Puzzle Box Horror’s Best Sci-Fi Horror Comics

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Best Of Best of Comics Comics and Graphic Novels Featured Horror Books

Comic books in the science fiction and horror genres have long sat adjacent to one another, but occasionally they cross paths and the results are spectacularly frightening. The best sci-fi horror comics have stories full of suspense and heavy with dread, as well as artwork that shocks and unnerves. In fact, comics and graphic novels are a great medium for the horror genre. The narrative format often keeps the dialogue and description to a minimum, increasing the suspense and allowing the images to speak for themselves. And, likewise, the artwork expertly compliments the prose, whether it’s using muted shades and darkened corridors to augment the mood or vivid colors and heaps of blood to highlight the horror. The writers at Puzzle Box Horror are obsessed with comics, and we’re very excited to share some of the best sci-fi horror comics on the market!

The Best Sci-Fi Horror Comics

Plunge (2020)

Plunge sci-fi horror comic cover

First on our list of best sci-fi horror comics is Plunge. A drilling vessel, the Derleth, that disappeared forty years ago in the Arctic Circle suddenly begins sending out distress signals from the Bering Strait. Wanting to investigate further, an oil company hires a salvage team and a marine biologist to go explore the ghost ship. Their mission is to recover the bodies and find out exactly what happened to the ship. The expedition quickly goes awry when they discover the crew isn’t exactly dead, though they aren’t exactly alive either. This six-issue miniseries is gory, surreal, and a wonderful homage to eighties horror.

Plunge (Image Comics) is written by Joe Hill with art by Stuart Immonen.

Come Into Me (2019)

Come into me horror comic cover

The story opens on a failed demonstration of InBeing, the process by which ropy entrails connect two different people by ports in the back of their heads and allows their minds to form a “synaptic connection”. Sebastian, the creator and scientist behind the technology, is quickly running out of money and desperate to find an investor. Enter Becky, a mysterious and seemingly desperate young lady who convinces Sebastian to bond their minds with InBeing, using his body as host. It’s strange for Becky, seeing the world through someone else’s body and forming a telepathic-like connection with another. If only she had been upfront with Sebastian about her past. As their minds are conjoined and their memories/experiences blend together, the host realizes he failed to anticipate just exactly what could go wrong…and that, like in our online lives, shared data is open to manipulation and exploitation.

Come Into Me (Black Mask Comics) is written by Zac Thompson and Lonnie Nadler, illustrated by Piotr Kowalski, and colored by Niko Guardia.

Destroyer (2018)

Destroyer horror comic cover

Though lighter on the horror than the other entries in this list, Destroyer is still an intriguing take on the creature at the center of Mary Shelley’s classic sci-fi story Frankenstein. In this story the monster has survived into present day America, but he has lost his emotional side and empathic nature. Instead he has become the Destroyer, bent on wiping mankind from the face of the earth. In his quest for vengeance he ends up partnering with Dr. Baker, the last descendent of the Frankenstein family who has recently lost her son at the hands of the police. Also caught up in all of this are two scientists, Byron and Percy, who find themselves desperately trying to protect humanity. It’s a story that is raw, powerful, and not afraid to shine a light on heavy socio-political topics. Sometimes the line between thriller and horror is slim but this one still made our list of best sci-fi horror comics as it fits the bill.

Destroyer (Boom Studios) is written by Victor Lavalle and illustrated by Dietrich Smith, with colors by Joana Lafuente and letters by Jim Campbell.

Nameless (2016)

Nameless horror comic cover

A group of billionaires have hired occult hustler “Nameless” in a desperate bid to save the planet. An enormous asteroid they’re calling Xibalba is hurtling on a direct course for earth, bearing a strange symbol on its side and a vengeful extra-dimensional god in its core. While trying to stop the death rock, Nameless and his team accidentally set loose the wrathful being and things go from bad to inconceivably worse. That’s the brief synopsis, but this six-part miniseries deals with so much more. Secret experiments, the downfall of civilization, lost planets, epic cosmic wars, a doomsday asteroid, and soul-destroying truths are all par for the course here. This sci-fi horror comic also has a strong cosmic horror vein running through it, featuring terrifying Lovecraftian beings and an overwhelming atmosphere of dread. What could be better in sci-fi horror than a touch of existential dread?

Nameless (Image Comics) is written by Grant Morrison and illustrated by Chris Burnham.

The Disciples (2016)

The Disciples horror comic cover

This sci-fi horror comic is Set in a bleak dystopian future where the solar system has been colonized by the rich upper class, The Disciples is about a girl who has gone missing and the bounty hunters who have been hired to find her. These hunters follow the trail to Jupiter’s largest moon Ganymede, where they discover a group of cultists who have awakened a horrifying force. Turns out the girl is the daughter of a Senator who has joined the cult, and things are about to get a whole lot worse for these well-intentioned investigators. Taunt and terrifying, the comic is reminiscent of the video game Dead Space but with more extraterrestrial ghosts. 

The Disciples (Black Mask Studios) is written by Steve Niles and illustrated by Chris Mitten, with colors by Jay Fotos and letters by Thomas Mauer.

Spread (2015)

Spread horror comic cover

In this post-apocalyptic sci-fi horror comic, a strange viral infection called “the Spread” has devastated the land and devoured its inhabitants. While most of the world lies in ruin, there are pockets of humanity struggling to survive in quarantine zones. In one of these zones a man named No happens upon a baby named Hope who can undo the virus with a touch of her hand. Insane creature designs and an interesting cast of characters help flesh out this dark and suspenseful tale of survival. The unholy baby of The Thing and Mad Max bathed in buckets of blood, Spread is full of extreme gore, tentacles, and body horror fun.

Spread (Image Comics) is written by Justin Jordan with art by Kyle Strahm.

Caliban (2015)

Caliban horror comic cover

In the future hyperspace travel has been invented, allowing humans to explore the furthest reaches of outer space. For all their searching no signs of life have been uncovered, but they have begun to harvest all the valuable resources the universe has to offer. At first it’s just a regular mission out in deep space for the crew of the mining ship Caliban. Everything is going according to plan, until they happen upon a strange alien ship. It would appear the unusual vessel was waiting for them, and what was once a routine trip quickly turns to nightmare. A vicious, hulking something is stalking the corridors, separating the crew and taking them one by one. It’s a tense and chilling thriller reminiscent of Alien, full of shocking moments and terrific artwork.

Caliban (Avatar Press) is written by Garth Ennis with art by Facundo Percio.

The Wake (2014)

The Wake horror comic cover

The Department of Homeland Security has identified an unnerving new threat, and so they reach out to Lee Archer, a marine biologist, for help. Though she initially declines, the government overrides her decision and sends her deep beneath the sea in the Arctic Circle. There’s an underwater oil rig in that part of the ocean where a group of scientists have made an unbelievable discovery. Part multi-generational thriller and part creature feature, The Wake is a ten-issue miniseries that manages to combine tense horror, beautifully bold artwork, and scientific questions on life and the human condition.

The Wake (DC Comics) is written by Scott Snyder with art by Sean Murphy.

Revival (2012)

Revival aci-fi horror comic cover

The dead have come back to life in rural Wisconsin. In the particular town where our story is set, the CDC has quarantined the area and sent in experts to help out. Revival, labeled as “farm noir,” is interesting because of its unique take on the genre. Yes, it’s a zombie tale full of scares, violence, religious zealots, and government busybodies. But a lot of the series also focuses on a brutal murder and the detective who is trying to solve the crime. Officer Dana Cypress has her hands full dealing with the media, the government, and a full-scale zombie invasion while also investigating a case where anyone, dead or alive, could be a suspect.

Revival is a staff favorite for best sci fi horror comics.

Revival (Image Comics) is written by Tim Seeley, illustrated by Mike Norton, and colored by Mark Englert.

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The Best Cosmic Horror Books

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Best Horror Books Best Of Featured Horror Books Horror Mystery and Lore

One thing that is evident when you look for and inevitably read books, is that are a lot of authors that have been influenced by H.P. Lovecraft. Some take influence by crediting his creations, some crediting his name–others his style, short story form that truly resonate within the genre. Others still have found their own path within the genre, by taking the essence of cosmic horror and making it their own. Finding something genuinely original can oft be an exercise in futility, due to the very nature of this sort of horror, but when that originality is found it is truly like discovering gold. Here are Puzzle Box Horror’s best of cosmic horror book recommendations.

The best of Old-school Cosmic Horror books

What sets old-school cosmic horror apart from the newer literature within the genre, is pretty much what sets old classic literature apart from newer literature in any genre–language, surrounding culture, and societal advantage. It goes deeper than that of course, but what is important when getting acquainted with any form of literature is understanding the time within which it was created.

The Willows (1907)

The Willows book cover (1907) by Algernon Blackwood

While not exactly a book, The Willows by Algernon Blackwood, is technically the first cosmic horror novella that began to establish the cosmic horror genre. It was originally published among a series of other stories in 1907, as a part of his collection The Listener and Other Stories. It’s a great example of early modern horror and despite not receiving the credit it was due, was very much connected within the literary tradition of “weird fiction,” a genre later realized as cosmic horror.

The Willows is a story that invites fear of the unknown, there is a sense of agitation, fear, exhaustion, and eternal trepidation that does not leave the characters or the readers, because there is never a relief from the situation at hand. Available on Amazon here.

And, apart quite from the elements, the willows connected themselves subtly with my malaise, attacking the mind insidiously somehow by reason of their vast numbers, and contriving in some way or other to represent to the imagination a new and mighty power, a power, moreover, not altogether friendly to us.

Excerpt from The Willows by Algernon Blackwood

Listen to Algernon Blackwood’s The Willows below through HorrorBabble.

The Man Who Found Out (1912)

Another shorter existential horror story, Algernon Blackwood’s The Man Who Found Out really just begs the question about personal religious beliefs–what is the ultimate question and answer when it comes to a higher power, particularly that of “God?” Do we really know anything with any certainty? Or is belief and faith what matters most when seeking a higher truth? These unanswered questions are what make this one of the best cosmic horror books out there. Available on Amazon here.

LibriVox has given us Blackwood’s The Man Who Found Out through audiobook and it’s worth checking out.

The Call of Cthulhu and Other Weird Stories (1927)

The Call of Cthulhu and Other Weird Stories book cover (1927)

It seems that the most successful additions to the cosmic horror genre are generally shorter stories; short stories are benefitted in this particular genre due to the fact that they limit the amount of information that can be conveyed within the confines of the short story’s maximum of ten thousand words.

All of the stories that appear within this particular anthology are by H.P. Lovecraft and are, of course, part of the public domain, so we have included a list of the stories with external links to the stories themselves. Those interested in reading some of the most well-known cosmic horror pieces can find them below. The entire anthology is available on Amazon here.

What Stories Appear Within This Anthology?

Shadows of Carcosa (2014)

Shadows of Carcosa book cover (2014)

Yeah, we know that this book came out in 2014–but that doesn’t discount the fact that it is actually full of old-school cosmic horror, because it’s actually an anthology from some of the best horror writers that literary culture has ever had to offer. These stories span almost an entire century, which illustrates how many authors can be credited for their contributions to cosmic or existential horror.

Luckily for readers who haven’t been well-enough introduced to cosmic horror by now, all of these stories are also within the public domain; we hope that these stories from Shadows of Carcosa (2014) give readers a full picture of what cosmic horror is truly about. The collection is available on Amazon here.

What Stories Appear Within This Anthology?

The best of Modern Cosmic Horror Books

Songs of a Dead Dreamer and Grimscribe (1985)

Songs of a Dead Dreamer and Grimscribe book cover (1985)

Thomas Ligotti’s debut short horror story collection Songs of a Dead Dreamer and Grimscribe possibly made his career–he’s often spoken of in the same manner as authors such as Poe and Lovecraft, and has been referred to as “horror incarnate.” Ligotti never seems to have to try to make his stories work, they take on settings that immediately put the reader into a mood where horror is inescapable without being presumptuous or predictable.

Ligotti’s style is singular and everything he has put into this particular anthology is wholly worth the time to read. Available on Amazon here.

What Stories Appear Within This Anthology?

Songs of a Dead Dreamer
  • Dreams for Sleepwalkers
    • The Frolic
    • Les Fleurs
    • Alice’s Last Adventure
    • Dream of a Manikin
    • The Nyctalops Trilogy:
      • The Chymist
      • Drink to Me Only with Labyrinthine Eyes
      • Eye of the Lynx
    • Notes on the Writing of Horror: A Story
  • Dreams for Insomniacs
    • The Christmas Eves for Aunt Elise
    • The Lost Art of Twilight
    • The Troubles of Dr. Thoss
    • Masquerade of a Dead Sword: A Tragedie
    • Dr. Voke and Mr. Veech
    • Professor Nobody’s Little Lectures on Supernatural Horror
  • Dreams for the Dead
    • Dr. Locrian’s Asylum
    • The Sect of the Idiot
    • The Greater Festival of Masks
    • The Music of the Moon
    • The Journal of J.P. Drapeau
    • Vastarien
Grimscribe
  • The Voice of the Damned
    • The Last Feast of Harlequin
    • The Spectacles in the Drawer
    • Flowers of the Abyss
    • Nethescurial
  • The Voice of the Demon
    • The Night School
    • The Glamour
  • The Voice of the Child
    • The Library of Byzantium
    • Miss Plarr
  • The Voice of Our Name
    • The Shadow at the Bottom of the World
The Imago Sequence and Other Stories book cover(2007)

Laird Barron’s first short story collection The Imago Sequence and Other Stories set a precedent for the rest of his career; what could be expected from him in his other works really was set up with this collection. The fact that it received the Shirley Jackson Award for best collection was not even the most wondrous part of this particular body of work–Barron has an ability to create an image within the reader’s mind that is unlike any other author. He has been compared to the likes of Stephen King, but with the advantage of making his details count for more than just words towards an ultimate goal. Available on Amazon here.

What Stories Appear Within This Anthology?

  • Old Virginia (2003)
  • Shiva, Open Your Eye (2001)
  • Procession of the Black Sloth (2007)
  • Bulldozer (2004)
  • Proboscis (2005)
  • Hallucigenia (2006)
  • Parallax (2005)
  • The Royal Zoo Is Closed (2006)
  • The Imago Sequence (2005)

White is For Witching (2009)

White is For Witching book cover (2005)

Helen Oyeyemi’s White is For Witching reads almost like a journal, which has always given the reader less of a feeling that they’re getting the full picture. Why look at the forest when you can see the trees more clearly? In truth, focusing on the details from a personal perspective often leaves much more to the imagination and that is a huge part of weird fiction and cosmic horror.

When you don’t know what is going on outside of the perspective of the narrator, it leaves you with a sense of emptiness–what is happening beyond their ideal truth? Available on Amazon here.

Cthulhu’s Reign (2010)

Cthulhu's Reign book cover(2010)

Another anthology designed to pay tribute to the father of cosmic horror, this collection of short stories gives a more complete image of what would happen once the old ones have taken over the world as we know it–when humans are no longer the dominant force on the Earth and when we can no longer rely on what we have become accustomed to.

What kind of horror would we endure when the old ones take over the world? What would we be able to expect from an uncaring force of nature and could we really hate the force that overwhelms society as we know it when it is not maliciously ending our world, or would it simply be something that we fear beyond anything else? Available on Amazon here.

What Stories Appear Within This Anthology?

  • The Walker in the Cemetery (2010) by Ian Watson
  • Sanctuary (2010) by Don Webb
  • Her Acres of Pastoral Playground (2010) by Mike Allen
  • Spherical Trigonometry (2010) by Ken Asamatsu
  • What Brings the Void (2010) by Will Murray
  • The New Pauline Corpus (2010) by Matt Cardin
  • Ghost Dancing (2010) by Darrell Schweitzer
  • This is How the World Ends (2010) by John R. Fultz
  • The Shallows (2010) by John Langan
  • Such Bright and Risen Madness in Our Names (2010) by Joseph E. Lake, Jr.
  • The Seals of New R’lyeh (2010) by Gregory Frost
  • The Holocaust of Ecstasy (2010) by Brian Stableford
  • Vastation (2010) by Laird Barron
  • Nothing Personal (2010) by Richard A. Lupoff
  • Remnants (2010) by Fred Chappell

The Croning (2012)

The Croning book cover(2012)

The Croning can be considered, without a doubt, the debut cosmic horror novel by Laird Barron–unlike his collection of short stories, The Imago Sequence and Other Stories, this is a full-length novel within the genre of cosmic horror.

We see cults, dark magic, and a plethora of other themes that are common fixtures of the genre and we can’t look away–we highly recommend this particular literary spectacle, it’s a novel that without which, this list would be incomplete. Available on Amazon here.

Dreams From the Witch House book cover(2016)

Dreams From the Witch House (2016)

This particular anthology, Dreams From the Witch House: Female Voices of Lovecraftian Horror, while honoring the origins of the genre is something different and singular. This anthology of short stories contains, as can be derived from the title, stories of cosmic horror that were written by female authors in the genre. Available on Amazon here.

What Stories Appear Within This Anthology?

  • Shadows of the Evening (1998) by Joyce Carol Oates
  • The Genesis Mausoleum (2015) by Colleen Douglas
  • The Woman in the Hill (2015) by Tamsyn Muir
  • The Face of Jarry (2015) by Cat Hellisen
  • Our Lady of Arsia Mons (2012) by Caitlín R. Kiernan
  • The Body Electric (2015) by Lucy Brady
  • The Child and the Night Gaunts (2015) by Marly Youmans
  • All Our Salt-Bottled Hearts (2015) by Sonya Taaffe
  • Every Hole in the Earth We Will Claim As Our Own (2015) by Gemma Files
  • But Only Because I Love You (2015) by Molly Tanzer
  • Cthulhu’s Mother (2015) by Kelda Crich
  • All Gods Great and Small (2015) by Karen Heuler
  • Dearest Daddy (2015) by Lois H. Gresh
  • Eye of the Beholder (2015) by Nancy Kilpatrick
  • Down at the Bottom of Everything (2015) by E.R. Knightsbridge
  • Spore (2015) by Amanda Downum
  • Pippa’s Crayons (2015) by Christine Morgan
  • The Wreck of the Charles Dexter Ward (2012) by Elizabeth Bear & Sarah Monette
  • From the Cold Dark Sea (2015) by Storm Constantine
  • Mnemeros (2015) by R.A. Kaelin

The Ballad of Black Tom (2016)

The Ballad of Black Tom Book cover (2016)

Victor LaValle grew up reading the horror stories that came from the life of H.P. Lovecraft, but it wasn’t until much later in his life that LaValle realized the excessive amounts of racism and agoraphobia that was present in Lovecraft’s body of work. As an African-American man, he used this eye-opening moment in his life to respond in kind, from one writer to another, by reinventing Lovecraft’s short story The Horror at Red Hook from the perspective of a black man.

LaValle’s re-imagining of this story was invigorating, riveting, and a triumph of creative responses to unacceptable biases–he succeeded in showing that Lovecraft’s work would have been even better had it not been rife with bigotry and bias for those who were not like Lovecraft. Available on Amazon here.

It’s important to understand that while we here at Puzzle Box Horror greatly appreciate the body of work that Lovecraft added to the horror genre, we recognize his biases and do not endorse them or agree with them. We were more than ecstatic when we found that there were actually literary responses to these particular issues and hope that such responses continue to appear within the literary community. Read the original story, by Lovecraft, that this novella was based off of, The Horror of Red Hook, then read Victor LaValle’s The Ballad of Black Tom.

Lovecraft Country book cover(2016)

Lovecraft Country (2016)

Following The Ballad of Black Tom, the novel Lovecraft Country also addresses the topic of racism within the context of Lovecraftian horror–this particular book has been adapted to screen recently and will soon be seen on HBO as a series–we certainly hope it will be as good as it looks, because the prospect of this one making it to infamy on screen makes us incredibly excited. The novel is available on Amazon here.

From executive producer Jordan Peele, we believe that this production will be worth every minute of time it takes to watch!

The Fisherman (2016)

The Fisherman book cover (2016)

Another from our list of best cosmic horror boos is The Fisherman. Described as a captivating read from beginning to end, John Langan’s The Fisherman gives us a dark, mysterious, fictional assertion of horror and cosmic fantasy. It follows the story of two widowers through their quiet and powerful story of loss and grief, by acknowledging the melancholy situation and the fact that things are never the same after the loss of a loved one. A definite addition to any cosmic horror novel list and one of the best out there. Available on Amazon here.

It would be a lie to say the time passes quickly. It never does, when you want it to.

What the Hell Did I Just Read (2017)

What the Hell Did I Just Read? book cover (2017)

The third installment in the trilogy that started with John Dies at the End (2007), was followed with This Book is Full of Spiders (2012) and finally What the Hell Did I Just Read (2017). This book is largely hinged upon the narrative–we live in a world where we largely base our opinions on the story that the narrator presents, but what happens when the narrator isn’t exactly the most trustworthy of sources? Does it change how we view the story? Do we realize before it’s too late that our entire perception has been incorrect? Available on Amazon here.

The true weird tale has something more than a secret murder, bloody bones, or a sheeted form clanking chains. An atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; a hint of that most terrible conception of the human brain—a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.

H. P. Lovecraft

We’re curious to know what you thought about these best of cosmic horror books, novellas, and anthologies. Have you read anything that’s not listed here that fits the cosmic horror genre? We’re interested in reading it too, so leave us a comment and let us know!

Don’t feel like reading about cosmic horror? No problem, check out our list of recommended cosmic horror movies too.

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The History of Cosmic Horror

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Featured Horror Mystery and Lore

Don’t explain, because the unexplainable is the most frightening thing there is.

H.P. Lovecraft

What Exactly is Cosmic Horror?

Cosmic Horror movies and books are on the rise in the horror community lately—a refreshing turn away from the slashers and gore of the late seventies, early eighties, most of the nineties, and the last two decades. The Cosmic Horror genre is about more than just the copious amounts of senseless violence—it’s beyond its own monsters and dangers—it’s about testing the limits of your own humanity. How connected are you to the world around you? How frightened are you about the dangers of the unknown? When your perception of reality is suddenly pulled out from under you, you begin to experience overwhelming trepidation, anxiety, and an unanticipated creeping loss of sanity.

In stories with a central theme of Cosmic Horror, more often than not, have protagonists that are forced to face things that go well beyond the normal realm of comprehension, which leads to the idea that authors of the genre try to stand behind, “don’t try and over-explain what’s happening, rather let them stew in existential dread.” While this genre of horror contains plenty of gore and violence, it angles more on the supernatural, paranormal, and psychological sides of fear—so there is no reaction of disgust, but rather pure, unadulterated terror.

So, in the simplest terms possible, cosmic horror is a sub-genre of science fiction where horror is derived from the insignificance of our own existence within an often dispassionate universe … easy peasy, right? While Lovecraft is credited as the creator of cosmic (or Lovecraftian) horror, that doesn’t mean that he was necessarily the first person to write within this genre—he was simply the first person to dedicate his fictional writing solely to the genre which now bears his name. To this day Lovecraft remains the most famous writer of the cosmic horror genre, although the genre continues to expand with the works of writers around the world.

Where Did Cosmic Horror Come From Anyway?

A View Of the Cosmos
A View of the Cosmos
Photography by NASA

Now that we know what the genre of cosmic horror is all about, where exactly did this genre come from? As far as literary history has shown, cosmic horror began with one man—Howard Phillips Lovecraft. He is officially credited with being the father of the cosmic horror genre—but was he the first author to write in the genre, or was he simply the first author to be credited for it? Truth be told, Algernon Blackwood, an author out of England was officially the first one to write within the cosmic horror genre, but this subgenre of horror had not technically been established yet. His stories The Willows and The Man Who Found Out have historically been classified as general horror, gothic fiction, and fantasy fiction.

To understand certain types of horror, one must first understand where horror and the subsequent emotion of fear comes from. As has been mentioned many-a-times before, as said by Lovecraft himself, “the oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is the fear of the unknown.” This means that this particular subgenre capitalizes on this reaction to uncertainty (in its simplest form), the bread and butter of cosmic horror, and the inability to tell what is coming and when. This quote represents the spectrum of Lovecraft’s range of fiction—it’s elegant, yet somehow a pathetic representation of what can truly represent the genre as a whole. In no uncertain terms, Lovecraft and other authors of the genre make it increasingly clear that there are multiple ways in which the futility and insignificance of human beings can be frightening. If there is nothing meaningful connection to the purpose of human beings, then are we truly anything more than a plaything for celestial beings?

It’s truly an unsettling thought to acknowledge this nihilistic idea of the modern age—that we base our relevance on the time in which we live, but discount the ancient wisdom and forces that came before us. During the earliest days of cosmic horror, Lovecraft took exceptional influences from the plethora of pagan religions all throughout the world. He took particular influence from the most ancient of these pagan religions and cultures—this is in no small part, due to the fact that Lovecraft was quite reverent to paganism and quite openly rejected mainstream Christianity. Keep in mind, Lovecraft lived in a time and place where having beliefs, or favorable leanings towards paganism was highly taboo—where today it is quite a bit more commonplace. Cosmic horror, however, despite being more widespread isn’t an easy genre to write—not to mention capture on film—well at all.

When Lovecraft first began to write stories that exhibited his creations, he displayed a truth that is often disregarded in the course of our daily lives—that we don’t consider the idea that there is something unknown and completely unrelatable to anything we have ever experienced before in our years of life on this earth. We don’t consider that we might be in a world where we don’t recognize the god(s) that deserve idolization, that there may be a natural way of being that we are unaware of, that there may be some type of fate of the world that we haven’t considered as a possibility. This was something that Lovecraft and his predecessors might not have considered, but it is definitely a possibility that should be considered, even if it is completely alien to what we’re used to.

Dig into more cosmic horror by reading and watching our best of cosmic horror books, comics, and movies lists.

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The Literary Genius of H.P. Lovecraft

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Horror Books

H.P. Lovecraft was an underrated author of his time, not really gaining a following until long after his passing, during which time he gained a cult following. His writing has inspired generations of writers both in the fictional horror and science-fiction subgenres, and he was inspired by the greatest minds that preceded him. The worlds that he imagined have been given of life of their own, although there is an unfortunate lack of movies and other media that have expanded upon his work in order to bring more entertainment to those that follow the horror genre.

“Well—the train sped on, & I experienced silent convulsions of joy in returning step by step to a waking & tri-dimensional life. New Haven—New London—& then quaint Mystic, with its colonial hillside & landlocked cove. Then at last a still subtler magick fill’d the air—nobler roofs & steeples, with the train rushing airily above them on its lofty viaduct—Westerly—in His Majesty’s Province of RHODE-ISLAND & PROVIDENCE-PLANTATIONS! GOD SAVE THE KING!! Intoxication follow’d—Kingston—East Greenwich with its steep Georgian alleys climbing up from the railway—Apponaug & its ancient roofs—Auburn—just outside the city limits—I fumble with bags & wraps in a desperate effort to appear calm—THEN—a delirious marble dome outside the window—a hissing of air brakes—a slackening of speed—surges of ecstasy & dropping of clouds from my eyes & mind—HOME—UNION STATION—PROVIDENCE!!!!

H.P. Lovecraft (Letter to Frank Belknap Long, 1 May 1926)

Even though Lovecraft was a legendary horror writer, he as actually quite varied on the subjects he tackled. At one point in time, Lovecraft much like his favorite author, Edgar Allan Poe considered himself primarily a poet. By the age of eight, he fell victim to his own mental turmoil, becoming overwhelmed by his own anxieties and intelligence by his early adulthood he had become a recluse. As an American author, he had the unfortunate fate of never having achieved fame for his works during his lifetime, but like many authors who came before him, the resources to spread his talent across the globe didn’t exist as they do today. Perhaps his most prolific writing venture was his habit of writing letters–it is estimated that he wrote over 100,000 letters within his lifetime. Lovecraft died, in effect, unknown to the world at large having only been published in the pulp magazine Weird Tales, before he passed away, in financial ruin. His work stood the test of time, now being regarded as one of the most significant authors of his time within the horror genre.

Most of Lovecraft’s work is in the realm of the Public Domain, much of which can be found here–some of his most popular work has actually been made into audio recordings. YouTube has become an abundant resource on these public domain audiobooks, which means that much of what he has written in the way of fiction.

Take a look at what we’ve collected here for you!

The Dunwich Horror by H.P. Lovecraft

The Dunwich Horror

The Dunwich Horror is a horror short story, written in 1928, published in the April 1929 issue of Weird Tales. It is considered one of the core stories of the Cthulhu Mythos.

The Dunwich Horror tells the tale of the isolated, desolate, and decrepit village (albeit fictional) village of Dunwich, Massachusetts. The story revolves around the strange events that surround the birth and development of Wilbur Whateley–the unsightly son of a deformed, insane albino woman and an unknown father.

Now within the Public Domain, you can download and read this for free!

The Shunned House by H.P. Lovecraft

The Shunned House

A fictional horror novelette, written between October 16–19, 1924. It was first published in the October 1937 issue of Weird Tales.

InThe Shunned House, Lovecraft presents the narrator as Dr. Elihu Whipple–the story follows Whipple and his uncle as they investigate an old dilapidated house with an alarming reputation for causing any occupants to either die a slow, wasting death–or go completely insane.

On the northeast corner of Bridge Street and Elizabeth Avenue is a terrible old house—a hellish place where night-black deeds must have been done in the early seventeen-hundreds—with a blackish unpainted surface, unnaturally steep roof, and an outside flight of stairs leading to the second story, suffocatingly embowered in a tangle of ivy so dense that one cannot but imagine it accursed or corpse-fed. It reminded me of the Babbit House in Benefit Street…. Later its image came up again with renewed vividness, finally causing me to write a new horror story with its scene in Providence and with the Babbit House as its basis.

H.P. Lovecraft in a letter on The Shunned House

Now within the Public Domain, you can download and read this for free!

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The Necronomicon and Other Ancient Tomes

Categories
Featured Horror Books Horror Mystery and Lore

What is the Necronomicon

While it’s true that the Necronomicon is a fictional book, there has been so much lore built up around about it that it has taken on a life of its own. H.P. Lovecraft imagined an ancient tome that accounted for the primordial cultures and lore of the universe he imagined along with them. This universe of course exists concurrently with the world that we are aware of, as if these locations and creatures that might cause someone to have an existential crisis just for knowing about them, exist just beyond our understanding. If this book really existed the way Lovecraft imagined it—and not just as a recreation of Lovecraft’s original idea—would be traceable and we probably would have seen the world end several times over by now.

Abdul Alzahred’s book was originally titled as “Al Azif,” in reference to the noise made by insects at night—although some scholars (both real and fictional) say that it may also correlate to the sound of demons howling—since it’s not a real tome, it sadly cannot be verified from an original source. Perhaps it’s due to the notoriety of this fictional book that has caused it to come to a point where it has almost become a real entity—or perhaps it was simply an inevitability that multiple people would eventually produce books titled Necronomicon in a way to cash in upon the gullibility of those who didn’t get such an elaborate inside joke. To those seeking the true Necronomicon, Lovecraft was truthful—he admitted that he invented the idea of this book as a prop for his incredibly involved tales of cosmic horror—but it remains such a dynamic symbol in the genre that many people are simply unwilling to accept that it was no more than a fictional creation.

Even though Lovecraft wanted to eventually write the Necronomicon himself, it seems that he considered it too great of a challenge—then at one point he also thought of writing an abridged version of the book, if only to put on display the bits that wouldn’t drive the readers mad. Shortly after he first mentioned the Necronomicon, it began to appear in the stories of his peers, other authors that wished to explore the idea of Lovecraft’s cosmos—this led to his fictional book to become more widespread and seem more authentic.

Who Was Abdul Alhazred?

Alhazred was a world traveler—born in Sanaa, Yemen, he was said to have thrived during the period of the Ommiade caliphs—lived in Damascus during the 8th century—and explored most of the Middle East and Europe. As a traveler, he visited the ruins of Babylon and the subterranean secrets of Memphis, then spent ten years alone in the great southern desert of Arabia

He was a remarkably intelligent person and an adept at learning and translating languages, it would be fair to say he was a scholar—if not an avid drug user. Alhazred would meditate while inhaling fumes from incense that included exotic ingredients—such as opium—and wait for knowledge to “fill him,” essentially alluding to the fact that his source of information for his historical tome is said to have been the cosmos itself. It’s possible that his moniker of the “mad Arab,” came from this unorthodox method of researching the universe. Lovecraft wrote of the Roba el Khaliyeh, or “Empty Space,” of the ancients as well as the Dahna, or “Crimson” desert of the modern Arabs—it was said to hold the protective evil spirits and monsters of death.

Many claims that Alhazred was simply mad, that there was no truth to his stories, but those that believe say that he visited the fabulous Irem—the City of Pillars—as well as having ventured into the nameless city that sat atop ancient ruins which housed a secret race older than all of mankind. Those who pretend to have explored out into this desert, tell tales that are strange and unbelievable, but in his last years Alhazred dwelling in Damascus, where the Necronomicon was initially created was the location of his final disappearance in 738 A.D. Concerning his disappearance—or his perceived death—there have been many conflicting and terrifying stories have been told. Being considered indifferent to the religious experiences of the people of his world, he instead worshipped entities he called Yog-Sothoth and Cthulhu. Ebn Khallikan, a twelfth-century biographer tells that Alhazred was seized by an invisible monster in broad day-light and it

The real story behind the mad Arab is that H.P. Lovecraft invented the name Abdul Alhazred while imagining himself on adventures of Andrew Lang’s Arabian Nights when he was five years old. So as far as we know the most famous and diabolical mystical book of spells was created from the mind of a five-year-old boy that was born and raised in New England. Interestingly enough, later on in Lovecraft’s career, he was able to give the book some type of footing in the realm of plausible mythology, by referencing the Necronomicon in the same paragraph or sentence as other authentic books on the occult, such as The Book of Dyzan as well as Poligraphia.

History and Media Culture of the Necronomicon

The Necronomicon is a popular source of original stories—there is just so much information there to work with, both in a comedic and a horrific sense. We see on television that the book pops up most frequently within cartoons, where there doesn’t have to be an involved main story that it is referenced in. Some of the cartoons that are known to have referenced are shows such as, Aqua Teen Hunger Force, Metalocalypse, The Grim Adventures of Billy and Mandy, The Real Ghostbusters, and The Simpsons. It makes sense that whenever a show requires a creepy book in the plot-line, the Necronomicon is the most obvious choice and it would probably thrill Lovecraft to no end to know how popular his creation had become. To know about more of the media culture that surrounds Lovecraft’s infamous tome, check out our article about the Seven Times the Necronomicon Appeared in Cinema.

When it comes to the lore that suggests the Necronomicon is anything but fiction, it probably stems from the fact that Lovecraft put so much detail into it—as if he was creating a character sketch—that it became convincingly real. Lovecraft wrote letters about this book to a fellow author and peer Clark Ashton Smith; in one such letter, he claimed that Theodorus Philetas translated the Al Azif from its original Arabic text into Greek in 950 A.D. where the name of the book was also translated into the Necronomicon. He also wrote that most of the copies of the original book were burned after several nasty incidents, where people—intent upon harnessing the power of the Old Ones—experimented with the text.

Olaus Wormius, a priest in 1228, translated the original Arabic text into Latin, soon after Pope Gregory IX banned both the Latin and Greek translations, then the church officials seized and burned as many copies that they could find. There is additional lore that claims that Dr. John Dee, an Englishman and magician, in 1586 discovered a singular long lost copy of Wormius’ Latin translation of the Necronomicon. It’s said that Dee and his assistant, Edward Kelly, attempted to translate the work into English, but no fully finished text was ever published again.

The Real and Fallacious Ancient Occult Tomes

With Lovecraft’s writing, he intentionally referenced many different tomes—to give more authenticity to his own fake ancient creation by showing that it was by no means the only such thing in existence. Instead, he threw in both legitimate books, as well as fictional ones in order to build a mythology that might make people question what was real and what was not.

Old Book on Display
Photography by Hatice Yardim

Fake Ancient Mystical Books

  • Cultes des Goules
  • De Vermis Mysteriis
  • The Book of Eibon
  • The Pnakotic Manuscripts
  • Unaussprechlichen Kulten

Authentic Ancient Mystical Books

  • Ars Magna et Utlima
  • Poligraphia
  • The Book of Dyzan
  • The Daemonolatreia
  • Wonders of the Invisible World
  • The Book of Thoth
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