Best Horror Coloring Books for Adults

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Best Horror Books Best Of Featured Horror Books

Who said that scary things aren’t for kids? Or that coloring books aren’t for adults? Both of these things are proven dreadfully wrong with the best coloring books inspired by the horror genre. Yes, they’re a thing. Your favorite monsters jump off the page as you color in between the lines and create a ghoulishly gorgeous work of art – all while relieving stress and soothing the mind with a set of crayons as your guide. If you’re looking to unwind and relax after a long day – and need something a bit more abnormal than the typical Netflix and wine – try these horror coloring books for adults to channel your dark side with a bit of creepy color. 

The Beauty Of Horror: A GOREgeous Coloring Book

The Beauty Of Horror: A GOREgeous Coloring Book

This horror coloring book by Alan Robert is one of the most popular on the web, and you’ll see why as you glance into its pages. GOREgeous features “an onslaught of severed heads, monsters, deadly weapons, and skeletal remains” as you “visit burial grounds, the zombie apocalypse, serial killer lairs and gruesome torture chambers.” Their words… cute, right? Invest in this page-turner that has tons of gore-geously good reviews on GoodReads on Amazon, and get that red crayon ready for all the blood, clown noses, and leftover guts. You’re going to need it. 

Horror Coloring Book for Adults : Horror Stress Relieving Illustrations with Scary Monsters, Creepy Scenes, and a Spooky Adventure

Horror Coloring Book for Adults

This horror coloring book isn’t for the faint of heart. You won’t find any “good witches” or soft scares within these black-and-white pages – only the most terrifying and intricate illustrations that will freak you out and frustrate you as you try desperately to color within the lines. Trust us, once you see the complexity of these designs, you’ll see that you’ll need the entire box of crayons. That being said, this horror coloring book is ideal for the artsy scare lover… and you’ll want to stick this art up on your bedroom wall for the most gorgeous horror house on the block.

Zombie Coloring Book

Zombie Coloring Book

Take a break from witches, skeletons, and killer clowns as you go back to basics with a horror staple: zombies. These undead creatures will always have a place in your favorite scary movies and TV shows… and now on your nightstand, too. Choose from 20+ zombie illustrations – ranging from ugly and gross to interesting and a bit cute – and fill them in with your favorite colors to bring life back into your relaxation routine with a few undead monsters. Sure, the title of this book is a mouthful, but Zombie Coloring Book really is an incredible habit for everybody!

Alice’s Nightmare in Wonderland Coloring Book 

Alice's Nightmare in Wonderland Coloring Book

Plenty of children’s movies are a lot more creepy once you watch them as an adult, like Alice in Wonderland. Between the Chesire Cat’s scary smile and the Queen of Hearts yelling about beheading children, this classic Disney film is almost as scary as any horror film from the early 2000’s. And it gets even more horrifying with this adult coloring book that features demonic versions of the film’s classic characters. A giant, murderous rabbit is something that you didn’t even know you needed until now, and you can make him any color you like for ultimate nightmare fuel. 

The Beauty of Horror 2: Ghouliana’s Creepatorium Coloring Book

The Beauty of Horror 2: Ghouliana's Creepatorium Coloring Book

It’s pretty rare in the world of horror for the sequel to be just as spooky and stunning as the original – unless we’re talking about horror coloring books for adults. Ghouliana’s Creepatorium has just as many distorted ghosts and scary skeletons as the GOREgeous book that we told you about earlier… and it doesn’t even need to be Halloween to stick these finished illustrations up on your refrigerator. Let loose and embrace your inner artist with these spooky designs that never go out of style… and know that there are plenty more coloring books to try in the The Beauty of Horror lineup. Thanks, Alan Robert!

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Best of Avant Garde Horror Comics

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Let’s get weird! Horror is one of the most exciting genres out there. The sheer terror of the unknown and experiencing the fear of death in it’s many shapes with our favorite characters is something unique to horror. However, the moments when something is so far from our expectations or completely mind-bending, it can make a deeper imprint than the jump scares we’ve come to know and love. For those moments, we look to the avant garde horror genre.

Avant Garde, with a history rooted in challenging social norms, is art that pushes the boundary and stands at the forefront of what art can be capable of. Today, it’s much less associated with social change but is still known for its existence as an experimental and bold expression of art. This radical art form, combined with horror, can build adrenaline spikes in ways other subgenres can’t. In honor of that mind-bending style, here is our list of graphic novels and comics that bring the Best of Avant Garde Horror to life.

zumak comic book cover

Uzumaki by Junji Ito

I love everything about this avant garde horror comic. It’s black and white. It’s has that signature japanese style. It also is focused around the Uzumaki, or spiral, symbol that has cursed this coastal Japanese town. But it isn’t like the Ring, where you’re haunted by this undead girl. I would tell you what it is really like, but that would be a spoiler. This is a must-read, and you don’t know where or how far this is going to go. 

Ghost and Ruins comic cover

Ghosts and Ruins

Some artists fit very neatly into what we expect from our comics, and they work very well. Sometimes, they go for something a bit different, and today is all about different. Ben Catmull ditches the panels and text bubbles, laying out his stories in full page illustrations. With bits of background and flavor text to accompany each of the 13 stills, its amazing what our imaginations can do with such a minimalist and maximalist approach to horror. 

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Sleep of Reason

This anthology from Iron Circus Comics features some pretty warped illustrations, and some of it reminds me of Midnight Gospel’s creative use of color and form. This collection of avant garde horror also avoids a lot of the typical tropes of horror and instead creates that creeping sense of unease that we are always unable to ignore.

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Understanding Monster by Theo Ellsworth

This graphic novel may not exist exclusively in the avant garde horror genre, but I’m not sure it exists in any genre. The protagonist of the story finds his spirit trapped in a mouse, while his skeleton wanders around aimlessly. He’s aided by misfit toys and another spirit, this one trapped in a fly. The antagonists are equally diverse and include the Devil, a mummified pharaoh, and “The Mean Kids in the Wall.” They all exist in “negative time.” It’s weird. We like it. 

Bodyworld Avant Garde horror comic cover

Bodyworld by Dash Shaw

This web avant garde horror comic by Dash Shaw was compiled and revised into a graphic novel, and they both will blow you away. Our protagonist, Paulie Panther, is a deranged botanist who’s the kind of creep that imagines himself a romantic. His current obsession is a psychedelic drug that grows at the outskirts of the Boney Borough High School. It lets you feel what other people feel, and when smoked together, you can feel the other person feeling their feelings felt by your feelings. Get it? It’s a mind-warping story set in 2060, a post-apocalyptic civil war future, that dives further and further into a dark fantasy. 

I feel Sick avant garde comic book cover

I Feel Sick by Jhonen Vasquez

This Jhonen Vasquez comic is a spin-off of his previous work, Johnny the Homicidal Maniac. The unhinged approach is still very much alive in I Feel Sick, whose protagonist, Devi D., learns about the destructive psychological and supernatural influences that drove Johnny insane. The acid trip starts on page one, with Devi ripping up a painting, only to find intact a few panels later, and doesn’t end until everyone is entirely unhinged.

It’s hard to number these or rank them in any particular order. The stories are so engaging and the art so wildly entrancing, I think there’s something for everyone’s kind of strange in this list. We update these lists every now and again, so if you think your kind of strange is missing from this list, let us know in the comments below. Keep Puzzle Box weird, guys! Thanks for reading. 

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Best of Supernatural Horror Comics

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

The supernatural holds a strong place in the societal psyche. There aren’t many subjects that are as alluring in terms of the unknown and the extraordinary and also as terrifying. Searching for and approaching the supernatural is exhilarating, but finding it and seeing it is risky business. It’s enticing, spine-tingling, hair-raising, and if you’re reading this, it’s impossible to look away. What better to enjoy the best supernatural horror than in a comic book format?

Witches – check, demons – got em, ghosts – of course. This list of incredible supernatural horror comics demand to be read, and are the greatest reward to those that burn the midnight oil. 

Gideon Falls by Jeff Lemire and Andrea Sorentino

Gideon Falls Supernatural Horror Comic Cover

Norton Sinclair, a recluse with interesting dumpster theories, and Father Fred, a pastor in Gideon Falls, have otherworldly visions of “the Black Barn.” Each of our leading men has their own riddles to crack, from clues hidden in city litter to sinister small town mysteries, but they both lead them to Gideon Fall’s central omen: the Black Barn, and the trip-fest inside breathe new meaning to ideas of “otherworldly doom.” Definitely one of the best supernatural horror comics out there.

Girl From the Other Side by Nagabe

Girl From the Other Side supernatural horror comic

“The God of Light took everything away from the God of Darkness, changing him into the shape of a hideous monster.” Well, I was hooked. Turns out, victors are not always fair, and the God of Light is no exception. This story follows Shiva, the only human in the Outside, the land of the God of Darkness. She is accompanied by her Teacher and lives among the Outsiders, commanded never to touch Shiva by the Teacher, lest they corrupt her. The mysteries of the Outside and it’s cursed denizens are numerous and devilish, and I loved every bit of it. 

Exorsisters by Ian Boothby and Gisèle Lagacé

Exorsisters Supernatural Horror Comic Cover

These sacred sisters are great for exorcisms on a budget. Coming-of-age stories are great pretenses for horror, and the Harrow sisters grow up averting the end of the world, defeating demon-obsessed boyfriends, and dealing with their mom. The Veronica Mars vibes are pretty high, with a bit of Charmed mixed in. Need I say more?

Redlands by Jordie Bellaire & Vanesa R. Del Rey

Redlands Supernatural Horror Comic Cover

Southern gothic and Southern horror are powerful. I’ve lived in the South for years now, and it has always struck me how it feels like the physical terrain holds the scars of the past, today. Redlands is another incarnation of this great American tradition, starring a coven of witches in a foggy Florida town and the citizens they subjugate. And when those citizens want to make a change, the supernatural exploits in Redlands, Florida, only get worse. 

BPRD by Mike Mignola

BPRD Supernatural Horror Comic Cover

Demon frogs, demon detectives, and the CIA paint the pages of BPRD, the Bureau of Paranormal Research and Defense. Mike Mignola’s expanded universe takes place after Hellboy leaves the BPRD, who still have to stop the End of the World as We Know It. Success becomes a very relative term as the story progresses, and the frogs become the least of their problems. Mike Mignola’s universe barely gives our heroes any breaks, and when it does–wait, does it ever?

Harrow County by Cullen Bunn and Tyler Crook

Harrow County Supernatural Horror Comic Cover

What started as Countless Haints on Cullen Bunn’s website became Harrow County, a supernatural fairy tale told in a southern gothic style to hainting success. Emmy, a peaceful country girl, starts to hear things in the woods; monsters, ghosts, and shadows, speaking to her like old friends. An old oak tree at the edge of the farm calls out in her dreams, and a witch’s curse may come true, or so it seems. 

Fatale by Deon Taylor

Fatale Supernatural Horror Comic Cover

Femme fatale’s are classic, badass, and electric protagonists. Fatale’s femme du jour is Josephine, an enchantress from the 1930s, alive in the present day, enchanting as ever. Interestingly, this attraction doesn’t always go in her favor, and the men around her typically pay the price. Struggling with her “gift” and battling a cult obsessed with her seeming-immortality are all in a days work for Jo, and her escapades keep her world, and our heads, spinning. 

Rachel Rising by Terry Moore

Rachel Rising Supernatural Horror Comic Cover

The trick to a good murder is making sure the dead stay dead. Rachel Beck has other plans. After waking in a shallow grave, apparently strangled, and with no memory of her death, she begins trying to solve her attempted murder. What she finds is witchcraft and demons, hellbent on destroying her town. Demons and the undead typically mean one thing: the end is near. 

The Chilling Adventures of Sabrina by Robert Aguirre-Sacasa

Chilling Adventures of Sabrina Horror Comic Cover

This teenage witch may seem familiar, and so too do the names and faces, but the stakes are more than a bit higher, and the spells much darker. Sabrina Spellman’s coming-of-age story collides with catty witches, dead parents, and satanic rituals. Such is the life of any half-witch high schooler. 

Nocturnals by Dan Brereton

Nocturnals Supernatural horror comic cover

The Nocturnals is a great of example of an ensemble supernatural comic, written and illustrated by Dan Brereton and published by Dark Horse Comics. We start with Doc Horror, the patriarch of the patchwork Horror family, a gang of supernatural outcasts, with extraordinary abilities. Our protagonists fight against supernatural enemies as well as corrupt corporations in a fictional California city, Pacific City. Here, we love horror, we love the supernatural, and we love ensembles. Nocturnals does it all.

These are my personal Tales of the Crypt, ladies and gentleman. These are the best supernatural horror comics I have read yet. They’ve kept me up at night–reading and otherwise. I love to hear from you all, so please comment and tell us where we screwed up or uncover that hidden gem only you have discovered. Discourse is the foundation of democracy, and the difference between seventh and eighth is a big deal, okay?! If you like supernatural horror comics you will also love cosmic horror comics.

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Beyond Frankenstein—Mary Shelley’s Literary Successes

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Featured Horror Books Horror Mystery and Lore Women in Horror

The tragedy of Mary Wollstonecraft Shelley is that, despite having one of the most famous horror stories of all time, her other work is virtually unknown. Her other two novels, aside from Frankenstein, were actually strange and unique in their own way—keep reading to learn more about the roads Mary Shelley paved for the literary community.

Frankenstein, or The Modern Prometheus (1818)

Shelley’s first and most notorious novel was started when she was still a teenager, in 1816, at age 18. Female writers around the world, myself included, are grateful for her contribution to literature, even though she published initial additions anonymously when she was twenty in London in 1818. Her name didn’t actually appear on the publication until the second edition was published in Paris in 1821.

Frankenstein, or the Modern Prometheus

What is incredible about this book is not just that it was written by a teenager, or that it was written by a woman, but that it was written by a woman from the perspective of a young male scientist. This story arose from her travels through Europe in 1815 while she traveled along the Rhine in Germany. Eleven miles away from what is considered Frankenstein Castle, where two centuries before her visit a mad alchemist conducted various experiments. She continued her travels across Geneva, Switzerland—which was also used as a setting for much of the novel. Shelley and her traveling companions had incredibly controversial conversations that ranged from the occult to galvanism—this of course was around the time that Luigi Galvani was conducting his experiments with his frog galvanoscope.

The legend of how Shelley came up with her idea of this particular novel tells us that Shelley and her traveling companions, most all of them writers, decided to have a contest amongst themselves. They wanted to challenge each other and see, who among them could create the most engaging, terrifying, and outrageous horror story. Initially stumped by the prompt, Shelly thought upon the topic for days until she finally had a dream that would inspire her to write the story of a scientist who created life, only to be horrified by his own creation.

The story of Victor Frankenstein was rather controversial due to the idea of Galvani’s technology and what his experiments meant for the scientific community at the time. So, Shelley portrays Victor Frankenstein, a young scientist as a man pursuing knowledge that lies in the unorthodox, blasphemous fields of secrets yet-to-be-told. Life and death are uncertainties in this story, when Victor creates a sapient creature, one constructed from the pilfered parts of those who have died.

Galvani’s experiments gave the scientific community a lot of ideas about reanimation after death and also launched experimental medical treatments using electricity to cure diseases that were incurable at the time. If you’re interested in learning a bit more about the process that Luigi Galvani used to achieve this ground-breaking discovery about electrical impulses and the nerve system, there are a few YouTubers who decided to replicate the experiment. Enjoy!

The Last Man (1826)

Shelley’s novel The Last Man is an unusual topic for the time during which it arose; originally published in 1826, this book envisions a future Earth—set in the late twenty-first century—that is ravaged by plague and unknown pandemic. It harbors the eery scene of a planet in the throes of apocalypse, where society has degraded to a dystopian nightmare, amidst the ravages of an unchecked and unknowable plague that blankets the globe.

The Last Man

In order to write this particular novel, Shelley spent time sitting in meetings of the House of Commons in order to have a deeper understanding of the inner workings of a Romantic Era political system. As such, she created another first in literature—dystopian apocalyptic visions of the future within the writing community. Due to the insanely new concept of a dystopic world, her novel was suppressed by the literary community at large, as it was a wholly nightmarish idea at the time. It was almost considered prophecy and it wasn’t until the 1960s that the novel resurfaced to the public where it was clearly understood to be a work of fiction.

Mathilda (1959)

Mathilda is one of those books that, if it had been published during Shelley’s lifetime, it might have created another scandal for Mary Shelley—as such her second long work, despite having been written between August 1819 and February 1820, wasn’t published until 1959, well after Shelley’s death. While this isn’t a horror novel, it does provide some insight into the dark and depressed mind of Shelley following the death of two of her children. Their deaths in 1818 and 1819 respectively caused Mary Shelley to distance herself emotionally and sexually from her husband which was an incredible hardship on their marriage.

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The plot of this particular novel dealt with a common theme found in Romance Era novels—incest and suicide, this novel in particular was the narrative of a father’s incestuous love for his daughter. Now you may be thinking—that’s disgusting! And by today’s standards of familial relationships and romantic relationships, you would be correct.

Mathilda tells her story from her deathbed, having barely lived to her twenties, in order to tell the story of her darkest secrets that have led her to such a young demise. She confesses the truth of her isolated upbringing which leads to the ultimate begrudging truth of her emotional withdrawal and inevitable, secluded death. She never names her father, who confesses his incestuous love for her—his confession fuels his decision to commit suicide by drowning.

Index of Sources

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