Bitter Root Vol. 1 – Harlem’s Very Own Crew of Monster Brawlers

Categories
Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Social Horror, which marries social commentary with the horror genre, which has existed as early as Invasion of the Body Snatchers (1956) experienced a resurgence shortly after the release of Jordan Peele’s Get Out (2017). Peele’s culture shock paved the way for a variety of films, books, and comics. However, the best part of this impact may be the increased inclusion of diverse voices speaking to their own histories and adversities. It’s no coincidence that this story takes place during the Harlem Renaissance, because it is undoubtedly part of a new renaissance of socio-political art to come from a modern age of political unrest. 

Bitter Root Horror Comic art featuring a demon hand reaching for a man

Bitter Root (2019) presents a historical fantasy where the power of hate can literally transform your being. Told through a kaleidoscope of colorful images, humorous banter, and breakneck action sequences, this series is what you’d get if Mike Mignola combined his Hellboy comic series with the Lovecraftian-inspired novel Lovecraft Country. It’s a fun dark fantasy that balances a ton of themes while also managing to land each punch. 

The narrative is set in 1924 Harlem not too long after the 1921 Tulsa Massacre. It focuses on the Sangerye Family, who were once a family of notorious monster hunters before they were broken up by tragedy and personal differences. When a new supernatural danger hits the streets, the Sangerye’s must overcome their past challenges and reunite in order to save New York and quite possibly the entire world. 

Illustration of vampires

* Puzzle Box Horror may earn a commission when you buy through links on our site.

This first volume serves as a quick introduction to the different members of the Sangerye family where, much like other comic book super families such as The Umbrella Academy and Doom Patrol, special attention is given to what makes each of them unique. Every character rocks their particular skill set while providing a distinctive perspective on their world that is both generational and intrinsic to who they are. A personal favorite of mine is Berg, who gets an A+ in etiquette and monster brawling. There’s also Ford, who is a Django-type legend that kicks ghoul ass with a massive glock like something out of Doom.

Horror comic art featuring a man with a futuristic gun

Despite a story that is built on serious themes, the content never feels heavy. This is mostly attributed to the vibrant art style that resembles Mike Mingola’s, along with a dash of whimsy found only in golden age Disney films. The opening quite literally has music dancing off the page as we’re introduced to the sights and sounds of 1920’s Harlem. Another standout in this comic is the liberal use of color. Each page seems to have its own color palette, always more bold and surprising than the previous page. 

Fans of Guillermo Del Toro and Jim Henson would lose their mind with the cast of monsters that we come across in these five issues. From orcs and Final Fantasy-like sprites to the more gargantuan crow-head behemoths, you will be treated to a smorgasbord of monstrosities. Most of the ghoulish entities are drawn with a cartoonish quality that gives this dark fantasy a satirical layer, like when a gaggle of Ku Klux Klan members are transformed into slobbering goblins. They appear as scary and ridiculous as the hate that created them. 

Illustration of a zombified man

While the pages are filled with action, the horror lies in the reality of the world that the Sangerye’s are living in. It’s a world that’s not too far from the Harlem it was based on or the state of America that still exists to this day. Despite the sunny disposition that this comic carries, this is ultimately a story about hate and how it can literally change you into something monstrous. There is a moment in the comic when the family wonders if this transformation can be reversed or if it’s permanent. The response to that question is answered, but I imagine that it will be examined more deeply in future issues. 

These five issues are undoubtedly a jazz set charging with energy, breaking only to give each character a momentary solo. This first volume of Bitter Root has nearly everything you could want from a dark fantasy comic series. The world-building balances neatly with its socio-political themes as we are introduced to both the magic and conflict that surrounds this whimsical family’s lives. This volume concludes with a stunning reunion and eerie revelation that will definitely have you ready for the next set of issues. The Sangerye’s are here to stay as they weave their magic, brawl through hordes of snotty imps, and stomp down on the hate that is attempting to consume their world.

Bitter Root Vol. 1 is available now on Amazon and Image Comics.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Blue in Green – Music, Secrets and Ghosts

Categories
Best Horror Books Best Of Best of Comics Featured

It is well documented that music can have an almost otherworldly hold over us; lowering stress hormones, raising dopamine levels, evoking specific memories, or transporting us to various times and places. But if music has this sort of cosmic power, could it possibly turn into a type of cosmic horror? For example, could a malevolent force created from art stalk us with intent to harm, as in the film Velvet Buzzsaw? Or could the bewitching and obsessive pursuit of art make monsters out of regular people, like what happens in the film Whiplash? Or maybe, as we see in the graphic novel Blue in Green, the terrifying reality lies somewhere in between. 

The story begins with a man named Erik getting a call that his mother has passed, prompting him to return to his childhood home, where he finds a photograph of an unknown man in his mother’s most prized possessions. The ensuing questions launch Erik on a quest that will lead him down some unexpected paths. Who was that man? What was his mother’s connection to him? And who exactly is the pale figure lurking in the periphery of the pages? More clues are uncovered and the mystery deepens as the story twists and turns, winding its way to an ultimately shocking conclusion.

Erik is a character struggling with his current situation in life. A talented saxophone player, he now squanders his skill teaching college classes and avoiding any close relationships. He ponders the fragility of life and wonders how many of us will leave this world without making an impact. His own desires, his failings, the expectations of family and society – all of these topics are the swirling subconscious maelstrom that push the story forward and pull back the curtain to its darker underpinnings. 

Puzzle Box Horror may earn a commission when you buy through links on our site.

Image from Blue and Green Graphic novel featuring a scared face and a tentacle

And this story certainly has a sinister underbelly. I love stories like this, full of dread, ambiguity, and uncertainty. From the very first image of the pale man you know something is off, but the terror stays in the background for much of the story, adding to the mystery and unraveling the deeper Erik digs. It’s still horror, but more of the understated, slithering-beneath-the-skin kind, which makes those moments when it bursts into daylight even more terrifying. I’ll be honest, I don’t want to say too much about the plot. Not just because I don’t want to give away spoilers, but because this is truly a tale that needs to be experienced.

While the story from writer Ram V is good, the art from Anand RK is really what makes this graphic novel shine. I don’t think I’ve seen a style quite like this, and I was continuously blown away with every page. It’s a mesmerizing blend of architectural precision, vaguely brushed forms, and a particularly gorgeous and enchanting array of colors thanks to John Pearson. The unconventional design of the pages is also really neat, shifting from full page spreads to pages with panels strewn about it like panes of glass. It reminds me of Dave McKean’s work, specifically on the Grant Morrison tale Arkham Asylum: A Serious House on Serious Earth (and now that I think of it the pale man shares a resemblance to the Joker). Regardless, the art is captivating and it works well to elevate the story. 

The Blue in Green graphic novel is a story first and foremost about music and the creative pursuit. But it also weaves in ideas about the burdens of the past and the ghosts that haunt our present. It’s about family secrets, loss, rapture, unexplainable feelings, and cosmic dread. We are confined to the mind of Erik, and as the story progresses we have to question how reliable of a narrator he really is. I may not have understood everything that happened, but I know it was well worth the experience. This is a story that is ripe for further read throughs and I’m already itching to dive back in.

Blue in Green is available now from Image Comics.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Book Recommendation – Black Stars Above

Categories
Best Of Best of Comics Comics and Graphic Novels Featured Horror Books Reviews

Puzzle Box Horror’s book recommendation of the week is Black Stars Above from Nightfall, an imprint of Vault Comics.

Black Stars Above is written by Lonnie Nadler, illustrated by Jenna Cha, colored by Brad Simpson, and lettered by Hassan Otsmane-Elhaou.

Panel from Black Stars Above comic with alien creature

Synopsis

LET THE BLACK STARS GUIDE YOUR WAY.

The year is 1887 and a storm brews. Eulalie Dubois has spent her entire life tending to her family’s trapline, isolated from the world. A chance at freedom comes in the form of a parcel that needs delivering to a nameless town north of the wilderness. Little does Eulalie know, something sinister hides in those woods and it yearns for what she carries. A chilling historical cosmic horror tale of survival from the deranged minds of Lonnie Nadler (The Dregs, Marvelous X-Men) and debut artist Jenna Cha.

Collects the complete five issue series. 152 pages.

Review

“A sterling example of elevated horror in comics.”

Newsarama

“An exemplary creative work that shows the heights a work can reach when creators pay respect to the work that inspired them.”

AiPT

“Sublime literary horror that channels the best of weird fiction. If you’re looking for something that expands on the work of Lovecraft – look no further. Fans of Alan Moore will eat this up. Beautiful, stunning, and haunting work by Cha throughout. Easily the best horror comic of the year.”

Zac Thompson, author of Come Into Me and I Breathed a Body

“I love the way the story is told and the strong cosmic horror elements. The format of narration-through-journal-entries gives it the feel of an old school text-based horror game. There are so many bizarre and unsettling scenes, plus a constant layer of dread blanketing the tale like snow. It’s a massive metaphor about coming of age, going out on one’s own, and identity – and yet it’s also so much more. Highly recommend!”

Ben Long, reviewer at @reading.vicariously

To read the full review, click here!

Black Stars Above is available now at Horror Hub Marketplace

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Cabin Horror Genre and Recommendations

Categories
Best Horror Books Best Of Best of Comics Best of Movies Featured

Cabin horror, sometimes referred to as “cabin in the woods” horror, is a subgenre of horror movies and books that typically takes place in a remote cabin or similarly isolated location of some kind. These movies often feature a group of young adults who are stalked and terrorized by some sort of supernatural or human threat. Some common themes in cabin horror stories include the fear of the unknown, the danger of isolation, and the consequences of reckless behavior. Overall, cabin horror movies often use their isolated and claustrophobic settings to create a sense of tension and unease, while also playing on the audience’s fears of being trapped and hunted by an unseen threat.

Some common tropes of the cabin horror genre include: 

  • The remote location: The cabin is often located far from civilization, making it difficult for the characters to get help or escape from their attackers.
  • The group of friends: The main characters are often a group of young adults who are on vacation together, allowing for the opportunity to explore themes of friendship and group dynamics.
  • The supernatural threat: The cabin horror genre often features supernatural elements, such as ghosts, demons, or other monsters.
  • The slasher element: Cabin horror movies may also include a human threat, such as a deranged killer who is stalking the characters and picking them off one by one.
  • The final girl: A common trope of horror movies in general, the “final girl” is typically a female character who survives the attack and is left to face the aftermath of the horror. 
Demon possessed woman from The Evil Dead movie.

Cabin horror has been popular since at least the 1980s, when movies like Friday the 13th and The Evil Dead helped popularize the subgenre. However, the genre has continued to evolve over the years, with movies like The Cabin in the Woods and Knock at the Cabin Door playing with audience expectations and subverting some of the traditional tropes of the genre.

Below are examples of popular films, books, and graphic novels in the cabin horror genre.

Cabin Horror Movies

The Evil Dead (1981) – A group of friends travel to a remote cabin in the woods for a weekend getaway, but stumble upon an ancient tome that unleashes a demonic force that possesses them one by one. This movie is a classic example of cabin horror, featuring a remote location, supernatural threat, and group of friends being stalked by an unseen enemy. 

Friday the 13th (1980) – A group of counselors arrive at Camp Crystal Lake to prepare it for the summer season, but are stalked and killed by an unseen assailant. This movie helped popularize the slasher subgenre of horror and features a remote location, group of young adults, and a killer on the loose.

The Cabin in the Woods (2012) – A group of friends travel to a remote cabin for a weekend getaway, only to discover that they are being monitored and manipulated by a mysterious organization. This movie plays with the audience’s expectations of the cabin horror genre and features elements of both supernatural and science fiction horror.

Movie poster for The Cabin in the Woods

Tucker and Dale vs. Evil (2010) – Two hillbillies, Tucker and Dale, buy a remote cabin in the woods for a vacation home, but their attempts to enjoy a peaceful weekend are interrupted by a group of college students who mistake them for deranged killers. This movie is a comedic take on the cabin horror genre, featuring elements of both horror and satire.

The Cabin (2018) – When a group of friends go on a weekend trip to a remote cabin in the woods, they unwittingly stumble upon an ancient curse that begins to take over their minds and bodies. This curse brings the cabin and the surrounding woods to life, creating a hostile environment where the friends are constantly under attack. The supernatural elements of the film add a layer of mystery and terror to the already tense situation, creating a unique and engaging horror experience.

The Lodge (2019) – Two children and their stepmother are snowed in at a remote cabin during the holidays, but as various conflicts begin to escalate, it becomes clear that something sinister is at play. The movie explores the deteriorating mental states of the characters as they become trapped in the cabin, which creates an atmosphere of dread and uncertainty. As tensions rise between the characters, strange occurrences begin to happen, and the line between reality and nightmare becomes blurred.

Cabin Horror Books & Comics

The Troop by Nick Cutter (2014) – A group of boy scouts and their troop leader venture to a remote island off the coast of Prince Edward Island for a weekend camping trip, but are soon stalked by a horrifying creature that feeds on flesh. The book also features elements of body horror, as the infection caused by the creature causes gruesome physical transformations and mutations in the characters. The combination of the group’s struggle for survival and the disturbing physical changes they experience creates a chilling and unsettling atmosphere.

Book cover for The Troop by Nick Cutter

Wytches by Scott Snyder and Jock (2014) – A family moves to a small town in New Hampshire to escape their troubled past, but are targeted by a coven of witches who dwell in the nearby woods. This graphic novel adds terrifying narrative turns with the inclusion of the witch’s dark magic and the mystery surrounding the town’s past, creating a gripping and chilling read. Overall, Wytches fits within the cabin horror genre due to its remote setting, supernatural elements, and atmosphere of terror and suspense.

The Cabin at the End of the World by Paul Tremblay (2018) – A family vacations at a remote cabin in the woods, but are soon visited by a group of strangers who claim that the end of the world is imminent and that they need the family’s help to prevent it. The book creates a sense of claustrophobia and isolation within the cabin, as the family members are cut off from the rest of the world and forced to confront the strangers who have invaded their sanctuary. The story also does a great job of blending elements of psychological horror with supernatural and apocalyptic themes, creating a sense of unease and tension that builds throughout the book.

Camp Slaughter by Sergio Gomez (2019) – The story follows a group of teenagers who are sent to a summer camp in the woods, but soon discover that the camp has a dark and deadly history. The camp was the site of a mass murder years before, and the spirits of the victims have returned to seek revenge on those who dare to set foot on the grounds. The isolation of the camp and the surrounding woods creates a sense of claustrophobia and paranoia among the characters, as they realize that they are cut off from the rest of the world and facing unknown dangers lurking in the shadows.

Book cover for Camp Slaughter by Sergio Gomez

The Shuddering by Ania Ahlborn (2019) – A group of friends embark on a winter vacation in a remote cabin in the mountains, only to discover that the cabin and the surrounding woods hold a dark and terrifying secret. The book also features elements of supernatural horror, as the friends are confronted by mysterious and malevolent forces that seem to be connected to the cabin and the surrounding woods. The supernatural elements of the story add to the horror and create a sense of unease and uncertainty as the characters struggle to survive and uncover the truth about the cabin’s dark past.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Call of Cthulhu Manifest: Illustrating an Outer-God

Categories
Best Horror Books Best Of Best of Comics Featured Reviews

The time is once again upon us to take a plunge into the morbid and cosmic horror world of H. P. Lovecraft, once more staggeringly illustrated by the visionary François Baranger. I’m now two books into this series which is beginning to feel akin to a sort of cinematic universe, only retained on paper where it can truly pay tribute to Lovecraft’s original work. Whereas the first part of At The Mountains of Madness left me hanging on the edge of a sheer plummet into darkness, Call of Cthulhu, a much shorter tale, manages to contain it’s entire self within the confines of this gargantuan hardback. But only just. 

With this being a story I’m familiar with and one I managed to enjoy in a single sitting along with all of the gorgeous artwork it swims in, how did Baranger and Free League Publishing do? In short: terrifyingly well. 

Call of Cthulhu is a rather more nautical outing than it’s snowy predecessor in this series and, for those with sensibilities such as my own, holds far more capacity for cosmic horror and its suffocating vastness. This story deals primarily with scale: the ocean, the dreaded city of R’lyeh, and the tentacled megalith himself; almighty Cthulhu. Of course the narrative wades in accounts and letters and newspaper articles in classic Lovecraft fashion, but towards the final act things heat up to boiling point and we’re treated to several devastating views of the alien geometry of R’lyeh and the towering, tentacled form of the lumbering god himself. 

blank

I’ve mentioned in the past that Baranger’s art makes Lovecraft’s writing even more dramatic and far more accessible. You’d be hard-pressed to find someone who hasn’t heard of Cthulhu these days, or at least seen one of the countless artistic depictions of the squid-dragon goliath. He was an obvious choice for this next huge illustrated issue, and the payoff involves some truly chilling images.

In an age of plush toys and parodies it’s good to see my personal favorite oceanic behemoth in a style more befitting his true nature, and in a book big enough to support him. These hand-painted renditions depict the colossal elder god rising from unfathomable depths, looming over a fiery, decimated New York and roaring into the heavens beneath stomach-dropping storms. It truly is the best tribute to the visual horror of Cthulhu that i’ve witnessed, and serves as the perfect accompaniment to Lovecraft’s unsettling tale.

Call of Cthulhu book art featuring a giant monster in the ocean

Thematically, the narrative centers around madness and obsession, as is common in Lovecraft’s work, though perhaps not to the extent of detail and thoughtfulness as displayed in this masterpiece of a short story. Implications of extensive lore are found throughout logs, notes, newspaper articles, alien statues and accounts of outlandish dreams. Much of it is a story within a story as our narrator, Francis Weyland Thurston pores over his late uncle’s notes and a strange bas-relief depicting Cthulhu reigning over R’lyeh. Insanity is displayed through obsessive artistry, mass hysteria and primordial cultism. The pervading racism is unfortunately as apparent as we’ve come to expect from this particular author. While the ignorance much of Lovecraft’s work is rooted in should not be glossed over, the style of story helps separate art from artist and merely take this as the views and wording of Thurston and his uncle. 

Baranger’s art remains moody yet grounded and rooted in realism so that when our titular overlord finally awakens, first time readers can breathe a sigh of relief that such an intense story ends on more than just implication. Lovecraft himself would be delighted and terrified at these powerful renditions of his brain spawn. I for one can’t wait to see what comes next in the series; with such an extensive backlog to choose from we’re left with infinite potential for stomach-dropping cosmic horror imagery. 

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Join The Horror List