While zombies have been on the pop culture radar pretty
heavily for several decades now, the history of this undead phenomenon has a
history deeply rooted in the Haitian Voodoo religion—in fact, the belief in
zombies is still a relevant aspect of New Orleans Voodoo. In our western
society, we rely heavily upon our knowledge of what is presented to us in
movies and television, but the zombie culture we know and love evolved from a very
real magical tradition. Original zombification didn’t involve leaks from
biological factories, like what happened in Train to Busan (2016), or an
airborne virus as was the case in AMC’s The Walking Dead (2010)—it involved
a spiritual, magical, and chemical process that arose through voodoo ritual
which required the calling of several voodoo spirits (Loa).
Where we see zombies being portrayed as people who have died then coming back to life, the voodoo tradition it is actually a person who is under the powerful influence of psychoactive drugs. These drugs are usually administered to the unfortunate person by a bokor, the voodoo equivalent to a sorcerer or witch doctor. After being dosed with these psychoactive drugs, the victim essentially goes into drug-induced paralysis which mimics death so profoundly that it is rumored that people have been buried alive after being zombified. This is the case in one of the original, classic zombie films The Serpent and the Rainbow (1988), where the main antagonist, is buried alive while fully cognizant—which, needless to say would be incredibly terrifying.
The
Process of Zombification
Photography Renato Danyi
There is a lot of disagreement
about whether or not the person who is to become a zombie is actually deceased
or not—some believe that the process revives the recently dead into mindless,
soulless automatons, while others insist it’s just the effect of psychoactive
drugs that leaves the victim in a state of deep, chemical-induced paralysis,
which mimics death to the point that even vital signs are not measurable. Within
the Voodoo religion, only bokors
have the power to create and control zombies, while the methods and
ingredient amounts changes from each individual bokor, the process follows the
same pattern. Some processes use voodoo dolls, blood and hair from the intended
victim, and others use a “zombie” powder—this powder is a concoction of varies
herbs and animal parts, most of which are poisonous, as well as human remains.
This powder can then be administered through ingestion or injection and begins to take effect immediately. Immobility, slowed vitals, and reduced oxygen intake occur within minutes which results in the death-like paralysis where the victim is still fully conscious of their surroundings. Once officially declared dead, the victim is buried alive and within eight hours, the bokor digs up the body to keep the victim from actually dying from asphyxiation. Other procedures follow, which result in a mindless and easily controlled zombie which does the bidding of the bokor who created it. The person remains a zombie until the bokor passes away and is no longer capable of administering the drug that maintains the victim’s zombie-like state.
Clairvius Narcisse the Real Haitian Zombie
Photography by NeONBRAND
Zombification is often referred
to as either a solely magical or physical experience, but in truth it is a
mixture of both, it’s essential for a person to have a belief in voodoo and the
ability to be turned into a zombie in order for the process to work in its
entirety. This
was the case for Clairvius Narcisse, the man who claimed to be a zombie,
but returned home after eighteen years and his story was finally told.
In 1962, Narcisse was admitted
to the Albert Schweitzer Hospital in Deschapelles, Haiti. He complained of
fever, body aches, and ‘general malaise,’ but after being admitted he began to
spit up blood. His condition declined rapidly, until two days later when he was
officially pronounced dead by two separate physicians. Narcisse’s sister,
Angelina, was present when he was declared dead and then notified the rest of
the family, a day thereafter his body was buried, and ten days after that a
concrete memorial slab was placed atop the grave by his family.
What most the family didn’t know is that Clairvius had actually been pulled out of the grave and resuscitated. He was given the zombie concoction and kept in a zombie-like state for two years, working as slave labor in a region of the country that was much farther north. This was all done at the behest of his brother, after refusing to sell his portion of the family estate to him. After two years of being a zombie, his master had been killed, then he and all of the other zombie-slaves were released from their chemical induced state of submission. Clairvius stayed away from his home for the next sixteen years, knowing that his return would make his brother aware that he was no longer being controlled by another. Once his brother passed, he finally returned home, where he approached his sister Angelina in a local marketplace and introduced himself by his childhood nickname which she and a few other intimate family members alone were aware of.
Investigating the Haitian Zombie with Hamilton Morris
The following six-part Vice production follows the investigation of The Haitian Zombie, with Hamilton’s Phramacopeia, in order to find the truth behind the folk magic and legends of this walking dead phenomenon; Hamilton follows the scientific trail to the origin of the poisons that are said to cause Zombification in order to bring them back for formal chemical analysis.
Please watch the following footage with discretion–there are scenes and images that some viewers may find disturbing.
These videos are meant to be educational in nature.
Part One
This first episode goes into the initial introduction, including the nature of what Zombification entails.
Hamilton’s Pharmacopeia Season 01 Episode 05
Part Two
The following video contains graphic footage included in a voodoo ritual, in which an animal sacrifice is made for the Loa, please be advised it may be considered disturbing to some viewers.
Hamilton’s Pharmacopeia Season 01 Episode 06
Part Three
In this third episode, Hamilton goes to find a Bokor in order to witness the process of Zombification, but results in angering the Bokor and being told the deal is off.
Hamilton’s Pharmacopeia Season 01 Episode 07
Part Four
Hamilton goes to find the main ingredient of Zombie powder, in this fourth episodes, which is a species of puffer fish.
Hamilton’s Pharmacopeia Season 01 Episode 08
Part Five
In the fifth part of Investigating the Haitian Zombie, Hamilton meets up with another Bokor who possesses the Zombie powder that they have been searching for and witnesses a real zombie.
Hamilton’s Pharmacopeia Season 01 Episode 09
Part Six
The final installment of the investigation into Haitian zombies, they travel back to the Bokor who showed them what they had been searching for to come through with the final product they paid for.
Hamilton’s Pharmacopeia Season 01 Episode 10
Knowing what we have learned from different sources, about the process of Zombification, can it truly be said that it is a purely chemical process? These videos in particular have all but debunked the rationale that it can all be chalked up to a chemical reaction, so some aspects of this spiritual process is often contributed to the powerful belief in their magical practices. What do you think about the phenomenon of Zombification? Let us know in the comments below.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
There are so many cultures that have tales of Sea-Monsters, particularly of the serpent variety, that it would almost be a shock to learn that the Inuit culture didn’t possess one. It is only natural to fear what we do not know, and the list of phobias that have spawned from “not knowing” is fairly long. Fear of the dark is a prevalent phobia for many people, which is why it’s such a commonplace tool for creators of horror movies and scary stories. Another common phobia is fear of the unknown in the depths of the sea. The common theme here is that many fear not only what they do not know but also what they cannot see, dual traits that make the habitat of the Tizheruk (tiz-zer-ook), also known as the Pal-Rai-Yûk (pall-rye-yook), that much more frightening.
Not unlike the Loch Ness Monster, the Tizheruk is described as being a sea-serpent. Its visage is quite interesting; with a head that is purportedly seven feet long, it is said to be estimated at only fifteen feet in total length. In some cases, the Tizheruk is said to have a fishtail, while still in others it is said to be more of a flipper, but those aren’t the only inconsistencies that make up the lore of the Tizheruk. As can be observed in the pictures that accompany this article, there are a wide variety of different accounts of what the Tizheruk actually looks like.
According to Mysterious Creatures: A Guide to Cryptozoology by George M. Eberhart the Tizheruk has thick fur, a snake or crocodile-like head, short horns, and a long tongue. Eberhart’s version of the Tizheruk has three pairs of legs and three dorsal fins, and his version also has the description of a flipper for a tail. He references that the Tizheruk could be an evolutionary off-shoot of a long-necked seal that ventured from the shores of the arctic ocean to the fresh-water rivers that fork inland from Key Island in Alaska.
Without a doubt, the most terrifying form that the Tizheruk is said to have is that of a giant eel-like creature with transparent skin and flesh, which not only allows the observer to see still-digesting victims but also allows the creature to be less visible when stalking its prey. This version of the Tizheruk can also venture into water as shallow as one foot deep, meaning it can compress its body small enough to fit in such a space. This makes it easier for it to ambush predators and snatch prey. It also results in any still-living victims in its belly being brutally crushed.
Tizheruk by Felipe Krull
There is surprisingly not a great deal of lore about the Tizheruk available to give the full extent of this creature’s history, but there have been quite a few sightings, including the possibility of it being caught on camera. NBC News even did an article about Alaska’s Loch Ness Monster being captured on tape. While I couldn’t locate the footage that supposedly resurfaced in 2009, I did find a more recent clip from when I first arrived in Alaska in 2016 filmed by the Alaskan Bureau of Land Management.
Having watched the clip, it’s unclear what it really is, but as the video shows the Department of Fish and Game did their best to debunk this sighting. What are your thoughts on this water-bound cryptid?
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Such is the unnatural body of this god, which has no kinship with the dust of our world; indeed, it is not flesh as we know flesh, but as crystal or glass, and soft so that during his dreaming death it often breaks apart, but when it breaks it at once reforms itself, held in its pattern by the will of the great one. Such is the unnatural nature of this sleep, which has no kinship with those who were left standing…
It took an effort to open my eyes and when I finally did, I couldn’t see much of anything but a blur—someone was moving in the room I was in. I was feeling groggy and that unbearably painful hangover ache—except, I stopped drinking a long time ago. Didn’t I? Why did I feel so different? What’s wrong with me? My eyes blinked rapidly of their own volition, in an attempt to clear the blur, but my vision barely improved. It wasn’t until I tried to move that I realized I was strapped down and a panicked groan—I suppose that’s when the person realized I was awake.
“Do you know your name?” The pale white blur asked me with a muffled voice, what an odd question, I thought to myself.
“Of course, my name is—,” what the fuck is my name?
“Don’t worry, the memory loss is normal, it’ll come back to you soon,” a flash of white hit each of my eyes, it must have been a flashlight because the pain hit the back of my head. There were more questions, I had fewer answers—the more he probed me for information, the more I realized I didn’t know who I was, let alone where I was. He was talking about my vision and memory coming back as my brain regenerated.
“Wait, what do you mean? What happened to me? Where am I?”
“Easy answers first, I suppose. We’re in Whittier—,” how the hell did I get to Whittier? According to Dr. Blur, it was very nearly the end of the world. The next few weeks were a little more revealing; I slowly began remembering things from before it all happened. I remembered where I had grown up, a small almost-no-name town in the interior of Alaska. I was never used to an abundance of people being around during the early parts of my life. All the same, I would still wake up in a cell and not know where I was for a time. It was all incredibly jarring.
The medical staff weren’t very talkative, which was understandable. The few details I was able to pry out of them painted the picture clearly enough. The contagion had nearly converted all of the human population into mindless, soulless killers—small pockets of humanity were able to somehow hold on to hope long enough to stay alive throughout the last surge of the dead before the cure came. It’s not like they weren’t well prepared, Alaska is an open-carry state after all. A lot of people died.
My first thought was Trudy, she was the closest thing I had to family, but I was hundreds of miles away from home; there was no way I would know. The beginning of the pandemic was all rumor, but then the major news stations started going off the air, permanently. I eventually remembered the day that our communications systems went down and that’s when I truly felt alone for the first time in my life. Now I remember that day like it was yesterday—the process of infection from the time it hit the United States until it reached Alaska took a week at most.
Cities and other largely populated areas were run through in a matter of a day or two; after the shit hit the fan, doctors and scientists became incredibly scarce throughout the world, not to mention in Alaska. Within the last year in no less than a miracle, they had somehow developed a serum, but I suppose since it wasn’t a matter of money, test subjects were widely available—albeit a touch aggressive—and there were no federal regulations anymore it was just a brassy and ballsy group of nerds who saw a problem and figured out how to tackle it. Without knowing any organized cure was being sought after, the last pockets of uninfected people had all but given up, or at least that was what I had been told. I missed a great deal of it while stuck in a dark cloud of calamitous hunger, the melodious satisfaction of hot copper—it felt like a lifetime ago, but they told me my treatment had started a month ago. I only remember the last week of scientists observing me in their dirty spacesuits, the look of fear in their eyes, and perspiration looming on their temples as they gave me my daily injections.
Although I hadn’t been told much about where I was being kept, I had to deduce based on the limited information I came across. As an example, the armed guards weren’t opposed to taking book requests—since there had been at least a few individuals who had hoarded books for fear of losing humanity completely. That meant that there had to be room for a library. There were obviously cells already present since I was in one. There were dedicated medical rooms and on my escorted journey from my cell to the hospital wing we passed what looked to be a dilapidated and rotting movie theatre. There was also evidence of covered graffiti on the walls, covered in white paint.
I had only been to Whittier a handful of times before, but it was the thick concrete that made up the walls, floors, and ceilings that ultimately gave it away. I was being kept in the Buckner Building. It was created to be a city under one roof, but the last time I remember seeing it, there had been a lot more degradation than this. They must have finally gotten the financing to refurbish the property before everything went to shit and it seemed as if the first steps they took to reclaim the property from the elements was to install all new windows and doors. Or maybe they just painted over the doors, but the ones I was shuttled in and out of looked new to me. I was curious, though, why it seemed as if the jail cells had been refurbished as well—but it was a pretty historic monument to the Cold War, so maybe they had been planning to turn part of this creepy fortress into a museum. Who knows, I just had a lot of time alone in my cell to think and still missing chunks of my memory, even the most boring topics were enough to keep me entertained during those long sleepless nights.
The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
After one such night, a metal hatch opened in the door of my cement cell, and I sat up in my cot. A smell wafted in, it was an odor that fell rancid upon my tongue and it caused my stomach to twist. I wasn’t used to this kind of hunger anymore, but being met with the smell of what I used to know as food was enough to make me nauseous. The tray was sparse, just powdered eggs, tomato soup, and no appetite for any of this; I could only assume they were still working with the supplies they could scavenge, but I wasn’t privy to the way things worked just yet.
“When am I going to be let out of here?” I asked the man wearing protective gear on the other side of the cell door, but I got no response. “Please,” my voice was hoarse, my throat was still raw from the guttural language of ravenous growls and screams that had abused my vocal cords over the last year. Standing up was still a chore, but I blamed that largely on the black and purple swollen mass that used to look like my right foot.
The doctor had told me that it was healing, but it was still immensely painful so I would have to take their word on that. I was one of the lucky ones who hadn’t sustained many injuries. Other than the initial bite that turned me, I was intact, but through the course of traveling with a roaming horde of other revenants, I must have had a bad fall. I hobbled over to the tray of what my brain recognized as food, while my body’s reaction to it argued that it was anything but. “Is there anything else to eat, this smells rotten…”
“I assure you it’s fresh,” the mousy whisper of the male voice inside the suit infuriated me, “but I heard them say your trial group will be out next week.” I found myself wondering how a meek young man had made it through an apocalypse unscathed when I hadn’t. Maybe he had been here all along. Whittier itself was a port town that was only accessible by boat or through a single-track train tunnel. If they had been desperate enough they could have collapsed the tunnel, but it had been much more effective to simply barricade the entrance and brave the outside world to hunt and scavenge during the summer months. To be honest they probably went the entire time with hardly a run-in or a disturbance until they began the medical trials here.
I took the tray and he snapped the hatch back up so quickly that it startled me; I ended up splashing the red soup down my white jumpsuit. I watched it trail down my front, the lurid clash as it stained the fresh white fabric brought me back to the present; then, a pang of hunger electrified my body. It reminded me of blood, one of the only pleasurable things I could remember in that vast nothingness and aggression that I had been lost in, but then I knew that my hunger being aroused by the thought of blood wasn’t exactly a normal thing. Their cure had restored my logical brain, the one that reminded me I was human, that gave me control over my body, and allowed me to make more than just knee-jerk choices. It had begun the process of healing that was much needed after what the last year of rot and walking death had brought upon my body. Surely if I had been found any later, I would have been amongst those who could not be brought back.
I hear a scream from down the way, it was followed by the sound of footsteps running down the hall and more yelling. I pressed my face against the bars to try to get a glimpse of what was happening. There was a blood curdling, inhuman screech and the commotion just became louder. I heard someone yell, “just shoot her!” and that’s when the gunshots rang through the jail. After that, I heard the head doctor curse loudly, something about what a waste of fucking time. Ten minutes later, they were dragging a body bag past my cell—another incident happened a couple of days later. It was worrisome, to say the least, they had been here longer than I had. If they were reverting, what did that mean for me?
I only knew as much as I could pull from my brief interactions with the people bringing my meals and the medical staff that came with my daily injection; some of them had hardened severe expressions, but most seemed nervous or frightened that at any moment I might be another failed experiment. The constant feeling of being observed was unsettling, like being stalked on a dark street with predatory anticipation. We were experiments, now—lab rats that could communicate—living only to satisfy their need to control an uncontrollable pandemic that had reduced the world population to just an eighth of what it had been.
The diseased walked freely in more than doubled the numbers of the uninfected. It was easy to see why they approached with such trepidation, but feeling as if I were a rabid dog that would no doubt bite their hand was at best dehumanizing. Falling asleep was getting progressively more difficult as I got closer to having my condition “contained.” That night was no exception, the only difference was that the nightmares started sooner, but I was starting to believe they were memories.
Another week went by of feeling the cool indifference of those who were treating me—it was the day before I was going to be released into a controlled population where I would be observed for my interactions with the uninfected. The discharge process was a five-hour lecture on how I needed to complete my daily outpatient treatments for the following month. The clock on the wall ticked each second by languidly with each new presenter. Considering it had been almost two years since I had last had a joy, I didn’t expect it would be too difficult for me to adhere to their demands to keep the uninfected safe.
Then again, with the whole state of the world still being without much of the former technological triumphs, finding people was more of a chore than finding a cure for the rising dead. In the end, I resolved to keep up my end of the bargain and walk back to the clinic from the rehab facility to get my daily treatments. I was finally allowed to go outside into the fenced yard where I was able to see the other people in the trial treatment with me; according to their limited research, it was not possible to get reinfected, so they weren’t exactly worried about us. I sat in the yard in the shade of a large birch tree that day when a girl a bit younger than myself sat down next to me.
“Did they find your family?” Her voice sounded as ragged as my own, I shook my head and examined the dandelion fluff that I had plucked out of the grass at my side. There was a moment of clarity as I stared at the dandelion, I remembered sitting in an overgrown field during the summer as a child, making wishes and blowing the fluff into the wind. “I’m Elle.” The woman offered her hand to me and I didn’t recognize the urge to shake it, it felt like an alien tradition that was lost to me now.
“Um—Molly,” it didn’t feel like my name either. “Why didn’t they let us out here until today? Aren’t we getting released tomorrow?”
“Yeah, but only because they have to make room for the next batch of… well,” Elle gestured broadly to everyone in the gated yard, “what we used to be. What we still could be…”
“What do you mean by that?”
“I’m not sure, I’ve heard other patients talking about something they call ‘the reversion’ but as far as I know, it’s just a rumor.” Her shoulders rose to her ears and the uncertainty in her voice was clear, “apparently some of the others they thought they cured, the treatments just… didn’t stick.”
Oh is that all? No big deal, I guess.
The next day we were woken up early and there was such strange anxiety when they handed me clean street clothes and directions to the rehab house I would be staying in. The sunlight was exceptionally warm on my cold skin and burned my eyes as I stepped out of the lobby of the old fortress. The fresh air was a nice reprieve from the stale, sterile air they had managed to maintain within the makeshift labs. I shielded my eyes and glanced either way down the street; the pavement was devastated, broken, and overgrown. There seemed to be people living across from the Buckner Building when I finally walked out of the front. I turned and saw that the Buckner Building was similarly crumbled—so it was just the inside that they had improved. There were only a few signs of life on the streets outside it was an eerie sort of isolation that left me feeling as if the world were ending all over again.
Photography by Specna Arms
I found myself wondering if Elle was going to be at the same facility as I was, it had been so long since I had seen a friendly face and she was the first person to talk to me like a human being since… I don’t know, I didn’t have any sense of time anymore. There were several people outside tending to a community garden as I turned a corner. They all stopped working when they saw me limping by them, I’m sure I was a sight to see—a pale, hobbling former dead girl, walking among them, reborn back into this shit show. I just kept my eyes on the ground in front of me, before I knew it was I standing in front of the house where I was going to be staying.
That’s when the screaming started. It instantly made my blood run cold. Glass shattered in the alley just around the side of the house which caused me to take a couple of steps back. Then suddenly my face met the pavement as I was knocked violently to the ground by the people who had been tending the garden. They had their guns raised and ready as they dashed toward the sounds of struggle, I rolled, dazed, and watched as this large man tore a woman apart in the alleyway—her screams were enough to draw a small crowd of people on the street behind me. Where the hell did they all come from?
One—Two—Three—and a head-shot for good measure. The people behind me were murmuring amongst themselves, “I thought they were cured!” I pushed myself up from the pavement onto my knees and watched the rest of the scene play out, “what if they all change back?”
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Fight if that’s necessary, but run if you can, just so long as you run together. The words of Louis L’Amour echoed in her mind, she had lost so many companions already, it felt like a bad joke. She wiped the residue from her sweaty face with her charred sleeve, there was heat radiating from the building that lay in fiery ruin in front of her. She was alone now. Who could have known the only thing that would kill the creatures was immense heat? Their dying screeches echoed in the night air, but to Jenna, it was a pleasant sound, a sound that meant that sometime—maybe in the near future—that she might be able to sleep through the night without a white-knuckled grasp on her knife. She stood there in careful contemplation, the glow of the fire reflected off of the sweat that crept down her forehead, the light from the fire and the creatures’ screams were likely to bring more of them around and the last thing she needed was to have to blow up another building.
Jenna tucked her lighter back into her jeans pocket and tugged on her ponytail to make sure it was still tight, tied her loose boot laces and slung her bag back over her shoulder. If she could make it to the edge of the forest, she was sure she would be safe for the night. She turned her back to the rubble behind her and squinted into the dark, the tree-line wasn’t too far away—maybe a five-minute jog. Her heart was still racing with adrenaline, so she hopped down from her perch and took advantage of the high. Running into another one of them didn’t even cross her mind, but all the same, her hand was never more than a few inches away from the handle of her knife as she moved briskly through the remnants of the town of her childhood.
She was near to the old gas station when a motion sensor light went off across the street—her breath caught in her throat and she was thankful that her boots hit the wet pavement softly. She ducked behind a gas pump that was out of commission, her eyes were wide as she stared at the hideous creature that was now attacking the bright light above it. It let out a ghastly screech then there was a shatter when the glass hit the ground and the sound resonated throughout the now abandoned main street. She heard a clatter in the alley behind the gas station and she drew her body in as if trying to make her body as small as possible. Her body was glued to the gas pump, shaking as she drew in shallow breaths, trying to not make a sound in the darkness that now consumed her. Heavy thumps against the pavement were all around her, the handle of her knife in her clammy hand was slick with sweat. The adrenaline once again pulsed throughout her body, she readied herself to run when the gas pump was ripped out from behind her, the sound of metal hitting the ground barely noticeable over her own screams as three creatures overtook her.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The Gumberoo, with a scientific name of Megalogaster repercussus.
Physical Description
This bear-like creature is described as being incredibly fat–in some cases, compared to the shape of a football–with no hair, and dark leathery skin. Oddly enough, this creature has a large grin with sharp teeth, a beard, and prominent eyebrows. Their dark complexion is said to be as black as coal, but there is speculation that this is due to rubbing up against the inside of the charred cedar tree.
Origin
The Gumberoo originated in the foggy region along the Pacific Coast from Grays Harbor, WA, the entire coast of Oregon, all the way to Humboldt Bay, CA as well as the forests of Wisconsin and Minnesota. Its origin is spun from the folklore of lumberjacks and forest workers–with particular emphasis on the nineteenth and early twentieth centuries.
According to Giants, Monsters, and Dragons: An Encyclopedia of Folklore, Legend, and Myth by Carol Rose, the Gumberoo belongs to a group of beings within this mythology called the Fearsome Critters. All of the Fearsome Critters are noted to have exaggerated proportions and activities which are believed to be the explanation of the strange sounds and bumps in the night when in isolated and remote locations. They also provided some amusement for the men in the camps, as they told stories to pass their down-time.
The Gumberoo is said to be a scarce creature due to the fact that it is quite combustible, and forest fires are relatively prevalent. They are said to be as flammable as celluloid film; during and after a forest fire within the heavily forested cedar region near Coos Bay, lumberjacks reported that they heard loud sounds that were not identifiable as well as the smell of burning rubber.
Mythology and Lore
When the lumberjacks, responsible for its discovery, attempted to kill it–except the Gumberoo didn’t die, its skin was apparently impenetrable. It is said to hibernate a majority of the time and it lives in old enormous, burned, and hollowed-out cedar trees. When it does come out, it only comes out at night and has an insatiable appetite when it does. The Gumberoo will devour anything that crosses its path, even reportedly a whole horse at one point, which was still not enough to discomfort nor satiate it.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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