character that blossomed beyond the original story by Stoker. The mysteriously knowledgeable and most famous vampire hunter, Dracula’s nemesis, Abraham Van Helsing.

Polish journalist Adam Węgłowski has claimed he has finally solved the mystery of our favorite good guy and that the Stoker character is actually based on the real-life of a historically documented vampire hunter. While it has been understood that Stoker may have originally modeled Van Helsing after a real individual, it wasn’t until Węgłowski’s research that a name could actually be attributed as the main source of inspiration.

Who Was the Inspiration for Van Helsing?

Born December 14, 1666, in Angerburg (known as Węgorzewo today)–Georg Andreas Helwing (or Helwig in some places), was a part of the Duchy of Prussia–a fief of the Crown of Poland. Helwing was an incredibly learned man of letters and a reportedly brilliant scientist. In Koenigsberg, Helwing studied philosophy and theology and pursued his education while traveling; eventually, Helwing ended up in Venice and Leida where he collaborated very closely with Herman Boerhaave, a Dutch Botanist.

It wasn’t until 1691 that he returned to his hometown; shortly following his father’s death, Helwing took up employment as a Lutheran pastor. Aside from his religious line of work, he was also a physician who took a great deal of interest in studying botany and other natural sciences while doing his duty as a clergyman. What is really interesting about Helwing though, is that despite his fairly mundane line of work, he was also a student of the paranormal and supernatural. This, of course, led him to study vampires and werewolves in particular and even went so far as to talk about how the inhabitants of Masuria fought supposed vampires by decapitating them during the bubonic plague epidemic. Węgłowski’s research shows that peasants of the time also had a “habit of stabbing the corpses with stakes.”

From Helwing to Van Helsing

So with what we now know about Georg Andreas Helwing and the little we know of the mythology of Van Helsing, are the two really connected in a meaningful way? Well, within the books and papers that Helwing wrote, many of those had to do with vampires; Węgłowski makes the link not only with the similarity of surnames but also with the kinds of education that both Helwing and Van Helsing pursued. Scholars believe that Stoker also had the fortune to find out about Vlad the Impaler–his inspiration for Dracula–from his friend Ármin Vámbéry, so it is speculated that he found out about Helwing from the same source.

While Helwing may have not hunted vampires in the sense that we might think today–he didn’t actually believe in vampires–he did hunt the folklore which led people to believe in them and therefore display the practices they did. In Helwing’s homeland, the bubonic plague (1708-1711) brought the height of vampire hysteria, where he was able to describe an incident where the people of the village found a monster; he reported that “after singing a song for the dead, the head was chopped off with a spade and thrown back into the tomb together with a live dog.” This was due to the widespread belief that the dead could rise from their graves as vampires and further spread the disease which was exterminating the population. Like Van Helsing though, Helwing risked his life to save those in danger, according to Węgłowski. The only difference is that Van Helsing attempted to kill monsters, and Helwing attempted to eradicate disease.

Abraham Van Helsing

Interestingly enough, Van Helsing has gone through a transformation in his appearance in television and cinema; in Dracula (1931) with Bela Lugosi as well as Bram Stoker’s Dracula (1992) with Anthony Hopkins, Van Helsing makes his appearance as a man who is more advanced in age. Television and cinema of the modern age are more likely to have Van Helsing be portrayed as a younger, rogueish looking, strong but not violent man in an effort to capture the hearts of women and spark a fan base. There are of course pros and cons to both portrayals of this character, an older Van Helsing while knowledgable seems frail, where a younger Van Helsing seems physically capable, but perhaps a bit less wise.

Popular Vampire Hunter Culture

Van Helsing is not the only vampire hunting character we have seen throughout vampire movies, because it seems that with every horror and adventure story involving vampires we get another hunter or slayer to rely on to save us from the monsters. Van Helsing’s status as a vampire hunter inspired such characters as Buffy Summers in Buffy the Vampire Slayer (1997 – 2003), Angel (1999 – 2004), the Blade franchise where we see the vampire-human hybrid Blade try to eradicate the vampire threat. Then we also have the underdog heroes, like the Frog Brothers in Lost Boys (1987) who represent those of us who don’t have super powers, but still have a powerful need to protect people from evil.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Inspiration for Van Helsing and Vampire Hunters appeared first on Puzzle Box Horror.

He is tall and heavily built, with a sandy beard and good-natured blue eyes. Speaking of his rather striking name, he said: “I was named Abraham Stoker, but since my very young childhood I have been called Bram–and Bram I have let it remain.”

The Constitution, Atlanta, GA, January 26, 1896

Life Before His Writing Career

Born on November 8, 1847, on the north side of Dublin, Ireland in Clontarf to Abraham and Charlotte Mathilda Blake Thornley, Bram Stoker was the third child of seven. His father was a civil servant and his mother was a charity worker and writer, who told him horror stories as a child and may have been the first to influence his writing later on in life. During the majority of his childhood, Bram Stoker was bedridden with a still unknown illness until he started school at seven. When he finally started school, he made a complete recovery from his childhood illness and by that time had matured into a thoughtful young boy. In Stoker’s own words he was, “naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years.” Schooling during his youth was at a private school run by Reverend William Woods.

Despite his frailty as a child, after his recovery, he grew up without any other debilitating illness and even excelled in multiple sports later on during his university years. Bram attended Trinity College in Dublin from 1864 to 1870, when he graduated with a Bachelor of Arts degree, then later pursued a Master of Arts in 1875; his school portfolio shows he was the auditor of the College Historical Society and the president of the University Philosophical Society, where he wrote a paper titled Sensationalism in Fiction and Society.

The Legacy of Stoker’s Name

When Bram attended college he began working as an Irish civil servant and also picked up freelancing work in journalism and critiquing theatre. Not having predestined himself to become a writer Stoker was, at an early point in his career, highly interested in theatre. During the time in which he worked for the Irish Civil Service, he actually became a critic for the Dublin Evening Mail, which was co-owned by Sheridan Le Fanu who at the time was an author of Gothic tales.

Even though theatre critics were, at the time, not incredibly popular people, Stoker attracted the attention of people with the quality of his reviews. One fateful December day in 1876, after praising the performance of Hamlet by Henry Irving at the Theatre Royal in Dublin, he was invited to dine with Irving at the Shelbourne Hotel. This dinner marked the beginning of a prolific friendship between Stoker and Irving. Not long after becoming friends with Henry Irving, Stoker met and subsequently fell in love with his future wife, an aspiring actress by the name of Florence Balcombe. Florence was a celebrated beauty who had, at one point, been courted by Oscar Wilde. Wilde and Stoker had been classmates during their days at Trinity College; despite being upset with Balcombe’s decision to marry Stoker, the two men eventually resumed polite exchange.

Not many know how Mr. Bram Stoker came to be associated with the fortunes of Sir Henry Irving. It was in this wise, says a contemporary: Sir Henry , when on a visit to Dublin, was invited to a supper party, and during the course of the evening was induced to recite his in his thrilling way “The Dream of Eugene Aram.” One of his auditors, a young man with a brilliant reputation at Trinity College, was so affected by the tragedian’s delivery that he burst into tears. Henry Irving asked the young man to call on him the next morning, and then and there made him an offer, which was accepted to the mutual advantage of both. The young man was Mr. Bram Stoker.

The Leeds Times, Leeds, UK, July 13, 1985

The Lyceum Theatre

During the year 1878, Bram began working in London as Henry Irving’s secretary at the Lyceum Theatre. In December of that same year, Stoker and Balcombe were married and their nuptials were reported the next day on December 5, 1878, by The Freeman’s Journal and Daily Commercial Advertiser. Four days later, on December 9, Stoker and his new bride moved to England to join Henry Irving, a man which he greatly idolized. After their move to London, Stoker accepted the offer to become the acting manager for Irving, then ultimately became the business manager of Irving’s Lyceum Theatre in London, a job which he held for twenty-seven years.

A little over a year later on December 31, 1879, Stoker and his wife had a child, Irving Noel Thornley Stoker, then Bram published his first book. Through Stoker’s work with Irving, he began to have access to London’s high society and made some of his most important professional acquaintances, including Sir Arthur Conan Doyle, to whom he was distantly related. During his employment under Irving, who was the most famous actor at the time, he managed the most successful theatre in London and was consequently a quite well known, albeit busy man.

Despite having traveled the world with Irving as his manager, Stoker never once visited Eastern Europe, the place in which his most famous novel was set. Instead, he visited and thoroughly enjoyed the United States and accompanied Irving to the White House twice, where he met William McKinley and Theodore Roosevelt. As evidence of his appreciation of the United States, Stoker actually set two of his novels in the United State. He happened to have the opportunity to meet Walt Whitman as well, who he held great admiration for as a writer.

The Legend Started with Slains Castle in Cruden Bay

The magic happened when Stoker traveled to Cruden Bay, where the Slains Castle sits, it is rumored that this castle was actual the visual inspiration for Bram Stoker during this phase of his writing career. He began the early chapters of Dracula in Cruden Bay, in 1985 while in residence at the Kilmarnock Arms Hotel, where his signatures in the guestbook from 1894 and 1895 are still present. Stoker also penned two other novels that were based on Cruden Bay, The Watter’s of Mou (1985) as well as The Mystery of the Sea (1902).

History As an Author

The writing career of Stoker will be something that we delve into greater detail in the next installment of our Dead Author Dedication for the month, but it’s worth noting that despite Stoker’s productive career as a writer, he’s really only known for his classic Dracula (1897). Upon the finality of his famous novel, Dracula, he dedicated it to one of his closest friends, by the name of Hall Cain, whom he had met in London. During the period in which he had started to write his novels, he was also a part of the literary staff of The Daily Telegraph in London. Other than his novel publications, after Henry Irving’s death in 1906, he ended up managing productions at the Prince of Wales Theatre.

At the End of His Life

Stoker finally succumbed to multiple strokes and died of exhaustion on April 20, 1912, at Number 26 St. George’s Square–although some biographers believe it also had something to do with tertiary syphilis. His ashes were placed on display at Golders Green Crematorium in Northern London

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

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