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A Gothic, Cosmic, and Psychological Lifetime of Horror: The 16 Greatest Short Stories from Robert Bloch

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Featured Horror Books Horror Mystery and Lore

Robert Bloch wrote literature that ranged from the psychologically terrifying to the downright “weird” horror; his inspiration stemmed both from watching his first scary film on his own as a child—and his subsequent nightmares—and his admiration for the stylistic horror of H.P. Lovecraft. His stories, however, are and always will be uniquely Robert Bloch, a genius in psychological horror with a splash of the supernatural. His deep interest in serial killers brought back anti-heroes like Norman Bates and Jack the Ripper.

“The Shambler From The Stars” (1935)

This particular short story first appeared in the September issue of Weird Tales, in 1935—later on, it was included as a part of his first published book, The Opener of the Way (1945). It was one of the many works that bore the influence of H.P. Lovecraft and can be considered part of the genre of cosmic horror. More than just another author following the footsteps of Lovecraft, Bloch still included elements of Lovecraftian influence, such as the inclusion of The Necronomicon, and The Book of Eibon. Deliciously self-indulgent, Bloch’s story is about a writer of weird fiction obsessed with learning all things occult when he looks to find the aforementioned esoteric tomes of forbidden knowledge. As we all know when it comes to Eldritch cosmic horror, this writer inevitably summons something disastrous.

“The Secret in the Tomb” (1935)

Another instance of cosmic horror in the early days of Bloch’s writing career, it has been compared directly to the stylistic literature of the father of cosmic horror himself—to the point that, if the author of this had been unknown, it would have been assumed to have been a product of Lovecraft. This dark, dank tale of eldritch horror and dread is lurking, just beyond sight, and awaiting the arrival of the last descendant of a long line of sorcerers.

“The Mannikin” (1937)

Another Weird Tales original, published in the April edition in 1937, we get a tale of a strange reclusive and a disfigured, hunchbacked man named Simon, whom the locals all despise. As a short story, of course, it doesn’t take long to find that this cosmic horror is based all around the diabolical hump on Simon’s back—just wait until you find out what the hump really is.

“The Sorcerer’s Jewel” (1939)

This is a story that Bloch originally published under the pen name Tarleton Fiske in Strange Stories Magazine, in 1939; in this story we see a similarity to “A Shambler in the Stars” when we follow a photographer who takes incredibly bizarre photos as his life’s passion. While he doesn’t believe in the occult, his assistant happens to be a devotee of a peculiar occult practice and everything changes when the photographer is brought an ancient jewel.

“Yours Truly, Jack The Ripper” (1943)

Over the years, Robert Bloch’s short story “Yours Truly, Jack The Ripper” has been adapted to various mediums following its publication—the story is about a man from Chicago who is approached by a gentleman from England who tells him that he’s looking for Jack the Ripper. This, of course, is strange on its own as the infamous serial killer should have died years before. The Englishman believes that Jack the Ripper has become immortal through occult means and that his serial murders are actually ritual sacrifices that restore his youth. The man from Chicago is enlisted to help to bring the Ripper to light.

“Satan’s Phonograph” (1946)

A slow burn for a short story, this haunting tale follows the narrator down memory lane as he tells the reader about the ingenious, but wildly mad piano teacher that helped him to reach Carnegie Hall—but when the pupil returns from his tours across Europe with his new wife in tow, he finds that his old teacher had been institutionalized—when his insane old teacher shows up in his house with a seemingly innocent phonograph and his wild theories, the narrator believes his teacher is simply delusional.

“Sweets To The Sweet” (1947)

Bloch spins the thread of a sinister six-year-old girl, following the narrative of the housekeeper as she speaks to her former boss’s brother, who happens to be a lawyer. The housekeeper encourages the lawyer to look into what she believes to be a brutally abusive situation between father and daughter. She tells the brother about all of the signs of alcoholism and beatings, while the child is accused of witchcraft. When the lawyer finally goes to investigate what is happening in his brother’s home, he finds out that the truth may be more disturbing than he expects.

“Floral Tribute” (1949)

An eerie tale of a young boy being raised by his grandmother brings her fresh flowers home every day—it’s not until the inhabitants of the local cemetery come to speak with the grandmother that she finds out that he has been taking them from the graves of the nearby graveyard, where he plays among the tombstones.

“The Shadow From The Steeple” (1950)

Yet another story based in the Lovecraft universe, Bloch starts the story off with the friend of a character Lovecraft had killed in his short story “The Haunter in the Dark” whom Lovecraft had modeled after Bloch himself. A convoluted and dark fictional tale based on Lovecraft and his circle of writers, we get to see the authors appearing as characters of their own making. As another story within the Cthulhu Mythos, we see how involved Bloch was still within the Lovefcraft style even at this point in his career.

“Head Man” (1950)

An interesting spin on Nazi Germany’s obsession with the occult and paranormal, a SS executioner puts everything on the line to keep possession of the heads of a man and woman who had been charged with witchcraft and executed as a result.

“The Hungry House” (1951)

A tale that will once again make you fear your own reflection in a mirror; “The Hungry House” takes place after a couple moves into their new home. As they try to get comfortable in their new house they begin to see spooky inexplicable reflections around the house and dismiss it as being an overactive imagination. It’s not until the husband finds the locked closet in the attic that they realize something is incredibly wrong with their house—in it are all of the mirrors that the previous owners had removed from the walls of the house.

“Notebook Found in an Abandoned House” (1951)

This story is told from a notebook found in an abandoned house, which was written by a twelve-year-old boy by the name of Willy Osborne who is trapped within the house by the sinister beasts, or “them ones,” that stalk him from within the woods and swamps that surround the house. “Them ones,” that Willy is scared might come and get him are monstrous, Lovecraftian elder creatures who used to be take sacrifices to be appeased.

“The Light-House” (1953)

This particular short story took special influence from a story that Edgar Allan Poe began before his death in 1849, but was never able to finish; in 1953 Bloch took this unfinished short story, finished it, polished it up, and then had it published. As such, it is considered a posthumous collaboration. It follows the pursuits of a nobleman who takes a job as a lighthouse keeper, so he may write in solitude. His loneliness gets the better of him in this weird and satisfyingly dark tale, when he tries to psychically summon a companion.

“House of the Hatchet” (1955)

A couple with a relationship on the rocks decides to take their a second honeymoon on the road—on their trip they end up stopping at a haunted tourist attraction, where the story goes that a husband had killed his wife with a hatchet in one of the rooms. When they decided to take a tour of this haunted house, the husband begins to feel a heavy dark presence in the room where the murder was said to have occurred…

“Terror In Cut Throat Cove” (1958)

Considered a horror adventure tale, “Terror In Cut Throat Cove” follows the tale of an American writer who is approached by a treasure-hunting duo; they end up recruiting him to help them locate this long-lost legendary ship that sunk with a massive fortune aboard because the writer has an undeniable fondness for the girlfriend of the treasure hunter. A crazy adventure ensues until they find the ship and one of the divers returns from the ship’s wreckage without his head.

“The Animal Fair” (1971)

This story of a drifter who ends up in the small town of Medley, Oklahoma while the carnival is in town—where he enters the a tent that houses a gorilla who happens to be the main attraction—not to mention seriously abused by his trainer. This horrifying weird tale ends in a shocking twist and is well worth the read.

Works Cited:

Cowan, Matt. “FIFTEEN HORROR TALES BY ROBERT BLOCH.” Horror Delve, 4 Apr. 2016, horrordelve.com/2016/04/04/robert-bloch/.

HorrorBabble. “The Shambler from the Stars” by Robert Bloch. Youtube/”The Shambler from the Stars” by Robert Bloch, HorrorBabble, 12 Mar. 2018, youtu.be/0Q6xA0f9SNk.

HorrorBabble. “The Secret in the Tomb” by Robert Bloch. Youtube/”The Secret in the Tomb” by Robert Bloch, HorrorBabble, 20 Aug. 2018, youtu.be/vodqchPxgCoyoutu.be/vodqchPxgCo.

Thomas, G. W. “The Early Robert Bloch.” Dark Worlds Quarterly, 6 Aug. 2020, darkworldsquarterly.gwthomas.org/the-early-robert-bloch/.

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A Look into the Life of Horror Writer Dennis Etchison

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Featured Horror Books

Possibly one of the most well-received writers and unfortunately, one of the most recently deceased within the horror writing community, Dennis Etchison made his waves in the world of writers at large. As an American writer and editor of fantasy and horror fiction, he has been hailed as, “one hell of a fiction writer,” by his peer in horror, Stephen King. Etchison himself described his work as, “rather dark, depressing, almost pathologically inward fiction about the individual in relation to the world,” which is fair–writing horror is a pretty grim business. It could be argued that The Viking-Penguin Encyclopedia of Horror and the Supernatural, which described him as, “the most original living horror writer in America,” really did recognize the genius and inspirational talent of him as a writer. At the end of this month, we’re coming up on the first anniversary of the death of this highly regarded writer of horror fiction. So join us as we celebrate the life and work of Dennis Etchison for our Dead Author Dedication of May.

Growing Up…

Born Dennis William Etchison on March 30, 1943 in Stockton, California and he grew up as an only child when World War II was still ravaging the globe. He, therefore, didn’t have any men in his home and as a result believed he was spoiled greatly as a child where he spent most of his time without normal exposure to children his own age. It’s said that this sense of isolation from his peers, as well as the need to interact with society, was reflected later as parts of the themes of many of his work. His father regularly took him to attend shows at the Olympic Auditorium where he developed a fascination in the fight between good and evil–and gave him the ability as a young boy to become a fan of wrestling as a sport.

During his teenage years he wrote for his school papers and was a decidedly good writer for his age, having discovered Ray Bradbury and emulated his style before he had developed his own. This was the time that he began writing short stories, but upon submitting them for publication was rejected every time–that is until he remembered Ray Bradbury, who had suggested that a writer should look to a market that would be the least likely to publish their work. After heeding the advice of his source of inspiration, he was promptly accepted for publication in a gentlemen’s magazine entitled Escapade.

Career

While we’re going to focus more on the literary career of Dennis Etchison in our next installment of the Dead Author Dedication for the month of May, we feel it’s important to recognize here some of the highlights of his achievements. Dennis Etchison had a prolific writing career when it came to short story fiction, something utterly unheard of for an author who was actually quite popular during their lifetime–considered a king of anthologies, he began with publications of his short stories in the 1960s.

At UCLA he sought a higher education in the 1960s, Etchison studied film and eventually became highly knowledgable on the subject; he wrote various screenplays, many of which were never produced. He even became a consultant to Stephen King for his non-fiction volume Danse Macabre (1981) and also wrote for television. In his expansive five-decade career, his range included short stories, movie novelizations, original novels, anthologies, essays, editorials, and radio work.

Not surprisingly, Etchinson also served as the President of the Horror Writers Association from 1992 to 1994. At the turn of the century, in 2002, he adapted almost one hundred episodes of the original Twilight Zone television series for a CBS radio series which was hosted by Stacy Keach. Over the course of his career, he won the British Fantasy Award three times for fiction, as well as two World Fantasy Awards for anthologies he was responsible for editing. In 2017, Etchison was recognized by the Horror Writers of America when they bestowed the honor of the Bram Stoker lifetime achievement award upon him.

Much of Etchison’s work can be found under his pen name, Jack Martin, One thing that Etchison can be credited for aside from all of his other achievements is his excessive humility when regarding his own work. Inspiration can be found from his relatability for aspiring writers and we think that this can be summarized by one quote in particular.

I know a short story or a book that I’ve written much better than anybody else in the world. I’ve read it a hundred times. And just because it’s published doesn’t mean I think it’s perfect. You don’t write in a vacuum. You write on a schedule, professionally, and something may be published that I know is flawed. I understand the weaknesses of the work better than anybody else.

I could give you an annotated version of one of my stories that would point out not only the references and the origins of the lines and thoughts, but what I was trying to do – what I wished there were more of, what I now think there’s too much of. After you’ve written it and set it aside, you can come back to it and you see it in a different light. So I now look back at any story of mine more than a couple of years old and it does not look good to me. I could go through it and make it better, but I don’t do that. It represents the best I could do at that time, under those circumstances, and it’s representative of the person I was. I am embarrassed by some of the early stories, which continue to come back in reprint anthologies around the world.

It’s nice to be paid for work I did in my teens! But I can look at it as if someone else had written them and say, “My God! Is he aware of how these words look on the page?” I have a more acute sense of style than I did then; a better understanding of myself and human relationships. Two years from now I’ll look back at the present stories and be appalled. But it’s like life: what you do is the best you can do on that day. You have to finish your job at the end of the day and say, given the circumstances, this was the best that I could do. But tomorrow’s a new day. I can try to do better.

Dennis Etchison on his own writing.

Throughout his career Etchison gave back to the next generation of aspiring writers, by teaching classes in creative writing at his alma mater, UCLA. The most admirable trait of this horror master, is that he inspired many to write down their stories and accept that our flaws as writers actually contribute to our ability to evolve and improve.

Death

Although his cause of death has still been relatively unreported upon, we do know that Etchison was reported to have died during the night on May 28, 2019, at the age of 76. This was a tremendous blow to the modern horror community, as it lost one of the most influential modern writers who brought originality and life to such an exciting genre of fiction.

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A Lovecraftian Life and Death

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Known as the Father of Cosmic Horror, H.P. Lovecraft only lived for forty-six short years. What he was able to accomplish in his lifetime, however, was enough to change the tides of an entire genre.

A Visionary from an Early Age

Howard Phillips Lovecraft was born in the late summer of 1890, to Sarah Susan Phillips Lovecraft and Winfield Scott Lovecraft, in Providence, Rhode Island. As a child of three, his father suffered from a nervous breakdown and was sent to Butler Hospital, where he remained in residence for five years until his death in the summer of 1898. Unaware of his father’s mental condition, Lovecraft was told that his father was paralyzed and comatose, but surviving medical records show that his father actually died of paresis—a form of neurosyphilis.

Following the death of his father, Lovecraft was brought up by his mother, two aunts, and grandfather—who had him reciting poetry at two, reading at three, and writing at six or seven years of age, having recognized his advanced intelligence. By the age of five, he had proven his penchant for the creative, fantastical, and mythological, eventually using these influences to inspire his own literary works. His oldest surviving work came when he was a young boy of seven, having paraphrased the Odyssey into rhyming verse in his 1897, “The Poem of Ulysses.” His grandfather played a large role in Lovecraft’s strange gothic sense of fantasy, encouraging him to pursue his weird flights of fantasy into the realm of horror.

Due to numerous childhood afflictions, including some instances of psychological troubles, Lovecraft’s attendance at school was never consistent—he spent much of his youth studying independently, favoring chemistry and astronomy over all else. As far as works of fiction, Edgar Allan Poe served as the inspiration for much of Lovecraft’s dark and imaginative creations. Despite his diminished ability to socialize, he was still able to create and maintain a number of significant friendships with his peers when he attended Hope High School, through his self-published hectograph journals. These journals, The Scientific Gazette (1899–1907) and The Rhode Island Journal of Astronomy (1903–07) garnered him his peer’s encouragement to write outside of his home. Unfortunately, in 1908 Lovecraft suffered from a nervous breakdown and never received his diploma. His inability to graduate high school and be admitted into Brown University would be a source of great shame to Lovecraft later in life

This breakdown led Lovecraft to become somewhat of a hermit for several years—exacerbated by the death of his grandfather and their consequential financial ruin—he would stay up late studying, reading, and writing poetry, then sleeping late into the day. Even though he managed to publish articles on astronomy in several newspapers, Lovecraft went through a difficult time after losing his childhood home, as well as the compulsive love-hate relationship he had with his mother, so he regularly contemplated suicide.

From Isolation to Notoriety

Emerging from his need for isolation in 1913, like an internet troll emerges when they see something online that drives them absolutely crazy, Lovecraft wrote an entire letter in verse to Fred Jackson as an affront. He joined the United Amateur Press Association in 1914, which is where his amateur journalism career began, leading him to launch his self-published magazine The Conservative in 1915. It would be safe to say that these opportunities launched Lovecraft’s entire career out from within the pit of his own self-pity.

H.P. Lovecraft (1915)
H.P. Lovecraft (1915)

“In 1914, when the kindly hand of amateurdom was first extended to me, I was as close to the state of vegetation as any animal well can be… With the advent of the United I obtained a renewal to live; a renewed sense of existence as other than a superfluous weight; and found a sphere in which I could feel that my efforts were not wholly futile. For the first time I could imagine that my clumsy gropings after art were a little more than faint cries lost in the unlistening world.”

Howard Phillips Lovecraft

It only took two more years of his life before he once again delved into his fictional worlds—in the summer of 1917, Lovecraft easily produced “The Tomb,” as well as “Dagon,” which were two shorter stories that he owed to his passion for fiction. The dark edgy tales of Edgar Allan Poe and fantasy tales of Irish author Lord Dunsany, which inspired some of his earlier fiction pieces.

I will tell only of the lone tomb in the darkest of the hillside thickets; the deserted tomb of the Hydes, an old and exalted family whose last direct descendant had been laid within its black recesses many decades before my birth.

“The Tomb”, June 1917 by Howard Phillips Lovecraft

It was around this time that his mother’s own mental and physical deterioration began to really affect her and after her own nervous breakdown in 1919, she was admitted to Butler Hospital—the same hospital Lovecraft’s father had been committed to and subsequently died in. Only two years later a failed operation caused the death of his mother and in spite of his devastation, Lovecraft recovered enough to meet his future wife a few weeks later. In 1923, the horror magazine Weird Tales paid Lovecraft for his stories, which was his first paid gig as a writer. When he married Sonia Greene in 1924, they moved to New York for two years, but the marriage soon failed and Lovecraft returned to Rhode Island where he began working on his most renowned stories. Just two years after splitting up with his wife, “The Call of Cthulhu,” came out in the Weird Tales magazine, which was the first piece that really helped make a name for Lovecraft as an author of otherworldly horror.

The Death of a Legendary Horror Writer

I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.

Howard Phillips Lovecraft, 1926
Tombstone of H.P. Lovecraft
Tombstone of H.P. Lovecraft

The last decade of his life was spent creating what is now known as his classics, having found a niche for himself as an author of weird horror fiction, and prolific writer-of-letters. The last few years of his life, in particular, were incredibly strenuous for Lovecraft, beginning with the death of one of his aunts in 1932, from there his writing became largely too complex to sell to a normal reader. At this part of his career, he began to attempt a career solely editing, as well as ghostwriting stories, poetry, and non-fiction—no longer even trying to sell his own original creations. The suicide of a close friend brought him depression, but it was ultimately his own incurable illness that would bring Lovecraft’s final days. In the winter of 1936, Lovecraft’s intestinal cancer caused him pain that increased on a daily basis and eventually he had taken himself to the hospital where he died five days later, on March 15, 1937.

Like many other underappreciated artists of his age, Lovecraft has gained a far greater following after death than he ever saw during his lifetime. He’s been the inspiration for writers Peter Straub, Stephen King, as well as Neil Gaiman—to name a few.

Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.

Stephen King

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