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A Look into the Life of Horror Writer Dennis Etchison

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Featured Horror Books

Possibly one of the most well-received writers and unfortunately, one of the most recently deceased within the horror writing community, Dennis Etchison made his waves in the world of writers at large. As an American writer and editor of fantasy and horror fiction, he has been hailed as, “one hell of a fiction writer,” by his peer in horror, Stephen King. Etchison himself described his work as, “rather dark, depressing, almost pathologically inward fiction about the individual in relation to the world,” which is fair–writing horror is a pretty grim business. It could be argued that The Viking-Penguin Encyclopedia of Horror and the Supernatural, which described him as, “the most original living horror writer in America,” really did recognize the genius and inspirational talent of him as a writer. At the end of this month, we’re coming up on the first anniversary of the death of this highly regarded writer of horror fiction. So join us as we celebrate the life and work of Dennis Etchison for our Dead Author Dedication of May.

Growing Up…

Born Dennis William Etchison on March 30, 1943 in Stockton, California and he grew up as an only child when World War II was still ravaging the globe. He, therefore, didn’t have any men in his home and as a result believed he was spoiled greatly as a child where he spent most of his time without normal exposure to children his own age. It’s said that this sense of isolation from his peers, as well as the need to interact with society, was reflected later as parts of the themes of many of his work. His father regularly took him to attend shows at the Olympic Auditorium where he developed a fascination in the fight between good and evil–and gave him the ability as a young boy to become a fan of wrestling as a sport.

During his teenage years he wrote for his school papers and was a decidedly good writer for his age, having discovered Ray Bradbury and emulated his style before he had developed his own. This was the time that he began writing short stories, but upon submitting them for publication was rejected every time–that is until he remembered Ray Bradbury, who had suggested that a writer should look to a market that would be the least likely to publish their work. After heeding the advice of his source of inspiration, he was promptly accepted for publication in a gentlemen’s magazine entitled Escapade.

Career

While we’re going to focus more on the literary career of Dennis Etchison in our next installment of the Dead Author Dedication for the month of May, we feel it’s important to recognize here some of the highlights of his achievements. Dennis Etchison had a prolific writing career when it came to short story fiction, something utterly unheard of for an author who was actually quite popular during their lifetime–considered a king of anthologies, he began with publications of his short stories in the 1960s.

At UCLA he sought a higher education in the 1960s, Etchison studied film and eventually became highly knowledgable on the subject; he wrote various screenplays, many of which were never produced. He even became a consultant to Stephen King for his non-fiction volume Danse Macabre (1981) and also wrote for television. In his expansive five-decade career, his range included short stories, movie novelizations, original novels, anthologies, essays, editorials, and radio work.

Not surprisingly, Etchinson also served as the President of the Horror Writers Association from 1992 to 1994. At the turn of the century, in 2002, he adapted almost one hundred episodes of the original Twilight Zone television series for a CBS radio series which was hosted by Stacy Keach. Over the course of his career, he won the British Fantasy Award three times for fiction, as well as two World Fantasy Awards for anthologies he was responsible for editing. In 2017, Etchison was recognized by the Horror Writers of America when they bestowed the honor of the Bram Stoker lifetime achievement award upon him.

Much of Etchison’s work can be found under his pen name, Jack Martin, One thing that Etchison can be credited for aside from all of his other achievements is his excessive humility when regarding his own work. Inspiration can be found from his relatability for aspiring writers and we think that this can be summarized by one quote in particular.

I know a short story or a book that I’ve written much better than anybody else in the world. I’ve read it a hundred times. And just because it’s published doesn’t mean I think it’s perfect. You don’t write in a vacuum. You write on a schedule, professionally, and something may be published that I know is flawed. I understand the weaknesses of the work better than anybody else.

I could give you an annotated version of one of my stories that would point out not only the references and the origins of the lines and thoughts, but what I was trying to do – what I wished there were more of, what I now think there’s too much of. After you’ve written it and set it aside, you can come back to it and you see it in a different light. So I now look back at any story of mine more than a couple of years old and it does not look good to me. I could go through it and make it better, but I don’t do that. It represents the best I could do at that time, under those circumstances, and it’s representative of the person I was. I am embarrassed by some of the early stories, which continue to come back in reprint anthologies around the world.

It’s nice to be paid for work I did in my teens! But I can look at it as if someone else had written them and say, “My God! Is he aware of how these words look on the page?” I have a more acute sense of style than I did then; a better understanding of myself and human relationships. Two years from now I’ll look back at the present stories and be appalled. But it’s like life: what you do is the best you can do on that day. You have to finish your job at the end of the day and say, given the circumstances, this was the best that I could do. But tomorrow’s a new day. I can try to do better.

Dennis Etchison on his own writing.

Throughout his career Etchison gave back to the next generation of aspiring writers, by teaching classes in creative writing at his alma mater, UCLA. The most admirable trait of this horror master, is that he inspired many to write down their stories and accept that our flaws as writers actually contribute to our ability to evolve and improve.

Death

Although his cause of death has still been relatively unreported upon, we do know that Etchison was reported to have died during the night on May 28, 2019, at the age of 76. This was a tremendous blow to the modern horror community, as it lost one of the most influential modern writers who brought originality and life to such an exciting genre of fiction.

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A Lovecraftian Life and Death

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Lifestyle

Known as the Father of Cosmic Horror, H.P. Lovecraft only lived for forty-six short years. What he was able to accomplish in his lifetime, however, was enough to change the tides of an entire genre.

A Visionary from an Early Age

Howard Phillips Lovecraft was born in the late summer of 1890, to Sarah Susan Phillips Lovecraft and Winfield Scott Lovecraft, in Providence, Rhode Island. As a child of three, his father suffered from a nervous breakdown and was sent to Butler Hospital, where he remained in residence for five years until his death in the summer of 1898. Unaware of his father’s mental condition, Lovecraft was told that his father was paralyzed and comatose, but surviving medical records show that his father actually died of paresis—a form of neurosyphilis.

Following the death of his father, Lovecraft was brought up by his mother, two aunts, and grandfather—who had him reciting poetry at two, reading at three, and writing at six or seven years of age, having recognized his advanced intelligence. By the age of five, he had proven his penchant for the creative, fantastical, and mythological, eventually using these influences to inspire his own literary works. His oldest surviving work came when he was a young boy of seven, having paraphrased the Odyssey into rhyming verse in his 1897, “The Poem of Ulysses.” His grandfather played a large role in Lovecraft’s strange gothic sense of fantasy, encouraging him to pursue his weird flights of fantasy into the realm of horror.

Due to numerous childhood afflictions, including some instances of psychological troubles, Lovecraft’s attendance at school was never consistent—he spent much of his youth studying independently, favoring chemistry and astronomy over all else. As far as works of fiction, Edgar Allan Poe served as the inspiration for much of Lovecraft’s dark and imaginative creations. Despite his diminished ability to socialize, he was still able to create and maintain a number of significant friendships with his peers when he attended Hope High School, through his self-published hectograph journals. These journals, The Scientific Gazette (1899–1907) and The Rhode Island Journal of Astronomy (1903–07) garnered him his peer’s encouragement to write outside of his home. Unfortunately, in 1908 Lovecraft suffered from a nervous breakdown and never received his diploma. His inability to graduate high school and be admitted into Brown University would be a source of great shame to Lovecraft later in life

This breakdown led Lovecraft to become somewhat of a hermit for several years—exacerbated by the death of his grandfather and their consequential financial ruin—he would stay up late studying, reading, and writing poetry, then sleeping late into the day. Even though he managed to publish articles on astronomy in several newspapers, Lovecraft went through a difficult time after losing his childhood home, as well as the compulsive love-hate relationship he had with his mother, so he regularly contemplated suicide.

From Isolation to Notoriety

Emerging from his need for isolation in 1913, like an internet troll emerges when they see something online that drives them absolutely crazy, Lovecraft wrote an entire letter in verse to Fred Jackson as an affront. He joined the United Amateur Press Association in 1914, which is where his amateur journalism career began, leading him to launch his self-published magazine The Conservative in 1915. It would be safe to say that these opportunities launched Lovecraft’s entire career out from within the pit of his own self-pity.

H.P. Lovecraft (1915)
H.P. Lovecraft (1915)

“In 1914, when the kindly hand of amateurdom was first extended to me, I was as close to the state of vegetation as any animal well can be… With the advent of the United I obtained a renewal to live; a renewed sense of existence as other than a superfluous weight; and found a sphere in which I could feel that my efforts were not wholly futile. For the first time I could imagine that my clumsy gropings after art were a little more than faint cries lost in the unlistening world.”

Howard Phillips Lovecraft

It only took two more years of his life before he once again delved into his fictional worlds—in the summer of 1917, Lovecraft easily produced “The Tomb,” as well as “Dagon,” which were two shorter stories that he owed to his passion for fiction. The dark edgy tales of Edgar Allan Poe and fantasy tales of Irish author Lord Dunsany, which inspired some of his earlier fiction pieces.

I will tell only of the lone tomb in the darkest of the hillside thickets; the deserted tomb of the Hydes, an old and exalted family whose last direct descendant had been laid within its black recesses many decades before my birth.

“The Tomb”, June 1917 by Howard Phillips Lovecraft

It was around this time that his mother’s own mental and physical deterioration began to really affect her and after her own nervous breakdown in 1919, she was admitted to Butler Hospital—the same hospital Lovecraft’s father had been committed to and subsequently died in. Only two years later a failed operation caused the death of his mother and in spite of his devastation, Lovecraft recovered enough to meet his future wife a few weeks later. In 1923, the horror magazine Weird Tales paid Lovecraft for his stories, which was his first paid gig as a writer. When he married Sonia Greene in 1924, they moved to New York for two years, but the marriage soon failed and Lovecraft returned to Rhode Island where he began working on his most renowned stories. Just two years after splitting up with his wife, “The Call of Cthulhu,” came out in the Weird Tales magazine, which was the first piece that really helped make a name for Lovecraft as an author of otherworldly horror.

The Death of a Legendary Horror Writer

I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.

Howard Phillips Lovecraft, 1926
Tombstone of H.P. Lovecraft
Tombstone of H.P. Lovecraft

The last decade of his life was spent creating what is now known as his classics, having found a niche for himself as an author of weird horror fiction, and prolific writer-of-letters. The last few years of his life, in particular, were incredibly strenuous for Lovecraft, beginning with the death of one of his aunts in 1932, from there his writing became largely too complex to sell to a normal reader. At this part of his career, he began to attempt a career solely editing, as well as ghostwriting stories, poetry, and non-fiction—no longer even trying to sell his own original creations. The suicide of a close friend brought him depression, but it was ultimately his own incurable illness that would bring Lovecraft’s final days. In the winter of 1936, Lovecraft’s intestinal cancer caused him pain that increased on a daily basis and eventually he had taken himself to the hospital where he died five days later, on March 15, 1937.

Like many other underappreciated artists of his age, Lovecraft has gained a far greater following after death than he ever saw during his lifetime. He’s been the inspiration for writers Peter Straub, Stephen King, as well as Neil Gaiman—to name a few.

Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.

Stephen King
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From Traumatized to Terror Creator, the Life of Robert Bloch

Categories
Featured Horror Books Horror Mystery and Lore
Robert Bloch (1979)
Robert Bloch (1979)

His Youth and Education

Robert Albert Bloch was born in Chicago, Illinois on April 5 in 1917, to two German Jews, Raphael Bloch and Stella Loeb who, despite their Jewish heritage, had the family attend a Methodist Church. When Bloch was only eight years of age, he attended a screening of Lon Chaney Sr.’s The Phantom of the Opera (1925) on his own, where he was traumatized by his first horror scene—where Chaney removes his mask to reveal the Phantom’s horrific face. According to Bloch, “it scared the hell out of [him] and [he] ran all the way home to enjoy the first of about two years of recurrent nightmares.” Like many fans of horror who see their first horror flick too young, this trauma and subsequent nighttime hauntings sparked his interest in horror. He became an avid reader at eight, reading books well above his own level of schooling, as well as experimenting with pencil sketches and watercolor art. While he very much had a love for artwork, but he was diagnosed with myopia in his youth and it deterred him from pursuing it professionally.

At the age of twelve, Robert’s father lost his job at the bank and the family moved to Milwaukee, Wisconsin, where he grew up throughout the Great Depression. During his youth, he delighted in the Golden Age of horror films that played in the picture houses, and the magazine Weird Tales, which he scrimped and saved for each month from his allowance so as to purchase a copy of this pulp magazine. Bloch’s favorite childhood short story was one of Lovecraft’s first-person narratives about an artist whose disturbing creations lead to his disappearance, entitled “Pickman’s Model,” and he would also end up doing flattering imitations of his mentor’s style later on. When Bloch was just seventeen years old he wrote to his highly regarded idol, H.P. Lovecraft, to proclaim his admiration for the writer’s short stories. It is said that he greatly preferred Lovecraft’s particular flavor of genre—cosmic or as it’s often regarded, Lovecraftian horror—over what he was being taught in his own high school English classes.

To the unending joy of Bloch, Lovecraft wrote him back and sent him copies of earlier stories he had written and asked Robert if he himself had written any weird fiction. This is when he would be admitted into The Lovecraft Circle as well as when he began writing some of his first (of many) short stories that would be published in Weird Tales. He would be the youngest member of The Lovecraft Circle, which were a group of writers who followed H.P. Lovecraft and published their short fiction in Weird Tales—a pulp horror magazine that circulated during the Great Depression.

Career

With the early influence of Lovecraft and his cosmic horror, Bloch’s earliest short stories took place in Lovecraft’s Cthulhu Mythos fictional universe. Not too long later, Bloch would begin to associate with the Milwaukee Fictioneers, a group of writer’s dedicated to pulp fiction where he began to deviate and develop his own style, instead of relying upon the Lovecraft influence. When Lovecraft died in 1937, Robert was deeply affected by the loss of his mentor, but used it as a reason to keep writing.

Despite my ghoulish reputation, I really have the heart of a small boy. I keep it in a jar on my desk.”

Robert Bloch

Novels

Bloch’s first novel to be published was The Scarf (1947) and was very reminiscent of the style he had developed when he was involved with the Lovecraft circle, but also marked the beginning the development of a style he would explore later that would be considered pulp fiction. Like most other horror writers, Bloch had a certain kind of story that inspired him—for some writers it’s urban legends, supernatural monsters, or wicked folklore; but Robert’s inspiration didn’t come from folklore so much as it did true-crime serial killers from all throughout history. Jack the Ripper, Marquis de Sade, and Lizzie Borden were amongst those whom Robert created stories based on their legacies, which included short stories such as “A Toy for Juliette” and “Lizzie Borden Took an Ax….”

When Ed Gein was arrested in his home in Plainsfield, Wisconsin for the murders of two women in 1957, authorities discovered that Gein had been stealing corpses from fresh graves of local women and then using their flesh to create furniture, silverware, and clothing. Bloch only lived about thirty-five miles away from where Gein had lived, so after the discovery of this serial so close to home, he became obsessed. The idea of his next door neighbor being a monster, but going undetected even in such a small town is what he considered his largest inspiration for Norman Bates, the anti-hero of Psycho (1959). The story of Ed Gein was sensational at the time, but what really translated Bloch’s Psycho into an instant classic both in text and Alfred Hitchcock’s adaptation for the big screen, was due to the psychological not-so-undertones of the story.

While Bloch had enjoyed some critical and commercial success before he produced Psycho, it wasn’t until the novel was published that his life changed forever. With Psycho and its instant success, he was approached by a Hollywood production company with an offer to purchase the rights to the film. He made a whopping $9,500 which through inflation would equate to $84,472 and some change.

The world of horror would be forever changed by Norman Bates, the sensitive mama’s boy, whose domineering mother corrupted him—which brought an interesting air to the 1960s as the field of psychoanalysis and the research of the Oedipus Complex which coincided with a crisis in contemporary American masculinity which followed the women’s movement of liberation. When Norman psychologically becomes his mother at the end of the novel it was representative of Freudian horror in the utmost of extreme cases. Psycho wasn’t Bloch’s only success and he continued on with his creative writing, winning awards and accolades for his talent.

Death

Bloch was seventy-seven when he passed away on September 23, 1994—he had long battled with cancer and it finally took him at his home in Los Angeles. Before he passed, however, he wrote what was considered an unauthorized autobiography, which was titled Once Around the Bloch (1993) and while he didn’t speak of his illness, it was clear that it was written with the realization that he was not long for this world.

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Mary Shelley: How a Teenager Changed the Literary World

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Featured Horror Books Horror Mystery and Lore Women in Horror

Growing Up in a Literary Household

Born in London, England on August 30, 1797, as Mary Wollstonecraft Godwin–Mary was the daughter of famed feminist Wollstonecraft as well as the philosopher and political writer William Godwin. Her mother Mary Wollstonecraft authored The Vindication of the Rights of Woman in 1792, but she died shortly after Shelley was born, and consequently, they were never able to develop a relationship.

There is some warrant for seeing Mary Shelley as a reflection of her parents, for both mother and father were extraordinary. Her mother, Mary Wollstonecraft, published the classic manifesto of sexual equality, A Vindication of the Rights of Woman (1792). Her father, William Godwin, established his preeminence in radical British political thought with his Enquiry Concerning Political Justice (1793) and won a permanent place in literary history with his novel Caleb Williams (1794), often considered the first English detective novel. The toast of radical social circles, the two were bound to meet. When they did, in the summer of 1796, an immediate mutual attraction began, and they were married on 29 March 1797. On 30 August of that year Mary Wollstonecraft Godwin was born. Complications from her birth resulted in her mother’s death 10 September.

Shelley and her older, half-sister Fanny Imlay (a child her mother had through an affair with a soldier), were raised by Shelley’s father William Godwin until he remarried in 1801. Shelley’s stepmother brought two of her own children into the marriage and she and Godwin would later have a son together. Although she provided Shelley with a mother figure, they were never exactly fond of each other–Mary Jane Clairmont would end up sending her own two daughters away to school, but decided that Shelley had no need of a formal education. Despite Mary Shelley’s lack of a true formal education, she educated herself through her father’s own extensive library and she could often be found reading by her mother’s grave.

As a child, I scribbled; and my favourite pastime, during the hours given me for recreation, was to ‘write stories’.

Mary Shelly in The Life and Letters of Mary Wollstonecraft

Her First Publication

The Godwin household was no stranger to many distinguished people of the time, their household visitors included Samuel Taylor Coleridge and William Wordsworth; it’s no surprise that Shelley found a creative outlet in writing, as her escape from her often overtly challenging life at home was being able to delve into her imagination through daydreaming. Her first publication was a poem called, Mounseer Nongtongpaw; or The Discoveries of John Bull in a Trip to Paris which was made official through her father’s publishing company in 1807–stunningly showing her prowess as a writer at the young age of ten.

Mounseer Nongtongpaw; or The Discoveries of John Bull in a Trip to Paris

Illustration for Shelley's Poem
Illustration for Shelley’s Poem

John Bull, from England’s happy Isle,
Too Bold to dread mischance,
Resolv’d to leave his friends awhile,
And take a peep at France.

He nothing knew of French indeed,
And deem’d it jabb’ring stuff,
For English he could write and read,
And thought it quite enough.

Shrewd John to see, and not to prate,
To foreign parts would roam,
That he their wonders might relate,
When snug again at home.

Arriv’d at Paris with his dog,
Which he for safety muzzled,
The French flock’d round him, all agog,
And much poor John was puzzled.

The rest of the poem can be found at wikisource.org, as it is a work within the public domain.
Mounseer Nongtongpaw; or, The Discoveries of John Bull in a Trip to Paris

How a Teenager Changed the Literary World

Just five years after she published her first poem, during the summer of 1812, Mary blossomed into a young woman–one who resembled her late mother far too much for her step-mother to bear. It was for this reason that Mary Jane Godwin, Shelley’s step-mother, forced her to travel to Scotland to stay with an acquaintance of her father–William Baxter and his family. It was during this stay with Baxter’s family, that she found a sort of serenity in the daily domestic lifestyle and she returned the following year to recapture the bliss she had captured the year before. The two years in Scotland may have nurtured Mary’s literary imagination, but it also further isolated her from her much-loved father.

They were my eyry of freedom, and the pleasant region where unheeded I could commune with the creatures of my fancy. I wrote then—but in a most common-place style. It was beneath the trees belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.

Preface to the single-volume, Standard Novels edition of Frankenstein in 1831

A Scandalous Affair & the Birth of a Monster

In 1814, Percy Bysshe Shelley, a poet under the tutelage of Mary’s father, but soon focused his attentions solely on Mary. She soon began a relationship with the still-married Percy Shelley; when she was nearly seventeen years old, the two ran off to England together, along with Mary’s stepsister Jane. Despite the close relationship she had with her father, Mary’s actions alienated her from them, who would go a long time before speaking to her again. The couple traveled through Europe for quite a time, struggling financially and facing the loss of their first child–a baby girl, who lived only for a few days–in 1815.

The summer of 1816, Mary and Percy were in Switzerland with Jane Clairmont, Lord Byron, and John Polidori–the story goes that the group were entertaining themselves on a tumultuously rainy day by reading ghost stories. It was this day that Lord Byron suggested that they make a game out of each creating their own horror story and see who could come up with the best one. This is how Mary began her work on what would become her most renowned novel, Frankenstein, or the Modern Prometheus–so in many ways, when Mary began to write this infamous tale, she was showing off to what she considered her peers in the literary community.

Two Suicides & A Wedding

Late in 1816, Mary’s half-sister Fanny Imlay committed suicide and a short time later, Percy Shelley’s first wife also committed suicide by drowning herself. Instead of taking this time to mourn, Mary and Percy Shelley seized the opportunity to officially marry one another in December 1816. During their escapades in Europe, Mary Shelley published a travelogue entitled History of a Six Weeks’ Tour (1817), while continuing to work on the monster tale that she had begun in Switzerland.

When she finished her famous monster story, Frankenstein, or the Modern Prometheus, she did so anonymously in 1818. Since Percy Shelley wrote the introduction to the book, it was mistakenly believed that he was the author of the book, but as the novel continued to be a huge success, the Shelleys moved to Italy and Mary devoted herself heavily to her marriage which was rife with infidelity and heartache. Two more of the children that Mary birthed died and the only child they bore that survived to adulthood, Percy Florence Shelley, came about in 1819.

Later Years

The most devastating tragedy that affected Mary was when her husband drowned in a boating accident with a friend in the Gulf of Spezia, in 1822. She was made a widow at the young age of 24, but she continued to work diligently to support herself and her son. Despite having lived a full, scandalous and tragic life before she was even a quarter of a century old, Mary didn’t give up. After her husband died, she wrote several more novels, including Valperga (1823), as well as another science fiction tale The Last Man (1826). A devoted wife, even after her husband passed, she continued to promote his poetry to preserve his place in literary history, despite facing opposition from Percy’s father who had always disapproved of his son’s unorthodox lifestyle.

Death

Shelley continued to live until the age of 53–she passed away on February 1, 1851 from aggressive brain cancer and was buried at St. Peter’s Church in Bournemouth with the remains of her late husband’s cremated remains. Shortly after her death, her son Percy and daughter-in-law Jane had Shelley’s parents exhumed from St. Pancras Cemetery in London and had them place next to Mary Shelley within their family tomb.

Fact or Fiction?

Sometimes the truth is stranger than fiction, but considering the traditions we maintain to this day–keeping cremated remains in urns on our mantles, as one example–what we know about what Mary did is actually not all that strange! After Percy Shelley’s remains were recovered from his boating accident, his remains were cremated–oddly enough, his heart refused to burn and it is speculated that this was due to a disease which slowly calcified his heart. Instead of burying Percy’s heart along with the rest of his cremated remains, she kept it as a valuable possession in a silken shroud and carried it with her wherever she went. It wasn’t until a year after her death that Percy’s petrified heart was found wrapped in the pages of one of his last poems Adonais. It was eventually buried in the family vault with their son, Percy Florence Shelley when he died in 1889. It was wrapped in the pages of one of his last poems, Adonais. The heart was eventually buried in the family vault with their son, Percy Florence Shelley, when he died in 1889.

Mary Shelley (2017)

Mary Shelley (2017)
Mary Shelley (2017)

With the recent trend of classical authors having their tales told, it was about damn time that Shelley got the credit she deserved. Somehow it still took well over a century and a half for Shelley to be recognized on the big screen in a biographical sense, although the movie is rife with inconsistencies comparatively with how she has been historically represented. If taken at face value, however, it is an excellent movie–we highly recommend it if you’re a fan of Shelley at all–it is not at all within the genre of horror, despite her status as the famed mother of sci-fi horror fiction.

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Robert Bloch: The Man Who Brought Us Psycho (1959)

Categories
Featured Horror Books Horror Mystery and Lore

During his lifetime, Robert Bloch traveled through the horror subgenres in pursuit of any and all things strange, morbid, or macabre. He started his writing career by imitating his mentor H.P. Lovecraft and subsequently becoming Lovecraft’s peer when he began to expand upon the Cthulhu mythos. It’s fair to say that without the influence and encouragement of Lovecraft, Bloch may never have become the successful and prolific author of horror fiction.

The Wildly Successful Novel?

It’s true that “millions of people across the globe know Psycho very well,” (Hood and Szumskyj, 102) but the Pyscho that they know is the Alfred Hitchcock film adaptation—to say that as many of them are familiar with the original novel by Robert Bloch would simply be false. Truth be told, however, without the masterful original inspiration, there would be no Psycho film franchise and massive following that it has had over the years.

All in all, Bloch himself was quite satisfied with how the movie adaptation came out, not to mention the fact that he regularly quoted Hitchcock when he reminded people that, “Psycho all came from Robert Bloch’s book. The scriptwriter, Joseph Stefano, a radio writer, he had been recommended by my agents MCA, contributed dialogue mostly, no ideas.” This apparently tickled Bloch so much that he even repeated it in his own unofficial biography Once Around the Bloch. He wanted everyone to know how much he endorsed the movie as a great representation of his book, this was a change in direction for Hitchcock, who had a history of taking artistic liberties when adapting other novels to the screen—consider, for example, the differences between Hitchcock’s The Birds (19363) and Daphne Du Maurier’s The Birds and Other Stories.

Was Psycho (1959) Based on a True Story?

Bloch had a pretty obsessive fascination with psychopaths and serial killers in general, in fact, the inspiration for his masterful novel Psycho (1959) was loosely based on “the infamous real-life Wisconsin serial murderer Ed Gein” (Hood and Szumskyj, 104). In 1985, Bloch gave an interview to Ron Leming where he disclosed the fact that at the time Gein’s crimes were discovered, he had lived only twenty-nine miles away from where Gein had lived in Plainfield, Wisconsin. It was upon this discovery that Bloch became obsessed with the idea of this psychotic murderous person living in plain sight, perhaps even being the seemingly kind neighbor who would fly under the radar. Although Bloch didn’t intend for the novel to read like a biography of Gein’s life, he did take elements from his life as inspiration for his main character, Norman Bates. Ed Gein was, during his early years, a poor loner raised by troubled parents; his father was an alcoholic and his mother a domineering and fanatically religious woman who exerted her monstrously controlling influence upon Ed and his older brother Henry. It’s not terribly surprising that Henry ended up dying in a fire under suspicious circumstances in their family home.

Alfred Hitchcock’s Film Adaptation: Psycho (1960)

When Alfred Hitchcock purchased the rights of Robert Bloch’s novel Psycho (1959) for a meager $9,500 he did so anonymously—it wasn’t until closer to the release of the film that he came to find out. Hitchcock’s screenwriter Joseph Stefano remained incredibly true to the original story, altering the screenplay only minimally to fit the infamous director’s vision.

Hitchcock’s wildly successful film continues to dominate the public consciousness and, indeed, its dreams and nightmares: the stark, indelible black-and-white images, the characters, the suspense and horror of the storyline, the infamous shower scene, Norman Bates as masterfully portrayed by the unnerving Anthony Perkins, the ultimate unveiling of “Mrs. Bates,” the unforgettably desolate setting of the little neglected dark motel off the road far from the main highway and the house behind it—all this has, by the present day, become such a part and parcel of our culture that for many, Psycho is just one of Hitchcock’s most popular and shocking films, now as then upon its release in 1960.

Scott D. Briggs, “The Keys to the Bates Motel: Robert Bloch’s Psycho Trilogy” in The Man Who Collected Psychos (2009)
Psycho Movie Poster (1960)
Psycho (1960)

Trickery in the Theater

Hitchcock was possibly at the height of his showmanship when the 1960s thriller Psycho came out. Now, when we look back at how he maximized the attention of this legendary film’s release, we can see how blatant of a publicity stunt it really was.

Kudos to Hitchcock though, because he committed to it to such a degree that he made it abundantly clear that, in no uncertain terms, no one was allowed into the theater once the feature had begun.

Stationed outside each box office where the film was being featured was a five-foot-tall cardboard standee of Hitchcock himself, holding a sign that warned theater attendees of the following:

WE WON’T ALLOW YOU to cheat yourself! You must see PSYCHO from beginning to end to enjoy it fully.

Therefore, do not expect to be admitted into the theatre after the start of each performance of the picture. We say no one – and we mean no one – not even the manager’s brother, the President of the United States, or the Queen of England (God bless her)!

– Alfred Hitchcock

Now, if you have seen this classic thriller, you’ll know exactly why Hitchcock didn’t want people to walk in late and spoil the movie for themselves, but if you don’t know why—consider the following:

The synopsis of the movie is that “a Phoenix secretary embezzles $40,000 from her employer’s client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.” To go along with this, the theatrical trailer for the movie shows the star of the film as Janet Leigh—Leigh’s part in the movie, while substantial to the story, is tragic and short-lived. This was incredibly controversial and shocking to audience members who, having watched the trailer, expected her to be in the entire movie. Classic Hitchcock.

The Remake—Psycho (1998)

While the remake from 1998 didn’t add any content or context that enriched the movie from the original Bloch creation, it did come across as a reverential and faithful scene-by-scene retelling of the original movie. Vince Vaughn and Anne Heche play our main characters and do these classic scenes a decent amount of justice. Other than being a modernized version of the original film, there isn’t much that this movie brings to the table—I still personally enjoy watching it occasionally.

Work Cited

Bloch, Robert. Psycho. Blackstone Audio, Inc., 1959.

Hood, Robert, and Szumskyj, Benjamin. The Man Who Collected Psychos: Critical Essays on Robert Bloch. McFarland, 2009.

Sorene, Paul. “Alfred Hitchcock’s Rules for Watching Psycho And Behind The Scenes Photos (1960).” Flashbak, 30 Oct. 2017, flashbak.com/alfred-hitchcocks-rules-watching-psycho-behind-scenes-photos-1960-389260/.

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