It was a nice walk from the corner store to the cemetery I had marked on my map, it was so alien to see grass that was still green this time of year, and the sun beat down through the thick humid air. I reminded myself to not get used to the length of the days down in the lower forty-eight, it would just make me miss the sun that much more when I got home. Walking through what felt like ancient relics dedicated to days of luxury, I noticed many of the tombs I was passing by were in various states of decay. The lavish stonework had gone through years of disrepair and had been devastated by vandals in some places, but there was still a certain beauty to it. Moss grew heavy on the older monuments to the dead as if the tragically forgotten were being reclaimed by the earth. I found the tomb when I stumbled upon it, quite literally, my foot had caught on a rough edge that stuck out just-so underneath the bedraggled grass that lined the trodden pathway.

The tomb adjacent to the one I had been searching for had enough of an overhang to cast some shade—I settled myself down on the grass and leaned back lazily, sweat beaded down the side of my face. I had just realized how much I had been moving around when I finally let out the breath I had unwittingly been holding. The vèvè graffiti had been covered up since the picture I had, had been taken. The blotchy, mismatched paint stared back at me tauntingly—why had it been covered up when the rest of the cemetery was in such disarray. I pondered the thought for a while, even though I already had my suspicions—I had no authority to jump to conclusions, but I had a gut feeling that there was someone higher up involved with keeping it all under the radar.

The shadows grew longer and longer as the day drew to a close, the rhythmic chirp of the crickets as they began to sing caught my ears, but I still felt the sun left me too exposed to be comfortable with leaving an offering out in the open. My paranoia often worked in my favor, so I couldn’t help but listen to the agonizing anxious conspiracies that often traipsed lackadaisically through my mind. The sun seemed to be taking its sweet time and in my restlessness, I got my notebook out to study and scribbled down the address I had been given at the voodoo shop. Another thirty minutes would go by before I finally opened the bags I had been hauling around.

I set the candles down, on the left and right sides of where the covered vèvè was blaring through the shadows that had been cast by the fading sunlight. I set the sweet snacks and the cigars next to one another and then produced a shot glass from the tchotchkes section of the corner market I had found on my way here. I poured an ample shot of rum into the glass, took a swig and winced at the roughness of the liquor that hit my tongue. I lit the candles and began what some may call a ritual, others may call witchcraft—I knew it best as an offering, in honor of the spirits of the region. My experience had proven, that when in Rome wasn’t just a silly thing that people said when they were feeling uncomfortable with customs that seemed alien to them. I slipped the metal pendants over my neck and verbally petitioned Papa Legba and Baron Samedi to be with me in my investigation. It was just something you paid attention to—customs were to be respected and followed if at all possible.

After two hours of sitting there in silence I noticed the sky darkened until it was eventually pitch black. With just the flickering of the dim golden glow of the candles against the paled, peeling paint of the stones they sat against, I felt my eyes grow heavy as I sat there, in near meditation. I shook my head and mentally made a note to get a grip. The heaviness in the surrounding air still hadn’t given me a break since I had left the airport and I doubted I would find a reprieve from it before I left. I decided that I had sat there long enough and gathered everything but the offering I had left then set a course to walk back to the hostel. It still wasn’t all that late, and the Blues being carried by the wind through the streets on the way back, gave me a bit of bliss after a trying evening. In unfamiliar territory, I was just thankful that the GPS on my phone was working, or else I might be utterly lost.

I noted the course that I would have to take from where I was and slipped my phone into my bag—I couldn’t shake the feeling of eyes on me though and I stopped in my tracks just as I began to pass what looked to be an abandoned shop. My eyes were fixed on the door to the shop, it was white, the glass panes cracked from the corners, paint peeling on the bottom where the sun was brightest and hottest during the day. What really made me stop though, was the slight creak that rose above the fading melancholy of the band playing at the old club around the corner. The ruddy glow of an aging light fixture cast a haunting shadow—did that door just—I instantly dismissed any notion that it had but watched as it creaked open into the darkness beyond.

I walked slowly towards the door and stopped short of the cracked and weathered façade when I felt the force of someone pushing me hard against the door. My head cracked against the threshold, the sound drowned into blackness and conscious thought evaporated from me completely.

My eyes opened to look upon a freshly painted black vèvè that stung the wall of the tomb and it was barely illuminated in the night that surrounded me, but it wasn’t night. I realized that when I looked to either side of me, the shadow was as thick as tar. I looked back at the tomb where the symbol was; it had begun to bleed down the wall in an inky red. Over my shoulder, I could feel someone press their chin gently upon the top of my head as if viewing the blood as it gushed down the face of the wall. Beyond the adulteration of my peripheral and through my own copper hair, I saw the outline of what looked to be a skull, but was it wearing a top hat?

The Cheshire grin that spread across its toothy smile was unsettling, even so I couldn’t help but bring myself to look at it directly. My eyes barely caught the hand reaching for my neck before it grasped me unrelentingly, the ashen skin was streaked with blood as it protruded through a large crack that had appeared in the center of the symbol. There were drums in the distance, a beat that I had not ever heard before, I gasped for air, closed my eyes for a moment, then opened them to find I was back staring up at the surface of the water. I screamed inaudibly and water began to fill my lungs.

My screams were interrupted by an abrupt jerk of my head; my head throbbed. The last thing I remembered was a misty old storefront and an intense curiosity. My confusion was unaltered by the strangeness of my current surroundings. My eyes were crusted over, no doubt from the sensation of choking… was that a dream? By the looks of it, I was in a root cellar somewhere; the only problem was, the infamous swamplands of the south didn’t create a hospitable foundation for root cellars to even exist. I twisted my body and finally noticed that my hands and feet had been bound. Awkwardly, I squirmed into a sitting position and backed up against the wall; I could tell now that I wasn’t actually underground at all, but the room had been insulated with a thick layer of muddy clay.

The darkened corners of this room seemed to house a dark and looming presence, a guttural and graveled groan that arose after a moment of my blurred gaze. It took longer than I would later like to admit, but I finally recognized the figure of a man in the corner, hunched and aggressive. “What have I gotten myself into?” My chest felt like it was going to explode—this adrenaline rush was working me up into fight-or-flight mode, but neither option would really get me anywhere in my current situation. I closed my eyes gently and took in a shallow unsteady breath.

This wasn’t the first time I had been in a tough situation but given the circumstances, I felt that I would much rather be back in front of the polar bear I had the bad luck of running into while traveling in the North Slope as a teen. Luckily for me, not so much for the unfortunate polar bear, I had my rifle with me that day and I survived to tell the tale. Looking back, I still wasn’t sure how I had steadied myself, but my mother’s brothers had developed a fondness for me, their little kassak niece from which we had formed an unlikely bond. I had known how to track and make myself scarce in the wild from the time I was a child—a forte I had never managed to possess while in the city or around too many people.

My face felt hot when I heard chains drag against the concrete floor, the automaton in the corner had grown more agitated; in a grasp for hope, I hugged my legs close to my chest and awkwardly fished through the ankle of my boot for the knife I always kept handy. When I finally fumbled it out of my boot, it loudly clacked upon the floor. The creature that kept me company responded in kind, his chains clanked as a hand reached out from the shadows. The blood-streaked arm reaching for me from my nightmare flashed through my mind, I shuddered and grasped the knife and clipped the zip tie on my ankles, then made quick work of my wrists as well. Before my corner companion could utter another, “eergh!” I was up on my feet with my knife tucked back into my boot.

My investigative and curious nature urged me to look more closely into the figure in the corner—the light was too dim for me to see much of anything, but my internal voice was telling me this was just a man. He lunged at me when I inched too close trying to analyze something which I had never truly believed could exist and he briefly came into the light—this man looked as if he had been drained of all of his color, his lips were cracked, his eyes bloodshot and glazed over.

“Holy fuck, Stanley?” slipped out of my mouth before I even realized I had said it and I stumbled backward. This last sound must have roused the suspicions of whoever was guarding the room because I heard steps echo from the hall just outside the door. In a moment of hesitation, my feet slipped out from underneath me as I scrambled on the concrete to get behind something, anything, that I could hide behind to stall for time. I narrowly ducked behind a bookshelf stacked with dusty boxes when the door opened. Another man walked in, he was large in stature and all of his exposed skin painted in symbols I wasn’t familiar with. My breathing was unsteady as I watched the man through a space between the boxes, he was obviously looking for me and I wasn’t exactly ready to be found.

It wasn’t long before the man found me in my hiding place, I wasn’t exactly a secret agent, skilled in elusive behavior. I feel like I bravely attempted to fight back left me kicking my feet in futility as he ultimately dragged me out of the room and into the hallway. There the strange drumbeats I just barely recognized, could be heard coming from the direction in which we were headed. I was pulled violently through another door which led outside, the drums grew louder and the lights got brighter. I was tossed into a corner of what looked to be a small, closed-off courtyard and my head hit the ground hard. Dazed and likely concussed I tried to regain my senses once again and even with my blurred vision I saw the bonfire in the courtyard. If I had been uncertain of whether or not I was in danger before, it couldn’t be clearer now—this is what I had been searching for all along.

There were several men and women gathered loosely around the fire, one of the women danced around in a trance, a man followed suit chewing on coals, while a couple of others dragged a struggling pig into the mix. I wasn’t versed in French Creole, otherwise, I might have been able to understand words other than the brief recognition of them calling out the names of the loa I was familiar with. I knew I heard, “Baron Samedi!” as well as, “Papa Legba!” being shouted within their chants and hollers, but it wasn’t until a man came into the circle with a machete and slit the screaming pig’s throat that I became nauseous. The pendants that rested against my chest began to burn slightly and another man dragged me closer to the bonfire.

My vision had cleared somewhat and I could see a man standing over me, colorful clothes, beaded jewelry, and white paint adorned this man—he looked like a witch doctor straight out of an anthropology textbook. I knew, without having to be told, that he was the bokor I had come to New Orleans to find. He knows… I need to find out what he knows. Tears involuntarily began to streak down my face, I would never be able to find out how to help my father if I didn’t find out the source of this man’s power. The bokor crouched down, a handful of white powder presented in his palm, and just as he was about to blow it in my face, I kicked my feet out at the man who was holding me on the ground. Apparently, I caught him off guard because he stumbled directly into the powder that burst forth from the bokor’s palm, in a last-ditch effort I rolled off to the side. The man writhed and screamed, the white powder coated his face and the ceremony came to an abrupt end.

Sirens blared just as the participants were ready to converge upon me and police officers burst through the doors, breaking up a party that would have likely ended in my own demise. An intense hour of speaking with the police made me aware that an anonymous caller had alerted them to my location and that I had been kidnapped. Despite not understanding who might have called it in, I was just thankful that the night was over and that these people were going to go away for a long time. I was allowed to recover my bag, which had been taken from me, my laptop and phone were still in my bag as if it had been utterly undisturbed. It was clear these people had no idea who I really was, perhaps they really just didn’t want anyone on their trail, and the act of someone coming to look for one of their zombified victims was enough to catch their attention. I could have just been another statistic, a tourist who slipped through the cracks in a city with a hidden reputation of violence.

I told them about Stanley being locked up in the building and once all of the participants had been cuffed and stuffed into the back of police cruisers, I was told I was free to go. The police officer I had been speaking with turned and walked away and I was left to my own devices. I spotted a large book that had been sitting in proximity to where the pig had been slain, but in the commotion had been knocked into the blood that had been spilled on the ground. Certain that no one was paying attention, I grabbed the book and haphazardly stuffed it into my bag. It was the only thing I knew I could get from the scene without an extensive search of the premises which I knew was not an option now.

Light broke over the horizon and I finally felt my body start to give in to exhaustion, I had managed to call a taxi and asked to be taken to a place where I could get food and coffee at such an early hour. I was dropped off after a short ride at Café Du Monde, apparently famous for their beignets and chicory coffee. I had spent the past several hours feeling as if I were going to die at any moment and to me, this was a relatively sane response. I heard the relay of orders being shouted to and from the kitchen, the scant crowd of early birds waited for their piping hot beignets and scalding coffee while a lovely, slender black woman tended dutifully and happily to her customers.

The waitress approached me with a coy smile, “what can I get you, hun?” and I knew that the woman had me pegged as a tourist. Who could blame her, after all, I was wearing heavy jeans in New Orleans.

“I was told this place was great for coffee and beignets,” I responded with a weak smile; I must have looked as exhausted and disheveled as I felt because the waitress simply nodded and took down my order.

“I’ll have it right up for ya!” there was an enthusiasm in this woman’s voice and step that I knew I couldn’t hope to match even on my best day, let alone today.

I pulled my laptop out of my bag and was pleasantly surprised to find that my phone still had a decent charge on it when I turned on my hotspot access. I began the long task of documenting what I had encountered during my investigation? Kidnapping? I honestly didn’t know what to call it at this point. I felt as if I was no closer to the answers that I needed than I was before. I would have to wait to take a look at the book when I was back home, a cursory glance at it when I had been in the taxi proved that it was far too much to absorb in a short car ride and much too disturbing to look through in public. I was midway through a new entry into the dossier when a message popped up on my screen.

BanJack: You’re lucky I knew where you were going.

I wasn’t sure whether or not I should be happy that my anonymous friend had been keeping tabs on me; there was part of me that was disconcerted at the idea of him knowing where I was.

Nevermore: I’m guessing you hacked the GPS on my phone?
BanJack: You promised to keep me in the loop, remember?
Nevermore: Fair enough, I’m catching a flight home later today, I’ll send you some of what I found when I get back.
BanJack: Just don’t disappear on me again.
Nevermore: Pinky promise.

My waitress set my coffee and before she set the beignets in front of me, asked if I wanted extra powdered sugar on them. I thanked her and politely declined, then changed my booking to an earlier flight as she walked away from the table. I had never ached to be at home, curled up in my bed next to my goblin of a cat, more in my life.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

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The post Anna Byrne: Chapter 05 – Night of Resurrection appeared first on Puzzle Box Horror.

“The water again?” I groaned silently, then rolled over onto my side and squinted into the backlit screen of my laptop as it booted up. I blinked my eyes a couple of times to help them adjust to the screen, then clicked the only icon on my desktop. I waited as my secure connection bounced between Bruges, San Francisco, and finally Vancouver; Tor, the anonymous browser I used to access the dark web, opened to its usual homepage. I vaguely remembered where I had left off in the Oasis when I signed off at two in the morning, but when my eyes flicked over to the clock in the corner I saw that had only been three hours earlier. My dreams had turned into nightly hauntings, which always ended with me choking for air as I drifted beneath the murky surface of a strange body of water. I shook it off, even thinking about it gave me the chills.

It had been over eight years since the first time I logged into The Oasis, that was the summer before my nineteenth birthday, which now felt like such a long time ago. I entered in a string of seemingly random numbers into the address bar, this sequence had taken me nearly two weeks of typing it in to commit it to memory, despite entering it several times a day. Even with my high status as a long-term member of this particular darknet paranormal community, I still had no idea who ran the whole thing, let alone where it came from, all I knew was that it was legitimate.

I had only received an invitation after trolling the dregs of the paranormal communities for some time—right after I had sought out and documented proof of the Alaska Bushmen, the creatures that had been gnawing at my subconscious since I first heard of them as a child. It had taken me almost six years to find the damn things. A chat request from my anonymous buddy popped up in a panel on the side of my screen, I smiled softly. Even though I had never met him, he was probably the closest thing to a friend I had anymore–ever since my father lost his ability to speak, I had developed a tendency to keep to myself.

BanJack: Please tell me you heard.
Nevermore: Heard what?
BanJack: The Bayou is blowing up with news on the undead.
Nevermore: Back up Jack, are you telling me they might have found it?
BanJack: It’s possible, I mean the readings were off the charts. It’s really similar to the kind of power that we saw back…
Nevermore: Back when my dad had his stroke.
BanJack: Yeah, everything since then has only been a blip on the radar. I wasn’t expecting to see you on here for a few more hours though—had that dream again?
Nevermore: You’re psychic, B.
BanJack: So, you’re going, right?
Nevermore: Booking flights now. I’m not going to miss this opportunity again.
BanJack: Let me know what you find out.
Nevermore: You’ll be the first.

BanJack signed out of the chat and I was left to her own devices. There had been a little-known trend in New Orleans, for a small percentage of fringe Voodoo practitioners to fall in with a cult. Those unfortunate enough to be lured into the embrace of this cult, led by a bokor of ill repute ended up vanishing off of the face of the earth. This usually only happened to newly initiated followers who had no familial ties, nor anyone likely to miss them; these poor souls would end up on the lengthy list of officially missing, usually only after missing work for several consecutive days.

I had been the one to stumble upon this trend several years ago and mocked up a dossier to keep track of the happenings, but it had since only resurfaced twice. The first time was the day before my father experienced a stroke, the second I was already in the midst of an investigation. I was stuck in the Trinity Alps of Northern California in search of the Giant Salamander and only heard about it once I returned to civilization. Now I would finally get my opportunity to investigate this voodoo cult while the news was still fresh; if I could track down people with information before the trail went cold, I might actually have a chance to access this cult where the bokor was said to be resurrecting the dead.

The first flight that I would be able to make out of Fairbanks was set to leave in about five hours, it had an hour-long layover in Seattle before it would be off to New Orleans–it was a pricey flight, but she would be there before this time tomorrow and every moment counted. I sighed, finished booking my flight, then a lump of blankets moved at my feet. Within a few moments, my ragged, angry-looking cat emerged from beneath the blankets that I was still stubbornly buried under.

“Hey Shazu,” a yawn escaped my mouth, “looks like you’re gonna have a babysitter here the next couple of days.” An unexpectedly small and sweet trill escaped the large black and gray mop, which served as a half-hearted feline shrug. My bear of a cat was used to me coming and going at the drop of a hat, but to prove his contempt for my schedule he would surely leave a dead shrew in my slipper for when I came home. I unlocked my phone and sent a quick message to my neighbor, headed to New Orleans on an emergency, I’ll be gone for a couple of days, the standing arrangement between us would ensure that Shazu would be taken care of while I was away. The next few hours passed in the blink of an eye, but I had managed to make breakfast for myself and the cat, then scheduled delivery of heating fuel so that I didn’t come back to a frozen cabin and a catsicle. Through the icy blackness of the early morning outside, I saw the headlights break through my frosted-over windows, the cab I had called twenty minutes prior had just arrived to take me to the airport. “I’ll see you in about a week ‘Zu,” I fluffed my cat’s head before I slipped a cowl over my head and pulled my heavy Carhartt jacket on. Thankfully I always had a bug-out bag ready for days like today, when I would need to leave without much preparation. I grabbed my bug-out bag and the messenger bag that held my laptop and paperwork, then headed out into the blisteringly unsympathetic weather.

What might be a harrowing experience getting through TSA in any other airport in the contiguous United States, was only a brief twenty minutes from check-in to the terminal for my flight. Fairbanks International Airport was always half empty, even this soon after the holidays. I found myself sitting at the bar in the only restaurant in the airport, the thick dossier of her years-long investigation cracked open and resting lightly on the edge of the bartop. Flying usually only made me uneasy when the destination was on the other side of large bodies of water but for reasons, I couldn’t quite articulate, the prospect of this flight was causing my anxiety to flare up. The bartender set a rum and diet cola in front of me, “thanks Gus,” I mumbled over her paperwork. My focus was on the picture of a vèvè that had been spray-painted in black on a dilapidated, moss-covered tomb in the Lafayette Cemetery; I knew it was connected to the activities of the bokor I was seeking.

I took a sip of the cocktail that sat perspiring on the napkin in front of me, I’m sure my expression twisted, I wasn’t quite expecting it to slap me so hard in the face. “Still pouring them weak Gus?” I’m sure my voice was dripping in sarcasm, but the truth was I didn’t mind–Gus knew me well enough to know I appreciated a heavy pour.

I traced the vèvè with my finger, it consisted of a decorated cross upon a tomb that was flanked by two coffins, the symbol of Baron Samedi. Another hour passed without my notice until I heard them announce the flight to New Orleans was boarding. With the two flights and my layover, I would have plenty of time to review my file and bring myself back up to speed on everything I had found and worked on in connection with this cult. It was all of the relevant news articles that referenced the cult’s activities and missing person reports which dated back over ten years. It was like a morbid scrapbook that pointed me to the place where I would need to start looking.

The ride from the airport reminded me why she still lived in Alaska, buildings were crammed against other buildings and the small streets gave no room to breathe. I could never handle living in a cramped city. The cab pulled up in front of the hostel, it was a lemon-yellow small two-story victorian house with white pillars, decorative black wrought iron guardrails, and a row of colorful flags that fluttered lightly in the heavy air.

It wasn’t until I had checked in, that I felt like I could relax again. I was assigned a bunk, but I wasn’t tired, instead, I pulled out my laptop and logged into Tor so I could surf the Oasis for the new information to which my friend had tipped me off. The French Quarter was known to be the voodoo center of New Orleans, but that’s not where people had been going missing—what I had found was that the disappearances were actually occurring in the Bywater neighborhood—the Desire area in particular.

Most recently, a young man by the name of Stanley Dean Keeling had gone missing, I worked at a corner store and after two consecutive days of not calling or showing up to his job—something which he apparently had never done before—his boss of three years had gone to check on him at his home. His home was in disarray, beyond just poor housekeeping, his boss told the police it looked like there had been a struggle. A week later and it was a nonissue, the police had insisted that Stanley had probably left town–and just like that Stanley was another name on a growing list of missing people who had no one to really miss them.

A brief stop in at Stanley’s home only revealed how quickly the landlord cleared out his abandoned belongings and relisted the home for rent. I didn’t fail to notice the vèvè of Baron Samedi that had been carved into the threshold of the front door. My eyes darkened because I knew it was no longer a question of what happened to Stanley, he had been taken, but where and by whom? I knew what my next step had to be; I was close enough to the French Quarter where I could search the local voodoo market for leads on where to look next. It was going to be tedious work, but I knew I would come up with something before I had to turn in for the night. I had no delusions that tracking down a cult that had stayed hidden this long was going to be easy, but the hunt for the truth was what I lived for.

A short muggy cab ride to the French Quarter gave me access to almost a dozen different voodoo shops on foot. I could see now that jeans were the wrong choice to wear in such a humid environment—even with the temperatures in the mid-fifties, it was difficult for me to breathe. I wandered with purpose from store to store, trying to conversationally ask questions about the local voodoo scene until I got to the last shop on my list. I eyed the old wooden sign that hung from the awning, then took in the scene in the window. It was dreary on the outside, animal skulls adorned the display and there was nothing about the shop that welcomed a stranger. Inside it had a different atmosphere than any of the other shops, it was darker, less kitschy, and there was something else about it—maybe it was just my imagination, or maybe it was the lack of tourists in this particular shop. Either way, I realized I was probably exactly where I needed to be.

Upon walking inside, I was in a completely different world, the old ornate shelves were worn and the paint was distressed. Each of the shelves were full to the brim with ritual ingredients, like powdered eggshells, chicken bones, and feet, then there was a full spectrum of hairs from different animals. Each of these oddities had a brief description on the label, but even upon reading some of them I couldn’t quite understand what might be useful about dirt taken from the grave of a mentally ill convicted murderer. A petite bottle of Florida water caught my eye and in my research I had heard of its usefulness in protection and cleansing rituals, so I took one from the shelf without a second thought. Moments later my eyes fell upon a jar of red brick dust­—for use in thresholds, so none that intend to cause harm may cross—I plucked the jar from the shelf, noting that this and the Florida water may come in handy somewhere down the line.

Caught up in the ambiance of the store, I perused a display of jewelry, where I saw the familiar loa vèvès carved into metal pendants. Among the ones I was most familiar with, I saw Maman Brigitte, Papa Legba, Erzulie Dantor, and Baron Samedi. A copper one for Papa Legba, as well as a silver one for Baron Samedi, seemed to make their own way into my hands. I considered putting them back but thoughtfully considered that a ritual offering to both of them might afford me some protection in my search. All I would need now would be a couple of fine cigars, rum, and freshly baked bread to set out for the two loa I would be petitioning for help. Once I was done looking through each section of the small shop, I approached the counter, set down my selected items, and pulled out the picture of Stanley that I had brought with me. I had the foresight to bring it with me, I might as well see if it got me any reactions, but this cashier looked unamused from the moment I had walked in.

“I was hoping to ask you if you had seen my cousin in here,” I offered before I slid his picture across the counter, while the cashier rang up my purchases.  “No one has seen him in the past two weeks—we’re really worried, he usually doesn’t go this long without contacting his mom.” I was an honest person–I swear–but I considered these kinds of white lies fairly valuable in gaining information—Stanley, as far as I knew, didn’t actually have any living family and even if he did, they obviously weren’t making too much of a fuss about finding him. A brief search on the darknet had told me as much, these days I didn’t have to dive too deep in order to find the information I needed. Because that’s what friends are for…

“No,” the cashier was curt, but upon seeing the look of distress on my face, he continued, “he used to come in here a lot, a ways back at least. It’s been a couple of months since I seen him last.” At this, my face brightened.

“O-oh, he did?” I watched as the cashier bagged up my items. “I’m kind of desperate to find him, the police won’t take this seriously, won’t even officially take him down as a missing person. Told me he had just moved on,” my hand gestured in the air as if Stanley had just wafted away on a light breeze. “Do you know if he ever came in with anyone else? It would be helpful if I could find someone who knew him down here.”

The cashier looked at me as if I had just asked him to cut out his own tongue, his jaw tightened—I knew something wasn’t quite right, but I thought my questions were quite reasonable considering the persona I had taken on to find this guy. After a moment of awkward silence, the cashier took a piece of scrap paper and scribbled something down, then slid Stanley’s picture and the note back across the counter without looking back up at me.

“Listen, this is just a rumor, I don’t know if there is any truth to it, but it might be something—you didn’t get this information from me and I’ve never seen you before.” My brow furrowed softly, I slowly grabbed the picture and note from the counter and nodded my head.

“Thank you—,” I looked down at the note, it was an address, but the whole situation felt wrong, I took my bag, then stuffed the address in my jeans pocket, “I really appreciate the help.” It wasn’t until I had stepped out of the shop that I realized that it felt like there was something heavy sitting on my chest while I had been in the store. The sensation passed and I breathed in the dense but cooling evening air. It was getting fairly late, but one more stop at the closest corner market had me laden with some snacks, a bottle of rum, some nice cigars, and two white pillar candles which I would take with me to Lafayette cemetery where the vèvè of Baron Samedi had been marked on an old tomb. It was going to be a long night, but if everything worked out like I hoped it would, the address I had gotten from the creepy cashier and this offering might give me a better direction to continue in.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Anna Byrne: Chapter 04 – Finding the Bokor appeared first on Puzzle Box Horror.

Santería is another religion that is shrouded in secrecy and often regarded with fear—some deem the practice to be Satanic, but it’s really just Santería. Truth be told, there are a lot of aspects of this religion that may rub people the wrong way—animal sacrifice is not as high on the list as things such as the use of human bones or even dead fetuses during a ritual, but the latter two are considered a rarity among fringe practitioners. Suffice it to say, these practitioners would be less than forthcoming about their uses for ingredients that might label them as evil. Nevertheless, seeing as it’s associated with even a few of the practitioners it’s definitely worth mentioning here.

Another African-rooted religion, Santería is typically combined with Catholicism, as are many religions that made the journey from Africa to America during the days of slavery. Like voodoo and hoodoo, enslaved Africans were forced to convert to a western religion—in this case, Catholicism. Santeras saw the similarities of the Catholic saints to the Orishas which were the deities that they had worshipped before being taken from their own lands. Aside from the Catholic influences that are found within the religion, Santeras believe in only one god, Olodumare, but the Orishas are the deities that represent different aspects of nature, there are said to be over 400 orishas within the religion.

Much like voodoo, ancestor veneration is a huge facet of the religion, this is done to honor those who have passed on and recognize them as guides that can help influence their lives for the good or for the bad. During traditional rituals, there is an abundance of drumming, dancing, and interacting with spirits. Unlike traditional western religions, these rituals are not confined within the walls of a church or temple, they can occur nearly anywhere.

What’s with the Animal Sacrifice?

Animal Sacrifice is actually a common theme within Santería, but it’s not just about killing for the sake of killing. Santeras use animal sacrifice as an offering to the Orishas during major ceremonies. The blood is considered an important offering to the Orishas, where the actual animal is eaten after the ritual—so while some may consider it awful, it actually serves a purpose to them in their religious activities. It’s definitely a sore subject for those who may not understand the practice and indeed caused quite a stir when a man in Texas decided to fight for his freedom to practice his religion without undue burden from the law.

Is Santería Dangerous?

It really depends on who you ask, as can be expected, Santeras would likely not agree which is fair. They’re a federally recognized religion as of 1993 after a case to ban animal sacrifice was overturned as it was said to specifically target Santeras and their religious practices. There are however some aspects of the religion that some may construe as dangerous—as well as other practices that are indeed dangerous to the health of those who partake. One of these dangerous aspects of Santería is that at one time it was considered a fairly common practice to use liquid Mercury in ritual, which as can be expected led to Mercury poisoning and has since become a less frequent ritual substance.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Santería, The Ones Who Worship Saints appeared first on Puzzle Box Horror.

Mirrors are thought to be portals to another world—some believe this is another dimension, but those who believe in ghosts believe it is a portal to the other side. Many cultures still hold on to their superstitions that exist concerning mirrors, ghosts, souls, and death. In cultures that are still considered primitive by some, there is the belief that mirrors reflect the soul and that they must be avoided in order to prevent the soul from being lost—not unlike the belief that taking photographs of a person will also capture their soul. Russian folklore dictates that mirrors are an invention of the Devil due to their ability to draw the soul out of the body. This also makes sense that there are superstitions that are still held within some places of the world that all shiny and reflective surfaces, mirror or otherwise, must be covered in a house after a death. Their belief requires covering mirrors after death to prevent souls from the living being taken by those who have recently departed the mortal plane. Depending on the lore of the culture, the mirrors may actually be covered for a variety of reasons—it could be a corpse looking back at you over your shoulder, at which time the soul of the dead will have no rest.

It is incredibly unlucky for those who are ill to see their reflections, it puts them at risk of dying, so cultures that believe the soul is vulnerable during times of illness often remove the mirror entirely from where the sick person is residing. More bad luck comes when looking into a mirror in a dark room by candlelight, during which event the observer will see ghosts, the Devil or other paranormal phenomena, such as Bloody Mary. Aside from the bad luck associated with staring into mirrors that seem to be widespread within many cultures, there is also the ancient cultural relevance that should be mentioned. In Greek myth, the tale of Narcissus warns against becoming so entranced with his own reflected image in a pond that he fell into the water and drowned—then again, the Greeks believed that even dreaming of your own reflection was an omen that foretold death. Suffice it to say that there is a lot of nasty lore when it comes to mirrors and this article can only explore a few of them.

The Myrtles Plantation: The Most Haunted House in the World

The folklore of mirrors isn’t just some abstract idea that appears in stories, there are actually ghost stories about places where it is reported that haunted mirrors are still on view to the public. In St. Francisville, Louisiana, the Myrtles Plantation plays host to several apparitions, most notably the spirits of Sara Woodruff and her two children, which were allegedly poisoned by a slave named Chloe—she apparently had an affair with Sara’s husband and committed this crime of passion against his family. These spirits appear in a mirror that hangs in the location of the original mirror, which over the years has had to be replaced several times, it’s said that Sara’s face, children’s fingerprints, and claw marks appear within the reflection of the mirror. The mirror was not covered during the wake that followed their deaths, a practice during the 19^th century in the Southern United States, not following the tradition therefore trapped their souls within the home, where they can only appear as reflections.

The Truth Behind the Bloody Mary Legend

Bloody Mary, the haunting presence that inspired the movie Candyman (1992)–set to be remade and released in 2020–is based on the legend of a woman who appears in a mirror after being summoned. The origin of Bloody Mary varies widely, the most popular of versions is that of Mary Worth, a witch executed during the Salem Witch Trials. Other versions claim she was a hitchhiker who was badly mutilated and then died following a dreadful car crash, while still others suggest she was a child murderer—this particular version can’t be sure whether she just murdered children in general or if it was her own child. Finally, another famous variation suggests that Bloody Mary was actually royalty, but there tends to be another disagreement on which royal Mary she happened to be. Was she Mary Tudor, Queen of France, or Mary I, the first Queen Regnant of England? Regardless of the origin of the story, it remains a popular game among teens and preteens during slumber parties, which shows how ingrained paranormal superstition is within western societies.

These games also have variations, as is the case when the tradition is passed on orally, but whether her name is chanted three times or thirteen times, the room must be darkened, with backlighting by candles or flashlights. Will Bloody Mary tell you who your future spouse is, how many children you’ll have, or if you’ll die before marriage? If you’re brave enough to find out, you’ll face the possibility of being killed, driven insane, or being taken by the mirror.

Films that are based on Bloody Mary

• Agent 077: Mission Bloody Mary (1965)
• Candyman (1992)
• Urban Legends: Bloody Mary (2005)
• Bloody Mary (2006)
• Dead Mary (2007)
• The Legend of Bloody Mary (2008)
• Paranormal Activity 3 (2011)

Haunted Mirrors in the Movies

• The Shining (1980)
• An American Werewolf in London (1981)
• Poltergeist (1982)
• Poltergeist III (1988)
• Mirror Mirror (1990)
• Candyman (1992)
• Mirrors (2008)
• Oculus (2013)

The Lasser Glass and Oculus (2013)

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Mirrors, the Ghostly Portals to the Other Side appeared first on Puzzle Box Horror.

There is a lot of confusion between what hoodoo and voodoo are—many believe they are one and the same, but as was discovered through the articles on voodoo, they are two separate entities. Louisiana and Haitian Voodoo are the two branches of the voodoo religion practiced by many, whereas hoodoo is not a religion at all. Hoodoo, conjure, and rootwork are all terms used to describe African American folk magic that originated from West Africa. While folk magic practices are wide-spread among the southern United States, they are highly focused within the state of Louisiana. Practitioners of folk-magic are referenced according to their own personal practice—hoodoo, conjure, and rootwork practitioners are called Hoodoos, Conjurers, and Rootworkers respectively—there are of course variations therein, such Root Doctors and Root Healers.

Another important difference is what can be observed when considering how people react toward either of these practices; voodoo is often regarded with disdain and fear, whereas those who practice hoodoo are more frequently thought of as healers or wise herbal doctors. It’s quite interesting to see the different reactions between the two practices, considering the similarities in origin and practice. Hoodoo is a practice derived from West African, Native American, and European sources; rootworkers often refer to what they do as “working the roots,” as it references the roots, or origin, as well as the significance of plants and herbs in this spiritual and magical practice.

Beliefs and Practices

There is a tendency among rootworkers to believe in the indispensable power of their own being, along with the tools that are used within the practice—religion can be considered one of these tools. Despite not being a religious practice, there are very general prayers and religious symbols that can be found intertwined within hoodoo rituals. Not being bound to any one religious practice, it is worth noting that many rootworkers are in fact Protestant Christians or Catholics, while others may have a broad range of belief systems. Petitioning saints and deities, along with prayer are important tools for many, but not all rootworkers opt to incorporate these techniques into their rituals.

Much like voodoo, hoodoo does occasionally get an association with the darker aspects of the human spirit; punishment, revenge, and justice are all valid reasons within hoodoo to perform rituals, just as much as promoting spiritual wellbeing, healing the sick, and love works. The thing that people don’t tend to see is that practices are not simply good or evil—there is no black and white when it comes to magical spiritual practices, as the very nature can vary as wildly as that of a person. The intention behind all magic-related spiritual practices is to enact change within the world in which they live.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post African American Folk Magic: Hoodoo, Conjure, and Rootwork appeared first on Puzzle Box Horror.

While zombies have been on the pop culture radar pretty heavily for several decades now, the history of this undead phenomenon has a history deeply rooted in the Haitian Voodoo religion—in fact, the belief in zombies is still a relevant aspect of New Orleans Voodoo. In our western society, we rely heavily upon our knowledge of what is presented to us in movies and television, but the zombie culture we know and love evolved from a very real magical tradition. Original zombification didn’t involve leaks from biological factories, like what happened in Train to Busan (2016), or an airborne virus as was the case in AMC’s The Walking Dead (2010)—it involved a spiritual, magical, and chemical process that arose through voodoo ritual which required the calling of several voodoo spirits (Loa).

Where we see zombies being portrayed as people who have died then coming back to life, the voodoo tradition it is actually a person who is under the powerful influence of psychoactive drugs. These drugs are usually administered to the unfortunate person by a bokor, the voodoo equivalent to a sorcerer or witch doctor. After being dosed with these psychoactive drugs, the victim essentially goes into drug-induced paralysis which mimics death so profoundly that it is rumored that people have been buried alive after being zombified. This is the case in one of the original, classic zombie films The Serpent and the Rainbow (1988), where the main antagonist, is buried alive while fully cognizant—which, needless to say would be incredibly terrifying.

The Process of Zombification

There is a lot of disagreement about whether or not the person who is to become a zombie is actually deceased or not—some believe that the process revives the recently dead into mindless, soulless automatons, while others insist it’s just the effect of psychoactive drugs that leaves the victim in a state of deep, chemical-induced paralysis, which mimics death to the point that even vital signs are not measurable. Within the Voodoo religion, only bokors have the power to create and control zombies, while the methods and ingredient amounts changes from each individual bokor, the process follows the same pattern. Some processes use voodoo dolls, blood and hair from the intended victim, and others use a “zombie” powder—this powder is a concoction of varies herbs and animal parts, most of which are poisonous, as well as human remains.

This powder can then be administered through ingestion or injection and begins to take effect immediately. Immobility, slowed vitals, and reduced oxygen intake occur within minutes which results in the death-like paralysis where the victim is still fully conscious of their surroundings. Once officially declared dead, the victim is buried alive and within eight hours, the bokor digs up the body to keep the victim from actually dying from asphyxiation. Other procedures follow, which result in a mindless and easily controlled zombie which does the bidding of the bokor who created it. The person remains a zombie until the bokor passes away and is no longer capable of administering the drug that maintains the victim’s zombie-like state.

Clairvius Narcisse the Real Haitian Zombie

Zombification is often referred to as either a solely magical or physical experience, but in truth it is a mixture of both, it’s essential for a person to have a belief in voodoo and the ability to be turned into a zombie in order for the process to work in its entirety. This was the case for Clairvius Narcisse, the man who claimed to be a zombie, but returned home after eighteen years and his story was finally told.

In 1962, Narcisse was admitted to the Albert Schweitzer Hospital in Deschapelles, Haiti. He complained of fever, body aches, and ‘general malaise,’ but after being admitted he began to spit up blood. His condition declined rapidly, until two days later when he was officially pronounced dead by two separate physicians. Narcisse’s sister, Angelina, was present when he was declared dead and then notified the rest of the family, a day thereafter his body was buried, and ten days after that a concrete memorial slab was placed atop the grave by his family.

What most the family didn’t know is that Clairvius had actually been pulled out of the grave and resuscitated. He was given the zombie concoction and kept in a zombie-like state for two years, working as slave labor in a region of the country that was much farther north. This was all done at the behest of his brother, after refusing to sell his portion of the family estate to him. After two years of being a zombie, his master had been killed, then he and all of the other zombie-slaves were released from their chemical induced state of submission. Clairvius stayed away from his home for the next sixteen years, knowing that his return would make his brother aware that he was no longer being controlled by another. Once his brother passed, he finally returned home, where he approached his sister Angelina in a local marketplace and introduced himself by his childhood nickname which she and a few other intimate family members alone were aware of.

Investigating the Haitian Zombie with Hamilton Morris

The following six-part Vice production follows the investigation of The Haitian Zombie, with Hamilton’s Phramacopeia, in order to find the truth behind the folk magic and legends of this walking dead phenomenon; Hamilton follows the scientific trail to the origin of the poisons that are said to cause Zombification in order to bring them back for formal chemical analysis.

Please watch the following footage with discretion–there are scenes and images that some viewers may find disturbing.

These videos are meant to be educational in nature.

Part One

This first episode goes into the initial introduction, including the nature of what Zombification entails.

Part Two

The following video contains graphic footage included in a voodoo ritual, in which an animal sacrifice is made for the Loa, please be advised it may be considered disturbing to some viewers.

Part Three

In this third episode, Hamilton goes to find a Bokor in order to witness the process of Zombification, but results in angering the Bokor and being told the deal is off.

Part Four

Hamilton goes to find the main ingredient of Zombie powder, in this fourth episodes, which is a species of puffer fish.

Part Five

In the fifth part of Investigating the Haitian Zombie, Hamilton meets up with another Bokor who possesses the Zombie powder that they have been searching for and witnesses a real zombie.

Part Six

The final installment of the investigation into Haitian zombies, they travel back to the Bokor who showed them what they had been searching for to come through with the final product they paid for.

Knowing what we have learned from different sources, about the process of Zombification, can it truly be said that it is a purely chemical process? These videos in particular have all but debunked the rationale that it can all be chalked up to a chemical reaction, so some aspects of this spiritual process is often contributed to the powerful belief in their magical practices. What do you think about the phenomenon of Zombification? Let us know in the comments below.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post A Voodoo Practice: Mysteries of Zombification appeared first on Puzzle Box Horror.

While the exact origins of the Voodoo doll aren’t known, it can be tracked down from the Fon people of the region that now Benin. When slavery brought the voodoo religious practice to the Southern United States—specifically Louisiana—it brought along with it the practice of imbuing dolls with magical intent. Many sources say that voodoo dolls are not actually a practice associated with legitimate voodoo, but actual practitioners would disagree. Doll magic is a part of many magical spiritual paths, including European based folk magic, wherein people would create poppets much for the same reasons that are seen in the modern voodoo practice.

Although slaves were forbidden by slave owners to practice voodoo, it was still an extremely common practice. These dolls were frequently used in secret as a means of self-defense, it’s been speculated that this history of trauma is where the dolls originally obtained their reputation for being instruments of revenge. These days it’s not uncommon to see voodoo dolls being marketed specifically for harmful intentions, which contributes to their already dark reputation. It’s unfortunate, as many people are unaware of the common belief that the practice of darker magic ultimately brings around its own darker consequences for the user—depression, conflicts, bad luck, and overall negativity are things that using such methods can bring back. Glossing over details like this are reasons why dark and devious magic practices are often still the source of fright and horror. It wouldn’t look as good to have the main villain of a story worrying about their own comeuppance for using magic that might harm another individual.

During the reign of Marie Laveau, the Queen of Voodoo, the use of Voodoo dolls rose exponentially. Veering from the original practice of carved wooden figures, used to house spirits of those who have passed, the modern-day voodoo doll is typically a small, soft fabric doll used to represent a person who has not passed. Physically, voodoo dolls vary in the extremes, from the type of fabric, color, and pattern, the basic idea is that a hand-constructed doll is a representation of the intended target.

The Importance of Color

Color carries incredible meanings that differ from culture to culture, where love, anger, sadness, infidelity, and more can be expressed merely by the color of an object. Even the culture of flower arrangements had a huge impact on western culture, in which it combined the shades of flowers along with the type of flower being added to the bouquet. Departing from everyday meanings of color, it’s widely believed in many different metaphysical communities that different colors represent different aspects of life and the voodoo community is no exception.

Fabric and Pin Color

When it comes to the actual intention of the Voodoo Doll, one of the most important aspects is the color of the material the doll is made out of, as well as the clothing that the doll is dressed in. The colors with which the doll has been crafted directly correlate to what the doll is meant to be used for. As an example, a doll made of, or clothed in yellow fabric represents things like success, confidence, and attractiveness. Using black fabric for the doll would represent dispelling negative habits, grief, poverty, and bad luck—keeping in mind that a doll made from and fully clothed in black fabric would be used in what is considered “black” magic, which would result in the kind of magic that is often over-represented in television, movies, and books. So what about the pins that you stick in the doll? Well, unbeknownst to many, the color of the pins also holds significance, and the meaning of pin color actually varies more than you might suspect.

How Are They Used?

The concept of these dolls isn’t lost on most people, but the intention of them is frequently confused with how they are portrayed in movies and popular culture—diverse as this spiritual practice is in reality, Hollywood loves to vilify practices that are outside of what is deemed the normal scope of religious practices. This isn’t necessarily meant to be an affront to such practices, the practice of painting it with such broad evil strokes is because of how deeply submerged the actual spiritual practices are in mystery. Modern media portrays voodoo dolls being used by witch doctors, black magic practitioners, and pins that cause pain when placed, but the truth is far more interesting. When exploring this practice in-depth, we see that these dolls are meant to convey the intention of the user, for a full spectrum of uses—not just the dark aspects.

When the user is attempting to manifest their intent, they can use various personal objects for the target. Handwriting samples, locks of hair, a picture or piece of clothing, and even bodily fluids can be pinned to, or stuffed into the doll in an effort to pinpoint the target person—whether that person is alive or dead. To further manifest the doll as a representation of the target, the user may focus upon the intended person during meditation or spells, either by placing it upon their altar or while holding it. Additionally, specific herbs are often stuffed into the dolls and oils are also used to anoint the doll before use.

What is done with voodoo dolls once they have been used for their purpose? The final step when using a voodoo doll is as much of a variable as what the doll is made of. There are a few methods for finalizing, some elect to toss it into a river, or lake if available to them, others bury them in the ground, where still others may burn them. Each of these avenues is a symbolic reference to ending a particular spell—to give the doll up to a rushing river would be helpful in sweeping everything the doll represents away with the moving water; whereas burying would imply wanting a solid result, allowing the doll to disintegrate slowly and over time in the earth that surrounds it. Burning a doll has be the most profoundly symbolic way of disposing of the doll, where it is literally turned to ash and the manifestation is carried away into the air through smoke.

It’s not difficult to understand the illustrious dark connotations that voodoo dolls carry outside of the spiritual practice, as it’s steeped in mystery and misunderstood history.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Vilified Voodoo Dolls: Can They Really Cause Harm? appeared first on Puzzle Box Horror.

Louisiana is rife with local folklore, particularly stemming from the untouched acres of the Honey Island Swamp just a short drive from New Orleans. These legends are of the pirates of the Bayou who were said to have hidden buried treasures, Native American ghosts, and the mysterious green lights that lure unsuspecting night travelers into the depths of the swamp, never to be seen again. These are just a few examples of all of the stories that are hidden in the unfathomable depths of the Louisiana swamps, which is home to the Honey Island Swamp Monster.

In August of 1963, Harlan Ford—a retired air traffic controller—was the first to catch sight of the bigfoot of the Bayou, having recently taken up wildlife photography. He described this seven-foot-tall, bipedal creature as being covered in grey hair, with yellow or red inhuman eyes set deep into its primatial face. The air hangs thick around this swamp monster, with an odor of rotting, decaying flesh—a smell so distinctive and disgusting that it would warn anyone of its presence.

In 1974, the Honey Island Swamp Monster gained fame nationally, after Ford and his associate Billy Mills claimed to have found footprints that weren’t like any other creature in the area—these footprints according to myth, and a chance casting of a footprint found by these two men were at between ten to twelve inches long with three webbed toes, along with an opposable digit that was set much farther back than the others. Along with the luck of finding this footprint and casting it, they found the body of a wild board whose throat had been gashed open just a short way away. For the next six years, until his death in 1980, Ford continued to hunt for the creature—after his passing, a reel of Super 8 film was found among the belongings he had left behind, this film supposedly showed proof of the creature’s existence.

In the early twentieth century, before the first reported sighting of the Honey Island Swamp Monster by Ford, there was a legend of a traveling circus—traveling by train, a catastrophic wreck resulted in the escape of a group of chimpanzees. These chimpanzees were said to have gone deep into the swamps and interbred with the local alligator population. The Native Americans who called the area home, referred to the creature as the Letiche—they knew it as carnivorous, living both on land and in water—they believed this creature had originated as an abandoned child, raised by alligators in the darkest, most untouched regions of the swamp.

Researchers who have studied the lore of the Honey Island Swamp Monster, believe that it is related to Bigfoot—one reason that it is often referred to as the Bigfoot of the Bayou. While their description is similar, the tracks do not resemble those collected of Bigfoot from the Pacific North West. Despite the reputable nature of Ford and Mills, there have been a number of shows that have focused on hunting down the Honey Island Swamp Monster in order to prove the existence of this cryptid—all of them have come down on the side of the whole thing being a hoax, which isn’t entirely surprising.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post The Honey Island Swamp Monster of Louisiana appeared first on Puzzle Box Horror.

The roots of voodoo run deep with the sordid history of slavery in America, originating from the traditional West African religion of vodoun (also vodun), it further evolved once it reached Haiti and Louisiana. Louisiana voodoo—properly known as vodoun—the queens and priestesses hold the highest position within this matriarchal religion. Something that may surprise those unfamiliar with vodoun, is that it’s actually a monotheistic religion which centers around the supreme creator, Bondye (French Creole for “good god”) who controls life and destiny. Bondye manifests his will through the many loa (also lwa) present within this belief system.

Loa: Spirits of Vodoun

The loa are spirits who connect the followers of vodoun to their deity—through the use of vèvè, symbols which serve as visual representation of the loa during ritual, practitioners are able to call upon the loa for their assistance in personal matters. Despite many people not having any formal knowledge of loa or their role in the religious practices of vodoun, they would easily recognize the visage of popular spirits such as Papa Ghede and Papa Legba, if not just as cultural references that they associate with New Orleans in general.

Misconceptions of Voodoo Dolls

Misrepresented time and time again, voodoo dolls have come to represent something far beyond the reach of what they were originally used for. Hollywood would have us convinced that they’re instruments of evil, used to control the actions of people, or otherwise wreak havoc, and destroy their lives. Except voodoo dolls are not traditionally used to cause people harm in any sense of the word. These dolls are indeed used as a physical representation of the person who is the focus of the ritual, but instead of harm, they are often used for among other things, love, success, and healing.

The Mystery of Zombification

A far cry from the stereotypical walking dead that has made the horror genre of international cinema so powerful, the origin of zombies is quite a bit more disturbing than we’re used to these days. When it comes to the origin of zombie lore, the fear isn’t derived from the idea of being the main course of a zombie feast—instead it’s the idea of being turned into a zombie. The short and sweet version? Zombies as derived from the Haitian vodun practice are actually living people, who have been chemically induced to have no free-will.

Hoodoo, Conjure, and Rootwork: African American Folk Magic

Many people believe that hoodoo and voodoo are interchangeable—it’s not a tough concept to explain that while they’re similar, they’re not the same, but it still seems to be an ongoing issue of mistaken identity. Voodoo, as has been explained now, is actually a religion that utilizes the folk magic practice, whereas hoodoo is actually just a folk magic practice with no hard and fast religious affiliation, although most practitioners identify as Protestant Christians. To be clear, hoodoo is but one of the most common types of African American Folk Magic, with other practices such as conjure and rootwork being nearly interchangeable with minimal differences, other than the region in which they are practiced.

Santería: The Worship of Saints

Another religion that is commonly mistaken for voodoo, is Santería—a religion that also has West African origins, but was further developed in Cuba among West African descendants. One of Louisiana’s best kept religious secrets, this Yoruba based religion merged with Roman Catholicism and embraced the Catholic saints, referred to often as orishas who act as emissaries to God—Olodumare.

The Honey Island Swamp Monster

A legend known in the Bayou is that of the Honey Island Swamp Monster—a bipedal cryptid that is likened to bigfoot, but described physically as being quite dissimilar other than its stature. This grey-haired, yellow (or red, depending on the source) eyed monster is said to be a creature that was born from chimpanzees that escaped from a circus train that wrecked on the tracks, and the local alligator population.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Oddities of the Bayou: Religions and the Occult appeared first on Puzzle Box Horror.

Voodoo in New Orleans is quite distinguishable from the practice in other parts of the world, it grew to be more inclusive of the spiritualism that sprang up within the nineteenth century. Within the voodoo religion, powerful spirits called loa—also called mystères, or the invisibles—unlike saints and angels that are housed within the Judeo-Christian religions, they are not prayed to, they are served. Contrary to popular belief, the loa are not deities. They are considered spiritual guides, who communicate with the one supreme creator, Bondye, in order to manifest the petitions for family, love, money, happiness, wealth, and of course revenge.  The loa preside over daily life, since Bondye doesn’t interfere with personal matters, and depending upon way in which they are called upon, the spirits can be sympathetic or impish.

The Role of Deceased Ancestors

Within the voodoo religion, it’s a common belief that those who have passed away remain on the earthly plane—this is because it is the responsibility of the living to care for their passed loved ones to help them shed the baggage of their life and get them closer to Bondye. In order to care for ancestors, vodouisants light a candle and leave offerings of food and drink—as thanks, ancestors bless their loved ones with health, wealth, and fortune.

The Loa: Contacting the Spirits

Conducting voodoo rituals don’t always require a practitioner to petition the loa, but it’s more frequent for them to be a part of the ritual than not. Contacting the spirits can be achieved through dance, music, singing, and the use of snakes—a symbol of Papa Legba, who is the conduit to contacting the rest. In organized practice, there are houngans (priests) and mambos (priestesses), as well as bokors (sorcerers) and caplatas (witches) who lead the rituals, take requests, and receive offerings. These ritualists act as hosts to the possessing loa, which can be quite a violent sight, where the participant thrash and shake, then fall to the ground. Being a host to a loa requires those around to know how to sufficiently provide for the spirit, as they can become stubborn and demand more.

Vèvè: Symbolic Representations of the Loa

A vèvè is a religious symbol which serves to represent a loa during ritualistic practice, whereupon sacrifices and offerings are placed. Every loa has their own individual vèvè, which is typically drawn on the floor using a powder—the type of powder used depended on the type of ritual being performed.

Main Loa of the Voodoo Religion

The loa are a diverse group of spirits, too many to name without going too in depth, but these are a couple of the most well-known of the bunch.

Papa Legba: The Spirit of the Crossroads

Among one of the most important spirits within voodoo, in order for there to be any ritual regarding any other loa, Papa Legba must be contacted first. As the spirit of the crossroads, he is the origin of life, the old man who guards the crossroads, the contact between the realms of life and death—Legba must give his permission in order to communicate any other loa.

The poor soul who happens to offend Papa Legba will be virtually deprived of the protection of the spirit world. Guardian of voodoo temples, courtyards, plantations, and crossroads, he also protects the home—if a practitioner is planning on going traveling, they pray to Legba for protection and petition him to safely return them home. A small, crooked old man with a broken body covered in sores, he insists on walking barefoot so he has continuous contact with the earth below him—Legba is a polite and caring spirit, one that all practitioners consider to be lovable.

Papa Ghede and Baron Samedi

Papa Ghede, despite being the spirit of death, is not as forbidding as he may appear in popular imagery—he is dressed in black, with a top hat, with a cigar in his mouth, and controls the souls of those who have passed on. Although the other loa fear and avoid him, he is the one people petition when children are poor of health, as he very much loves children.

There is conflicting information about the relationship between Papa Ghede and Baron Samedi—where some sources claim they are one in the same, where Papa Ghede is the lighter aspect concerning life and Baron Samedi is the dark aspect concerning death. Other sources speak of them being separate entities, where Papa Ghede does the bidding of Baron Samedi. When it comes to magic that deals with death, you can be sure whose power is actually behind it, especially since he has a special interest in those who meet their death as a result of magic.

Macabre Mary

Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.

Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.

www.macabremary.com

The post Spirits Within Voodoo: Ancestors, and the Loa appeared first on Puzzle Box Horror.