Looking At Satanic Worship, Demons, and Dark Magic Through History and Films

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Horror Mystery and Lore Lifestyle Scary Movies and Series

There is always a cause for panic for some when the words “Satanic” or “Devil” worship is uttered—people have gone to jail over such accusations of satanic crimes as recently as the 1990s. The so-called “Satanic Panic” of the eighties and nineties pursued an imaginary evil, yet left so many innocent lives ruined. Unlike the cults that led the victims of Jim Jones, a cult leader who instigated the massacre of Jonestown and inspired movies like Jonestown (2013), the satanic cults that exist in popular culture simply do not exist in real life.

How Devil Worship is Depicted in Popular Culture and Mainstream Media

There’s a lot to say about Satanism versus the ever-so-popular concept of devil worship. The long and tumultuous history of the latter is one based on the religious bias of dominant religions, unfairly painted as being so evil that words “demonic,” or “satanic,” became synonymous with the worst type of evil imaginable. So, where did this image really come from?

Satanic Panic

Unfortunately, the myths that surround Satanism as imagined by Hollywood and religious fear-mongers, continue to be a problem today—these media portrayals are simultaneously entertaining and besmirching, leaving people to accept any negative aspect about topics such as Satanism as truth, without regarding the possibility that much of it could just be associated with teenage rebellion or misunderstood alternative religious beliefs.  During the eighties and early nineties, much like the red scare of the forties and early fifties, Satanists were the hidden boogie-man in everyone’s neighborhood. For many innocent men and women convicted of satanic crimes, it was a literal witch hunt, they became everyone’s favorite scapegoat.

For the people on the accusing end, it’s easy to see how fear and superstition could easily overcome their ability to process things within reason and proceed logically. This widespread panic pit people against each other, because without a designated cult leader, there was a chance anyone you knew might have been a Satanist and no one was above suspicion. The problem with this hypervigilance was that most of the accusations were of child molestation, abuse, and various other obscene activities that were done deliberately involving minors. The made the children who were really suffering, whose validity was already under question, seem like they weren’t genuine cases. Although less frequent now in the United States, especially since Satanism became a federally recognized religion.

The generic reaction to the idea of Satanism, or “devil-worship,” during the time of the Satanic Panic.

Religious Satanism

A considerably newer concept is the formation of Satanism as a recognizable religion. It’s said that modern Satanism was born from the literary movement in the later parts of the 1600s that started with John Milton’s pitiable portrayal of Lucifer, in Paradise Lost (1667). Despite his Puritanical beliefs, he started a new way of characterizing the Devil—a sympathetic one.

Atheistic Satanism

While it may seem like a foreign concept to those not, “in the know,” a larger portion of Satanists don’t actually believe Satan to actually be a god, or entity at all—in fact, he’s more of an idea, or a symbol, one that embodies what they stand for.

LaVeyan Satanism and the Church of Satan

The Sigil of Baphomet
The Sigil of Baphomet

After Anton LaVey established the Church of Satan in 1966, he became known as the “Father of Satanism,” following this, he published The Satanic Bible in 1969. The LaVeyan Satanic theology consisted of teachings that provided a base code of ethics for believers to follow. These teachings promoted undefiled wisdom, which was insistent upon gaining knowledge without bias, indulgence (not compulsion) in things that create happiness, kindness to those who deserve it, a responsibility to the responsible, and an eye for an eye mentality. Things that are shunned, or generally looked down upon are the ideas of abstinence based on guilt, spirituality, unconditional love, pacifism, equality, herd mentality, and scapegoating—which are all ideologies that, according to LaVey deny people of their natural animalistic instincts.

The Satanist, in accordance with LaVeyan theological viewpoints, is a carnal, physical and pragmatic being. Being able to physically enjoy existence with an undiluted view of the worldly truths is promoted as the core values of Satanism, which propagates the naturalistic worldview that sees mankind as animals existing in an amoral universe. After LaVey’s death in 1997, the church was moved to New York and taken over by a new administration; suffice it to say, LaVey’s daughter didn’t appreciate this change and founded the First Satanic Church in honor of her father in 1999 which she continues to run out of San Francisco.

The Satanic Temple
Sigil of the Satanic Temple

The Satanic Temple

Another atheistic institution of Satan is the Satanic Temple—it is more of a political activist organization rather than a religious movement. The focus of their fury lies solely in the waves they can make in the political and social spectrums with special regard to separation of church and removing restrictions on personal freedoms. In such ways, the Satanic Temple serves as a way for followers to rebel against arbitrary authority and social norms. They have made an effort to be a voice for the people and denounce oppressive laws and religious persecutions.

Theistic Satanism

Even though theistic Satanism is the thing that most people actually fear, theistic Satanists make up the smallest number of those who call themselves Satanists at all. Theistic Satanism is what could also be referred to as traditional Satanism, Spiritual Satanism, or “devil worship,” that so many people still fear today. Their beliefs have a Satan-centric view of religion, where Satan is a deity to revere. Most of these traditional Satanists incorporate a belief of magic into their religion, but the main thing that they all have in common is that they consider themselves devotees to Satan.

Luciferianism

Sigil of Lucifer
Sigil of Lucifer

One of the forms of traditional Satanism, is Luciferianism, a belief system that takes aspects of that are most commonly associated with Lucifer and venerate him as a higher being. Although there is little difference between the concepts of Lucifer and Satan, they are not always characterized in the same light—that is to say that Satan is the embodiment of evil in most common characterizations of him, whereas Lucifer is considered the “light-bearer,” or an angel who has fallen from grace. Within Luciferianism, there are those who venerate one concept or the other, but not both simultaneously. The tradition most typically reveres Lucifer not as the devil he’s depicted to be, but as a being who will liberate and guide his followers, replacing the Christian God, or “true god,” with Lucifer being the good guy in the story that traditional Christians adhere to.

Order of Nine Angles

Sigil of the Order of the Nine Angles
Sigil of the Order of the Nine Angles

Based in the United Kingdom, with associated organizations in other parts of the world, the Order of the Nine Angles claims to have been established in the 1960s. It wasn’t until the 1980s when the Order gained public recognition; the political activism and ideologies that it showcased to the world during this time had a huge neo-Nazi affiliation. The Order of Nine Angles describes its approach to religion as traditional Satanism, but academics have been known to associate it more with hermetic and pagan practices.

The Order established advocacy for a spiritual path in which the practitioner is required to break any and all societal taboos. They are encouraged to isolate themselves from society, commit crimes, embracing political extremism and violence, as well as carry out acts of human sacrifice. For these reasons, this branch of Satanism has been described as being the most extreme and dangerous group, under the theistic Satanism umbrella, in the world. So when people immediately jump to “devil-worship,” it is likely that they are considering the Order of Nine Angles without even realizing it; as the least popular sect of Satanism to be a part of, it is the most popular when referencing in popular culture.

Temple of Set                                                 

Inverted Pentacle
Inverted Pentacle

Established in 1975, The Temple of Set inspired a new religious movement—the practitioners of which consider themselves Sethians. Scholars and practitioners alike condemn the idea of Sethianism being likened to Satanism, as they argue it is actually a form of Gnosticism. In 1975, when the religion was first founded, Michael Aquino, a high-ranking member of the Church of Satan, was entirely unsatisfied with the direction in which LaVey was moving the Church in. According to claims from Aquino, he resigned his position with the Church of Satan and embarked upon his own religious path. While doing some soul searching, he believed that Satan revealed his true name to be that of the Ancient Egyptian deity, Set.

Sethians believe that Set is the one true God, who bestowed upon humanity the ability to gain knowledge. This is a familiar concept that is known in Christian texts when Lucifer presented himself as a serpent and tempted Eve with the apple from the Tree of Knowledge when Eve gave in to temptation, she gave humanity free will. Unlike other theistic Satanic organizations, despite being considered a god, Set is to be emulated, but not worshipped or venerated. This is one of many religions that do not condemn the idea of self-deification or worshipping the self. Another magic practicing religion, Sethians believe that through ritual black magic that the world around the practitioner can be manipulated for their own benefit.

Instead of emphasizing the negative aspects of the encounter with Lucifer in the Garden of Eden, toting it as human weakness, it promotes the encounter as “divine fullness,” stating that Eve is to be praised for tossing away blissful ignorance and stepping towards independence and freedom. The snake in the Garden of Eden is therefore considered a heroic figure in its own right, instead of the vilified proto-Satan who is the adversary of humanity. In the opinion of practicing Sethians, eating the fruit of knowledge was the first act of human salvation from the cruel and oppressive powers of the Christian god.

Dark Magic: Is it Always Satanic in Nature?

This is a fairly difficult question to answer, because the short and straight-forward answer is a definitive, “no.” That’s hardly a full answer though, but considering the complexity of dark magic, the people who use it, and the debate about whether dark magic actually exists creates an almost impossible task of alleviating the fears of this question. So, let’s start with the fact that not all practitioners of magic and witchcraft actually believe that magic can be, “dark,” because this implies that the magic itself is evil.

Ritualistic Offering
Photography by Freestocks.org

Most practitioners take a modern-day approach to the concept of magic, is that it is truly just natural energy that practitioners of magic manipulate to change the world around them. These practitioners also take into consideration the volatile nature of the human condition, this means that while magic is a neutral energy, human beings are varying levels of good or bad—this is how there can be benevolent, charitable people like Mother Teresa, as well as serial killers like Jeffrey Dahmer.

Practitioners who thrive on what people consider, “dark magic,” typically refer to what they practice as baneful magic or magic that has ill consequences for the person they may be targeting. Baneful magic is not a practice that is only embraced by Satanic occultists, it is something that is practiced by voodouisants, hoodoos, conjurers, rootworkers, chaos magicians, grey witches, and more. In fact, there is a common saying within the witchcraft community, “a witch that cannot hex, cannot heal,” which always instigates a passionate debate that typically ends with frustration or fury. The fact that baneful magic is practiced by all types of practitioners, means that demons are not just a part of the Christian or Satanist belief systems; demons exist in so many different cultures, so the practice of demonic magic, often referred to as demonology.

American Horror Story: Apocalypse
American Horror Story: Apocalypse (2011 – )

The Roles that Demons Play

When we see demonic magic in action on the big screen, it’s always regarding some terrible sacrifice that requires the blood of the innocent to be spilled, perhaps dominion over the demons that are summoned, subservience to the demons that are summoned, or world-ending scenarios. Demons are as diverse as can possibly be imagined, some can be friendly, although it’s not wise to ever consider them compassionate or generous; they’re like your local loan shark, they’ll give you what you want, for a price. Then again, if you’re desperate enough to want to offer something up to a demon for personal gain, then you might not actually be too worried about what that offering might be.

Movies and TV Shows that Stir the Satanic Panic:

While these movies and television shows are a great thrill ride, they don’t exactly portray Satanism in a realistic way; then again, that’s part of what makes it entertainment, isn’t it?

Chilling Adventures of Sabrina
Chilling Adventures of Sabrina (2018 – )

What inspires your fear about devil-worship? Do you enjoy a good demon-driven plot as much as we do? Did we miss an excellent satanic horror movie or television series that you think we should know about? Tell us your thoughts below!

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Major Arcana Tarot Card Overview – The Devil Meaning

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Lifestyle
Devil Tarot Card

Within the tarot, The Devil is the 15th card in the 22-card Major Arcana set. In most cultures and religious traditions, the devil personifies evil, indulgence, and excess. Without delving into the particularities of each manifestation of the devil, it suffices to acknowledge that this creature possesses a complex and varied historical development. Most Major Arcana sets typically illustrate the devil in its most popular satyr depiction as Baphomet, a winged goat-human hybrid. Baphomet is portrayed perched on a raised platform with an inverted pentagram on its head. The deity lords over a man and a woman, both naked, wrapped in chains.

The Upright Devil Card Meaning

When upright, The Devil card typically symbolizes an obsession with material objects and a willingness to indulge in a hedonistic lifestyle. Similar to the man and woman chained to Baphomet in the card’s imagery, when revealed, The Devil indicates your attachment to materialism and grandeur. This can lead to your feelings of emptiness and powerlessness. Due to a weak willpower, uncontrollable impulses and urges direct your actions, as Baphomet holds you captive. Until Baphomet’s chains are broken, satisfaction is out of reach.

The Reversed Devil Card Meaning

When revealed in a reversed position, the card’s power dynamic shifts. Upside down, The Devil suggests an upcoming period of freedom in your life. The path to freedom, though, is never easy. Breaking away from the chains of Baphomet involves an exceptional level of self-awareness and a commitment to the painful task of self-improvement. The temptation to return to materialism is ceaseless, but your willpower is strong and overcoming Baphomet’s enslavement will be worth it. The immediate future possesses challenges and hardship, but the distant future is bright and filled with purpose. 

The Devil Card in Popular Media

In 1993’s American Western film Tombstone, (starring Kurt Russell, Val Kilmer, Sam Elliott, and Bill Paxton) Allie Earp (Paula Malcomson) reveals a three-card tarot reading. She flips over The Tower of Babel, Death, and The Devil, softly saying, “Oh dear,” as she does it. She’s met with resistance when Louisa Earp (Lisa Collins) dismissively says, “Oh, Allie. I wish you’d learn to play a real card game.” Immediately after, lightning cracks in the background and a masked man enters with a gun.

The deck Allie used was the Visconti-Sforza Pierpont-Morgan Bergamo type, as evidenced by the lengthy skeleton illustration on the Death card. In that deck The Tower of Babel and The Devil cards are lost to history. 

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Markus Crane Honorary Dream Eater Mask

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Featured Lifestyle

As many of you might have heard legendary wrester Markus Crane of Game Changer Wrestling (GCW) passed away at the age of 33. He was famously known as a deathmatch specialist and was beloved by fellow wrestlers and fans alike.

GCW’s release about Markus remembers him with kind words and loss “With Sadness, GCW mourns the loss of Markus Crane. As a performer, Markus embodied the spirit of GCW. He was an underdog and an outlaw. He was fearless in the ring and determined to succeed against the odds.”

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His good friend and ring mask designer Adam Zigler was profoundly impacted by this and decided to create a replica mask in Markus’s honor. All profits to be donated to causes that Markus was supporting in his life.

Adam had this to say about Markus and the mask he originally designed for him to wrestle in.

“To say Markus Crane was one of my best friends would be an understatement.  He was closer to me and had more of a positive impact on my life than nearly anyone I have ever known.  After I finished SFX school and moved to Chicago in 2017, Markus was so excited to have me create custom ring-wear for him.  He was always my biggest supporter and loudest cheerleader.  The first mask he wanted was a mask inspired by a character from a video game he loved, but “more corpse-painty”.  Markus always had a way with words.  We always talked later of making copies of his mask he wore to the ring, which was originally casted in polyurethane resin so that way he could sell them to his fans, but we never were able to bring goal that to fruition.

Dream Easter Mask used by Markus Crane in his wrestling career
The Dream Eater Wresting Mask

In December 2019, Markus lost consciousness while on the way home from wrestling a show on the West Coast and was placed in a medically induced coma.  It was found that he had an infection that had made it’s way into the very bone of his skull, and even his brain.  A part of his skull was removed, and through his strength and willpower was able to make an incredible physical and mental recovery.  After having a metal plate surgically fused to his skull, Markus even fought his way back to the ring in April 2021 at an event in Tampa, Florida aptly titled “PLANET DEATH”.  It was when he found out about getting to perform at Planet Death that he asked me to create a new version of his mask that would be easier to travel with.  This new latex casting of the original mask is what he wore to the ring that day, and ultimately was what he wanted to have for his fans to purchase.

Markus spent a large portion of 2021 training for a full-time return to the ring.  In November 2021, Markus moved to his hometown to focus on his continued physical recovery, as well as his newfound sobriety and he was doing an amazing job.  Tragically however after complaining of a headache, Markus passed away in his sleep on December 26th, 2021.

I had a few messages after he passed asking if I would make copies of his mask for a few of his friends.  It was on Wednesday, December 29th that I was riding in the car when I had the idea to make this possible for his friends and fans and not feel exploitive of my friend, but instead to do it in a way that I can honor Markus and create something good.  It was at this exact moment of having this thought that I looked out the window of the car and saw I was passing “SWEET TOOTH DENTISTRY”.  I am not in the slightest religious, far from it, but I don’t want ignore the synchronicity if my friend is giving a sign.

For every mask of Markus’ that I sell, I’ll be donating a percentage of the profits to a charity of my choosing, but will always be a charity that supports a cause that Markus would have believed in.

For 2022, the profits will go to the Trevor Project.  The Trevor Project is a non-profit organization providing crisis intervention and suicide prevention services to LGBTQ teens and young adults.  I am not affiliated with Trevor Project in any way, but I wholeheartedly believe in their mission and have researched them thoroughly.  If you do not wish to purchase a mask but still want to support The Trevor Project, you can find more information and donate at thetrevorproject.org.”

If you would like to support the cause or view the mask

Click below

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Night of the Living Dead: Social Commentary in Horror Cinema

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Featured Lifestyle Scary Movies and Series

Night of the Living Dead (1968) was hardly the first zombie film—in fact, it was the fortieth, for those of you who like useless trivia facts—but it is possibly the most memorable of the older zombie classics. It’s not hard to see why it has persisted for the last fifty-three years, enduring beyond the renown of such modern zombie sensations, such as The Walking Dead (2010 – Present) and Train to Busan/Busanhaeng (2016). What most modern films and television shows of the horror genre seem to gloss over is their captive audience. Therein lies the opportunity for commentary on the civil rights issues that are still incredibly relevant in the present day.

One notable exception to missed opportunities for commentary being Jordan Peele’s Get Out (2017)—but we can get to that one later. For now, we’ll just focus on the message of Night of the Living Dead. As Tom Gunning explained in his essay, “confrontation rules the cinema of attractions in both the form of its films and their mode of exhibition. The directness of this act of display allows an emphasis on the thrill itself—the immediate reaction of the viewer,” (“An Aesthetic of Astonishment”, 122)—this thrill that we get from controversial messages and images on display within films is one of the main reasons we watch horror. Excitement is king.

They’re coming to get you, Barbara!

Johnny in Night of the Living Dead (1968)
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A line of undead ‘zombies’ walk through a field in the night

What is Night of the Living Dead about?

At face value, this movie is just a story about survivors of a zombie apocalypse stumbling upon one another, clashing personalities, and finally a begrudging combining of forces to fend off the zombie hoard that surrounds the farmhouse that they each found and decided to hunker down in for safety. One by one, these survivors each ends up dying, until we see the last man standing—Ben, emerged cautiously from his secure space in the cellar of the farmhouse to find that police and other volunteers were roaming around, killing the zombies, and reclaiming their land for the safety of the living.

Unfortunately for Ben, these rescuers are less focused on finding survivors and more focused on mindlessly putting down anything they find that moves. While that might simply be interpreted as bad luck for our main character, Romero’s decision for this ending was actually fairly controversial considering the time in which it had been created. Now you might be asking yourself, where does the conversation of civil rights factor into this? Well, buckle up, buttercup—we’re just getting started.

Night of the Living Dead (1968) Movie Poster
Night of the Living Dead (1968) Movie Poster

Controversial Social Commentary

“Curiositas draws the viewer towards unbeautiful sights, such as a mangled corpse, and ‘because of this disease of curiosity monsters and anything out of the ordinary are put on show in our theatres,’” (Gunning, 124). Romero’s Night of the Living Dead (1968) gives us these “unbeautiful sights” in spades. Consider the special effects that were available to directors at that time—the glimpses of a woman with her face eaten off at the top of the stairs and zombies ripping flesh off of bones after an unfortunate accidental explosion of the getaway vehicle were the literal encapsulation of this concept. The intangible concepts within this film are the reflections of society and how little progress has been made since 1968.

Ben giving Barbara slippers in Night of the Living Dead
Ben giving Barbara slippers

Freud pinpoints the appeal of the horror story. He begins by discussing the etymological root of the word “uncanny” in German, a word long associated with the horror genre, demonstrating how both the word and its opposite are very close in definition and usage… ‘it may be true that the uncanny [unheimlich] is something which is secretly familiar [heimlich-heimlisch], which has undergone repression and returned from it, and that everything is uncanny fulfills this condition.’ … Freud … hit upon the key to understanding the core of the horror genre. Horror is dissimilar from much of [the] science fiction genre in which the threatening ‘monster’ (often created because of the interference of science or technology)—whether it be alien, atomic mutant, or cyborg—is portrayed as the Other which must be destroyed or controlled by science, often in conjunction with the military/industrial complex, in order to save humanity. Horror tends rather to concentrate on another type of ‘Other,’ an ‘Other’ which is very familiar and because of that much more frightening, an ‘Other’ which is rooted in our psyche, in our fears and obsessions.

James Ursini, pg. 4 of the Introduction in The Horror Film Reader

The Civil Rights Movement

From 1954 to 1968 the Civil Rights Movement empowered Black Americans and their like-minded allies. They battled against systemic racism (or institutionalized racial discrimination), disenfranchisement, and racial segregation within the United States. The brave efforts of civil rights activists and innumerable protesters brought meaningful change to the US, through changes in legislation; these changes ended segregation, voter suppression for Black Americans, as well as discriminatory employment and housing practices.

The Assassination of Martin Luther King Jr.

There were tragic consequences for two of the leaders of the Civil Rights Movement. With the assassination of Malcolm X on February 21, 1965, and the subsequent assassination of Civil Rights leader and Nobel Peace Prize recipient Martin Luther King Jr. on April 4, 1968. Each of these losses to the movements provoked an emotionally-charged response; looting and riots put even more pressure on President Johnson to push through civil rights laws that still sat undecided.

The Fair Housing Act of 1968

The Fair Housing Act became law on April 11, 1968. It came just days after the assassination of Martin Luther King Jr.; too little too late, but it prevented housing discrimination based on race, sex, national origin, and religion. It was also the last piece of legislation that was made into law during the civil rights era.

Casting a Black Actor in a Non-Ethnic Role

The way the lead character Ben was written originally with Rudy Ricci. Surprisingly, however, when 31-year-old African American actor Duane Jones auditioned for the part, the decision to cast him was unanimous. Even Rudy Ricci was on board with the change in plans, stating that, “Hey, this [was] the guy that should be Ben.”

Duane Jones—the Anti-Ben

Romero recalled that Jones had been the best option when it came to casting the part of Ben, and remarked that, “if there was a film with a black actor in it, it usually had a racial theme.” He even saw fit to mention that he resisted writing new dialogue for the part just because they had cast a black lead. It was assumed that Jones was the first black actor to be cast in a non-ethnic-specific starring role, but that barrier was broken by Sidney Poitier in 1965.

Interestingly enough, the role of Ben was supposed to be a gruff, crude, yet resourceful trucker. His essence was that of an uneducated or lower class person. On the other hand, Jones happened to be very well-educated, with fluency in several languages, obtained a B.A. at the University of Pittsburgh, and an M.A. at NYU. Jones was the one who flipped the script, improvising through the dialogue to portray his interpretation of Ben as a well-spoken, educated, and capable character. Therefore, as originally written, white Ben was a stereotype whereas Jones turned the character into the antithesis of a stereotypical black ben.

So why was Night of the Living Dead so controversial?

Even though Ben is the protagonist, he was never meant to be the hero—in fact, Ben was supposed to represent just an everyday Joe, who “simply reacted to an irrational situation with strong survival instincts and a competence that, though far from infallible, surpassed that of his five adult companions trapped in that zombie-besieged farmhouse,” (Kane). What we would expect in terms of racially heated arguments, we only witness the palpable tension that displays what goes unsaid. What also may not occur to modern viewers as being controversial, is the portrayal of a black man and a white woman being locked up alone in a house together. Segregation may have begun over a decade prior, but racism doesn’t die overnight just because laws are changed.

The “Final Guy”

The tragic ending of Night of the Living Dead was a commentary on real injustices that were happening at the time, as well as a foreshadowing of an issue that has doggedly limped into the systemic racism of the twenty-first century. The world was facing its end of days. The threat of the undead rising from their graves and feeding off of the living was enough to pull everyone together to stay alive—but racism was still alive and well. Unlike most of his African-American male successors of horror, Ben does not fall victim to the black character stereotype by being the first character to die. Ben makes it to the end—the so-called “final” guy—he was able to save himself when the house was overrun by the living dead. Then, after all of his hardship, he ends up dying at the hands of the gun-toting police officers.

Ben was wielding a gun, he was clearly not a revenant, and the sharpshooter who put one between Ben’s eyes could very obviously see this—his death affected not a soul in that situation, his life in plain language was unworthy of continuing in the eyes of the men who were supposed to serve and protect the living, who instead of seeing a human being, perceived a threat. The ending that Romero’s film allowed to linger in the minds of the audience was controversial because it made people think. It made them look at the social and political issues that were washing over the United States all around them; Romero delivered in that two minutes ending, a message that was unforgettable. It has thusly endured through the culture of horror and has continued to inspire modern horror cinema.

Final Thoughts

If classical Hollywood style is posited as the norm, then filmmaking practices that deviate from it risk becoming seen as “primitive” (such as early cinema) or “excessive” (such as genres where spectacle often seems to trump narrative, including musicals and horror films).

Adam Lowenstein, “Living Dead: Fearful Attractions of Film”

Night of the Living Dead (1968)

Interested in watching the full film now that you’ve read this article? Well, you’re in luck—this film is now in the public domain and can be watched online for free.

Work Cited

Gunning, Tom. “An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator.” Viewing Positions: Ways of Seeing Film, by Linda Williams, Rutgers University Press, New Brunswick, NJ, 1995, pp. 114–133.

Lowenstein, Adam. “Living Dead: Fearful Attractions of Film.” Representations, vol. 110, no. 1, 2010, pp. 105–128. JSTOR. Accessed 19 Jan. 2021.

Kane, Joe. “How Casting a Black Actor Changed ‘Night of the Living Dead’.” TheWrap, 1 Sept. 2010.

Harper, Stephen. “Bright Lights Film Journal: Night of the Living Dead.” Bright Lights Film Journal | Night of the Living Dead.

Ursini, James, and Curtis Harrington. “Introduction/Ghoulies and Ghosties.” The Horror Film Reader, by Alain Silver, Limelight Ed., 2006, pp. 3–19.

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Nightmare on Elm Street Cameos

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Lifestyle Scary Movies and Series

Who Cameos in the Nightmare on Elm Street Movies?

Nightmare on Elm Street Cameo Appearances By Celebrities 

The Nightmare on Elm Street movies have largely been well funded and filled with talented cast and crew members. Due to the great number of people involved on the project and the many number of sequels, the Nightmare movies are more likely to include cameos than many other films.  The creators of the Nightmare movies have been very careful in how they implement cameos…but they are still found throughout the franchise. Maybe they should have called them Screameos instead? What would Elm Street be without screams and famous actors?

List of Nightmare on Elm Street Cameos

Horror Enthusiast has set on a mission to list all of the cameos in the Freddy Krueger movies. Many famous actors have appeared in horror movies before their careers started. Here is the full list as it stands today for Nightmare on Elm Street.

Robert Shaye

Newline Cinema owner and Nightmare on Elm Street original producer, Robert Shaye lends a voice twice in the film. The audio clip of the news reporting Tina’s death and the voice of the station announcer both belong to Shaye.

Shaye plays an actual character in the second film (which he also produced).  Shaye can be seen as the S&M bartender serving Jesse in the gay bar.

Shaye works his way into a cameo during the fourth film in the franchise A Nightmare on Elm Street 4: The Dream Master (1988) as one of the high school teachers.

Freddy’s Dead, the 6th installment in the franchise, features a Robert Shaye ticket booth operator.  He is responsible for selling bus tickets in cameo!

Shaye cameos as himself in Wes Craven’s New Nightmare (like some of the actual actors from the original film).

Again, Shaye makes his way into another film in Freddy vs Jason (2003), playing Laurie’s high school principal.

Robert Shaye’s Sister

The producer’s sister found herself a cameo in the original Nightmare movie (1984) as a teacher…and again in Wes Craven’s New Nightmare as a nurse.

Johnny Depp

One of the stars of the original Nightmare on Elm Street (1984), Johnny Depp, can be seen in a picture within Kristen’s magazine in the fourth film, A Nightmare on Elm Street4: The Dream Master (1988).  He also has a short cameo appearance in Freddy’s Dead: The Final Nightmare (1991).

Renny Harlin

The director of the fourth film in the franchise, A Nightmare on Elm Street 4: The Dream Master (1988), Renny Harlin, cameo’d as a student in a classroom.

Eric Singer

Famous drummer for a number of bands, including Kiss, Black Sabbath, Alice Cooper and Badlands makes a cameo in A Nightmare on Elm Street 5: The Dream Child (1989) as a band member shown on TV.

Alice Cooper

In Freddy’s Dead: The Final Nightmare (1991), Alice Cooper makes a cameo appearance as the abusive father.

Tom Arnold and Roseanne Barr

These two celebrities can be seen playing the childless couple found about 23 minutes into the 6th movie in the franchise, Freddy’s Dead: The Final Nightmare (1991).

Tuesday Knight

Tuesday Knight Freddy Krueger

Chase’s funeral scene in Wes Craven’s New Nightmare hides a Tuesday Knight cameo.

Rey Mysterio

The famous wrestler made a cameo appearance in Freddy vs Jason (2003) as a guy who does a fantastic jump.

Evangeline Lilly

The girl in the green long-sleeved shirt present in the crowd right under half an hour into Freddy vs Jason (2003), is Evangeline!

…And Almost a Couple Others

Heather Langenkamp played the main protagonist in the original nightmare movie.  She was offered a cameo as a waitress in the latest 2010 remake of Nightmare on Elm Street…but declined the offer.

John Saxon played Heather’s father and the town’s police chief in the first movie, reprising his role in the third film, and then playing himself in A New Nightmare (1994). Saxon was offered a cameo in the 2010 remake as well, but schedule conflicts never let it happen.

Final Cameo Notes

In the many plentiful Nightmare on Elm Street movies, there have been many cameos and celebrity appearances.  There are probably many more cameos which have yet to be discovered. As a horror fan, you are obligated to help! If you find any cameos in any Nightmare on Elm Street movies which you do not see listed here, please comment below!

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