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Featured Indie Horror Creation Indie horror film makers Scary Movies and Series

4 Cool Things You Never Knew About Sam Raimi’s Movie “The Evil Dead”

The original movie “The Evil Dead” was praised as one of the best horror films by the great Stephen King.  Like many filmmakers in the early days of horror cinema, bringing “The Evil Dead” to the big screen was a bootstrap effort by a group of creative friends with big dreams (and non-existent production budget).

If you have watched “The Evil Dead” a hundred times (and still love it like we do) you will love some of the behind the scenes little known facts about how the film was created.  While today, large production companies at Netflix  and Hulu are buying up quality horror screenplays for original series or content, horror filmmakers had a tough grind in the 1970’s and early 1980’s to break into mainstream.

Here are four really cool things that horror movie fans may not know about “The Evil Dead” and how Sam Raimi made the film his launching pad to fame and fortune (with his high school buddies).

1.  The Film Was Based on a Short Film Called “Within the Woods”

In 1978, Sam Raimi released a short film that was based on an earlier piece he had written called “Clockwork”.   That piece was his original indie horror film and was only 7-minutes long, and the plot featured a violent home invasion. 

During the 1970’s, horror movies were an obscure niche that most movie production companies would not touch.  There was no real fanbase for horror or proof that a movie with a gory script would fill theater seats and be profitable.

Sam Raimi wanted to write and produce horror. But he had to show movie executives that it was a viable art form. When he produced “Within the Woods” he called on two of his friends, Bruce Campbell and Ellen Sandweiss, and the 7-minute movie was shot on a budget of $1,600 (U.S.).  Sam Raimi and Bruce Campbell were best friends, attending high-school together in Michigan.

To get his proof of concept in front of moviegoers, Sam Raimi begged a local friend (who owned a movie theater) to show “Within the Woods” as a double feature with “The Rocky Horror Picture Show”.  It screened well with audiences and drew the attention of investors. This allowed Raimi to fund his first full-length horror feature, “The Evil Dead”.  The movie “Within the Woods” was bait for seed money; and it worked.  Michigan doctors and dentists were some of their biggest investors.

Fans of “The Evil Dead” series will notice the original homage to the haunted woods in this early movie.  Something Sam Raimi drew inspiration from when he wrote: “The Evil Dead” and the demonic influence inside the dark Tennessee forest surrounding the infamous isolated cabin.  Hardcore fans will also recognize many of Raimi’s signature film editing tricks shown for the first time in “Within the Woods” and his soundtrack techniques to build suspense and terror.

2.  The Cabin in Tennessee Was Actually Cursed?

The first full-feature movie “The Evil Dead” was filmed at an abandoned cabin in Tennessee, which actually did not have a dark history until Sam Raimi and Bruce Campbell did some storytelling, to support the promotion of the original movie.

Recognizing that horror fans liked a scary story based in real lore, Raimi and Campbell created a ghost story about a man named Emmett Talbot and his family.  And a haunted and traumatized sole survivor of a massacre in the cabin named ‘Clara’ Talbot, who would return on stormy nights, wandering in a senile state.  Raimi and Campbell also wrote that they could feel eyes on them the whole time they were filming on location.  The things you will say to sell tickets; Campbell confirmed decades later that the story was promotional lore.

Today, the only parts that remain of the cabin where the original movie was filmed, is the stone fireplace and some of the chimney.  After filming was done, Sam Raimi is said to have burned the cabin down, claiming that it was actually haunted.  Perhaps the incantations used during the movie were legit (Raimi is a production purist) and he was afraid of what might actually have been released into the cabin, and the surrounding areas.  The official ‘story’ is that the cabin was accidentally burned down by trespassers who were having a party at the location.  We will never know.

The cast and crew of “The Evil Dead” have stated that they buried a time capsule in or near the fireplace of the old cabin, high in the Appalachian mountains.  It is now private property, but thousands of horror fans apparently flock to the site in Morristown Tennessee annually.  

Photo: Jess Bradshaw (Atlas Obscura)

3. The Film Ran Out of Funds and Bruce Campbell Saved the Day

In spite of every attempt to keep special effects organic (or homemade) in the movie, (oatmeal, guts made from marshmallow strings, and real Madagascar cockroaches from Michigan State University), funds ran out during production.

Bruce Campbell earned himself an Executive Producer title on the film, after he placed a large parcel of his family’s private land as collateral to borrow money to finish the project.  The high school friends dreamed for years of making the film and becoming pioneers in a new emerging genre.

Sam Raimi reflected decades later that the hardest part of filming “The Evil Dead” was not set design, props, the fake-blood covered sticky floor (and equipment)  or managing the actors and script.  It was having to pause production and raise money several times to be able to finish the movie.  

The stop-and-go flow of production created another problem.  The movie originally began with a cast and crew of twenty (20) people, but the working conditions at the cabin and the authentic  stunts actually got a few people injured.  The original actors started leaving the movie and refused to show up on the set. 

Thankfully, the heavily caked movie makeup required for the Deadites (possessed character) at the end helped complete the production. Both Campbell and Raimi asked friends to stand in for actors for the final scenes to wrap the movie.  These stand-in friends and family are credited on the film as ‘Fake Shemps’ (a Three Stooges reference).

4. There Was Almost a Crossover With “Friday the 13th” and Jason Voorhees  

Fans of the “Friday the 13th” movies may remember that at the end of ‘Jason Goes to Hell’ there is a scene where the Necronomicon is prominently featured. Did the book look familiar? The prop was developed to be an exact replica of the infamous book in “The Evil Dead”.

Personally, we think that crossover would have been cool.  It would have opened the idea that all instances of demonic influence and supernatural emanated from the legendary ‘Book of the Dead’.  Unfortunately, when the two creative teams came together there was a dispute, where they could not decide if Jason Voorhees would kill Ash at the end of the movie. 

Since they could not reconcile the dispute, the partnership dissolved, and we’ll never be able to see Ash take a bite out of Jason with a chainsaw.  Was Jason really a Deadite?  We will never know.

Photo: Renaissance Pictures 

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Indie horror writers

4 Pro Tips for Writing Psychological Traumatic Horror

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There are horror movies that you can’t wait to see. Literally, you are counting down the months and days until you can get into one of those fat leather recliners in the theater, bury yourself with an insanely sized soft drink and a bucket o’ popcorn the side of your head.  Ahhh… finally, you’re going to watch something scary AF with an 8/10 probability of you sleeping with the closet light on, tonight right?

And then it happens.  Boring happens.  More often than not, contemporary horror movies fail to resonate with true terror for the most devoted horror movie fans.  Have we become desensitized over years of screaming “RUN!” and “NO NOT THAT WAY!” at the big screen or our televisions?  Or has there been a massive movement to ‘water down’ scary novels when they are converted to screenplays, to appeal to a boarder commercial audience?

We get it.  If a movie is ‘too scary’ (personally we don’t believe there is such a thing), then a portion of the population will never see the movie.  Will never buy the oversized soda’s and overpriced popcorn and cheesy pretzels the theater. And since the average movie can cost between $20 million to more than $100 million dollars to produce, you bet the studio shareholders want something marketable.

But where does that leave true horror fans? Waiting for the very rare (but jaw droppingly terrifying) psychological horror scripts.  These movies are up to the standard for horror fans, because they leave you feel frankly traumatized after you have watched them.  And there is not beating the adrenaline rush that psychological horror films deliver.

We pay to be scared. We want to be scared.  And if you are an aspiring horror screenplay, short story or novel writer, you want to make sure you hit those valuable psychological triggers, to make your story memorable (and affectionately traumatizing) for your fans.

Write your horror to horrify the audience, with these 7 essential themes, visual tricks and audience mind games to deliver a truly frightening piece of horror.

1. Create a Safe and Loving Environment for the Characters (Then Violate It)

Have you ever noticed how some of the most classic horror movies and screenplays, do a lot of work to develop a sense of love, safety and sentimental memories?  Whether it is a family cabin, with personal history and childhood pictures everywhere, with quaint homemade touches, or a contemporary smart home with virtually every security feature possible.   When you set the stage for safety and security, you are preparing to shatter that sense of safety, with terrifying effect.

To empathize with the characters, horror writers must help the audience relate.  From the smell of “mom food” cooking in the kitchen, to the friendly family dog (sigh… why does the dog always get it in a horror movie?), you are sharing that sense we all feel in our own home. It’s our territory.  We know every square inch of our homes, and there is something sacred about your house.   Which is violated the moment a really horrible monster, serial killer, alien, or scarier yet, a malicious human comes through the doors of your personal security, to do harm to family.

Oh look… they are riding in a family car and singing along like we do.  And then, bad things happen.

2. Leverage Fear of the Unknown

In a truly psychologically terrifying movie, everything should make sense along the plot line, until things start to happen that make no sense.  The more sophisticated kind of horror plots will take the audience along a predictable story path, where they THINK they can predict the ending, and then throw a monkey wrench into the story where literally, shit hits the fan and nothing is okay anymore.

Lulling your audience into a sense of comfort with a predictable introductory storyline, is one of the best ways to shock and horrify them. Some of the most effective horror films of our time, did not actually show us the villain.  Monsters or demonic forces moving around the characters, force the audience to imagine what is lurking beyond.  And when horror writers master the fear of the unknown in a novel or screenplay, the confirmation that the threat is worse than the audience imagined, makes for truly cinematic trauma.

Not actually knowing what is coming to get the characters is scarier than any special effect monster or visual.

3. Can You Make Your Audience Hold Their Breathe? Weaponizing Suspense in Horror

Nobody likes suspense.  It makes us squirm.  We want to know what is going to happen next, and when horror writers spin scene development to gradually increase the crescendo from audience concern, to perceived threat, to confirmation of the threat in a slow agonizing way? That’s how writers can create the adrenaline rush that horror fans love.

When the audience has affiliated or created a favorably impression about the protagonists, or lead characters in the movie, they feel some affection toward them.  That’s masterful character development in any paranormal or horror story.   The audience becomes invested in the character(s) and doesn’t want to see anything bad happen to them. Even though innately, they know some really bad shit is coming for the would-be heroes.

The longer you draw out the aura of suspense in a horror scene, the more time the audience has to worry about the safety of the character.  To imagine the terrible thing that might happen to them next, and to formulate a guess about the ‘last character standing’.  Will that character survive? Will there be any survivors?  Suspense draws out that anxiety, raises the pulse of the audience, and ends up confirming their worst fears for the character.   And the audience experiences the terror of the character in the first-person, imagining what they would do in a similar situation.

Some of the movies that are premiering in Fall 2020 hold a lot of promise to return to the kind of psychological horror that fans love.  Like “Halloween Kills” which is rumored to be the last in the Michael Myers and Laurie Strode saga.  Or the much anticipated “Antlers” lore about the Wendigo.  

Do you feel like horror movies today are less scary than they used to be? We love hearing from our members. Leave us a comment and tell us which horror movie or novel remains the most psychologically traumatizing fiction you’ve ever experienced.

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Indie Horror Creation Indie horror writers

5 Reasons Why Horror Writers Should Guest Blog

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As a horror writer, you have been self-publishing short fiction, or novels in an effort to get the attention of publishers.  Creative writers can dream of that moment when they are discovered. Much like a garage band that is signed up by a big agent for a record deal.  Then suddenly, you are catapulted into fame and insanely large residuals for your horror novels, or screenplays.

That does not even happen for garage bands anymore. Unless they appear on American Idol.  And even then, they are supported by a massive marketing machine to help the artist create a marketable brand.  In publishing, where there are no guarantees about the profitability of a horror novel, there is no golden ticket or free ride to overnight success.

Get Down With Your Marketing to Attract Paranormal and Horror Publishers

Today, publishers only sign writers who have created that marketable brand themselves.  You do not need a million-dollar budget to build a fan base, but it is a business investment and a time-consuming project.  In fact, many writers can build their base for 5-10 years, feeding their fans with self-published works before a publisher will even look at providing a contract for the writer.

Horror and paranormal novelists and screenplay writers have to build their fan base first.  They have to be their own high-powered marketing machine to demonstrate that their creative work is marketable. So basically, when you build that audience to the point where you are starting to make a little money on the side from sales of your books, or advertising on your blog or podcast, that’s when you’ll be ready to pitch publishers.

And start collecting those rejection letters.  Do not worry, Stephen King had more than thirty rejection letters for his novel “Carrie”.  He had a nail in his office that he kept adding his rejection letters to, skewering his failures, and trudging on.  When the nail could not support the letters anymore, he drove a spike into the wall, and continued collecting the rejection letters from publishers.   The point is, get ready for rejection, and remember that it is part of the process, as it has been for every famous horror writer you know.

Breaking into the business today takes organic crowdsourcing and a consistent effort to build your authorship.   So, what kind of digital marking DIY activities are actually worth spending your time and money on?

Start With Your Author Website

Believe it or not, people still read books. And when they have enjoyed an indie self-published horror novel, or collection of short horror fiction, they want to learn more about the author.  This is where a lot of writers do not take the time or effort to establish their brand persona and make it easier for readers to become fans.

Before you max out your credit card and build a complex website, understand that it is not about how ‘fancy’ your website is (or expensive).  What really matters is that the core fundamentals for branding are on your author website. 

That includes:

  • Previews or excerpts from your book(s)
  • Links to self published books or collections for sale.
  • An author bio page (bonus points for a video welcome message from you, talking about your books, character development techniques, and why you love being a horror writer.
  • A newsletter sign-up (and you actually have to send email updates to your fans monthly to keep them interested and subscribed).
  • Social media accounts, sharing your insights, your process for character and plot development.
  • A podcast (if you hate the idea of being on live videos and in front of the camera).  Some authors build a large following by reading excerpts from their books and/or providing low-cost audio downloads of their books.

We know what you are thinking; “wow, that’s a lot of work”.  The good news is that if you have never set up your own website or had some experience with digital marketing (blogging, social media management, etc.) there are low-cost courses you can take on Udemy.  They start at $12 per course in digital marketing, and you can learn how to create and promote your own author brand.

How Often Should I Blog?

Many writers ironically struggle to publish blog content on their own author websites. That makes no sense to anyone else but a writer.  It is easy to create fiction, and not so easy to market yourself, or talk about your accomplishments and self-published works (let alone promote them).  But you really do need to be your own talent agent to grow that coveted audience that publishers insist on before they start writing checks for your work.

Search engine optimization or SEO is really important on your author website.  The more content you add to your website, the better.  But Google and other search engines prefer high-quality content, that is longer than 1,000 words and optimized with keywords that relate to your audience.

A great software tool to use for beginners, is Yoast Premium.  The plug-in is available for WordPress websites and will give you tips on choosing the right keywords and search terms, to help your blog articles attract readers (and website traffic). 

Aim to add at least (4) new articles per month, or about one article per week.  Yep, it is work, but hey, you are a writer! It should be a walk in the park for you to talk about the things you love writing about, ideas for new characters, and share with your readers.  

Writing Articles for Other Websites? How Does That Help My Audience Grow?

If you are already thinking that writing for your own blog may be a lot of work, this next proven suggestion is going to blow your mind.  Not only do you need to write for your own website regularly, but you should be seeking opportunities to publish work on other websites too.  For free.

Guest blogging is a strategy that actually helps the contributing author.  True, your amazing horror short-fiction piece or journalistic article about lore, horror movies or book reviews or other entertainment content is going to be published on another website.  That makes them look good, to have more content!   But did you know it is also a really valuable self-branding exercise?

Here are five reasons you should consider being a guest contributor on a horror or paranormal blog:

1. It does get your name out there.  When you are choosing which blogs to contribute to, make sure you are selecting high-traffic websites.  If the blog you are submitting to is a ghost town, it is not really going to benefit you that much.  The primary advantage for guest-blogging authors, is that you get exposure to a larger potential audience of fans. 

2. You get a backlink.  This may be something you have to ask for, as a new guest-blogger and horror/paranormal author, a backlink.  The more related websites you have linking into your own personal author website, the more traffic you can expect to receive.   Usually publishers will allow you to hyperlink one work or phrase within the guest article, that clicks back to your own website.  Backlink established, and a potential open door to anyone who wants to learn more about you, after they have read your guest blog post.

3. You get a valuable callout on social media. When you contribute to another blog as a guest author, ask if the collaboration will involve sharing your article on the media outlet’s social media channels.  When you are picking the best guest writer opportunities, also take a look at how many followers the publication has on popular channels like Facebook, Instagram, or Twitter.  If they have a huge fanbase on social, that is a big opportunity to expose your creative writing to an even larger audience of fans.

4. It works the writer muscle and discipline.  Hands up if you have 2-4 different novels saved and archived, at different stages of development.  It is not really procrastination.  Writing is a superpower and you have to be inspired and motivated to continue the story line.  It is really about how you feel as a creative.  Sometimes, you can write two chapters in a day, other times, you are staring at the page for three hours.  

Being a regular blog contributor is like working out your hands, your brain, and your creativity on a weekly basis.  And that can help you make progress on your own creative work, by fostering regular writing habits.

5. Guest blogging is a great way to network within the genre.  You want to make sure you are collaborating with websites that gather horror and paranormal fans, since that is the genre you want to break into as a novel, short fiction, or screenplay writer.  You never know who knows someone who is looking for new authors (including connections to publishers, and big horror content buyers like Netflix, Hulu, or Amazon Prime for original series storylines).  The more you guest blog, the more you network, and that can lead to big things for horror writers.

There are some courses and master classes out there that can teach you some of the advanced techniques of building an author brand.  For most writers, those courses (while valuable learning) are pretty expensive.  You can actively build your own audience with a great website, and by writing content that people love to read, to crowdsource the fan base you will need, to successfully pitch major publishers and horror content buyers.

To learn more about collaborating with Puzzle Box Horror, and how to pitch our editorial team about a lore, horror, or paranormal non-fiction article, send us an email.  Puzzle Box Horror is a rapidly growing online community of creative writers, indie horror filmmakers and artists, and we accept guest blog content to showcase the talent of our community.

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Indie Horror Creation Indie horror writers

7 Steps to Building Your Author Name and Brand (On a Really Small Budget)

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many times have you heard a writer say that they are completing a novel and plan to start submitting it to commercial publishers? It an overnight success story that is kind of similar to the garage band that has a music label scout discover them, and whisk them away in a limo to sign a million-dollar contract?

It used to happen that way. But not anymore.

As we discussed in our introductory advice article for horror writers, publishers want to eliminate as much risk as possible, when they take on a new author and book launch. Until your work has been tested at the retail level, there is no way to measure how successful it may be. Will it be a profit or loss situation for the publisher?

Publishers expect writers to build their own fan base first, before launching a commercially published book. This was work that was done previously by publishers who had public relations and vast marketing budgets to create a buzz and stimulate sales for any new book.

Today, the best indicator that an author will sell a large number of books commercially, is determined by the size of the authors fanbase. Email subscribers, website traffic, social media followers and other measurable audience metrics will help you pitch your book to a publisher. The problem is that you have to spend a few years building up that fan base before a publisher will even read your excerpts.

We have taken some of the mystery out of pre-marketing and brand building for horror and paranormal writers. Here are 7 ways you can help build momentum and fan demand, while you are completing your first novel. And since no writers we know have a $50,000 launch budget, we have provided some cost saving resources and hacks to save you time and money.

1.Define Your Author Persona

It is time to get existential and ask the deep dark questions only answered on a cheap leather couch in a psychologist’s office: “who are you?”   Every writer has the opportunity to use their own name or develop a pen name. When it comes to your persona, will you mirror your exact personality and lifestyle, or will you work on something with extra creative license?

When it comes to marketing and sales, a little intrigue goes a long way. Does that mean that every writer persona is made up, and not authentic? In our experience most writers incorporate a little bit of themselves into their public brand and persona, while keeping certain things private for personal and safety reasons.

Let us say you do become a New York Time’s Best Seller. Would you want the world to know your address? The names of your children, where your parents live or the kind of car you drive? Safety is usually the reason why some authors choose a pen name, and a persona that protects their identity, without misrepresenting who they are.

Because one of the coolest things an author can do, is reveal their pen name(s) after they have become an international bestselling writer. You want that option later without being accused of lying. It is a fine line you want to be aware of because fans will fact check.

2. Create a Business Logo

Have you ever looked at the logos created by and for conventional writers? It is usually the writer’s name and a small embellishment. Something dignified and understated that can look more like a signature on a check than an actual graphical logo.

In the horror genre however, writers use their logos as a powerful branding tool. We are allowed to be even more creative by celebrating the macabre with artwork in our logo. A skull? Cthulhu? A knife dripping with blood? In the horror genre, everything is fair game, particularly if it helps build audience and brand recognition.

If you do not have Photoshop chops, you can work with a graphic designer. There are a shockingly large number of designers who specialize in logo and branding materials for horror authors too. Choose a design that feels like you, and one that has an impact. This may involve driving your friends crazy and showing them a variety of different logos.

3. Build a Website

Take a deep breath… we are not suggesting that you drop several thousand dollars and have a marketing agency design an HTML or WordPress website for you. If you plan to sell e-commerce products on your website (you’re welcome; it is a great idea!) then a WordPress site is your best bet, and you will need to make an investment for secure payments, etc.

But if an e-commerce marketplace or store on your website is not part of your monetization plan, then you can choose from a variety of insanely affordable DIY website design providers. For a small monthly or annual fee, you get access to easy-to-design templates, and some even come with free photo stock images you can use.

Here are some of the most affordable and beginner friendly website hosting and design providers:

You do not have to have training in website design to be able to slap together a really great looking site on your own. Make sure that you only use copyright free images on your website. Photography that is licensed to use for a business website can be found for free at Pixabay, or through other paid photo stock services like Adobe Stock.

The design of your website as a horror writer, is probably going to be in theme and a little ‘on the dark side’ of the spectrum (which is exactly what fans want to see). In terms of the content you should have on your website, the standard pages and functional elements are:

  • Biography
  • Portfolio of Published Work
  • Blog
  • Contact Me
  • Social Media Icons (Follow Me)

One of the criteria that publishers look at, is how many followers a writer has on social media, but also on their subscriber list. Getting your fans to subscribe to your email, allows you to have a growing headcount of readers who are interested in your work. This helps later when you are pitching commercial publishers.

Some writers will add a photo gallery to their website (usually feeding from a host site like Flickr or Google Images). Fans who follow up and coming writers, enjoy learning about the creative process behind the stories they read. Writers that share images that inspired them, or a picture of a diner where they were writing a new chapter? They create a close relationship with their fans when they share the ‘behind the scenes’ details.

Make a few CTAs (call to action) elements on your website that encourage your audience to subscribe. If you really want to be proactive and grow your email subscribers quickly, consider adding a contest or incentive. Have a monthly draw for a $50 Amazon gift card or give away a horror merchandise collectible every month. Make it a fun horror trivia contest or something engaging, and you could find yourself adding several hundred new fans to your email marketing list.

And remember to send them at least one email per month to stay in touch. You can write about upcoming horror events, new projects that you are working on, releases of new horror movies and novels, etc.

4. Start Blogging Obsessively

Website visitors do not become real literary fans, until you have shared your writing with them. Since you want to sell books (including starting with self-published short works), you do not want to constantly give out previews or excerpts that add up to a reason why fans should not buy your books.

What kinds of things can you blog about? Observations about human nature, some of your personal experiences, character traits you enjoy writing about, upcoming projects, behind the scenes inspiration, creative ideas for book covers (fans love to contribute their feedback!), interviews (blogs or podcasts) and more.

Since we just mentioned interviews, you have to be your own public relations specialist and agent when you are starting out as a new horror writer. That means approaching horror and paranormal websites and podcast channels to offer interviews on interesting topics. You will have to pitch the editorial team for the opportunity and free traffic (and new audience exposure). Many blogs and podcasts will provide the opportunity for free; the largest ones require an administrative and advertising fee for putting your brand in front of a huge target audience of millions.

5. If You Do not Feel Pretty Start a Podcast

Some people love being in front of the camera. You know who they are; just check out their Instagram account, right? But many of us (myself included) would sooner watch one of those mushy Hallmark movies than jump in front of the camera to record a video for public consumption).

My phobias are pretty simply; I think I have a face for radio, not television. And that is exactly why I love to podcast. Under a pen name for freedom and anonymity. My podcast took me about thirty minutes to set up and Podbean costs me very little and is one of the easier dashboards to use for beginners. After four years, I am still using it, because it is fast and easy to use.

When you record podcasts, you can talk about any aspect of your writing and process. People love to see how a writer’s brain works, and the more details you share about your activities and how you work on a book, the more enthralled they will be.  Also remember that podcast episodes can be imbedded as rich content (press to play) on a WordPress website. Do not forget to install a podcast link and player as a call-to-action to get more subscribers to the podcast and listeners.

When you are paying for hosting on a podcast, remember that you are also accessing an exceptionally large community of digitally fluent information or entertainment seekers. That is the profile for the average podcast listener. Part of the cost of subscribing to a podcast host includes that large audience, and the growth and advertising potential the podcast community provides.

6. Ramp Up Your Social Media

If you love being on social media and creating content like graphics and videos, you are not going to have a problem with this. If you absolutely hate being on social, try to change your mindset on it because it is one of your most valuable marketing tools.

You can get a little help from a family member or friend to post interesting content at a regular 2-3 times per week schedule. If you hire someone to manage your social media, make sure they are monitoring your account, and responding to as many fans as possible. That is what we do at Puzzle Box Horror, because we think if you made the effort, we should show our gratitude with some bilateral conversation and appreciation.

One of the things you do not want to do (no matter how tempted you are) is to buy followers. First of all, it is breaking the Terms Conditions and Limitations TOS for all social networks. Networks like Facebook, Twitter, LinkedIn, and Instagram are only interested in real followers, not fake accounts, or bots. It is not the quantity of the followers but the quality that matters, as you are building your literary fan base. They can’t buy your book if they are a bot!

7. Self-Publish Novellas or Short Story Collections

People want a taste of your writing, and you can only feed your fans partial excerpts on your blog so long before they want something more substantial. That is when authors will typically start releasing self-published books or print on demand softcovers for their fans. Not novels, but novellas and sometimes short story anthologies. Like Stephen’s King’s Skeleton Crew, or virtually every amazing thing written by Edgar Allan Poe.

It is exciting to earn some residual income from your writing for the first time. Think of it as a preamble to the success you may see, if you are able to get your novel published and distributed commercially. Create small fiction works, but do not share too much about your novel(s) with your fan base. It is your product and you do not want to give it away for free; nor do you want another writer ripping off your idea. And trust us, it happens!

Three Years? That is What Seth Godin Says

Seth Godin is one of the mega marketing brains on the planet and a millionaire entrepreneur and author. This is his advice for writers who want to get published commercially:

“The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you’ll need later.”

Three years is a long time of preparation. But you can do these important marketing activities in tandem with your writing. When you need to take a break from your novel(s), consider writing horror and paranormal short stories that you can bundle into a self-published anthology. Give away some of your self-published books to fans and use them as a promotional tool to grow your audience.

Fiverr can be a great place to get some extra help, and if you think you don’t have enough time in your schedule to post regularly on social media, and create email correspondence, a virtual assistant may be an affordable way to make sure that those promotional pieces are done consistently.   Ask your social media assistant to do following activities on Instagram and Twitter, to seek out horror fans to connect with.

The end goal will be a successful website that demonstrates strong personal branding. A large following of real fans on your social networks; people who are avid engaged readers who will give you feedback. Some may even become brand advocates, by recommending your novels or horror short stories to others.

Your feedback helps us write interesting and useful content for our readers. Tell us what you think! Was the advice and recommendations provided in this article helpful to you?

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Enoch’s Fruit

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Enoch walked with God, and he was not, for God took him- Genesis 5:24


Noah raised the fruit to eye level. Its translucent color sparkled like a diamond in the sun. It’s
shape, oval, fitting in the palm of his hand. Its skin was smooth and mellifluous.
“What is this,” Noah asked, his sun worn face scrunched in curiosity.
A loud thunderclap echoed across the black sky.
Michael the archangel glanced up at the menacing clouds, then back at Noah. “It’s the only
surviving fruit of the tree of life. You must guard it, and guard it with your life.”
Noah’s eyes widened. “So, the legend is true? But I thought Shamsiel destroyed all the fruit?”
“Ah yes, Shamsiel,” Michael nodded in remembrance as his face soured. “The guardian cherub.”
His eyes met Noah’s. “We thought he did. His rage over Lilith being cast out knew no bounds. If
it hadn’t been for Seth,” Michael’s voice trailed off as he stared at the ark.
“What, Michael?” Noah lowered the fruit and cupped it in both hands.
“If it hadn’t been for Seth rummaging through the rubble, we wouldn’t have known either.”
Noah sat on the ground watching Shem struggle to get a sheep up the ramp to the ark. “Tell me
more, Michael.”
Michael sat down by Noah. “Your ancestor Seth found it. He passed it down and eventually
Enoch, the man of God, took the fruit.”
“Yes, and legend says God took him up to the heavens.”
“Indeed, he did. Do you know why?”
Noah shook his head.

“Because Enoch took a bite of the fruit.”
Noah’s hand felt the indention on the backside of the fruit. He flipped it over and his mouth
gaped. “Indeed, he did.” Noah looked at Michael, his face begging him to continue.
“God had to take Enoch. Enoch wasn’t supposed to happen. A fallen man from Adam’s race now
endued with eternal life in his sinful state.”
“Was God angry,” Noah asked.
Michael smirked, “No, he wasn’t angry. He loves Enoch. He enacted a plan.”
Noah raised his eyebrows. “What kind of a plan?”
“Well, “Michael pursed his lips in thought. “Enoch dug up Eve’s grave and buried the fruit with
her.” He gave Noah a sly smile. “Proved to be a remarkable hiding spot.”
Noah nodded in agreement.
Michael said, “After Enoch hid the fruit, Yahweh took Enoch to heaven. Enoch has now been
placed as guardian over the fruit. If the fruit is in danger of falling into the wrong hands, Enoch
will come, ready to fight and ensure the fruit remains safe.”
“So, you’re giving it to me? So, it will not be lost in the grand deluge?”
“You catch on fast, old man,” Michael patted Noah on the back.
Noah gave a half-smile then studied the fruit. “I will guard it well, Michael.” Noah’s gaze met
Michael’s. “I make an oath to Yahweh on my very life.”
“Very good. I know you will not fail us.”
A deafening thunder shook the heavens, and Noah felt the first drop of rain graze the top of his
ear.

In the years following the flood, as Noah’s descendants spread across the land, the secret of the
fruit remained with Noah. Before he died, Noah entrusted this knowledge to his sons, Ham, Shem,
and Japeth. The three brothers guarded the fruit well, and as they aged, the trio sought a prudent
man to entrust with their family’s secret.

But none could be found.

Nimrod thrust his dagger into the stomach of the lion. He had killed the beast not even five
minutes ago. The cold months were approaching, and he needed warm hide to cover his massive
frame.
He slid the dagger down and the blood ran. He pushed his hand into the warm liquid and the
copper smell hit is nostrils. He grabbed a chunk of innards and began to gut the lion. As he
worked, he thought about Ham, the head of the clan. He was on his deathbed. Maybe he should
make the hide into a covering for him?
No, he thought. Let the old bastard die.

Nimrod dragged the carcass back to his clan’s camp. He walked in and heard Ham’s faint voice
calling for him from within his tent. Nimrod sighed, dropped the lion, and stepped into Ham’s
tent.
“Yes, my lord.”
“Come see, my son.” Ham’s voice was a wheezing whisper.
Nimrod eased over to Ham’s bed and knelt beside him.
“Take my hand,” Ham demanded.
Nimrod reached out and held Ham’s hand. It was cold and slick. The hand of a dying man. “I’m
here, my lord.”
“Nimrod, my time on this earth is about to expire. I need you to gather my brothers and my sons
and daughters.”
Nimrod went to release Ham’s hand and obey his orders, but Ham squeezed tighter.
“Wait my child. Before I die, there is something I need to tell you. It’s a secret. A secret of grave
importance. I’ve held this secret because there has been no one worthy to pass it on to. But you,”
Ham coughed and wheezed. “But you are a great warrior, and a great warrior is needed to
protect,” Ham’s words were cut short with more coughing.

Nimrod’s brow furrowed in confusion. “My lord, I don’t understand.”
“Come closer my child, and I will tell you.”
Nimrod leaned in and Ham revealed to him the knowledge of the fruit.
Shem and Japeth entered the tent. Shem held a bowl of stew, ready to feed Ham his lunch.
“And the fruit is buried in the mountains of Ararat, where Noah built the first altar to Yahweh
after the flood.”
Shem’s hands grew weak and the bowl of stew fell to the ground with a sloshing thud. “Dear God,
Ham. What have you done?”
Nimrod smiled over his shoulder at Shem and Japeth, an insidious gleam in his eye.
Ham breathed his last breath and his spirit left to join his ancestors in the bosom of Yahweh.
Japeth licked his lips and swallowed hard. Cold chills twisted up his spine. “Nimrod…no.”
Shem and Japeth knew what kind of man Nimrod was. Ham had always refused to see.
Nimrod stood to his feet. “Well, brothers. I think it would be wise of you to tell me where this
altar is.”
Shem’s wrinkled, old face contorted with anger. “I would rather go to Sheol than tell you where
the fruit is buried!”
“Very well, “Nimrod nodded. He drew his sword which was attached to his waist. With one fluid
motion, he lopped Shem’s head off. A blood rainbow geysered from his neck, decorating the
inside of the tent. Shem’s body toppled to the floor and Nimrod turned his attention to Japeth.
The old man went down on both knees and shook his head. “I will not tell you either.”
“So be it!” Nimrod swung and decapitated Japeth. As his headless body hit the dirt, blood flowed
around Nimrod’s feet. Nimrod stepped over the body and poked his head out of the tent. When he
was sure no one had heard the commotion, he sneaked out the camp, leaving the lion carcass, and
traveled to the mountains of Ararat.
Lucifer sat in the shadows, watching the entire scene, a sinister plan stirring in his dark heart.

Enoch approached Yahweh’s throne, his face shrouded in the darkness of his gray, hooded cloak.
His body burned with the fire of Yahweh. He drew his sword and knelt before God.
“Yes, My Lord.”
“The secret of the fruit has been jeopardized.”
Enoch lifted his head. “I know. I felt it.”
“And Lucifer prowls about.”
“Lucifer…” Enoch growled.
“Go,” Yahweh commanded. “Release Azazel and the other watchers from prison- Amazarak,
Baraqel, and Suriel. They will aid you in your quest.”
“It will be as you will,” Enoch said, then rose to his feet to go to Tartarus and release the
watchers.

A cool breeze flowed through the mountains. It entered a cave and rolled over the sleeping body
of Nimrod, awakening him with a shiver.
“I should have kept the lion,” he mumbled to himself. Nimrod sat up to stoke the fire he had
built. His eyes detected movement in the corner. Nimrod drew his dagger. As the embers of the
fire danced up in the air, he saw a figure in the shadows.
The entities eyes glowed orange. Its skin was onyx, with a sapphire breastplate covering its
chest. The figure extended charcoal wings with singed feathers, gleaming like the embers of
Nimrod’s fire.
“Put the blade down, Nimrod,” the being said and stepped out of the shadows. “It won’t do you
any good.”
It had been years, but Nimrod recognized the creature. “Lucifer?”
Lucifer smiled, revealing jagged, opaque teeth which also reflected the dim light of the fire.
“Yes. And I’m sure you can guess why I am here.”
Nimrod returned his dagger to its sheath. “Oh, I can take a wild guess. The fruit.”

Lucifer gave a slow nod. “I’ve been waiting all these years for Noah and his family to stumble,”
Lucifer chuckled. “I always knew it would be Ham.”
“What do you want with the fruit, Lucifer, “Nimrod asked, his voice lacking amusement.
“To make you like the mighty men of renown. The mighty men of old. The Nephilim. Then you
shall devour the fruit, and we shall live forever, and be the rightful rulers of this creation.”
Nimrod smirked. “Tell me more, brother.”
Plans were made, and Lucifer entered Nimrod. Nimrod’s body twisted and contorted, his features
taking on those of Lucifer’s, except his skin remained its olive color. His torso expanded and his
limbs elongated. A pair of singed wings emerged from his back. Nimrod grew so large, he had to
get on all fours to crawl out the entrance of the cave.
“Go,” Nimrod heard a voice in his head saying. “I know where the altar used to be.”

Enoch sank his sword into the rocky ground of the mountain. It split open, and he saw the
shimmering of the fruit of the tree of life. His emerald eyes glowed under the darkness of his
hood as he glanced over his shoulder at Azazel, Amazarak, Baraqel, and Suriel.
“The fruit is still here. We are not too late,” Enoch said
Azazel threw off his cloak. His wine-colored scales refracted the light, causing it to sparkle like a
gem. Eight tales like a scorpion aligned his back- four on each side running vertically. The tails
outstretched like wings, hovering over his body. Powerful reptilian legs supported the frame, and
one of its massive arms formed into a blade at the hand. Azazel’s face had been peeled back,
revealing bulging eyes and a black skull with the red sinews still attached. He breathed in deep.
“He is close,” Azazel turned to the other watchers. “Prepare yourselves.”
The other watchers removed their cloaks. They resembled Azazel in appearance except
Amazarak was a light blue, Baraqel a golden yellow, and Suriel a deep red.
Enoch removed his sword from the rock and stood in front of the watchers. The ground began to
shake, as a figure in the distance rumbled towards them. A few moments later, the Lucifer-
Nimrod hybrid loomed over them.
“Stand aside Enoch. The fruit is mine,” the creature’s voice flowed deep.

Enoch threw his hood back. Black spikes covered his pale head, which was aligned with various
tribal markings. His green eyes darkened. “You cannot kill what cannot die.” Enoch bared his
teeth and made the first move.
Nimrod swung his sword and blocked Enoch’s attack. The blow was so forceful, Enoch flipped
in the air and crashed against the side of the mountain. The watchers moved in fast. Their blade
arms flailing and connecting with Nimrod’s flesh.
Nimrod cried out in anger and pain. While he was preoccupied with Suriel and Baraqel, Azazel
was able to slip in behind him. Azazel leaped onto Nimrods back. As he did, he sank all of his
scorpion legs into Nimrod’s sides and chest.
Amazarack saw his opening and thrust his blade arm into Nimrod’s stomach. Blood flowed from
Nimrod’s wounds and his body grew weak. With a show of strength, he brought his sword
crashing down on Amazarack’s arm, severing it. Amazarack retreated in pain, and Nimrod
removed the blade, then fell to his knees.
Azazel released his grasp, and Baraqel kicked Nimrod in the chest, collapsing him to the ground.
By this time Enoch was on his feet. He approached Nimrod and stood over him.
“As I said,” Enoch raised his sword. “You cannot kill what cannot die.” He brought the blade
down like a bolt of lightning into Nimrod’s heart.
Nimrod breathed his last, and Lucifer ascended out of him and flew into the heavens. Enoch and
the watchers looked on until Lucifer was out of sight. They inspected the fruit one last time, then
sealed the crevice. Enoch and the watchers returned to heaven, leaving Nimrod’s body to decay
in the mountains.

Shamsiel saw the entire thing. He descended the mountain and stood where Enoch had split the
ground. Shamsiel’s head resembled a gigantic, black goat skull with long horns. His black and
red feline body gripped a flaming sword in its human hands. His tail, a viper, slithered around his
feet. He raised the sword above his head and then slammed it into the rock. The ground split and
Shamsiel saw something sparkle.
He reached into the crevice and took hold of the fruit. Shamsiel brought the fruit to eye level and
inspected it. His grip around it tightened. His voice echoed as he talked. It was a low, guttural
voice that rolled like thunder. “It’s not over Lilith. Not at all.”