A Gothic, Cosmic, and Psychological Lifetime of Horror: The 16 Greatest Short Stories from Robert Bloch

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Featured Horror Books Horror Mystery and Lore

Robert Bloch wrote literature that ranged from the psychologically terrifying to the downright “weird” horror; his inspiration stemmed both from watching his first scary film on his own as a child—and his subsequent nightmares—and his admiration for the stylistic horror of H.P. Lovecraft. His stories, however, are and always will be uniquely Robert Bloch, a genius in psychological horror with a splash of the supernatural. His deep interest in serial killers brought back anti-heroes like Norman Bates and Jack the Ripper.

“The Shambler From The Stars” (1935)

This particular short story first appeared in the September issue of Weird Tales, in 1935—later on, it was included as a part of his first published book, The Opener of the Way (1945). It was one of the many works that bore the influence of H.P. Lovecraft and can be considered part of the genre of cosmic horror. More than just another author following the footsteps of Lovecraft, Bloch still included elements of Lovecraftian influence, such as the inclusion of The Necronomicon, and The Book of Eibon. Deliciously self-indulgent, Bloch’s story is about a writer of weird fiction obsessed with learning all things occult when he looks to find the aforementioned esoteric tomes of forbidden knowledge. As we all know when it comes to Eldritch cosmic horror, this writer inevitably summons something disastrous.

“The Secret in the Tomb” (1935)

Another instance of cosmic horror in the early days of Bloch’s writing career, it has been compared directly to the stylistic literature of the father of cosmic horror himself—to the point that, if the author of this had been unknown, it would have been assumed to have been a product of Lovecraft. This dark, dank tale of eldritch horror and dread is lurking, just beyond sight, and awaiting the arrival of the last descendant of a long line of sorcerers.

“The Mannikin” (1937)

Another Weird Tales original, published in the April edition in 1937, we get a tale of a strange reclusive and a disfigured, hunchbacked man named Simon, whom the locals all despise. As a short story, of course, it doesn’t take long to find that this cosmic horror is based all around the diabolical hump on Simon’s back—just wait until you find out what the hump really is.

“The Sorcerer’s Jewel” (1939)

This is a story that Bloch originally published under the pen name Tarleton Fiske in Strange Stories Magazine, in 1939; in this story we see a similarity to “A Shambler in the Stars” when we follow a photographer who takes incredibly bizarre photos as his life’s passion. While he doesn’t believe in the occult, his assistant happens to be a devotee of a peculiar occult practice and everything changes when the photographer is brought an ancient jewel.

“Yours Truly, Jack The Ripper” (1943)

Over the years, Robert Bloch’s short story “Yours Truly, Jack The Ripper” has been adapted to various mediums following its publication—the story is about a man from Chicago who is approached by a gentleman from England who tells him that he’s looking for Jack the Ripper. This, of course, is strange on its own as the infamous serial killer should have died years before. The Englishman believes that Jack the Ripper has become immortal through occult means and that his serial murders are actually ritual sacrifices that restore his youth. The man from Chicago is enlisted to help to bring the Ripper to light.

“Satan’s Phonograph” (1946)

A slow burn for a short story, this haunting tale follows the narrator down memory lane as he tells the reader about the ingenious, but wildly mad piano teacher that helped him to reach Carnegie Hall—but when the pupil returns from his tours across Europe with his new wife in tow, he finds that his old teacher had been institutionalized—when his insane old teacher shows up in his house with a seemingly innocent phonograph and his wild theories, the narrator believes his teacher is simply delusional.

“Sweets To The Sweet” (1947)

Bloch spins the thread of a sinister six-year-old girl, following the narrative of the housekeeper as she speaks to her former boss’s brother, who happens to be a lawyer. The housekeeper encourages the lawyer to look into what she believes to be a brutally abusive situation between father and daughter. She tells the brother about all of the signs of alcoholism and beatings, while the child is accused of witchcraft. When the lawyer finally goes to investigate what is happening in his brother’s home, he finds out that the truth may be more disturbing than he expects.

“Floral Tribute” (1949)

An eerie tale of a young boy being raised by his grandmother brings her fresh flowers home every day—it’s not until the inhabitants of the local cemetery come to speak with the grandmother that she finds out that he has been taking them from the graves of the nearby graveyard, where he plays among the tombstones.

“The Shadow From The Steeple” (1950)

Yet another story based in the Lovecraft universe, Bloch starts the story off with the friend of a character Lovecraft had killed in his short story “The Haunter in the Dark” whom Lovecraft had modeled after Bloch himself. A convoluted and dark fictional tale based on Lovecraft and his circle of writers, we get to see the authors appearing as characters of their own making. As another story within the Cthulhu Mythos, we see how involved Bloch was still within the Lovefcraft style even at this point in his career.

“Head Man” (1950)

An interesting spin on Nazi Germany’s obsession with the occult and paranormal, a SS executioner puts everything on the line to keep possession of the heads of a man and woman who had been charged with witchcraft and executed as a result.

“The Hungry House” (1951)

A tale that will once again make you fear your own reflection in a mirror; “The Hungry House” takes place after a couple moves into their new home. As they try to get comfortable in their new house they begin to see spooky inexplicable reflections around the house and dismiss it as being an overactive imagination. It’s not until the husband finds the locked closet in the attic that they realize something is incredibly wrong with their house—in it are all of the mirrors that the previous owners had removed from the walls of the house.

“Notebook Found in an Abandoned House” (1951)

This story is told from a notebook found in an abandoned house, which was written by a twelve-year-old boy by the name of Willy Osborne who is trapped within the house by the sinister beasts, or “them ones,” that stalk him from within the woods and swamps that surround the house. “Them ones,” that Willy is scared might come and get him are monstrous, Lovecraftian elder creatures who used to be take sacrifices to be appeased.

“The Light-House” (1953)

This particular short story took special influence from a story that Edgar Allan Poe began before his death in 1849, but was never able to finish; in 1953 Bloch took this unfinished short story, finished it, polished it up, and then had it published. As such, it is considered a posthumous collaboration. It follows the pursuits of a nobleman who takes a job as a lighthouse keeper, so he may write in solitude. His loneliness gets the better of him in this weird and satisfyingly dark tale, when he tries to psychically summon a companion.

“House of the Hatchet” (1955)

A couple with a relationship on the rocks decides to take their a second honeymoon on the road—on their trip they end up stopping at a haunted tourist attraction, where the story goes that a husband had killed his wife with a hatchet in one of the rooms. When they decided to take a tour of this haunted house, the husband begins to feel a heavy dark presence in the room where the murder was said to have occurred…

“Terror In Cut Throat Cove” (1958)

Considered a horror adventure tale, “Terror In Cut Throat Cove” follows the tale of an American writer who is approached by a treasure-hunting duo; they end up recruiting him to help them locate this long-lost legendary ship that sunk with a massive fortune aboard because the writer has an undeniable fondness for the girlfriend of the treasure hunter. A crazy adventure ensues until they find the ship and one of the divers returns from the ship’s wreckage without his head.

“The Animal Fair” (1971)

This story of a drifter who ends up in the small town of Medley, Oklahoma while the carnival is in town—where he enters the a tent that houses a gorilla who happens to be the main attraction—not to mention seriously abused by his trainer. This horrifying weird tale ends in a shocking twist and is well worth the read.

Works Cited:

Cowan, Matt. “FIFTEEN HORROR TALES BY ROBERT BLOCH.” Horror Delve, 4 Apr. 2016, horrordelve.com/2016/04/04/robert-bloch/.

HorrorBabble. “The Shambler from the Stars” by Robert Bloch. Youtube/”The Shambler from the Stars” by Robert Bloch, HorrorBabble, 12 Mar. 2018, youtu.be/0Q6xA0f9SNk.

HorrorBabble. “The Secret in the Tomb” by Robert Bloch. Youtube/”The Secret in the Tomb” by Robert Bloch, HorrorBabble, 20 Aug. 2018, youtu.be/vodqchPxgCoyoutu.be/vodqchPxgCo.

Thomas, G. W. “The Early Robert Bloch.” Dark Worlds Quarterly, 6 Aug. 2020, darkworldsquarterly.gwthomas.org/the-early-robert-bloch/.

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A Lovecraftian Life and Death

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Lifestyle

Known as the Father of Cosmic Horror, H.P. Lovecraft only lived for forty-six short years. What he was able to accomplish in his lifetime, however, was enough to change the tides of an entire genre.

A Visionary from an Early Age

Howard Phillips Lovecraft was born in the late summer of 1890, to Sarah Susan Phillips Lovecraft and Winfield Scott Lovecraft, in Providence, Rhode Island. As a child of three, his father suffered from a nervous breakdown and was sent to Butler Hospital, where he remained in residence for five years until his death in the summer of 1898. Unaware of his father’s mental condition, Lovecraft was told that his father was paralyzed and comatose, but surviving medical records show that his father actually died of paresis—a form of neurosyphilis.

Following the death of his father, Lovecraft was brought up by his mother, two aunts, and grandfather—who had him reciting poetry at two, reading at three, and writing at six or seven years of age, having recognized his advanced intelligence. By the age of five, he had proven his penchant for the creative, fantastical, and mythological, eventually using these influences to inspire his own literary works. His oldest surviving work came when he was a young boy of seven, having paraphrased the Odyssey into rhyming verse in his 1897, “The Poem of Ulysses.” His grandfather played a large role in Lovecraft’s strange gothic sense of fantasy, encouraging him to pursue his weird flights of fantasy into the realm of horror.

Due to numerous childhood afflictions, including some instances of psychological troubles, Lovecraft’s attendance at school was never consistent—he spent much of his youth studying independently, favoring chemistry and astronomy over all else. As far as works of fiction, Edgar Allan Poe served as the inspiration for much of Lovecraft’s dark and imaginative creations. Despite his diminished ability to socialize, he was still able to create and maintain a number of significant friendships with his peers when he attended Hope High School, through his self-published hectograph journals. These journals, The Scientific Gazette (1899–1907) and The Rhode Island Journal of Astronomy (1903–07) garnered him his peer’s encouragement to write outside of his home. Unfortunately, in 1908 Lovecraft suffered from a nervous breakdown and never received his diploma. His inability to graduate high school and be admitted into Brown University would be a source of great shame to Lovecraft later in life

This breakdown led Lovecraft to become somewhat of a hermit for several years—exacerbated by the death of his grandfather and their consequential financial ruin—he would stay up late studying, reading, and writing poetry, then sleeping late into the day. Even though he managed to publish articles on astronomy in several newspapers, Lovecraft went through a difficult time after losing his childhood home, as well as the compulsive love-hate relationship he had with his mother, so he regularly contemplated suicide.

From Isolation to Notoriety

Emerging from his need for isolation in 1913, like an internet troll emerges when they see something online that drives them absolutely crazy, Lovecraft wrote an entire letter in verse to Fred Jackson as an affront. He joined the United Amateur Press Association in 1914, which is where his amateur journalism career began, leading him to launch his self-published magazine The Conservative in 1915. It would be safe to say that these opportunities launched Lovecraft’s entire career out from within the pit of his own self-pity.

H.P. Lovecraft (1915)
H.P. Lovecraft (1915)

“In 1914, when the kindly hand of amateurdom was first extended to me, I was as close to the state of vegetation as any animal well can be… With the advent of the United I obtained a renewal to live; a renewed sense of existence as other than a superfluous weight; and found a sphere in which I could feel that my efforts were not wholly futile. For the first time I could imagine that my clumsy gropings after art were a little more than faint cries lost in the unlistening world.”

Howard Phillips Lovecraft

It only took two more years of his life before he once again delved into his fictional worlds—in the summer of 1917, Lovecraft easily produced “The Tomb,” as well as “Dagon,” which were two shorter stories that he owed to his passion for fiction. The dark edgy tales of Edgar Allan Poe and fantasy tales of Irish author Lord Dunsany, which inspired some of his earlier fiction pieces.

I will tell only of the lone tomb in the darkest of the hillside thickets; the deserted tomb of the Hydes, an old and exalted family whose last direct descendant had been laid within its black recesses many decades before my birth.

The Tomb”, June 1917 by Howard Phillips Lovecraft

It was around this time that his mother’s own mental and physical deterioration began to really affect her and after her own nervous breakdown in 1919, she was admitted to Butler Hospital—the same hospital Lovecraft’s father had been committed to and subsequently died in. Only two years later a failed operation caused the death of his mother and in spite of his devastation, Lovecraft recovered enough to meet his future wife a few weeks later. In 1923, the horror magazine Weird Tales paid Lovecraft for his stories, which was his first paid gig as a writer. When he married Sonia Greene in 1924, they moved to New York for two years, but the marriage soon failed and Lovecraft returned to Rhode Island where he began working on his most renowned stories. Just two years after splitting up with his wife, “The Call of Cthulhu,” came out in the Weird Tales magazine, which was the first piece that really helped make a name for Lovecraft as an author of otherworldly horror.

The Death of a Legendary Horror Writer

I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.

Howard Phillips Lovecraft, 1926
Tombstone of H.P. Lovecraft
Tombstone of H.P. Lovecraft

The last decade of his life was spent creating what is now known as his classics, having found a niche for himself as an author of weird horror fiction, and prolific writer-of-letters. The last few years of his life, in particular, were incredibly strenuous for Lovecraft, beginning with the death of one of his aunts in 1932, from there his writing became largely too complex to sell to a normal reader. At this part of his career, he began to attempt a career solely editing, as well as ghostwriting stories, poetry, and non-fiction—no longer even trying to sell his own original creations. The suicide of a close friend brought him depression, but it was ultimately his own incurable illness that would bring Lovecraft’s final days. In the winter of 1936, Lovecraft’s intestinal cancer caused him pain that increased on a daily basis and eventually he had taken himself to the hospital where he died five days later, on March 15, 1937.

Like many other underappreciated artists of his age, Lovecraft has gained a far greater following after death than he ever saw during his lifetime. He’s been the inspiration for writers Peter Straub, Stephen King, as well as Neil Gaiman—to name a few.

Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.

Stephen King

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At The Mountains of Madness – Illustrated

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Best Collectibles Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Francois Baranger’s illustrated version of HP Lovecraft’s At The Mountains of Madness, blown up to double its impact, rings out in the ears as if echoing from the highest snowy peak. This is only Volume 1 and for someone like me who has never indulged in this particular tale, it’s quite the cliffhanger. The line could easily be self-referencial of much of Lovecraft’s work, in that a lot of the ‘cosmic-horror’ that he coined and regularly explored relies heavily on the imagination of the reader. As I mentioned in a previous article on visualizing cosmic-horror in film, adding any form of physical imagery to Lovecraft’s work often poses the risk of detracting from its intended effect. That is, thankfully, not the case here. 

Imagination could conceive almost anything in connexion with this place.

H.P. Lovecraft – At The Mountains of Madness

The first thing to notice is the size of the At The Mountains of Madness Illustrated book, released by Free League Publishing. A hardback at 26x36cm, displaying the beautiful and atmospheric artwork of Baranger, has an obvious air of quality; a first glance bringing hopes that it only echoes the scale and majesty held within. It might be considered impractical by those wanting to read anywhere other than a desk, but the thing holds an intrinsic weight that makes your perusal all the richer. A foreword by Maxime Chattam compares the tale to the icy horrors of The Thing (1982) which, again for a first time reader, was rather exciting. 

Before reading I was asked by a friend, “Does he picture the monstrosities at the camp?” Of course I had no idea to which monstrosities he was referring, though it was a question I kept coming back to while wading through the heavy descriptions of the first few pages. Well-placed illustrations aid the flow of the story greatly, as well as some resizing of sentences for emphasis that helps bring home the point of many of Lovecraft’s ramblings without feeling cartoonish. Much of the artwork acts as flavouring, in the way sound effects and music would to an audiobook, and by the time the aforementioned monstrosities are encountered, and pictured vividly, it feels like a true horror payoff within an already interesting story of exploration. The things look incredible and prove Barangers skill and imagination to be far above that of simple docking ships and icy wastes, though these introductory scenes are inarguably stunning. 

Mountains of Madness art featuring people looking at alien bodies under tarps in the snow

While I can’t compare to the simple text-only format of this particular story, I can somewhat to other stories in Lovecraft’s oeuvre, and here the imagery is a refreshing and welcome addition. While I fully believe that the power of Lovecraft’s monsters exists in our inability to comprehend them on a physical level, seeing the big slimy nasties in this case puts us much closer to the mentality of the poor souls at the dig site. 

Baranger’s art expertly treads a tightrope between detail and atmosphere, displaying a degree of realism that should by rights be impossible to achieve alongside the sense of wonder permeating each piece. The more you look, the more layers reveal themselves within portraits of sunset-drenched mountaintops, views of meetings through frosted cabin windows and some sparse yet effectively-placed gore including the harrowing scene of a man’s bust-open chest. These aren’t simple accompaniments but integral parts in this telling of Lovecraft’s tale, inserted with intent to aid the reader’s immersion but also to stand as their own pieces, rich and textured. 

At The Mountains of Madness – Illustrated Book Cover

* Puzzle Box Horror may earn a commission when you buy through links on our site.

At The Mountains of Madness Illustrated Cosmic Horror Book Cover

The story itself is fantastic. A classic, even by Lovecraft’s standards. His style can be long-winded and hard to fall into for some, though this works for his longer pieces such as this one. The themes of exploration and the wonder it conjures were perfect to set up the icy horrors in the mountains; as the many details of the expedition are reeled off one can’t help but feel the excitement of it all. The overload of information, once pushed through, leads on to discoveries vivid and startling, made all the more realistic by their precursing pages. Lovecraft has the ability, mainly through his grounded and earthly first acts, to make readers begin to question just what, if any, horror (as we now know it) will be about to occur. This makes the subsequent deaths, tentacled abominations and nightmarish icy wastes that much more impactful and unexpected. All of this is helped greatly by purposeful and well-thought-out text formatting, mainly being some upsized sentences which add a great deal of weight to occurrences and help break up some of HP’s longer esoteric rants. 

A lot of the issues with visualizing Lovecraft’s elder beings are in no way as apparent here as within the realms of film and television. This particular undertaking allows the story itself, beholder of all of the real power here, to remain the focal point while all additions serve as flavor and make the whole ordeal that much more vivid and evocative. The mind still builds on these images, just as it would visualize on a story while reading. I absolutely must know what happens next in this tale, though I will wait to purchase the second volume of this version rather than find the classic story in a collection I own. That should say it all. 

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Best Sci-Fi Horror Movies

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Best Of Best of Movies Featured

Though the sci-fi horror genre has been around for century, it’s really in the last few decades that it has hit it’s stride. Nowhere has that jump in popularity more prevalent or evident than in the world of film. The 70’s and 80’s represent a golden era in sci-fi horror movies, with the rise of such giants in the industry as John Carpenter, David Cronenberg, and Ridley Scott. But even from the 90’s onward sci-fi horror shows no signs of slowing down, and some really incredible entries have come out in just the last couple of years.

There are so many excellent sci-fi horror movies out there that it was very hard to narrow this down to a manageable list. Even with an “Honorable Mentions” section at the end, we know we missed plenty of viable candidates. Let us know some of the better films we left off down in the comments below!

Color Out of Space (2019)

Color out of space 2019 poster with sci-fi horror background

Did you know colors could be scary? H.P. Lovecraft certainly thought they could be, and he wrote a deeply unsettling story to prove it. Color Out of Space is a cosmic horror film based on that titular story, and it’s about the Gardner family who find that a meteorite has crash-landed on their farm. Suddenly, their once peaceful life in the country is shattered as the family finds themselves fighting an alien being that can infect and mutate their bodies and minds. Come for the Nicolas Cage performance, stay for the grotesque practical effects. With a slow build in the first half and a wild spree of body horror in the second half, Color Out of Space is a rare example of a Lovecraft adaptation done right. 

Annihilation (2018)

Annihilation horror movie poster with scary sci-fi landscape

Criminally underrated and suffering from a shoddy release, Annihilation is a film that deserves your attention and awe. Based on the book by Jeff Vandermeer, it’s a story about a group of scientists who venture into a mysterious zone called “the Shimmer” to collect data and locate the early explorers who have vanished inside. The movie shares some similarities with the book, but writer/director Alex Garland also made some significant changes and it’s best to view them as alternate entries in a shared universe. It’s notoriously difficult to translate cosmic horror to the big screen, but Annihilation manages to do it and do it well. Full of mind boggling images and a deep unfurling dread, this is a movie that really translates a sense of hopelessness and unfathomable fear.

Timecrimes (2007)

Timecrimes horror movie poster with creepy killer

Though perhaps more of a sci-fi thriller than horror, there are enough shocking scenes and gut-twisting suspense to earn the Spanish language film Timecrimes a spot on this list. The film opens with a man named Hector spying on a beautiful woman. His moment of voyeurism is suddenly disrupted when he is attacked by a man whose head is wrapped in bandages. Fleeing the scene, Hector is able to find refuge in a remote lab where a scientist convinces him to hide in what turns out to be a time machine. To say more would be to spoil critical scenes, but just know this movie, though saddled with a low budget and amatuer actors, is a wonderfully confounding and deeply disquieting.example of sci-fi horror.

Event Horizon (1997)

Event Horizon sci-fi horror movie poster with space ship and planet

Sure it flopped on its initial release (as did several other films on this list). Sure it’s been panned by critics and holds a highly debated place in film fandom. But whether you hate or, in our case, love it, there’s no denying that Event Horizon is fully ingrained in pop culture and space horror sensibilities. If you’re not familiar with it, it’s about a spaceship that stumbles across a portal to hell. As this infernal dimension begins to assert it’s dark influence the crew is slowly driven into a violent madness. Full of existential dread and shots of pure horror, Event Horizon is a film not to be missed. Just hope you return from the experience in a better state than the crew.

The Fly (1986)

The Fly horror movie poster with a fly and black background

We’re big fans of both body horror and practical effects over here at Puzzle Box, and one of the movies that best combines those two elements is David Cronenburg’s The Fly. Really there are many great choices in the Cronenburg cannon, but picked this one for its engaging premise and delightfully gross effects. Jeff Goldbloom, who gives a particularly captivating performance, plays a scientist whose failed experiment in teleportation transforms him into a gigantic insect. It’s a disgusting and nightmarish riff on Kafka’s The Metamorphosis, but it’s also a surprisingly poignant look into the complexity of human relationships. 

Re-Animator (1985)

Re-Animator horror movie poster featuring a severed head and a creepy scientist

Herbert West, a slightly off-kilter scientist, has discovered a secret formula that can reanimate dead tissue and ultimately bring the deceased back to life. After a successful trial run on a fellow student’s cat, West takes his extraordinary elixir to the morgue and from there all havoc breaks loose. Though the movie is loosely based on an H.P. Lovecraft short story, there were some major changes made and a lack of overall otherworldly dread. Instead we get a gloriously violent and darkly comedic romp full of gore and humor, all centered around the delightfully cheesy performance of actor Stewart Gordan. And really, what more could you want?

The Thing (1982)

The Thing 1982 sci-fi horror movie poster featuring a man in an arctic suit with beams of light coming through his head

John Carpenter’s The Thing is a masterpiece of paranoia and gorey practical effects. Based on the novella Who Goes There? by John Campbell Jr, Carpenter’s version is actually the third adaptation of the story and by far the most famous. In an isolated arctic setting, a team of scientists uncover an ancient alien being. Despite their best intentions, the creature is revived and begins to take them out one by one. What makes this plot particularly terrifying is the alien’s ability to mimic other lifeforms.The frenzy of shapeshifting that ensues, from the normal humanoid forms to the outrageously bizarre spectacles, keeps the scientists (and the audience) guessing on who is friend or foe. For the staff at Puzzle Box Horror, this is easily one of our favorite sci-fi horror films.

Scanners (1981)

Scanners horror movie poster from 1981 featuring a man whose head is exploding

Ok we swear this isn’t cheating, but we’re double-dipping in the Carpenter oeuvre. His movie Scanners, essentially about a group of telepathics seeking world domination and the counter-group fighting to subvert them, is what we consider essential viewing when it comes to the sci-fi horror genre. Yes it has the infamous head-exploding scene, and yes it’s as entertaining and memorable as you’d assume from a Carpenter film. But it also features some fine character acting and touches on some intriguing sociopolitical themes. Overall it’s a satisfying blend of cerebral commentary and visceral chaos. 

Alien (1979)

Alien 1979 horror movie poster featuring an alien egg

It’s impossible to talk about sci-fi horror without the angular, toothy distorted image of a xenomorph coming to mind. The whole alien franchise is fantastic (yes, even that one), but we have to give credit to the one that started it all. Ridley Scott’s Alien is dark, tense, and claustrophobic; a slow-burn of mounting dread and unseen foes until about the halfway mark when it explodes (literally) with stomach-churning horror. Featuring the unforgettable designs by H.R. Giger and inspiring decades of filmmakers after it, Alien stands as a shining example of the “horror in space” genre.

Invasion of the Body Snatchers (1978)

Invasion of the Body Snatchers 1978 movie poster featuring aliens and a person in a cocoon

It’s not often that a remake is better than the original, but the 70’s version of Invasion of the Body Snatchers is arguably superior to its predecessor. The enthralling performances of the leads, the creepy practical effects, the unnerving musical score, and the harrowing ending all work in perfect unison to make this a shockingly scary film. The cold war paranoia of the first movie has also been updated to showcase more relevant social metaphors, such as the loss of self and breakdown of community. Body possession movies have always been terrifying, and this one, about an alien plant that consumes its sleeping host and assumes their form, is a must-watch entry in the sci-fi horror genre.

Honorable Mentions

Possessor (2020)

The Invisible Man (2020)

Life (2017)

Ex Machina (2014)

Europa Report (2013)

Sunshine (2007)

Slither (2006)

28 Days Later (2002)

Donnie Darko (2001)

The Faculty (1998)

Demon Seed (1997)

Mimic (1997)

Cube (1997)

Tetsuo: The Iron Man (1989)

Aliens (1986)

From Beyond (1986)

Altered States (1980)

The Fury (1978)

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Celebrating the Female Writers of Horror

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Featured Horror Books Women in Horror

Women don’t get a lot of credit in any field that they may excel in, so why should the world of literature be any different? While, they get recognized by their peers, how many of you can name more than a handful of famous female horror authors off the top of your head? It’s unfortunate that most can’t, to say the least, but that’s something that we plan to remedy here today.

Woman in the dark
Photography by H.F.E. & Co.

While we are asserting that all of the writers listed here are horror writers, a lot of these amazing women have actually produced written work that is outside of the horror genre–or, even more astoundingly, their main genre of work may not even be horror.

Mary Shelley

(08/30/1797 – 02/01/1851)

Mary Shelley

Born Mary Wollstonecraft Godwin, Shelley is best known for her novel Frankenstein (1818) which is quite widely cited as the very first Science Fiction horror novel. Unfortunately, her career wasn’t quite as prolific as some modern writers, but her work seems to have been more about quality, rather than quantity. Unsurprisingly she wasn’t the first writer within the horror genre, but she was the first female horror writer and she did invent two completely different subgenres of horror. I do find it rather nice though, that all of her works are within the public domain and can be enjoyed by anyone who wishes to read her Gothic-styled genius.

Check out our coverage of Mary Shelley in her Dead Author Dedication we did earlier this year.


Daphne Du Maurier

(05/13/1907 – 04/19/1989)

Daphne du Maurier

Daphne Du Maurier has generally been classed as a romantic novelist, but the stories she produced in her lifetime have been described as “moody and resonant,” and most if not all of them have paranormal and supernatural overtones. Critics never gave her a fair shot when her bestselling works were first published, but her exceptional talent with her voice in narrative changed their minds and earned her a persistently unparalleled reputation.

A few of her novels have been adapted into films—quite successfully in fact, including Rebecca (1938), adapted by Alfred Hitchcock to film in 1940—which starts off as such an innocent romance, but quickly turns into a story with such a haunting atmosphere, you can’t be sure if it’s a ghost story, or one of subterfuge. Don’t even get us started on his adaptation of her novel The Birds (1952) which was released in 1963!

Some Books to Read by Du Maurier

  • Jamaica Inn (1936)
  • Rebecca (1938)
  • My Cousin Rachel (1951)
  • The Birds (1952)
  • Not After Midnight and Other Stories (1971)

Unfortunately, we haven’t covered the life and times of Daphne Du Maurier as of yet, but believe us when we say that her style of writing is phenomenal–actually, don’t believe us, read some of them and decide for yourself! Since we’ve been trying to cover a single dead author per month, in memoriam during the month in which they passed, we won’t be visiting the life and achievements of Daphene Du Maurier in full until April of 2021.


Shirley Jackson

(12/14/1916 – 08/08/1965)

Shirley Jackson

Shirley Jackson is one of those writers that the weird, dark, and haunted can thoroughly relate to–personally, I believe that she is the one writer I can relate to the most. Not because she was insanely talented–I’m not self-centered enough to believe I rank on her level–it’s because she never made an attempt to pretend that she was in any way normal and I mean that in complete admiration.

If you’re interested in learning more about Shirley Jackson, take a look at the articles we did to honor her for August’s Dead Author Dedication:


Lois Duncan

(04/28/1934 – 06/15/2016)

Lois Duncan

Lois Duncan made a name for herself by writing for young adults–those transitioning from childhood to adulthood, who needed a voice to relate to that would help them understand what it was like to have to evolve into a responsible human being, even under the worst of circumstances. As a horror writer for the young and the young-at-heart, Duncan left a legacy, not only for her readers, but for those who were inspired to follow in her footsteps.

She paved the way for writers and creatives to finally be able to appeal to the younger audiences who, otherwise would only have had adult horror to turn to–because, let’s be honest, those among us who love horror now have loved horror for a long time and if it hadn’t been for Duncan’s books we might not have had age-appropriate content for our nerdy dark brains to dive into.

You can learn more about Lois Duncan through our exploration of her life, literary achievements, and legacy–Puzzle Box Horror style, in our Dead Author Dedication in July 2020.


Anne Rice

(10/04/1941 – Present)

Anne Rice

She is a best-selling American author and having sold nearly 100 million copies of her books, is one of the most widely read authors in modern history. World-renowned, among her works the most well-known are the Vampire Chronicles, where she demonstrates her ability to convey love, death, immortality, existentialism, as well as the human condition under the umbrella of the gothic horror genre. One thing is certain, aside from Mary Shelley, Rice is possibly the most popular female author on this list!


Octavia E. Butler

(06/22/1947 – 02/24/2006)

Octavia E. Butler

Butler started her writing career in her twenties after studying at several universities and she blended elements of science fiction and African American spiritualism in her novels. Her first book, Patternmaster (1976) which would kick start her first series of books. It wouldn’t be her last series, however, as she continued to write and publish books up until her death in February of 2006. Although Butler was better known to be an author of science fiction, she often incorporated elements of our favorite genre, horror. Her most horror-inspired novel was published just a year before her death and told the story of a girl who discovers she’s a vampire. Often hailed as a genius, Butler worked to address racism from her vantage point as a writer and exposed the horrors of oppression in American history. When talking about one of her most popular books, she explained that, “[she] wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.”

Join us in February of 2021, for when we honor Butler’s contribution to horror.


Kathe Koja

(01/06/1960 – Present)

Kathe Koja

As a writer, director, and independent producer, Kathe Koja is a multiple platform powerhouse of a woman—her talent allows her to work within several different genres, from Young Adult, to contemporary, to historical, as well as horror fiction genres. Several of her novels have won awards and have also been translated into multiple different languages and her work has also been optioned for film and performance pieces.


Caitlín R. Kiernan

(05/26/1964 – Present)

Caitlín R. Kiernan

As an Irish-born American, Caitlín R. Kiernan is a published paleontologist and author of both science fiction and dark/horror fantasy. An accomplished author in her own right, Kiernan has published ten novels, a series of comic books, and over two hundred fifty short stories, novellas, and vignettes—for all of her hard work she has received both the World Fantasy and Bram Stoker awards twice!


Tananarive Due

(01/05/1966 – Present)

Tananarive Due

Tananarive is an all-around wonder when it comes to the horror community, not only is she an award-winning author, she also teaches about Black Horror and Afrofuturism at the University of California Los Angeles. But wait, there’s more—as a prominent figure in black speculative fiction over the last twenty years, she and her husband collaborated to write “A Small Town” for the second season of the reboot of The Twilight Zone. This is by no means a complete biography for Due but we hope it’s enough to interest you in her incredible literature and work for equality as she helps to educate in the exclusionary history of not just American history, but horror history.

To get better acquainted with Tananarive Due, check out her official website and the upcoming article we have dedicated to her work in horror.

For a more in-depth look at the history of horror and the role that black people have historically played within the genre, keep an eye out for Shudder’s Horror Noire: A History of Black Horror. Tananarive Due is listed as an executive producer for this highly anticipated documentary and it’s coming out in February 2021, just in time for Black History month!


Gemma Files

(04/04/1968 – Present)

Gemma Files

London-born, Gemma Files is a Canadian horror writer, journalist, and film critic—but she had quite a meager start as a freelance writer until she landed a continuing gig with an entertainment periodical called Eye Weekly. It was this position that led to her gaining local traction, as she began critiquing horror, independent, and Canadian films. In 1999 Gemma won the International Horror Guild Award for Best Short Story, with The Emperor’s Old Bones. Since then, five of her short stories have been adapted to television for The Hunger series. She’s been nominated for countless awards, including the Shirley Jackson Award in 2009 and 2010 for a short story and novelette respectively.


Jemiah Jefferson

(01/01/1972 – Present)

Jemiah Jefferson

Another elegant African American horror author, Jemiah Jefferson toes the line between horror and erotica through her gift to horror-loving women everywhere—her Voice of the Blood series about the famous creatures of the night has been called “smart, beautiful, sexy, and vicious.” (I’m not going to lie, I may have purchased all four of them the very same day I discovered her.) Jemiah has a lot more to offer in the way of novels and short stories, however, and we’re exceptionally excited to share her with you all.


Helen Olajumoke Oyeyemi

(12/10/1984 – Present)

Helen Oyeyemi

Oyeyemi and her writing are equally unique, her writing transcends any genre that attempts to confine or define her, so the best way we can describe her work is a blend of horror, fantasy, fairy tales, and folklore. While not a dedicated horror writer, her work is often unsettling (just the way we like it), frightening, and she often explores the paranormal, bizarre, and supernatural elements of fiction. When she was a young woman, just twenty years of age, she published her first novel The Icarus Girl (2005), which mixed the paranormal with Gothic horror themes and Nigerian folklore. In 2009, her novel White is For Witching, was published and is considered one of the great modern cosmic horror novels—we personally loved it!


Kat Howard

(09/14/19** – Present)

As a modern-day writer in a genre dominated by a more masculine influence, Kat Howard is a refreshing change of pace–since the best writing is when you are allowed to immerse yourself in the story and are otherwise unaware of the writer’s gender, skin color, sexuality, or how they otherwise identify themselves.

We were lucky enough to be able to speak to Kat Howard recently—so, check out the interview that we did with Kat Howard, where she speaks about her novel The End of the Sentence (2014), horror, and what it’s like to be a writer. You can check out that interview here if you’d like to know more!

You can find out a bit more about her on her official website, kathowardbooks.com and you can also follow her on twitter!


We reserve the right to update this list in the future to further represent female writers of the horror genre that we may currently be unfamiliar with–an exclusion of an amazing female horror author here only means that we have yet to be introduced to her work! Let us know if you believe someone should be included here!

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