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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

10 Horror Comics That Will Keep You Up At Night

You’ve watched everything on Shudder. You’ve read every book Stephen King ever wrote. You’ve even seen every episode of Hulu’s Into the Dark. So now where can a horror lover get their next scare? Maybe horror comics are the answer you’ve been looking for?

Fortunately, comic book creators have been flocking to horror over the past few years. Like their superhero brethren, horror comics can offer mind-twisting visuals that other media can’t quite provide. By mixing words and images, comics involve readers’ imaginations while using pictures to push their minds into places they would never go on their own. 

With the expansion of third-party publishers like Aftershock Comics and with indie mainstays like Image moving away from cape books, writers and artists have many places to let their creativity run to the dark side. So if you’d like to get some four-color fear, here are ten recent horror comics that will keep you up at night. 

Infidel comic book scary horror comic art
Infidel Vol. 1. Art by Aaron Campbell, colors by José Villarrubia, Letters by Jeff Powell

Horror has always been an ideal genre for addressing social ills such as racism. But writer Pornsak Pichetshote takes it to the next level in his comic Infidel, drawn by artist Aaron Campbell. The tale of Aisha and Medina, two Muslim women of color and longtime friends living in an apartment building that recently housed a suspected terrorist, Infidel is a ghost story about the ghosts that still haunt America. Pichetshote grounds his characters with believable dialogue (even as they discuss heavy issues), and Campbell’s frantic linework creates figures who are both recognizably human and relatably flawed. But when covered with José Villarrubia’s unsettling colors and designer Jeff Powell’s inventive lettering, the human and the supernatural collide to make a terrifying, but ultimately compassionate, piece of fiction. 

Gideon Falls, Vol. 1 comic art
Gideon Falls, Vol. 1. Art by Andrea Sorrentino, colors by Dave Stewart, letters and design by Steve Wands

Too often, “Cosmic Horror” brings to mind only images of Cthulhu rising from the deep or unknowable aliens arriving from space. But in their series Gideon Falls, writer Jeff Lemire, artist Andrea Sorrentino, and colorist Dave Stewart add a new menacing figure to the sub-genre: the Black Barn. Over 21 issues, Gideon Falls unravels the mystery of the Black Barn, a haunted building that appears to those going mad, including the series’ protagonists, a struggling priest and a life-long mental patient. Sorrentino and Stewart create some of the most unique and disturbing visuals in horror of any medium, including a fantastic cubic double-helix that brings together two characters in different times and places. It’s the kind of thing one can only see in a comic book, a rare example of ineffable horror. 

Maniac of New York #1 comic art
Maniac of New York #1. Art by Andrea Mutti and letters by Taylor Esposito.

As a head writer for The Daily Show and Mystery Science Theater 3000, Elliott Kalan has made the very serious look very ridiculous. But Kalan does the opposite with Maniac of New York, offering a grimly realistic take on silly slashers like Friday the 13th Part VII: Jason Takes Manhattan. In Maniac of New York, Kalan and artist Andrea Mutti follow the municipal response to a seemingly unstoppable masked killer. By focusing on the mundane parts of a fantastical story, Kalan and Mutti heighten the horror in the established slasher genre, showing how people “just doing their jobs” can be the only thing between a normal life in New York and a grisly death. 

Something is Killing the Children vol. 1 comic horror art
Something is Killing the Children vol. 1. Illustrations by Werther Dell’edera, colors by Miquel Muerto, and letters by Andworld Design.

When it comes to dead children in horror, it’s hard to top Stephen King or Guillermo Del Toro. But James Tynion IV and Werther Dell’Edera come close with their Eisner-nominated series Something is Killing the Children. When the children of Archer’s Peak begin to go missing, a mysterious drifter named Erica Slaughter arrives to help. Dell’Edera is never precious about depicting young children being ripped apart by an insect-like monster, and colorist Miquel Muerto heightens the drama by washing the creatures in sickly greens and blues. But Tynion finds plenty of spaces for believable emotions and actual humor to enrich the characters, never falling back on “Man with No Name” stereotypes when writing monster hunter Slaughter. 

The Low, Low Woods #1 comic horror art
The Low, Low Woods #1. Art by Dani, colors by Tamra Bonvillain, letters by Steve Wands

For years, DC Comics’ Vertigo imprint was the premier home for horror comics, producing landmark Sandman and Hellblazer runs. But even though DC shuttered Vertigo in 2020, its spirit remains alive in the Hill House imprint, curated by author Joe Hill. For his first run, Hill scored a coup by recruiting Nebula Award-winning writer Carmen Maria Machado for The Low, Low Woods, drawn by Dani and colored by Tamra Bonvillain, with letters by Steve Wands. Set in the richly realized mining town of Shudder-to-Think, Pennsylvania, The Low, Low Woods tells a horrifying story of systemic misogyny and the cruelties of capitalism from the perspective of teen girls El and Octavia. Dani’s scratchy artwork recalls the linework of Vertigo in its prime, powerfully rendering women with sinkholes in their bodies and skinless men. But it’s the believable motivations of the city’s men that make The Low, Low Woodstruly terrifying. 

The Immortal Hulk #36 comic horror art
The Immortal Hulk #36. Pencils by Joe Bennett, Inks by Roy José, letters by Cory Petit.

While Vertigo may have established DC as horror’s home with the Big Two publishers, it’s important to remember that Marvel was in the monster business before it did superheroes. In fact, many of the first Marvel heroes, including Spider-Man and the Thing, were originally designed to be monsters. That’s particularly true of the Hulk, who was a Jekyll and Hyde riff who became a monster at night. Writer Al Ewing brought that element back for The Immortal Hulk, an environmental allegory that ties the gamma energy that transformed Bruce Banner into the Hulk to Satan and Hell. Artist Joe Bennett and inker Ruy José draw from Rob Bottin’s effects on John Carpenter’s The Thing to make Banner’s transformations feel painful and visceral. Combined with Paul Mounts’s other-worldly colors, The Immortal Hulk successfully mixes body horror with supernatural terror to create one of the scariest comics currently running. 

Billions Alone horror comic art
“Billions Alone.” Art by Junji Ito

Unsurprisingly, master horror mangaka Junji Ito goes to some pretty weird places in his collection Venus in the Blind Spot, including stories about a man hiding in an easy chair and body-shaped holes in caves. But the collection’s most chilling story is its first one, “Billions Alone.” Just as young agoraphobe Michio finally decides to enter the world again, he must deal with a killer who’s sewing people together. What begins with a lone joined couple quickly spreads to larger and larger groups, giving Ito a reason to draw disturbing tableaux of bodies joined together. But this grisly conceit serves to explore themes of loneliness and a fear of groups, a concept that hits that much harder during a pandemic. 

Stillwater vol. 1 comic horror art
Stillwater vol. 1. Art by Ramón K. Perez, colors by Mike Spicer, and letters by Rus Wooton.

First, I need to make this clear. The most terrifying thing Chip Zdarsky ever wrote was this one-panel Frog-Man bit in Original Sins #5. But Stillwater comes pretty close. Co-created and drawn by Ramón K. Perez, with colors by Mike Spicer and letters from Rus Wooton, Stillwater takes place in a town where no one can die. While that sounds good, the town’s strange ability means that no one can age, including children, which drives a desperate mother to sneak her toddler son Thomas out of Stillwater. But when circumstances bring a now-grown Thomas back to the town he no longer remembers, tensions and Stillwater grow between those who long for outside contact and the fascist Judge who wants to keep them hidden from the world. While that synopsis makes for good thriller material, Zdarsky and Perez take the story to some genuinely disturbing places, including characters being buried in the ground for weeks on end or living through a bomb explosion. 

Daphne Byrne #2 horror comic art
Daphne Byrne #2. Art by Kelly Jones, colors by Michelle Madsen, letters by Rob Leigh.

The other standout in Hill House Comics’ inaugural batch is the Victorian ghost story Daphne Byrne, written by Laura Marks and drawn by horror legend Kelly Jones. Daphne Byrne follows the adolescent title character after her father’s death in Victorian England. While her mother’s loneliness drives her to a disreputable medium, who has darker plans for the Byrne family, Daphne is visited by a dark young man who promises the girl companionship and power. In the classic Victorian style, Daphne Byrne blurs the lines between fantasy and reality. But instead of only asking us to question Daphne, Marks and Jones make everyone into an unreliable narrator of their own stories, from the man suddenly wooing Daphne’s mother to the elderly rationalist who offers his help. 

Razorblades: The Horror Magazine #3 horror art
Razorblades: The Horror Magazine #3, Cover by David Romero

In addition to writing some of the best recent horror comics (including Something is Killing the Children!), James Tynion IV has teamed with writer Steve Foxe to bring back the anthology comic with Razorblades: The Horror Magazine. In its first three issues, Razorblades has already featured some truly memorable stories, but my favorite so far is “Strands,” by Jess Unkel and Jenn St-Onge. St-Onge’s vibrant linework and innocent figures belie a chilling story about a widower who notices bits of her late husband’s hair still lingering in her home. Both a sweet story about missing a loved one and a genuinely haunting tale, “Strands” builds to a satisfyingly shocking ending. 

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Best of Avant Garde Horror Comics

Let’s get weird! Horror is one of the most exciting genres out there. The sheer terror of the unknown and experiencing the fear of death in it’s many shapes with our favorite characters is something unique to horror. However, the moments when something is so far from our expectations or completely mind-bending, it can make a deeper imprint than the jump scares we’ve come to know and love. For those moments, we look to the avant garde horror genre.

Avant Garde, with a history rooted in challenging social norms, is art that pushes the boundary and stands at the forefront of what art can be capable of. Today, it’s much less associated with social change but is still known for its existence as an experimental and bold expression of art. This radical art form, combined with horror, can build adrenaline spikes in ways other subgenres can’t. In honor of that mind-bending style, here is our list of graphic novels and comics that bring the Best of Avant Garde Horror to life.

zumak comic book cover

Uzumaki by Junji Ito

I love everything about this avant garde horror comic. It’s black and white. It’s has that signature japanese style. It also is focused around the Uzumaki, or spiral, symbol that has cursed this coastal Japanese town. But it isn’t like the Ring, where you’re haunted by this undead girl. I would tell you what it is really like, but that would be a spoiler. This is a must-read, and you don’t know where or how far this is going to go. 

Ghost and Ruins comic cover

Ghosts and Ruins

Some artists fit very neatly into what we expect from our comics, and they work very well. Sometimes, they go for something a bit different, and today is all about different. Ben Catmull ditches the panels and text bubbles, laying out his stories in full page illustrations. With bits of background and flavor text to accompany each of the 13 stills, its amazing what our imaginations can do with such a minimalist and maximalist approach to horror. 

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Sleep of Reason

This anthology from Iron Circus Comics features some pretty warped illustrations, and some of it reminds me of Midnight Gospel’s creative use of color and form. This collection of avant garde horror also avoids a lot of the typical tropes of horror and instead creates that creeping sense of unease that we are always unable to ignore.

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Understanding Monster by Theo Ellsworth

This graphic novel may not exist exclusively in the avant garde horror genre, but I’m not sure it exists in any genre. The protagonist of the story finds his spirit trapped in a mouse, while his skeleton wanders around aimlessly. He’s aided by misfit toys and another spirit, this one trapped in a fly. The antagonists are equally diverse and include the Devil, a mummified pharaoh, and “The Mean Kids in the Wall.” They all exist in “negative time.” It’s weird. We like it. 

Bodyworld Avant Garde horror comic cover

Bodyworld by Dash Shaw

This web avant garde horror comic by Dash Shaw was compiled and revised into a graphic novel, and they both will blow you away. Our protagonist, Paulie Panther, is a deranged botanist who’s the kind of creep that imagines himself a romantic. His current obsession is a psychedelic drug that grows at the outskirts of the Boney Borough High School. It lets you feel what other people feel, and when smoked together, you can feel the other person feeling their feelings felt by your feelings. Get it? It’s a mind-warping story set in 2060, a post-apocalyptic civil war future, that dives further and further into a dark fantasy. 

I feel Sick avant garde comic book cover

I Feel Sick by Jhonen Vasquez

This Jhonen Vasquez comic is a spin-off of his previous work, Johnny the Homicidal Maniac. The unhinged approach is still very much alive in I Feel Sick, whose protagonist, Devi D., learns about the destructive psychological and supernatural influences that drove Johnny insane. The acid trip starts on page one, with Devi ripping up a painting, only to find intact a few panels later, and doesn’t end until everyone is entirely unhinged.

It’s hard to number these or rank them in any particular order. The stories are so engaging and the art so wildly entrancing, I think there’s something for everyone’s kind of strange in this list. We update these lists every now and again, so if you think your kind of strange is missing from this list, let us know in the comments below. Keep Puzzle Box weird, guys! Thanks for reading. 

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Best of Supernatural Horror Comics

The supernatural holds a strong place in the societal psyche. There aren’t many subjects that are as alluring in terms of the unknown and the extraordinary and also as terrifying. Searching for and approaching the supernatural is exhilarating, but finding it and seeing it is risky business. It’s enticing, spine-tingling, hair-raising, and if you’re reading this, it’s impossible to look away. What better to enjoy the best supernatural horror than in a comic book format?

Witches – check, demons – got em, ghosts – of course. This list of incredible supernatural horror comics demand to be read, and are the greatest reward to those that burn the midnight oil. 

Gideon Falls by Jeff Lemire and Andrea Sorentino

Gideon Falls Supernatural Horror Comic Cover

Norton Sinclair, a recluse with interesting dumpster theories, and Father Fred, a pastor in Gideon Falls, have otherworldly visions of “the Black Barn.” Each of our leading men has their own riddles to crack, from clues hidden in city litter to sinister small town mysteries, but they both lead them to Gideon Fall’s central omen: the Black Barn, and the trip-fest inside breathe new meaning to ideas of “otherworldly doom.” Definitely one of the best supernatural horror comics out there.

Girl From the Other Side by Nagabe

Girl From the Other Side supernatural horror comic

“The God of Light took everything away from the God of Darkness, changing him into the shape of a hideous monster.” Well, I was hooked. Turns out, victors are not always fair, and the God of Light is no exception. This story follows Shiva, the only human in the Outside, the land of the God of Darkness. She is accompanied by her Teacher and lives among the Outsiders, commanded never to touch Shiva by the Teacher, lest they corrupt her. The mysteries of the Outside and it’s cursed denizens are numerous and devilish, and I loved every bit of it. 

Exorsisters by Ian Boothby and Gisèle Lagacé

Exorsisters Supernatural Horror Comic Cover

These sacred sisters are great for exorcisms on a budget. Coming-of-age stories are great pretenses for horror, and the Harrow sisters grow up averting the end of the world, defeating demon-obsessed boyfriends, and dealing with their mom. The Veronica Mars vibes are pretty high, with a bit of Charmed mixed in. Need I say more?

Redlands by Jordie Bellaire & Vanesa R. Del Rey

Redlands Supernatural Horror Comic Cover

Southern gothic and Southern horror are powerful. I’ve lived in the South for years now, and it has always struck me how it feels like the physical terrain holds the scars of the past, today. Redlands is another incarnation of this great American tradition, starring a coven of witches in a foggy Florida town and the citizens they subjugate. And when those citizens want to make a change, the supernatural exploits in Redlands, Florida, only get worse. 

BPRD by Mike Mignola

BPRD Supernatural Horror Comic Cover

Demon frogs, demon detectives, and the CIA paint the pages of BPRD, the Bureau of Paranormal Research and Defense. Mike Mignola’s expanded universe takes place after Hellboy leaves the BPRD, who still have to stop the End of the World as We Know It. Success becomes a very relative term as the story progresses, and the frogs become the least of their problems. Mike Mignola’s universe barely gives our heroes any breaks, and when it does–wait, does it ever?

Harrow County by Cullen Bunn and Tyler Crook

Harrow County Supernatural Horror Comic Cover

What started as Countless Haints on Cullen Bunn’s website became Harrow County, a supernatural fairy tale told in a southern gothic style to hainting success. Emmy, a peaceful country girl, starts to hear things in the woods; monsters, ghosts, and shadows, speaking to her like old friends. An old oak tree at the edge of the farm calls out in her dreams, and a witch’s curse may come true, or so it seems. 

Fatale by Deon Taylor

Fatale Supernatural Horror Comic Cover

Femme fatale’s are classic, badass, and electric protagonists. Fatale’s femme du jour is Josephine, an enchantress from the 1930s, alive in the present day, enchanting as ever. Interestingly, this attraction doesn’t always go in her favor, and the men around her typically pay the price. Struggling with her “gift” and battling a cult obsessed with her seeming-immortality are all in a days work for Jo, and her escapades keep her world, and our heads, spinning. 

Rachel Rising by Terry Moore

Rachel Rising Supernatural Horror Comic Cover

The trick to a good murder is making sure the dead stay dead. Rachel Beck has other plans. After waking in a shallow grave, apparently strangled, and with no memory of her death, she begins trying to solve her attempted murder. What she finds is witchcraft and demons, hellbent on destroying her town. Demons and the undead typically mean one thing: the end is near. 

The Chilling Adventures of Sabrina by Robert Aguirre-Sacasa

Chilling Adventures of Sabrina Horror Comic Cover

This teenage witch may seem familiar, and so too do the names and faces, but the stakes are more than a bit higher, and the spells much darker. Sabrina Spellman’s coming-of-age story collides with catty witches, dead parents, and satanic rituals. Such is the life of any half-witch high schooler. 

Nocturnals by Dan Brereton

Nocturnals Supernatural horror comic cover

The Nocturnals is a great of example of an ensemble supernatural comic, written and illustrated by Dan Brereton and published by Dark Horse Comics. We start with Doc Horror, the patriarch of the patchwork Horror family, a gang of supernatural outcasts, with extraordinary abilities. Our protagonists fight against supernatural enemies as well as corrupt corporations in a fictional California city, Pacific City. Here, we love horror, we love the supernatural, and we love ensembles. Nocturnals does it all.

These are my personal Tales of the Crypt, ladies and gentleman. These are the best supernatural horror comics I have read yet. They’ve kept me up at night–reading and otherwise. I love to hear from you all, so please comment and tell us where we screwed up or uncover that hidden gem only you have discovered. Discourse is the foundation of democracy, and the difference between seventh and eighth is a big deal, okay?! If you like supernatural horror comics you will also love cosmic horror comics.

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Puzzle Box Horror’s Best Sci-Fi Horror Comics

Comic books in the science fiction and horror genres have long sat adjacent to one another, but occasionally they cross paths and the results are spectacularly frightening. The best sci-fi horror comics have stories full of suspense and heavy with dread, as well as artwork that shocks and unnerves. In fact, comics and graphic novels are a great medium for the horror genre. The narrative format often keeps the dialogue and description to a minimum, increasing the suspense and allowing the images to speak for themselves. And, likewise, the artwork expertly compliments the prose, whether it’s using muted shades and darkened corridors to augment the mood or vivid colors and heaps of blood to highlight the horror. The writers at Puzzle Box Horror are obsessed with comics, and we’re very excited to share some of the best sci-fi horror comics on the market!

The Best Sci-Fi Horror Comics

Plunge (2020)

Plunge sci-fi horror comic cover

First on our list of best sci-fi horror comics is Plunge. A drilling vessel, the Derleth, that disappeared forty years ago in the Arctic Circle suddenly begins sending out distress signals from the Bering Strait. Wanting to investigate further, an oil company hires a salvage team and a marine biologist to go explore the ghost ship. Their mission is to recover the bodies and find out exactly what happened to the ship. The expedition quickly goes awry when they discover the crew isn’t exactly dead, though they aren’t exactly alive either. This six-issue miniseries is gory, surreal, and a wonderful homage to eighties horror.

Plunge (Image Comics) is written by Joe Hill with art by Stuart Immonen.

Come Into Me (2019)

Come into me horror comic cover

The story opens on a failed demonstration of InBeing, the process by which ropy entrails connect two different people by ports in the back of their heads and allows their minds to form a “synaptic connection”. Sebastian, the creator and scientist behind the technology, is quickly running out of money and desperate to find an investor. Enter Becky, a mysterious and seemingly desperate young lady who convinces Sebastian to bond their minds with InBeing, using his body as host. It’s strange for Becky, seeing the world through someone else’s body and forming a telepathic-like connection with another. If only she had been upfront with Sebastian about her past. As their minds are conjoined and their memories/experiences blend together, the host realizes he failed to anticipate just exactly what could go wrong…and that, like in our online lives, shared data is open to manipulation and exploitation.

Come Into Me (Black Mask Comics) is written by Zac Thompson and Lonnie Nadler, illustrated by Piotr Kowalski, and colored by Niko Guardia.

Destroyer (2018)

Destroyer horror comic cover

Though lighter on the horror than the other entries in this list, Destroyer is still an intriguing take on the creature at the center of Mary Shelley’s classic sci-fi story Frankenstein. In this story the monster has survived into present day America, but he has lost his emotional side and empathic nature. Instead he has become the Destroyer, bent on wiping mankind from the face of the earth. In his quest for vengeance he ends up partnering with Dr. Baker, the last descendent of the Frankenstein family who has recently lost her son at the hands of the police. Also caught up in all of this are two scientists, Byron and Percy, who find themselves desperately trying to protect humanity. It’s a story that is raw, powerful, and not afraid to shine a light on heavy socio-political topics. Sometimes the line between thriller and horror is slim but this one still made our list of best sci-fi horror comics as it fits the bill.

Destroyer (Boom Studios) is written by Victor Lavalle and illustrated by Dietrich Smith, with colors by Joana Lafuente and letters by Jim Campbell.

Nameless (2016)

Nameless horror comic cover

A group of billionaires have hired occult hustler “Nameless” in a desperate bid to save the planet. An enormous asteroid they’re calling Xibalba is hurtling on a direct course for earth, bearing a strange symbol on its side and a vengeful extra-dimensional god in its core. While trying to stop the death rock, Nameless and his team accidentally set loose the wrathful being and things go from bad to inconceivably worse. That’s the brief synopsis, but this six-part miniseries deals with so much more. Secret experiments, the downfall of civilization, lost planets, epic cosmic wars, a doomsday asteroid, and soul-destroying truths are all par for the course here. This sci-fi horror comic also has a strong cosmic horror vein running through it, featuring terrifying Lovecraftian beings and an overwhelming atmosphere of dread. What could be better in sci-fi horror than a touch of existential dread?

Nameless (Image Comics) is written by Grant Morrison and illustrated by Chris Burnham.

The Disciples (2016)

The Disciples horror comic cover

This sci-fi horror comic is Set in a bleak dystopian future where the solar system has been colonized by the rich upper class, The Disciples is about a girl who has gone missing and the bounty hunters who have been hired to find her. These hunters follow the trail to Jupiter’s largest moon Ganymede, where they discover a group of cultists who have awakened a horrifying force. Turns out the girl is the daughter of a Senator who has joined the cult, and things are about to get a whole lot worse for these well-intentioned investigators. Taunt and terrifying, the comic is reminiscent of the video game Dead Space but with more extraterrestrial ghosts. 

The Disciples (Black Mask Studios) is written by Steve Niles and illustrated by Chris Mitten, with colors by Jay Fotos and letters by Thomas Mauer.

Spread (2015)

Spread horror comic cover

In this post-apocalyptic sci-fi horror comic, a strange viral infection called “the Spread” has devastated the land and devoured its inhabitants. While most of the world lies in ruin, there are pockets of humanity struggling to survive in quarantine zones. In one of these zones a man named No happens upon a baby named Hope who can undo the virus with a touch of her hand. Insane creature designs and an interesting cast of characters help flesh out this dark and suspenseful tale of survival. The unholy baby of The Thing and Mad Max bathed in buckets of blood, Spread is full of extreme gore, tentacles, and body horror fun.

Spread (Image Comics) is written by Justin Jordan with art by Kyle Strahm.

Caliban (2015)

Caliban horror comic cover

In the future hyperspace travel has been invented, allowing humans to explore the furthest reaches of outer space. For all their searching no signs of life have been uncovered, but they have begun to harvest all the valuable resources the universe has to offer. At first it’s just a regular mission out in deep space for the crew of the mining ship Caliban. Everything is going according to plan, until they happen upon a strange alien ship. It would appear the unusual vessel was waiting for them, and what was once a routine trip quickly turns to nightmare. A vicious, hulking something is stalking the corridors, separating the crew and taking them one by one. It’s a tense and chilling thriller reminiscent of Alien, full of shocking moments and terrific artwork.

Caliban (Avatar Press) is written by Garth Ennis with art by Facundo Percio.

The Wake (2014)

The Wake horror comic cover

The Department of Homeland Security has identified an unnerving new threat, and so they reach out to Lee Archer, a marine biologist, for help. Though she initially declines, the government overrides her decision and sends her deep beneath the sea in the Arctic Circle. There’s an underwater oil rig in that part of the ocean where a group of scientists have made an unbelievable discovery. Part multi-generational thriller and part creature feature, The Wake is a ten-issue miniseries that manages to combine tense horror, beautifully bold artwork, and scientific questions on life and the human condition.

The Wake (DC Comics) is written by Scott Snyder with art by Sean Murphy.

Revival (2012)

Revival aci-fi horror comic cover

The dead have come back to life in rural Wisconsin. In the particular town where our story is set, the CDC has quarantined the area and sent in experts to help out. Revival, labeled as “farm noir,” is interesting because of its unique take on the genre. Yes, it’s a zombie tale full of scares, violence, religious zealots, and government busybodies. But a lot of the series also focuses on a brutal murder and the detective who is trying to solve the crime. Officer Dana Cypress has her hands full dealing with the media, the government, and a full-scale zombie invasion while also investigating a case where anyone, dead or alive, could be a suspect.

Revival is a staff favorite for best sci fi horror comics.

Revival (Image Comics) is written by Tim Seeley, illustrated by Mike Norton, and colored by Mark Englert.

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Puzzle Box’s Best of Gothic Horror Comics and Graphic Novels

We’ve covered a lot of different genres here at Puzzle Box, and it’s been a blast giving you guys recommendations and sharing our favorite comic book and graphic novel stories. 

This Best Of is a classic subgenre, and perhaps one of the most defining subgenres of horror: Gothic Horror. This dark extension of Romanticism produced classics like Dracula and Frankenstein, as well as Edgar Allen Poe’s signature masterpieces. These dark, haunting tales are deeply personal and, at times, disturbing. The comics and graphic novels in our Best of Gothic Horror bring the darkness of our minds onto the page, with terrifying effect. 

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Anya’s Ghost by Vera Brosgol

Anya, a Russian immigrant, is struggling to fit in at her private school in New England. One day, she falls into a dry well and finds a human skeleton at the bottom. The skeleton’s ghost Emily appears and starts to help Anya at school. But as their relationship grows, Emily’s amiable nature belies a darker past and a sinister truth. This may not be the Ring, but still, dead girls in wells don’t turn out to be friendly.

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Gotham by Gaslight by Brian Augustyn and Mike Mignola

Part of D.C.’s Elseworlds series, this graphic novel finds Bruce Wayne transposed into 1889. Following a long missive with Dr. Sigmeund Freud, Bruce Wayne dons the cowl as a series of murders grips Gotham. What follows is a long trail of conspiracy involving the Wayne family and Jack the Ripper, with the terror closer to the Batman than he would have imagined. 

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From Hell by Alan Moore and Eddie Campbell

The story of Jack the Ripper is as terrifying as it is gruesome, and From Hell is the second story based on the serial killer to make the list. The darkness surrounding the terrible murders allows writers and artists to weave so many narratives into the legendary figure. Alan Moore is another one of those brilliant minds to use the mystery of Jack the Ripper to reveal a darker reality, while portraying Jack in very twisted, yet human, terms.

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Hellblazer by D.C. Comics

John Constantine, the hellblazer, is a D.C. anti-hero who embodies the idea of the occult bad boy. A world-class cynic and working-class warlock, Constantine’s dark societal themes mix perfectly with the demons he tracks down and cults he takes down. Constantine’s stories, both mythical and earthly, are a strong representative of modern American gothic storytelling. 

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Gloomcookie by Serena Valentino

Gothic horror can certainly lend itself to campiness, and Gloomcookie is no exception. Gloomcookie is about a goth girl named Lex, a more than willing participant in goth culture, and the mundane and supernatural encounters in her life. Featuring star-crossed lovers, Reality Warpers, and demon worship, Gloomcookie will take you back to the best part of your weird years.  

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The Crow by James O’Barr

This dark superhero comic is tragic and disturbing, and takes the emotional weight of gothic horror to a pretty dark place. Our protagonist, Eric, is dead, and so is his fiancee. A crow revives him and acts as a guide to help him take his revenge. Eric and the Crow’s relationship is complex, especially as Eric wallows in his own pain and suffering. Edgar Allen Poe’s poem, The Raven, is infused throughout the story, making this a great comic for gothic horror fans. 

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Dracula by Jason Cobley and Bram Stoker

The classic vampire is incredibly adapted by Jason Cobley and illustrated by Staz Johnson and James Offredi. A foundational piece of gothic horror as well as horror at large, the blood-sucking creature of the night, inspired by Vlad the Impaler, attempts to move from Transylvania to England, with Van Helsing standing in his way. Dracula is one of the most well-known stories in horror and this graphic novel does it justice.

That’s a wrap on our Best of Gothic Horror comics! This is probably my favorite horror subgenre, with its emotional weight making the twists and turns all the darker. A lot of our favorite tropes and classic works come from gothic horror too, so this subgenre plays a role in more kinds of horror than you may realize. Make sure you represent your favorite gothic horror in the comments below. Your favorite comics could make the list. Thanks for reading!