Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn't looked back since. Mary's evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Fight if that’s necessary, but run if you can, just so long as you run together. The words of Louis L’Amour echoed in her mind, she had lost so many companions already, it felt like a bad joke. She wiped the residue from her sweaty face with her charred sleeve, there was heat radiating from the building that lay in fiery ruin in front of her. She was alone now. Who could have known the only thing that would kill the creatures was immense heat? Their dying screeches echoed in the night air, but to Jenna, it was a pleasant sound, a sound that meant that sometime—maybe in the near future—that she might be able to sleep through the night without a white-knuckled grasp on her knife. She stood there in careful contemplation, the glow of the fire reflected off of the sweat that crept down her forehead, the light from the fire and the creatures’ screams were likely to bring more of them around and the last thing she needed was to have to blow up another building.
Jenna tucked her lighter back into her jeans pocket and tugged on her ponytail to make sure it was still tight, tied her loose boot laces and slung her bag back over her shoulder. If she could make it to the edge of the forest, she was sure she would be safe for the night. She turned her back to the rubble behind her and squinted into the dark, the tree-line wasn’t too far away—maybe a five-minute jog. Her heart was still racing with adrenaline, so she hopped down from her perch and took advantage of the high. Running into another one of them didn’t even cross her mind, but all the same, her hand was never more than a few inches away from the handle of her knife as she moved briskly through the remnants of the town of her childhood.
She was near to the old gas station when a motion sensor light went off across the street—her breath caught in her throat and she was thankful that her boots hit the wet pavement softly. She ducked behind a gas pump that was out of commission, her eyes were wide as she stared at the hideous creature that was now attacking the bright light above it. It let out a ghastly screech then there was a shatter when the glass hit the ground and the sound resonated throughout the now abandoned main street. She heard a clatter in the alley behind the gas station and she drew her body in as if trying to make her body as small as possible. Her body was glued to the gas pump, shaking as she drew in shallow breaths, trying to not make a sound in the darkness that now consumed her. Heavy thumps against the pavement were all around her, the handle of her knife in her clammy hand was slick with sweat. The adrenaline once again pulsed throughout her body, she readied herself to run when the gas pump was ripped out from behind her, the sound of metal hitting the ground barely noticeable over her own screams as three creatures overtook her.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Robert Albert Bloch was born in Chicago, Illinois on April 5 in 1917, to two German Jews, Raphael Bloch and Stella Loeb who, despite their Jewish heritage, had the family attend a Methodist Church. When Bloch was only eight years of age, he attended a screening of Lon Chaney Sr.’s The Phantom of the Opera (1925) on his own, where he was traumatized by his first horror scene—where Chaney removes his mask to reveal the Phantom’s horrific face. According to Bloch, “it scared the hell out of [him] and [he] ran all the way home to enjoy the first of about two years of recurrent nightmares.” Like many fans of horror who see their first horror flick too young, this trauma and subsequent nighttime hauntings sparked his interest in horror. He became an avid reader at eight, reading books well above his own level of schooling, as well as experimenting with pencil sketches and watercolor art. While he very much had a love for artwork, but he was diagnosed with myopia in his youth and it deterred him from pursuing it professionally.
At the age of twelve, Robert’s father lost his job at the bank and the family moved to Milwaukee, Wisconsin, where he grew up throughout the Great Depression. During his youth, he delighted in the Golden Age of horror films that played in the picture houses, and the magazine Weird Tales, which he scrimped and saved for each month from his allowance so as to purchase a copy of this pulp magazine. Bloch’s favorite childhood short story was one of Lovecraft’s first-person narratives about an artist whose disturbing creations lead to his disappearance, entitled “Pickman’s Model,” and he would also end up doing flattering imitations of his mentor’s style later on. When Bloch was just seventeen years old he wrote to his highly regarded idol, H.P. Lovecraft, to proclaim his admiration for the writer’s short stories. It is said that he greatly preferred Lovecraft’s particular flavor of genre—cosmic or as it’s often regarded, Lovecraftian horror—over what he was being taught in his own high school English classes.
To the unending joy of Bloch, Lovecraft wrote him back and sent him copies of earlier stories he had written and asked Robert if he himself had written any weird fiction. This is when he would be admitted into The Lovecraft Circle as well as when he began writing some of his first (of many) short stories that would be published in Weird Tales. He would be the youngest member of The Lovecraft Circle, which were a group of writers who followed H.P. Lovecraft and published their short fiction in Weird Tales—a pulp horror magazine that circulated during the Great Depression.
Career
With the early influence of Lovecraft and his cosmic horror, Bloch’s earliest short stories took place in Lovecraft’s Cthulhu Mythos fictional universe. Not too long later, Bloch would begin to associate with the Milwaukee Fictioneers, a group of writer’s dedicated to pulp fiction where he began to deviate and develop his own style, instead of relying upon the Lovecraft influence. When Lovecraft died in 1937, Robert was deeply affected by the loss of his mentor, but used it as a reason to keep writing.
Despite my ghoulish reputation, I really have the heart of a small boy. I keep it in a jar on my desk.”
Robert Bloch
Novels
Bloch’s first novel to be published was The Scarf (1947) and was very reminiscent of the style he had developed when he was involved with the Lovecraft circle, but also marked the beginning the development of a style he would explore later that would be considered pulp fiction. Like most other horror writers, Bloch had a certain kind of story that inspired him—for some writers it’s urban legends, supernatural monsters, or wicked folklore; but Robert’s inspiration didn’t come from folklore so much as it did true-crime serial killers from all throughout history. Jack the Ripper, Marquis de Sade, and Lizzie Borden were amongst those whom Robert created stories based on their legacies, which included short stories such as “A Toy for Juliette” and “Lizzie Borden Took an Ax….”
When Ed Gein was arrested in his home in Plainsfield, Wisconsin for the murders of two women in 1957, authorities discovered that Gein had been stealing corpses from fresh graves of local women and then using their flesh to create furniture, silverware, and clothing. Bloch only lived about thirty-five miles away from where Gein had lived, so after the discovery of this serial so close to home, he became obsessed. The idea of his next door neighbor being a monster, but going undetected even in such a small town is what he considered his largest inspiration for Norman Bates, the anti-hero of Psycho (1959). The story of Ed Gein was sensational at the time, but what really translated Bloch’s Psycho into an instant classic both in text and Alfred Hitchcock’s adaptation for the big screen, was due to the psychological not-so-undertones of the story.
While Bloch had enjoyed some critical and commercial success before he produced Psycho, it wasn’t until the novel was published that his life changed forever. With Psycho and its instant success, he was approached by a Hollywood production company with an offer to purchase the rights to the film. He made a whopping $9,500 which through inflation would equate to $84,472 and some change.
The world of horror would be forever changed by Norman Bates, the sensitive mama’s boy, whose domineering mother corrupted him—which brought an interesting air to the 1960s as the field of psychoanalysis and the research of the Oedipus Complex which coincided with a crisis in contemporary American masculinity which followed the women’s movement of liberation. When Norman psychologically becomes his mother at the end of the novel it was representative of Freudian horror in the utmost of extreme cases. Psycho wasn’t Bloch’s only success and he continued on with his creative writing, winning awards and accolades for his talent.
Death
Bloch was seventy-seven when he passed away on September 23, 1994—he had long battled with cancer and it finally took him at his home in Los Angeles. Before he passed, however, he wrote what was considered an unauthorized autobiography, which was titled Once Around the Bloch (1993) and while he didn’t speak of his illness, it was clear that it was written with the realization that he was not long for this world.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The Lottery is a short story that Shirley Jackson wrote in 1948—it was written within the month of its first publication. It appeared withinthe June 26, 1948 issue of The New Yorker and describes a fictional account of a small town that participates in a lottery of sorts. This particular short story has often been described as “one of the most famous short stories in the history of American literature.”
Conceptually, two creative stories come to mind immediately after reading this story–no doubt the authors of which were inspired greatly by the Jackson original. The cult classic film The Wicker Man (1973), then later the novelization and The Hunger Games franchise both echo the idea of a ritual where the town comes together and holds what they call a lottery.
This lottery is, unfortunately, not the type that anyone hopes to win, but mirrors the dystopian attitude where the losers rejoice in the winner’s predicament. Without spoiling the entire story for anyone, let’s just say it’s most definitely worth the read (or simply listen below). What is truly interesting with this story–one that leaves the reader with a feeling of utmost terror and despair–is that Jackson apparently wrote within the confines of a single morning. The agreed-upon account of its creation is that Jackson came up with the idea for the story while she was shopping for groceries in the morning, came home, set her two-year-old daughter in her playpen to play, and had it finished before her son came home from kindergarten for lunch.
Talk about a whirlwind turn-around for something so utterly and terribly fantastic. Along with other myths that surround the creation of The Lottery, there was a time when people actually believed that the story was a factual report–this is in part due to the fact that at the time The New Yorker didn’t distinguish between fact and fiction when it came to the stories within its publications. As a result of the misunderstanding, much to the chagrin of Jackson, subscribers sent her several hundred letters that in her words could be summed up to, “bewilderment, speculation, and plain old-fashioned abuse.” It was especially alarming to her that some of the letters were from people who wanted to know where such lotteries were being held and whether they would be allowed to watch.
The Haunting of Hill House (1959)
The Haunting of Hill House (1959)
This gothic horror novel stands in the same class as those by Edgar Allan Poe, Arthur Conan Doyle, and Bram Stoker—to the point of even being a finalist for the National Book Award in the category for best literary ghost stories published during the 20th century. While Shirley adhered more to the thrilling psychological aspects, which successfully elicited stronger emotions in her readers. It has since been adapted into two feature films, a play, radio theater, as well as a Netflix series which premiered in 2018, although considerable liberties were taken with Shirley’s original story.
Shirley’s initial idea for this particular novel came to her after she read about a real-life group of researchers from the nineteenth century who had spent time in a reportedly haunted house and then published their experiences while investigating the site. She spent quite a bit of time researching and studying floor plans of large, potentially haunted houses around the country, and also spent time reading several volumes on hauntings and ghost stories before she sketched out the grounds of Hill House, as well as the floor plan for the house itself. Suffice it to say, she took her time considering how the characters might move about the house and made sure she had a clear vision of how a haunting would play out in such a house.
Check out this trailer of the Netflix series of The Haunting of Hill House and see how this novel translated to a television series.
We Have Always Lived in the Castle (1962)
We Have Always Lived in the Castle (1962)
Shirley Jackson’s We Have Always Lived in the Castle was published in 1962—just a few years before the radical social movement of the 1960s and 1970s—and served as her reaction to the movement of traditionalism that followed the Second World War. The fifties was an exceptional decade when women were transitioning from having jobs that supported the war effort while the men were overseas, to being expected to stay at home in order to support their husbands by cooking, cleaning, and rearing children.
This novel takes place in a small New England town where the remaining members of the Blackwood family stay in their ancestral home—they seem to live a peaceful, if not removed life from the rest of the town and its oppressive atmosphere. The initial perception of the people in town is one of apprehension when the main character Mary Katherine admits the anxiety she feels when having to pass the general store when the men are sitting out front. The mood of the novel changes to reflect what many literary scholars believe might have been Jackson’s own response to the changing social climate of the fifties and how stifling it would have been to be a housewife with a job. It also bears mentioning that it brings attention to the ways women had been oppressed in the past, referencing witch hunts where women would be killed for even the slightest misstep.
We Have Always Lived in the Castle echoed a lot of the same themes that were found in her profoundly popular short story The Lottery, with special emphasis on the strange and hostile townspeople who take on the type of mob mentality that allows otherwise sensible people to commit horrible acts with little to no impact on their conscience. It is said that this particular novel served as inspiration to many writers—including authors like Neil Gaiman and Joyce Carol Oates—who, after reading Shirley’s work, felt liberated in taking leaps with horror, speculative fiction, and just enough realism to create creepy atmospheres within their own novels.
Take a look at the trailer for We Have Always Lived in the Castle (2019) and let us know what you think between the differences you’ve found between it and the original novel.
Looking back on a career like Shirley’s it’s widely believed that despite the fact that raising four children is an extremely difficult task, Shirley couldn’t have been such a literary success without them—after all, her first success, The Lottery came only a few months before Shirley was set to deliver her third child. A cringe-worthy moment came when the clerk asked Shirley her occupation, when she responded that she was a writer, the clerk responded that he was going to put down the occupation of housewife instead. While it was true that being a mother was one of her jobs, Shirley was more than just a mere housewife—in fact, she was the breadwinner of the family.
Shirley Jackson happened to be both a housewife and a “talented, determined, ambitious writer in an era when it was still unusual for a woman to have both a family and a profession.” The appearance of a conventional American household generated material for this sassy mother of four—who thrived on the tensions that it created between both roles. The expectations of herself, her husband, family, publishers, and readers gave life to her writing since what was normal for her was unspeakably abnormal for the time. She made this clear during the early years of her career, when she drew, “a muscular woman, looking disgruntled, [dragging] her husband off by his hair as another couple [looked] on worriedly. ‘I understand she’s trying to have both a marriage and a career,’ one says to the other.” The truth of the matter was, that Shirley’s career only really took off after she became a mother, having gained an empathetic view of developing minds and the well of imagination that she drew therein. In this respect, Shirley was not only a sensational author, she was an admirable role model for any woman who may have wanted to follow in her footsteps.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The eclectic nature of The Other Stories podcast is perhaps one of its most attractive qualities of this horror, sci-fi, and thriller fiction show. Their variety of authors and narrators along with stellar audio effects make this an immersive experience, but what really makes this podcast special is the agonizingly spooky and mysterious nature of these short stories.
These aren’t the stories your mother told you, no–these are the Other Stories!
Ready to get your blood pumping a little bit and help your body out at the same time? Here is our curated list of our 10 favorite episodes of The Other Stories, we truly hope you enjoy these as much as we did!
The Chip Truck Man
David J. Thirteen brought us this interestingly chilling tale of two brothers who are never the same after encountering a terrible man on their shortcut home.
Kathryn Stablin wrote this short story and she did a masterful job in conveying the story of a woman whose strange niece comes to visit her; while watching her niece the woman realizes the terror of the doll.
The Gorgon’s Head was written by Ben Errington about a boy who had always believed in the Greek myths–but then he unexpectedly finds a powerful object and unleashes its wrath upon others.
This is a story written by Zach Friday, about a man who goes to an art show on the weekend–what he doesn’t realize is the painting that draws him in has evil intentions and he will bend to its will.
This story was written by Jon Freeman and Daniel Willcocks, who tell the story of Jack as he goes to meet his old university friends who had fallen out of contact. Their reunion takes place at a bar, but as Jack gets progressively more intoxicated, he realizes that things aren’t exactly as they seem.
Written by Kezia Kynaston-Mitchell, this short story is about an aging concert violinist who is haunted by her memories. The loneliest place to be is in a crowd, especially when you have a terrible secret.
Writer Kev Harrison weaves the tale of a boy of the northern villages, as the winter solstice looms near, he learns that it is time for him to get his mask made to ward off the siege of the dark spirits. The only problem is, he’s the only boy in his village, will he be enough to keep the darkness from ravaging the land?
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
When the Geiser Grand Hotel opened in 1889, it was originally known as the Queen City of the Mines–perhaps just as a nod to the Gold Rush that flurried on its doorstep. At the time of its conception, it boasted state-of-the-art technology, the third elevator built west of the Mississippi River. The four-story clock tower gave the area an air of sophistication, while the two-hundred-foot cupola gave the building more natural lighting that filtered through a stained glass ceiling.
Albert Geiser, a mining investor, purchased the property just after the turn of the century and rebranded the hotel as The Geiser Grand Hotel in 1902. In these early days of the hotel, the Grand was considered a place for wealthy men and women to make their presence known, including one Granny Annabelle, who made herself out to be a sight-to-be-seen. She would make her grand entrance from her residence in room 302, to her permanently reserved chair at the bar, from which she presided over the hotel.
Within the hotel’s basement, there are apparently subterranean windows that open up into underground tunnels that were created in the 1880s–this was during the time of the gold frenzy, and the tunnels led to brothels. They also gave passage to Chinese immigrants who at the time were not allowed to be on the streets at night, were handy during seasons of heavy snow, as well as for stashing booze during the Prohibition years.
The historic Geiser Grand Hotel of Baker City, Oregon is considered a landmark and a site of incredible paranormal activity, there have been reports of apparitions on many occasions and the hotel staff give ghost stories on Halloween. The hotel’s most famous ghost goes by the name Lady in Blue, who has been seen dressed in a turn of the century gown, walking up and down the main staircase. It is speculated that this beautiful Lady in Blue is actually Granny Annabelle, in her beautiful Victorian gown, where she forever ascends and descends the staircase before disappearing into the wall. Apparently she never had any intention of leaving “the most fortunate place in the country,” as the Geiser Grand Hotel was touted to be in 1906.
Geiser Grand Hotel, Baker City, Oregon
Haunted Facilities…
The hotel was built in 1889, destined to be extravagant living quarters for mine investors and wealthier people, the Geiser Grand hosts several apparitions on the premises. There have been several reports of a young girl, a 1930s woman wearing a purple dress, a saloon dancer from the 1920s, a former chef who appears headless, a cowboy and his girlfriend, as well as the Lady in Blue. One of the former owners, Maybelle Geiser, who lived in Room 302 is said to be incredibly haunted, with her ghost rearranging the guests’ jewelry and eating their complimentary snacks.
One visitor to the hotel reported having investigated the Geiser Grand a few times and had experienced the most activity in the bar; their report was that the overall experience was as if they had stepped directly into the 1800s, the rooms being magnificent and period-authentic. They were able to capture an EVP, experienced doors opening and closing, but was skeptical that all of the reports were true. A second guest reported having taken photographs of the entire hotel, except for their room, but upon reviewing the pictures they took found that there was a picture of their room–knowing that they did not take it themselves–and saw that there was the figure of an unidentified boy.
Paranormal investigation groups, S.P.I.G. and S.L.A.S.H. regularly take groups through the premises, where the customers were not made aware of the specifics of each haunting before they investigated the rooms. They reported having physical responses to particular rooms, including the library, and the basement, but were unable to determine the identities of any specific spirits.
The Atlantic Paranormal Society (T.A.P.S.) who hosts the television show Ghost Hunters visits the Geiser Grand quite regularly, with the sole mission of gathering evidence to back up all of the claims that have been made. In an attempt to make the process as scientific as possible, they conduct double-blind studies with reliable equipment that doesn’t incite controversy or welcome criticism. During an interview, one of the newer team members, who self-identified as a skeptic, offered up their own experiences. He believed it could have been a coincidence, but also added that it was an experience that he would never forget–during his investigation, he heard the name Wayne several times over the span of a three-hour investigation. A few days later, while researching, he found the name Wayne in a news story–an eighteen-year-old Presley Wayne–who in 1998 had been named Nashville’s Performer of the Year and touted as a rising country music star. The night after his show at the Geiser Grand, young Presley Wayne was found dead, the victim of a gunshot to the head.
Oregon resident, Amy Venezia, travels the country as a professional medium and communicates with spirits regularly. She stayed at the Geiser Grand one Christmas Eve, where she reported experiencing a dark mass floating by her bed. Recounting her story, she felt it was an incredibly frightening experience.
I’m very accustomed to spirits and not scared of much, but this was a very old, strong spirit, a different type of entity, not a typical connection … I was frightened … The spirit was like a big dog that doesn’t know its size when it pounces on you. It was too much for me then. With time though, I see it’s taken me to a deeper level, and that is good. There’s no doubt that hotel is haunted
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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