Pocong

Name

Known most frequently as Pocong, or Pochong, meaning “wrapped ghost.” Also known in Indonesia and Malaysia as a kain kafan, which translates roughly to, “(fabric) shroud,” As well as hantu bungkus, or “the wrapped ghost,” in Malaysia.

Physical Description

Described as having a pale green, shriveled, and decaying face–where its eyes should be, there are two abyss-like holes. It is said that due to the Muslim origins of this legend, the pocong is wrapped in the prescribed length of cloth used in Muslim burials to wrap the body of a dead person. The corpse is covered in white fabric which is tied over their head, under their feet, and around the neck. Because they have their feet tied together, the pocong cannot walk, which causes the pocong to hop like a rabbit, but they can hop up to fifty meters (a little over 162 feet) at a time. It is said they also have the ability to fly and teleport.

Pocong in Indonesia
Photography by Adhietya Saputra

Origin

Believed to have originated in Indonesia, the pocong is a wrapped ghost that is said to be the soul of a dead person trapped within its shroud. According to the traditional beliefs of the region, the soul of a dead person will stay in the realm of the living for forty days after their death–if the ties of the shroud are not untied after forty days the body is said to jump out from the grave to warn people that they need their soul released. After the ties are untied the soul is released and will leave the realm of the living forever.

Mythology and Lore

The Response to COVID-19

During the COVID-19 crisis of 2020, volunteers began dressing as the pocong, getting wrapped in white sheets and roaming the streets of neighborhoods in Indonesia’s central province on Java island to deter people from going and visiting each other during the period of self-isolation due to the viral outbreak. In Kepuh village of Sukoharjo, volunteers of this phenomenon told Reuters, that they have been conducting surprise patrols every few days since early April. Their plan initially backfired due to the fact that these patrols became a social media sensation–so a bunch of people actually came out of their homes just to see what was going on. Despite the setback, the volunteers of Kepuh have been working to mitigate the impact of COVD-19 through coordinated efforts with ministries, government agencies, and regional administrations.

He added later that the initiative was in cooperation with the local police force, saying that they, “set up the pocong roadblock,” and that the “environment of the village had become more conducive [to the idea of staying inside].”



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Pukwudgie

Date of Discovery

There is not a confirmed date to when the first tales of Pukwudgie came to be as they are connected to the World-Creation stories of many Native American tribes. In the late 1900s, many authors began to publish stories of traditional Native American folklore which included Pukwudgie tales.

Name

Pukwudgie, Bagwajinini, Bokwjimen, Little Ones, Little People

Physical Description

Standing around 2 to 5 feet tall walking up-right resembling humans with enlarged noses, fingers, and ears. Their skin is a smooth or flat grey tone and has also been reported to glow at times.

Origin

This creature’s known origin is in Native American tribes all over the North American continent, and mainly within the Wampanoag folklore. Pukwudgie began in connection to ‘Maushop’, a creations giant to the Wampanoag culture, who held great affections from the Native tribes on his lands. The Pukwudgies were highly jealous of this connection Maushop and the Natives of Cape Cod had, so they tried intently to help the Wampanoag, but their efforts often backfired so they eventually resorted to tormenting them instead. Maushop then collected up as many Pukwudgies as he could and shook them until they were utterly confused, then tossed them around New England areas. Some of the creatures died upon impact, some landed just fine and regained their mental factors before trying to make their way back to the cape in Massachusetts. Once they found their home amongst the Wampanoags they began kidnapping children, burning homes, and killing the tribe. Legends say Maushop and his wife attempted to kill and crush as many as possible and as a result lost their sons in the battle. After this Maushop disappears from Wampanoags’ mythology completely and the Pukwudgie scattered from the Cape area to New England and beyond.

Mythology & Lore

There are many tales of encounters with these creatures, most taking place in the deep wooded areas around tribal lands. Most Native Americans believe they are to be avoided and left alone at all costs, or you will have nasty tricks played on you, as well as the creatures following you causing more and more trouble as time goes on. They are commonly known for kidnapping people, pushing them off high cliffs, attacking them with knives or spears, blinding you with sand, and shooting you with poisoned arrows.  

In the Native American lore, Pukwudgies have the following abilities:

  • They can appear or disappear at will
  • Transform into porcupines that walk up-right, but with a troll-like profiled hunch
  • They attack people and lure them to their deaths
  • Use magic
  • Shoot poison arrows
  • Create fire at will
  • Control Tei-Pai-Wankas (the souls of Native American’s they have killed)

Many tribes have their names, tails, and individual lore surrounding the Pukwudgies; each show the creatures nature a bit differently but all resembling that of European gnomes or fairies. According to Legendary Native American Figures, the tribal affiliation is mainly within Ojibwe, Algonquin, Abenaki, Wampanoag, and Mohican tribes, which range from southern Canada down into the northeastern USA and Great Lake areas. In the Ojibwe and Great Lake tribes they are mischievous but more often good-natured and not dangerous to people. The Abenaki believe they are only dangerous to those who disrespect or treat them badly. The Wampanoag stories of these creatures portray the darker and more dangerous sides of these creatures were death is the worse thing they can cause.  

Modern Pop-Culture References

Books & Literature

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Qalupalik

Date of Discovery

The legend of the Qalupalik comes from Inuit folklore, and are said to be as old as the culture itself.

Name

The Qalupalik (plural: Qalupaliit) is also spelled Qualupalik, and Qallupilluit and in the native Inuit writing system is referred to as ᖃᓪᓗᐱᓪᓗᐃᑦ (Qalupalik).

Similar to the Kappa from Japanese folklore, and more distantly related to the Siren and the Mermaid.

Physical Description

The Qualupalik is said to wear an amauti (dual: amautik, plural: amautiit), which is similar to a parka, but traditionally worn by parents so they may carry their young children bundled on their back.

As with most similar legends, there are conflicting reports as to the physical appearance of the Qalupalik—they are, however, always referred to as being humanoid. While there are some reports of a male-gendered Qalupalik, the most traditional depiction of these creatures are believed to be female in nature. They are often referred to as having long flowing hair, as well as elongated, sharp fingernails or talons that tip their webbed hands and feet, and green slimy skin. Other descriptions refer to her skin as being scaly or bumpy and in some depictions they have fins coming out of their heads and backs.

Origin

Northern Alaska and Canada’s first Inuit settlers began crafting tails of these mythical creatures to warn and scare children into taking their harsh environment seriously. This makes dating the origin of a single village or time difficult; however, these tales are still taught today to keep the Inuit cultural folktales alive and the oldest written version of this story dates back to 1888 when Franz Boas, a German Anthropologist took it upon himself to record the oral stories of the indigenous peoples of the North American regions.

There is little information to be found about the Qalupalik whether you’re looking on the internet or in the University archives of Fairbanks Alaska—this is primarily due to the origin of this tale being passed from generation to generation orally until their forced integration into European-American culture and sent to Christian boarding schools. It was at this point in the Inuit culture that many of the old traditions and legends were left behind and forgotten.

Mythology and Lore

The legends perpetuated about the Qalupalik state that these creatures lure children in by humming at the shoreline or knocking under the ice in order to coax a child to a weak part in order to grab them through the thin sheet of ice. In consideration of the amautiit they wear, the Qalupalik secures the child to their back and carries them away to their underwater cave. While in some legends, it is said that the Qalupalik eats the child immediately upon capturing them, other sources state that the Qalupalik places them into a supernatural sleep to feed off of the child’s innocence in order to steal their youth and remain immortal. Most sightings happen and are not properly recorded, or the Qualupalik is mistaken for some other aquatic cryptids that are known to be in the same regions.

These creatures, like many that are derived from Inuit folklore, serve a utilitarian purpose of keeping young children safe in the dangerous icy world they live in. The legend, in essence, keeps children away from thin ice or bodies of water, as this is where the creatures are said to live. Children are warned that if they are found alone at the edge of the ice, the Qalupalik will stuff them into its amauti before drowning them in the icy water. The less supernatural explanation is that an icy shoreline or thin ice is a life-threatening hazard for children and scaring them with a threatening monster is the best way to help children to understand the danger and keep them away.

Modern Pop-Culture References

Books & Literature
Short Films

Check out our article on the Qalupalik below, where you can see Nunavut Animation Lab’s “Qalupalik” animated film.

Works Cited

Akulukjuk, Roselynn. “PUTUGUQ & KUBLU AND THE QALUPALIK.” Kirkus Reviews, Inhabit Media, 7 May 2019.

Houston, James. “Inuit Myth and Legend“. The Canadian Encyclopedia, 04 March 2015, Historica Canada. Accessed 17 December 2020.

Hrodvitnir, Yamuna. “Qalupalik: The Monstrous Inuit Mermaid.” Medium, Medium, 26 May 2020.

INUIT MYTHOLOGY.” Inuit Mythology.

Kilabuk, Elisha, and Sarah Sorensen. “The Qalupalik.” Quill and Quire, 30 June 2011.

National Film Board of Canada. “Nunavut Animation Lab: Qalupalik.” National Film Board of Canada, 2 Dec. 2010.

Oliver, Mark. “11 Mythological Creatures That Reveal Humanity’s Deepest Fears.” All That’s Interesting, All That’s Interesting, 17 June 2020.

Pfeifle, Tess. Qalupalik. 8 Jan. 2019, www.astonishinglegends.com/astonishing-legends/2019/1/7/qalupalik.

Qalupalik.” Mythpedia Wiki.

“Tales and Traditions.” The Central Eskimo: Introd. by Henry B. Collins, by Franz Boas, Smithsonian Institution, Bureau of Ethnology, 1888, pp. 212–213.

Toombs, Terrye. “Alaska Folklore: Five Mythical Creatures of the Last Frontier.” Anchorage Daily News, Anchorage Daily News, 2 Dec. 2017.


Is there anything we missed about the Qalupalik? Let us know in the comments section below!

Updated on December 16, 2020 by Mary Farnstrom

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Raum

Sigil of Raum
Sigil of Raum

Date of Discovery

The earliest known record of the demon Raum is from biblical times.

Name

He is known as Raum, Reym, Rey, and Raim depending on the source of reference. His name is known to mean, “destroyer of dignities,” but he’s also known as the King of Violence and the Retriever Demon.

Physical Description

Raum takes the shape initially as a raven or a crow, but according to ancient texts will change into a human form when commanded by an exorcist. In his human form he has white-scaled skin, bulging black eyes devoid of a pupil as well as a perfectly circular mouth.

Raum is said to have a separate demonic form as well, where he has tentacles that are made of clusters of tiny poisonous needle-like teeth. Incapable of speech in every form, the only noise he makes is a hooting sound, and he is said to be incredibly quick.

Origin

Raum originates from the Christian culture and the later established sects of non-Christians who worship or idolize demons.

Ominous raven sitting upon a branch
Photography by Valentin Petkov

Mythology and Lore

Within demonolatry, Raum is said to be a demon that one should consult for divination as he has knowledge of the past, present, and future. For witches who dedicate themselves to Raum, he strengthens their psychic senses, teaches them to embrace their uniqueness, and avoid self-deprecation. He hates the injustice of poverty and will lend his hand within legal battles, but also imparts witches with the strength to endure and persevere during tough situations. Among the more metaphysical aspects of the gifts that he bestows upon devotees, are the ability to speak to animals, draconic alchemy, as well his assistance in astral transformation.

The Fortieth Spirit is Raum. He is a Great Earl; and appears at first in the form of a crow, but after the command of the Exorcist, he puts on human shape. His office is to steal treasure out King’s houses, and to carry it where he is commanded, and to destroy Cities and Dignities of men, and to tell all things, past, and what is, and what will be; and to cause love between friends and foes. He was of the Order of Thrones. He governs 30 Legions of Spirits.

Aleister Crowley’s Illustrated Goetia by Don Milo DuQuette and Christopher S. Hyatt



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Sisemite – Central America

This cryptid is reported to be very similar to the infamous big foot in Northern America. The Guatemalan Chorti Indians describe it as larger than a man, hairy and with an abdomen similar to a woman for childbearing. They rumored to live in secluded hills where the screams of their victims can seldom be heard. They are feared for they will carry off humans often of the opposite sex. It is also said that they protect the wildlife and will attack hunters who go out alone. They have been cited as far north as the Guarunta Mountains. There are no known photos or videos of this creature to daye.

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