What is the Necronomicon, you may ask? It’s an ancient tome that sprung from the nightmarish imagination of H.P. Lovecraft, which he encouraged his peers to use in their literature as well–subsequently, it has become a book that symbolizes evil in horror culture. It continues on now, as an icon of what can come from the supernatural and occult influences of, what could be, an unknown origin of our universe.
So now we get to enjoy a plethora of movies that all have something to do with the Necronomicon–to be clear, this isn’t an exhaustive list of where the Necronomicon appears within pop-culture, but these are some of the most memorable!
The Dunwich Horror (1970)
This movie never got rave reviews, but it did add to the pop-culture relevance to the history of the Necronomicon. Despite its blatant 1970s style, it has a sort of creepy charm to it. This particular mystery is taken from Lovecraft’s novel by the same name in which Wilbur Whateley, a seemingly harmless young man, coerces a female virgin from a California University to be the vessel for the spawn of the devil. It’s worth a watch, even if it’s just to learn more about what the Necronomicon can do when it’s in the hands of someone who wants to destroy the world.
The Evil Dead Franchise
Yeah, we know, the Evil Dead franchise constitutes four movies, a series, as well as a handful of crossover movies, comic books, and more–but we’re going to count it as one for the sake of this list. As far as the Necronomicon is concerned, it is pretty much contained in the four feature films, as well as the television series. This supernatural horror film franchise was the brainchild of Sam Raimi and revolves around the Necronomicon Ex-Mortis, which is referenced as an ancient Sumerian text that systematically targets and possesses its victims. Initially, a group of teenagers who are staying in a cabin overnight, in The Evil Dead (1981); the franchise devolves into a sort of comedic horror hybrid, which suits fans just fine.
The ninth chapter of the Friday the 13th franchise, where we get yet another dose of our favorite supernatural psycho, Jason Voorhees. We see Jason return from the dead in order to possesses the body of a medical coroner–so we realize that even after his death, we can never escape the fate of Camp Crystal Lake. This movie is one of several interesting crossovers that appears with Raimi’s Evil Dead Franchise–as the Necronomicon and the Kandarian dagger appear within the movie, very briefly. Here’s the thing though and Adam Marcus confirmed it later on–Jason Vorhees is now a deadite, after his mother made a deal with the devil to bring her son back.
This film is a collection of three terrifying Lovecraft stories brought together as an anthology. In the Cold revolves around a scientist who cannot tolerate warm temperatures. The Drowned tells the story of a man who inherits a dilapidated mansion from his uncle. Whispers concerns two police officers who have to deal with a particular resident of a horrifying subterranean community.
This particular movie never made it to the big screen; in fact, the low budget and actors made this a less refined, yet interesting take on Lovecraft’s original creations. We follow the story of a young man who inherits a book–the Necronomicon–from an estranged uncle, and against his better judgment begins to investigate the content of the book quite intently. After reading from the book, he begins to be haunted by disturbing dreams that are reminiscent of the Lovecraft universe, this leads him to become interested in the writings of the father of cosmic horror himself.
This anthology of horror features a myriad of inexplicable and terrifying stories; part spiraling insanity, part supernatural exploration, Enola Penny is obsessed with what is thought to be a long-abandoned theatre. Acting upon her impulsive curiosity, she sneaks in one night and what she finds in that dilapidated auditorium is a show she could have never expected. This show features six different stories and while it might not be a huge part of the story, there is one entitled “Mother of Toads” which is based loosely on a story by Clark Ashton Smith, a colleague of Lovecraft’s. Smith’s stories regularly featured the Necronomicon and this one was no exception.
Loosely based on the short story by Lovecraft, Color Out of Space is possibly the most successful movie to come out of the body of work of H.P. Lovecraft. This isn’t of course due to a flaw in his stories, so much as an inability to capture the cosmic horror sub-genre for which Lovecraft is responsible. This doesn’t follow the short story that Lovecraft wrote specifically, so it can’t be judged based on those merits, but it does capture the essence of Lovecraft’s cosmic horror. This movie focuses on a secluded farm that is struck by a strange meteorite, the consequences of which are quite disastrous for the family who lives there with the potential of it reaching the rest of the world.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Robert Bloch wrote literature that ranged from the psychologically terrifying to the downright “weird” horror; his inspiration stemmed both from watching his first scary film on his own as a child—and his subsequent nightmares—and his admiration for the stylistic horror of H.P. Lovecraft. His stories, however, are and always will be uniquely Robert Bloch, a genius in psychological horror with a splash of the supernatural. His deep interest in serial killers brought back anti-heroes like Norman Bates and Jack the Ripper.
“The Shambler From The Stars” (1935)
This particular short story first appeared in the September issue of Weird Tales, in 1935—later on, it was included as a part of his first published book, The Opener of the Way (1945). It was one of the many works that bore the influence of H.P. Lovecraft and can be considered part of the genre of cosmic horror. More than just another author following the footsteps of Lovecraft, Bloch still included elements of Lovecraftian influence, such as the inclusion of The Necronomicon, and The Book of Eibon. Deliciously self-indulgent, Bloch’s story is about a writer of weird fiction obsessed with learning all things occult when he looks to find the aforementioned esoteric tomes of forbidden knowledge. As we all know when it comes to Eldritch cosmic horror, this writer inevitably summons something disastrous.
“The Secret in the Tomb” (1935)
Another instance of cosmic horror in the early days of Bloch’s writing career, it has been compared directly to the stylistic literature of the father of cosmic horror himself—to the point that, if the author of this had been unknown, it would have been assumed to have been a product of Lovecraft. This dark, dank tale of eldritch horror and dread is lurking, just beyond sight, and awaiting the arrival of the last descendant of a long line of sorcerers.
“The Mannikin” (1937)
Another Weird Tales original, published in the April edition in 1937, we get a tale of a strange reclusive and a disfigured, hunchbacked man named Simon, whom the locals all despise. As a short story, of course, it doesn’t take long to find that this cosmic horror is based all around the diabolical hump on Simon’s back—just wait until you find out what the hump really is.
“The Sorcerer’s Jewel” (1939)
This is a story that Bloch originally published under the pen name Tarleton Fiske in Strange Stories Magazine, in 1939; in this story we see a similarity to “A Shambler in the Stars” when we follow a photographer who takes incredibly bizarre photos as his life’s passion. While he doesn’t believe in the occult, his assistant happens to be a devotee of a peculiar occult practice and everything changes when the photographer is brought an ancient jewel.
“Yours Truly, Jack The Ripper” (1943)
Over the years, Robert Bloch’s short story “Yours Truly, Jack The Ripper” has been adapted to various mediums following its publication—the story is about a man from Chicago who is approached by a gentleman from England who tells him that he’s looking for Jack the Ripper. This, of course, is strange on its own as the infamous serial killer should have died years before. The Englishman believes that Jack the Ripper has become immortal through occult means and that his serial murders are actually ritual sacrifices that restore his youth. The man from Chicago is enlisted to help to bring the Ripper to light.
“Satan’s Phonograph” (1946)
A slow burn for a short story, this haunting tale follows the narrator down memory lane as he tells the reader about the ingenious, but wildly mad piano teacher that helped him to reach Carnegie Hall—but when the pupil returns from his tours across Europe with his new wife in tow, he finds that his old teacher had been institutionalized—when his insane old teacher shows up in his house with a seemingly innocent phonograph and his wild theories, the narrator believes his teacher is simply delusional.
“Sweets To The Sweet” (1947)
Bloch spins the thread of a sinister six-year-old girl, following the narrative of the housekeeper as she speaks to her former boss’s brother, who happens to be a lawyer. The housekeeper encourages the lawyer to look into what she believes to be a brutally abusive situation between father and daughter. She tells the brother about all of the signs of alcoholism and beatings, while the child is accused of witchcraft. When the lawyer finally goes to investigate what is happening in his brother’s home, he finds out that the truth may be more disturbing than he expects.
“Floral Tribute” (1949)
An eerie tale of a young boy being raised by his grandmother brings her fresh flowers home every day—it’s not until the inhabitants of the local cemetery come to speak with the grandmother that she finds out that he has been taking them from the graves of the nearby graveyard, where he plays among the tombstones.
“The Shadow From The Steeple” (1950)
Yet another story based in the Lovecraft universe, Bloch starts the story off with the friend of a character Lovecraft had killed in his short story “The Haunter in the Dark” whom Lovecraft had modeled after Bloch himself. A convoluted and dark fictional tale based on Lovecraft and his circle of writers, we get to see the authors appearing as characters of their own making. As another story within the Cthulhu Mythos, we see how involved Bloch was still within the Lovefcraft style even at this point in his career.
“Head Man” (1950)
An interesting spin on Nazi Germany’s obsession with the occult and paranormal, a SS executioner puts everything on the line to keep possession of the heads of a man and woman who had been charged with witchcraft and executed as a result.
“The Hungry House” (1951)
A tale that will once again make you fear your own reflection in a mirror; “The Hungry House” takes place after a couple moves into their new home. As they try to get comfortable in their new house they begin to see spooky inexplicable reflections around the house and dismiss it as being an overactive imagination. It’s not until the husband finds the locked closet in the attic that they realize something is incredibly wrong with their house—in it are all of the mirrors that the previous owners had removed from the walls of the house.
“Notebook Found in an Abandoned House” (1951)
This story is told from a notebook found in an abandoned house, which was written by a twelve-year-old boy by the name of Willy Osborne who is trapped within the house by the sinister beasts, or “them ones,” that stalk him from within the woods and swamps that surround the house. “Them ones,” that Willy is scared might come and get him are monstrous, Lovecraftian elder creatures who used to be take sacrifices to be appeased.
“The Light-House” (1953)
This particular short story took special influence from a story that Edgar Allan Poe began before his death in 1849, but was never able to finish; in 1953 Bloch took this unfinished short story, finished it, polished it up, and then had it published. As such, it is considered a posthumous collaboration. It follows the pursuits of a nobleman who takes a job as a lighthouse keeper, so he may write in solitude. His loneliness gets the better of him in this weird and satisfyingly dark tale, when he tries to psychically summon a companion.
“House of the Hatchet” (1955)
A couple with a relationship on the rocks decides to take their a second honeymoon on the road—on their trip they end up stopping at a haunted tourist attraction, where the story goes that a husband had killed his wife with a hatchet in one of the rooms. When they decided to take a tour of this haunted house, the husband begins to feel a heavy dark presence in the room where the murder was said to have occurred…
“Terror In Cut Throat Cove” (1958)
Considered a horror adventure tale, “Terror In Cut Throat Cove” follows the tale of an American writer who is approached by a treasure-hunting duo; they end up recruiting him to help them locate this long-lost legendary ship that sunk with a massive fortune aboard because the writer has an undeniable fondness for the girlfriend of the treasure hunter. A crazy adventure ensues until they find the ship and one of the divers returns from the ship’s wreckage without his head.
“The Animal Fair” (1971)
This story of a drifter who ends up in the small town of Medley, Oklahoma while the carnival is in town—where he enters the a tent that houses a gorilla who happens to be the main attraction—not to mention seriously abused by his trainer. This horrifying weird tale ends in a shocking twist and is well worth the read.
HorrorBabble. “The Shambler from the Stars” by Robert Bloch. Youtube/”The Shambler from the Stars” by Robert Bloch, HorrorBabble, 12 Mar. 2018, youtu.be/0Q6xA0f9SNk.
HorrorBabble. “The Secret in the Tomb” by Robert Bloch. Youtube/”The Secret in the Tomb” by Robert Bloch, HorrorBabble, 20 Aug. 2018, youtu.be/vodqchPxgCoyoutu.be/vodqchPxgCo.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Bladenboro, a quiet rural community, was established in 1857. To this day, it remains tucked away in the swamps and pine forests of the southeastern edge of the North Carolina Piedmont (Scary Truth). The population of the area remains limited to this day. In 1954 the peaceful community of Bladenboro experienced two weeks of terror that would put it on the map forever.
Newspapers all over the southeastern United States covered the mysterious incidents. Gallehugh mentioned that even the United Press International and Associated Press carried the story. Those articles were unable to be located for confirmation. The creature that stalked the countryside for those two weeks was never able to be accurately identified.
The authorities never successfully identified the creature. As such, the Beast of Bladenboro would continue to be
As a result, the monster panic that gripped the community would be remembered as a “standing joke” for North Carolinians (Gallehugh 53).
The Elusive Vampire Cat of North Carolina
The story of the vampire cat of North Carolina is one that stretches back seventy years. Unlike many urban legends which are based primarily on stories passed around verbally from person to person, this legend has a basis in fact. Whether the antagonist of the story was truly a vampire cat is up to you to decide. We here at Puzzle Box Horror believe that anything is possible, especially given the evidence.
December 29, 1953
A woman local to Clarkton in Bladen County heard the neighbor’s dogs barking and whimpering in the evening. Her curiosity spurred her to investigate since she didn’t often hear the dogs at all. She would later recall that what she saw was a sleek, black catlike animal. She believed it to be about five feet long with a round face just before it disappeared into the darkness. The creature had only eaten a piece of the body, according to Police Chief Roy Fores (Gallehugh 53).
Reports from D.G. Pait stated that he saw a dog being attacked by a large creature and subsequently dragged into the woods, from his service station.
New reports of canine death flooded Chief Fores’ office from all across the county. These reports varied between sightings of bears or panthers, but the description was consistent—three feet long, twenty inches high, long tail, and a face like a cat.
December 31, 1953
Woody Storm, a local farmer, called Chief Fores out to his property. Storm had found two of his dogs dead, slaughtered by something large and powerful. Fores found a disturbing similarity between Storm’s dogs and the victim from the day before. Something had completely drained their blood.
January 1, 1954
Gray Callihan, a local farmer, found his dog slaughtered. Just like the previous victims, the carcass had no blood and a crushed skull (Gallehugh 54). Two more dogs turned up dead and drained of their blood. Fores called in a team of professional hunters from Wilmington, NC to track down the animal. (NCG)
January 2, 1954
“Several imaginative townspeople” brought around the theory that they were dealing with a vampire-like creature, due to the state in which they found the bodies of the slaughtered animals. Despite his skepticism, Police Chief Fores organized a small search party. Their efforts to locate the animal before dark were hindered by the dense swampy land they had to cover. The town became noticeably more anxious as the creature continued to go undiscovered. (Gallehugh 54)
January 3, 1954
Fores examined the carcass of another dog that had been killed at a service station on the outskirts of Bladenboro. He concluded that “all except a drop or two of blood had been sucked.” A witness found another dead dog within city limits later that day. This would cause fear and rumors to begin to run wild. Mayor G. W. Fussell took more direct control over the investigation and ordered Fores to form a larger search party. Nearly thirty armed men and seven dogs scoured the Big Bay and Red Hill Swamp areas to find the creature. (Gallehugh 54)
The search party returned by nightfall, unsuccessful in their venture to find any sign of the creature. The failure of yet another search only served to bolster the apprehension the residents of Bladenboro felt in their own homes. This newfound fear for the residents of the small town caused them to lock their doors, concerned that the next victim might not be “just a good dog,” fortunately there were no new sightings that night. (Gallehugh 54)
An increasing number of newspapers had taken up the story of the mysterious “Vampire Beast of Bladenboro,” and the news spread like wildfire. Professional hunters throughout the state eagerly flocked to eastern North Carolina for a chance to kill the notorious creature. Speculation on what the beast really began to grow, some stating that it was a black panther, or a large bobcat, while still, others claimed that it was just a rabid dog or a wolf. None of these theories accounted for the immense force the beast possessed, nor did they consider the vampiric tendency to lust for blood. (Gallehugh 54)
January 4, 1954
The next morning, a citizen reported “unusual tracks” at the edge of the swamp behind the mill section. That same morning, three illustrious hunters arrived from Wilmington, fifty miles away, to aid in the hunt. The hunters brought their professionally trained dogs and began their search where they found fresh tracks. Their hunt for the creature was fruitless, but they gained some helpful insight into its behavior. They deduced from the evidence of the creature’s tracks that it traveled in a circular pattern and stayed within an approximately three-mile radius. The three men believed that this might indicate the creature had a mate and therefore presumed that there was more than one creature making the killings. (Gallehugh 55)
As the day passed more hunters joined the fray to locate the creature—before the end of the night, there were between forty and fifty men seeking out the elusive beast. When darkness fell, they gave up the hunt for the day. They knew that if it were indeed a large cat that it would undoubtedly be capable of eluding them under the cloak of darkness. (Gallehugh 55)
January 5, 1954
Despite no new incidents overnight—no unusual sounds, tracks, or drained animal carcasses to speak of—the hunting party continued to grow (Gallehugh 55). Most notably, a man by the name of Sam Spivey came from Tabor City and brought along with him his bear dogs.
Escalation of the problem…
The attitude of the hunting party changes dramatically when “a dog within a hundred feet of the hunting party was attacked by the vampire beast.” It was reported to have been dragged screaming into the swamp nearby before anyone could arrive to help it, or a shot could be fired at the creature.
Another Body Found…
Eventually, they found the dog with its head crushed and drained of all of its blood. They got a break in their search, however, when they found tracks that revealed claws that were at least an inch long. This indicated to the hunters that the beast was approximately a hundred pounds. When the hunt ended that night, the town was abuzz with inquisitive tourists, newspaper reporters, and an inpouring of hunters hoping to be the ones to catch the dreaded community menace. (Gallehugh 55)
Cutting from News and Observer in Raleigh, NC from January 5, 1954
The Clemmons Incident…
Mill worker Lloyd Clemmons and his wife heard their two dogs growling that night and to them, it was highly unusual. Mr. Clemmons decided to investigate the commotion. Clemmons was on record saying, “I glanced out of the window and saw this thing … [the beast] had me plumb spellbound.”
Before Clemmons was able to load his shotgun the beast had already disappeared into the darkness, so he called the police to report his sighting and provide his description of the creature. In his words, it was “about three feet long and 20 inches high. It had a long tail, about 14 inches long. The color of it was dark … it had a face exactly like a cat … Only I ain’t never seen a cat that big.” (“Vampire on Loose” 1)
The story of the Beast of Bladenboro made front page news across several different news outlets across the state. One such report from the Raleigh News and Observer detailed an incredible close-call with the creature on the same day as the Clemmons sighting. Not too far from the Clemmons’ home, Mrs. C. E. Kinlaw heard two of her puppies whimpering outside of her house. The beast charged from the darkness the moment Kinlaw stepped out onto her porch to investigate.
Her screams prompted her husband to rush immediately to her aid, which gave the beast an opportunity to escape back into the night. When questioned by authorities as to what she saw near her dogs, she reported that there, “was what looked like a big mountain lion.” It had apparently raced from three houses down the dirt street on which she lived to just a few feet from her porch. When Chief Fores had a chance to investigate around the Kinlaw’s home he reportedly found tracks that were “bigger than a silver dollar.” (Gallehugh 56)
The Beast attacks a woman…
After this incident, an armed posse of around five to six hundred people and scores of dogs thoroughly searched the mill section that surrounded the Kinlaw home. They remained on the premises until daybreak and yet found no sign of the evasive beast. When hunters compared two sets of tracks found, they surmised two different animals created them. On that same night, D.G. Pait and Chief Fores were standing together in the mill section when they heard a dog yelping in pain. Fores believed the dog was being dragged into the thicket that enclosed the houses, but when Fores and Pait arrived to save the dog, there was no sign of either creature. That dog’s body was never found. (Gallehugh 56)
January 6, 1954
The continued search for the beast was hindered by the excessive amounts of armed hunters who were vying for the chance to claim the life of the beast for themselves. “By midafternoon, all hopes of killing the beast were given up,” but that didn’t keep the beast from attacking another pet. It was later found out that a pet rabbit had been killed, its head bitten off, and the blood sucked from its body. Even more disturbing, is e fact that the rabbit’s body was still warm and found in an area that had been covered by the search parties earlier in the day. (Gallehugh 56)
A new hope emerged to put an end to the monster panic. A group of volunteer hunters with their purported “cat dogs” (think bird dogs, but for hunting big cats). Their first tactic, the night previous had been a lure-and-chase strategy which unfortunately ended in failure (“News Shorts”). Traps were set and baited with dogs as a way to bring the beast out of hiding and lure it to its death. Police Chief Fores, Bladen County Sheriff John B. Allen, and the State Highway Patrol were tasked with crowd control. Despite the traps, people refused to move out of the area where they were set. The threat of the Beast of Bladenboro was superseded by the hundreds of nervous armed people milling around the outskirts of town. Chief Fores and Mayor Fussell decided to stop the hunt to avoid the possibility of someone getting accidentally shot. (Gallehugh 57)
January 11, 1954
Two cars full of witnesses watched, shocked, as the “Beast of Bladenboro” crossed a road at its leisure near Bladenboro. Each of the six witnesses gave Chief Fores an expectedly similar description to those of the past two weeks. One of the witnesses, by the name of Jeff Evers, described the beast as having a large head with “runty-looking” ears. The road it crossed was near the bridge at Big Swamp, an area approximately four miles away from Bladenboro and near to the area where the creature and its tracks had been spotted frequently. (“Runty-Looking Ears”)
January 13, 1954
Five days after the hunt had been called off, Luther Davis a local farmer brought in a 25-pound bobcat that he had trapped and killed around 8:30 that morning. The authorities believed that the bobcat fit all of the descriptions and tracks of the Beast of Bladenboro, but in retrospect, it seems as if they were trying to make it fit the descriptions so as to ease the townsfolk of their fears.
The only thing they could not manage to explain was how a wildcat so small could manage to take down dogs twice its size. Regardless, Mayor Fussel decided to report to the newspapers that the beast had been killed, as a means to quiet any remaining excitement over the creature.
Despite the claims that the bobcat was the infamous beast, townsfolk continued to report sightings of a large catlike creature in the Big Swamp section of Bladen County. The bobcat was nonetheless hung from a flagpole in the center of town by Fores and Fussell and displayed with a sign that read “This is the Beast of Bladenboro”. (Gallehugh 58)
As an added curiosity to the claims that the beast had been killed, Berry Lewis, a farmer local to the area reported that he had found a half-grown hog killed near Big Swamp to Chief Fores. When examined, Fores saw that the hog’s bones had been crushed and part of its flesh eaten. (Gallehugh 58)
By February the entire incident would become akin to satire. Bladen County assigned S. Ray Johnson as its newest Wildlife Protector. People began to doubt the copious amounts of evidence collected and the beast would remain an unverified story. (“S. Ray Johnson”)
May 5, 1954
The Tabor City Tribune ran a story by W. Horace Carter about a trip he took to Burgaw on April 29, in order to attend a Junior Chamber of Commerce meeting. Carter stopped in Bladenboro to pick up Lumberton Jaycees, Jim Phillips and E.J. Britt. The meeting ran much longer than they expected, so they didn’t leave Burgaw until approximately 10:30 PM. (Carter)
The three drove through Elizabethtown toward Bladenboro and around a quarter to twelve they witnessed “a huge cat-like animal” jump out of the woods into the road around 100 feet in front of the car. It disappeared almost as quickly as it appeared, but the three witnesses were positive that it wasn’t a bobcat, as they all saw it had a long tail, which “appeared to be about half the length of the cat itself”. The three witnesses described a creature remarkably similar to the vampire cat. Carter didn’t explicitly state that it was the Beast of Bladenboro. It was clear, however, that it was a frightening experience that he wished to not repeat. (Carter)
December 15, 1954
An alleged strike from the beast, had residents of Robeson concerned that the Beast of Bladenboro was back “on the prowl.” The attack happened “within shouting distance” of Robeson Memorial Hospital, where the beast killed five pigs and three chickens on a farm belonging to K. M. Biggs. The killings left behind no blood evidence. This indicated that there was a recurrence of the blood-sucking traits associated with the vampire cat. (“’Beast Of’”)
The Return of the Beast of Bladenboro
The shocking pattern returned with a vengeance in October 2007. More than fifty pets and livestock died in a strikingly similar way to the killings of 1954. The victims showed little sign of struggle, this indicated that they died instantly. Leading experts believe that the creature is an efficient predator. Those who examined the bodies postmortem would find that the victims not only had their blood drained, but their skulls crushed as well. (MonsterQuest)
The beast claimed a larger hunting ground and roamed an approximately two-hundred-mile range. This information shocked authorities, as it meant it had a larger range than any known predator of the region. Townspeople reported incidents in Bolivia, Bladenboro, Lexington, and Greensboro. A new name for the creature circulated—The Beast of Bolivia.
More Dogs found dead…
After the more recent attacks, new witness descriptions of the creature surfaced—with claims that it was dark brown, approximately 4.5 feet long, with the face of a cat, claws of a dog, and vampiric teeth. Due to the areas the creature has claimed as its hunting ground many assume that the predator dwells primarily in the swamps.
In Lexington, a local farmer found approximately sixty goats with their blood drained and heads crushed. Thirty miles away, in Greensboro, another farmer lost his goats in the same way. Residents of Bolivia became concerned that the vampire cat had returned after several dogs had turned up dead. One morning Bill Robinson, a resident of Bolivia, found his pitbull gutted in his yard. Robinson proceeded to bury his dog quite a distance from where he had found it laying dead. The next morning Robinson discovered his dog was back where it had been lying dead the day before. The beast allegedly unearthed and dragged the carcass back to the origin of the kill. Robinson’s dog was just one of ten that had been found slaughtered in the area, over a two-week period.
New tracks found…
Four days after Robinson found his dog dead in his backyard, another resident of Bolivia—Leon Williams—found his own pit bull dead, covered in blood, and missing a few body parts. There was no sign of a struggle which Williams found incredibly strange considering his dog’s breed. Around that time, Robinson found unidentifiable tracks in the surrounding area. Robinson measured the tracks and found that they were 4.5 inches in diameter. The town of Bolivia grew more apprehensive, due to the inexplicable dog deaths, and as a result, parents kept their children inside.
Scientists Remain Skeptical and Unimpressed
Over the decades this alleged vampire cat has had several eyewitnesses who have all come back with fairly similar descriptions. Skeptics theorize that it’s due to the Beast being a variety of Eastern Puma, since common descriptors include the beast being black in color, 3-4 feet in length, with an approximately 14-inch tail, and an estimated 20-inch shoulder height (Eberhart 37).
MonsterQuest aired an episode about the Beast of Bladenboro in 2008 due to a recurring pattern of animal deaths. In this episode, Tom Padget, a now-retired biologist from the North Carolina Wildlife Resources Commission appeared to lend his expertise. He spoke on the claims that he received yearly calls on the death of wildlife and pets, but his scientific background leads him to question the existence of a vampiric beast. Instead, he hypothesizes that the killings are simply other, known predators and that it happens more regularly than most people are aware of. (MonsterQuest)
For Padgett, it was clear that the physiological abilities of cougars would surpass that of the dogs and other animals in the area. Extreme habitat loss and logging at the turn of the last century had all but extirpated the cougar from North Carolina. Up to that time, there had been no documented evidence that cougars existed in North Carolina for the past century.
New Evidence Surfaces…
The evidence came one month after the initial investigation when Bill Robinson and Brian Gardner received an update from a photographer that happened upon a startling find. Less than half a mile from the homes of Robinson and Williams, the photographer captured a blurry image of a cougar. MonsterQuest did not bother to authenticate the photo in question, but they concluded that people were experiencing a resurgence of cougars reclaiming territory. This, of course, took into consideration the fact that the cougar had been extinct through the east coast of America—except the tip of Florida—for the past century. (MonsterQuest)
Immortalized into Folklore
To this day, the Beast of Bladenboro remains a genuine terror to central North Carolinian communities. The North Carolina Folklore Society added the story of the Beast of Bladenboro to its annals in 1976. Over the last seventy years, the residents of Central North Carolina have pieced together a recurring pattern they have imputed to being the alleged vampire cat.
Related Creatures
Check out this list of related creatures to learn more about Cryptids alive in legend and urban folklore:
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The tragedy of Mary Wollstonecraft Shelley is that, despite having one of the most famous horror stories of all time, her other work is virtually unknown. Her other two novels, aside from Frankenstein, were actually strange and unique in their own way—keep reading to learn more about the roads Mary Shelley paved for the literary community.
Frankenstein, or The Modern Prometheus (1818)
Shelley’s first and most notorious novel was started when she was still a teenager, in 1816, at age 18. Female writers around the world, myself included, are grateful for her contribution to literature, even though she published initial additions anonymously when she was twenty in London in 1818. Her name didn’t actually appear on the publication until the second edition was published in Paris in 1821.
What is incredible about this book is not just that it was written by a teenager, or that it was written by a woman, but that it was written by a woman from the perspective of a young male scientist. This story arose from her travels through Europe in 1815 while she traveled along the Rhine in Germany. Eleven miles away from what is considered Frankenstein Castle, where two centuries before her visit a mad alchemist conducted various experiments. She continued her travels across Geneva, Switzerland—which was also used as a setting for much of the novel. Shelley and her traveling companions had incredibly controversial conversations that ranged from the occult to galvanism—this of course was around the time that Luigi Galvani was conducting his experiments with his frog galvanoscope.
The legend of how Shelley came up with her idea of this particular novel tells us that Shelley and her traveling companions, most all of them writers, decided to have a contest amongst themselves. They wanted to challenge each other and see, who among them could create the most engaging, terrifying, and outrageous horror story. Initially stumped by the prompt, Shelly thought upon the topic for days until she finally had a dream that would inspire her to write the story of a scientist who created life, only to be horrified by his own creation.
The story of Victor Frankenstein was rather controversial due to the idea of Galvani’s technology and what his experiments meant for the scientific community at the time. So, Shelley portrays Victor Frankenstein, a young scientist as a man pursuing knowledge that lies in the unorthodox, blasphemous fields of secrets yet-to-be-told. Life and death are uncertainties in this story, when Victor creates a sapient creature, one constructed from the pilfered parts of those who have died.
Galvani’s experiments gave the scientific community a lot of ideas about reanimation after death and also launched experimental medical treatments using electricity to cure diseases that were incurable at the time. If you’re interested in learning a bit more about the process that Luigi Galvani used to achieve this ground-breaking discovery about electrical impulses and the nerve system, there are a few YouTubers who decided to replicate the experiment. Enjoy!
The Last Man (1826)
Shelley’s novel The Last Man is an unusual topic for the time during which it arose; originally published in 1826, this book envisions a future Earth—set in the late twenty-first century—that is ravaged by plague and unknown pandemic. It harbors the eery scene of a planet in the throes of apocalypse, where society has degraded to a dystopian nightmare, amidst the ravages of an unchecked and unknowable plague that blankets the globe.
In order to write this particular novel, Shelley spent time sitting in meetings of the House of Commons in order to have a deeper understanding of the inner workings of a Romantic Era political system. As such, she created another first in literature—dystopian apocalyptic visions of the future within the writing community. Due to the insanely new concept of a dystopic world, her novel was suppressed by the literary community at large, as it was a wholly nightmarish idea at the time. It was almost considered prophecy and it wasn’t until the 1960s that the novel resurfaced to the public where it was clearly understood to be a work of fiction.
Mathilda (1959)
Mathilda is one of those books that, if it had been published during Shelley’s lifetime, it might have created another scandal for Mary Shelley—as such her second long work, despite having been written between August 1819 and February 1820, wasn’t published until 1959, well after Shelley’s death. While this isn’t a horror novel, it does provide some insight into the dark and depressed mind of Shelley following the death of two of her children. Their deaths in 1818 and 1819 respectively caused Mary Shelley to distance herself emotionally and sexually from her husband which was an incredible hardship on their marriage.
The plot of this particular novel dealt with a common theme found in Romance Era novels—incest and suicide, this novel in particular was the narrative of a father’s incestuous love for his daughter. Now you may be thinking—that’s disgusting! And by today’s standards of familial relationships and romantic relationships, you would be correct.
Mathilda tells her story from her deathbed, having barely lived to her twenties, in order to tell the story of her darkest secrets that have led her to such a young demise. She confesses the truth of her isolated upbringing which leads to the ultimate begrudging truth of her emotional withdrawal and inevitable, secluded death. She never names her father, who confesses his incestuous love for her—his confession fuels his decision to commit suicide by drowning.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Women don’t get a lot of credit in any field that they may excel in, so why should the world of literature be any different? While, they get recognized by their peers, how many of you can name more than a handful of famous female horror authors off the top of your head? It’s unfortunate that most can’t, to say the least, but that’s something that we plan to remedy here today.
Photography by H.F.E. & Co.
While we are asserting that all of the writers listed here are horror writers, a lot of these amazing women have actually produced written work that is outside of the horror genre–or, even more astoundingly, their main genre of work may not even be horror.
Mary Shelley
(08/30/1797 – 02/01/1851)
Born Mary Wollstonecraft Godwin, Shelley is best known for her novel Frankenstein (1818) which is quite widely cited as the very first Science Fiction horror novel. Unfortunately, her career wasn’t quite as prolific as some modern writers, but her work seems to have been more about quality, rather than quantity. Unsurprisingly she wasn’t the first writer within the horror genre, but she was the first female horror writer and she did invent two completely different subgenres of horror. I do find it rather nice though, that all of her works are within the public domain and can be enjoyed by anyone who wishes to read her Gothic-styled genius.
Check out our coverage of Mary Shelley in her Dead Author Dedication we did earlier this year.
Daphne Du Maurier has generally been classed as a romantic novelist, but the stories she produced in her lifetime have been described as “moody and resonant,” and most if not all of them have paranormal and supernatural overtones. Critics never gave her a fair shot when her bestselling works were first published, but her exceptional talent with her voice in narrative changed their minds and earned her a persistently unparalleled reputation.
A few of her novels have been adapted into films—quite successfully in fact, including Rebecca (1938), adapted by Alfred Hitchcock to film in 1940—which starts off as such an innocent romance, but quickly turns into a story with such a haunting atmosphere, you can’t be sure if it’s a ghost story, or one of subterfuge. Don’t even get us started on his adaptation of her novel The Birds (1952) which was released in 1963!
Some Books to Read by Du Maurier
Jamaica Inn (1936)
Rebecca (1938)
My Cousin Rachel (1951)
The Birds (1952)
Not After Midnight and Other Stories (1971)
Unfortunately, we haven’t covered the life and times of Daphne Du Maurier as of yet, but believe us when we say that her style of writing is phenomenal–actually, don’t believe us, read some of them and decide for yourself! Since we’ve been trying to cover a single dead author per month, in memoriam during the month in which they passed, we won’t be visiting the life and achievements of Daphene Du Maurier in full until April of 2021.
Shirley Jackson
(12/14/1916 – 08/08/1965)
Shirley Jackson is one of those writers that the weird, dark, and haunted can thoroughly relate to–personally, I believe that she is the one writer I can relate to the most. Not because she was insanely talented–I’m not self-centered enough to believe I rank on her level–it’s because she never made an attempt to pretend that she was in any way normal and I mean that in complete admiration.
If you’re interested in learning more about Shirley Jackson, take a look at the articles we did to honor her for August’s Dead Author Dedication:
Lois Duncan made a name for herself by writing for young adults–those transitioning from childhood to adulthood, who needed a voice to relate to that would help them understand what it was like to have to evolve into a responsible human being, even under the worst of circumstances. As a horror writer for the young and the young-at-heart, Duncan left a legacy, not only for her readers, but for those who were inspired to follow in her footsteps.
She paved the way for writers and creatives to finally be able to appeal to the younger audiences who, otherwise would only have had adult horror to turn to–because, let’s be honest, those among us who love horror now have loved horror for a long time and if it hadn’t been for Duncan’s books we might not have had age-appropriate content for our nerdy dark brains to dive into.
You can learn more about Lois Duncan through our exploration of her life, literary achievements, and legacy–Puzzle Box Horror style, in our Dead Author Dedication in July 2020.
She is a best-selling American author and having sold nearly 100 million copies of her books, is one of the most widely read authors in modern history. World-renowned, among her works the most well-known are the Vampire Chronicles, where she demonstrates her ability to convey love, death, immortality, existentialism, as well as the human condition under the umbrella of the gothic horror genre. One thing is certain, aside from Mary Shelley, Rice is possibly the most popular female author on this list!
Octavia E. Butler
(06/22/1947 – 02/24/2006)
Butler started her writing career in her twenties after studying at several universities and she blended elements of science fiction and African American spiritualism in her novels. Her first book, Patternmaster (1976) which would kick start her first series of books. It wouldn’t be her last series, however, as she continued to write and publish books up until her death in February of 2006. Although Butler was better known to be an author of science fiction, she often incorporated elements of our favorite genre, horror. Her most horror-inspired novel was published just a year before her death and told the story of a girl who discovers she’s a vampire. Often hailed as a genius, Butler worked to address racism from her vantage point as a writer and exposed the horrors of oppression in American history. When talking about one of her most popular books, she explained that, “[she] wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.”
Join us in February of 2021, for when we honor Butler’s contribution to horror.
Kathe Koja
(01/06/1960 – Present)
As a writer, director, and independent producer, Kathe Koja is a multiple platform powerhouse of a woman—her talent allows her to work within several different genres, from Young Adult, to contemporary, to historical, as well as horror fiction genres. Several of her novels have won awards and have also been translated into multiple different languages and her work has also been optioned for film and performance pieces.
Caitlín R. Kiernan
(05/26/1964 – Present)
As an Irish-born American, Caitlín R. Kiernan is a published paleontologist and author of both science fiction and dark/horror fantasy. An accomplished author in her own right, Kiernan has published ten novels, a series of comic books, and over two hundred fifty short stories, novellas, and vignettes—for all of her hard work she has received both the World Fantasy and Bram Stoker awards twice!
Tananarive Due
(01/05/1966 – Present)
Tananarive is an all-around wonder when it comes to the horror community, not only is she an award-winning author, she also teaches about Black Horror and Afrofuturism at the University of California Los Angeles. But wait, there’s more—as a prominent figure in black speculative fiction over the last twenty years, she and her husband collaborated to write “A Small Town” for the second season of the reboot of The Twilight Zone. This is by no means a complete biography for Due but we hope it’s enough to interest you in her incredible literature and work for equality as she helps to educate in the exclusionary history of not just American history, but horror history.
To get better acquainted with Tananarive Due, check out her official website and the upcoming article we have dedicated to her work in horror.
For a more in-depth look at the history of horror and the role that black people have historically played within the genre, keep an eye out for Shudder’s Horror Noire: A History of Black Horror. Tananarive Due is listed as an executive producer for this highly anticipated documentary and it’s coming out in February 2021, just in time for Black History month!
Gemma Files
(04/04/1968 – Present)
London-born, Gemma Files is a Canadian horror writer, journalist, and film critic—but she had quite a meager start as a freelance writer until she landed a continuing gig with an entertainment periodical called Eye Weekly. It was this position that led to her gaining local traction, as she began critiquing horror, independent, and Canadian films. In 1999 Gemma won the International Horror Guild Award for Best Short Story, with The Emperor’s Old Bones. Since then, five of her short stories have been adapted to television for The Hunger series. She’s been nominated for countless awards, including the Shirley Jackson Award in 2009 and 2010 for a short story and novelette respectively.
Jemiah Jefferson
(01/01/1972 – Present)
Another elegant African American horror author, Jemiah Jefferson toes the line between horror and erotica through her gift to horror-loving women everywhere—her Voice of the Blood series about the famous creatures of the night has been called “smart, beautiful, sexy, and vicious.” (I’m not going to lie, I may have purchased all four of them the very same day I discovered her.) Jemiah has a lot more to offer in the way of novels and short stories, however, and we’re exceptionally excited to share her with you all.
Helen Olajumoke Oyeyemi
(12/10/1984 – Present)
Oyeyemi and her writing are equally unique, her writing transcends any genre that attempts to confine or define her, so the best way we can describe her work is a blend of horror, fantasy, fairy tales, and folklore. While not a dedicated horror writer, her work is often unsettling (just the way we like it), frightening, and she often explores the paranormal, bizarre, and supernatural elements of fiction. When she was a young woman, just twenty years of age, she published her first novel The Icarus Girl (2005), which mixed the paranormal with Gothic horror themes and Nigerian folklore. In 2009, her novel White is For Witching, was published and is considered one of the great modern cosmic horror novels—we personally loved it!
Kat Howard
(09/14/19** – Present)
As a modern-day writer in a genre dominated by a more masculine influence, Kat Howard is a refreshing change of pace–since the best writing is when you are allowed to immerse yourself in the story and are otherwise unaware of the writer’s gender, skin color, sexuality, or how they otherwise identify themselves.
We were lucky enough to be able to speak to Kat Howard recently—so, check out the interview that we did with Kat Howard, where she speaks about her novel The End of the Sentence (2014), horror, and what it’s like to be a writer. You can check out that interview here if you’d like to know more!
We reserve the right to update this list in the future to further represent female writers of the horror genre that we may currently be unfamiliar with–an exclusion of an amazing female horror author here only means that we have yet to be introduced to her work! Let us know if you believe someone should be included here!
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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