The Gothic Literary Pioneer: Edgar Allan Poe

Categories
Featured Horror Books

Without question, one of the most important and influential American writers of the 19th century, Edgar Allan Poe was the first author to attempt to make a real professional living out of writing. Most of Poe’s work was inspired by the events that happened around him and to him throughout his life. During his career, he was a pioneer of the science fiction genre due to his fascination with the sciences available during his time and it can be seen that he often wrote stories that spoke about new inventions. With stories such as The Murders in the Rue Morgue, Poe has also been credited with inventing the modern detective story, using concepts such as deductive reasoning–this inspired Sir Arthur Conan Doyle, the creator of the famous Sherlock Holmes.

Despite all of his talents within different genres of writing and the fact that his modern reputation is based primarily on his horror stories and lyrical poetry, he made his living as a literary critic and theoretician–one of America’s greatest.

Short Stories

Poe can be considered the master of the macabre, as he famously transformed the genre of the short horror story with his psychologically deep and insightful tales that the genre had never seen before. His classic stories helped to re-imagine the genre, where The Tell-Tale Heart, The Pit and the Pendulum, The Black Cat, and The Masque of the Red Death which revealed the depths of his masterful story-weaving talents. While The Black Cat isn’t Poe’s most popular short story, it definitely reveals in a shorter form the dark and psychological terrors of Poe’s mind–the words that poured out of this author’s soul spoke of deep pain and misery that one can only credit to the gothic form.

The Black Cat (1845)

The Black Cat

For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not–and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified — have tortured — have destroyed me. [Read More…]

Other Notable Short Stories

Poetry

Even if Poe had never written a single story, his poetry would have been enough to secure his legacy in literary history, as nearly every single one of them is considered a poetic masterpiece. A brief introduction to some of his works of poetry would most notably include The Raven, Annabel Lee, To Helen, and Ulalume. Below we have included one of our favorite poems by this famous dead author, which can be considered one of the all-time favorites and most notable of all of his poems, The Raven.

The Raven (1849)

The Raven Illustration

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore–
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door–
“‘Tis some visitor,” I muttered, “tapping at my chamber door–
Only this and nothing more.”
[Read More…]

Other Notable Poetry

Why Should You Read Edgar Allan Poe?

To be clear, this selection of the work of Edgar Allan Poe is woefully lacking, but these are a great selection out of his incredibly large body of work. We urge you to read as much of it as possible and if you’re already a studied fan of Poe, let us know what your favorite story or poem is below!

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






The Haunted Heceta Head Lighthouse of Florence, OR

Categories
Featured Haunted Places Horror Mystery and Lore
Heceta Head Lighthouse in Florence, Oregon
Heceta Head Lighthouse in Florence, Oregon

In a PBS special called Legendary Lighthouses, the Heceta Head Lighthouse is referred to as a haunted lighthouse—stating that nearly everyone who has stayed at the lighthouse since the 1950s has experienced paranormal activity. These experiences include things like disembodied screams, items moving or disappear and the reappearing on their own, as well as the shadow of an old woman’s ghost in an attic window. Along with the older woman, it is said that her daughter also haunts this scenic lighthouse.

The History of the Heceta Head Lighthouse

This Queen Anne styled cottage with a red roof overlooks the rocky cliffs and violent waves of the Pacific Ocean and has done so for more than a century. Originally built in 1894, when the lamp was first lit, to the early 1960s, the men who kept the lighthouse running, and their families called this cottage home. During World War II it served as military barracks and was used as a satellite campus for Lane Community College in Eugene from 1970 to 1995. Since 1995, it has been run as a bed and breakfast with room enough to fit fifteen guests comfortably.

Ghostly Experiences at the Lighthouse Keeper’s Cottage

Heceta Head Lighthouse Keepers Cottage
Photography by Jrozwado

Some of the experiences that have occurred on the premises have been the apparition of a gray-haired woman who appears wearing a late Victorian-era dress; a wispy gray figure has also appeared floating down the hallway. The sounds of sweeping and furniture being moved occur at night and they come from the locked and otherwise unoccupied attic. These occurrences in the lighthouse keeper’s cottage have given this location the reputation of being one of the most haunted places on the West Coast.

For the last four decades, the main apparition—or presence—has been known as Rue, ever since a group of the Lane Community College students broke out their Ouija Board and began to ask questions. Apparently the board spelled out, “R-U-E,” and the name stuck. While “[Rue] doesn’t ever do anything scary or harmful or threatening,” current manager Anderson reports, “it’s more like she’s watching over the place. Watching the house and looking for her daughter.”

Anderson has heard many versions of many stories over the years that she has managed the property, to the point where she wonders if they even know the truth, and says that “it’s just [their] version [of the story].” The only story that they do endorse as the truth is the theory that Rue was the wife of one of the lighthouse keepers, but records can’t confirm that due to the fact that the wives and children of the keepers were never documented. Anderson believes that Rue had two daughters and that one of them had drowned—they are uncertain whether she drowned in the ocean or in a cistern, but that there is an unmarked grave up on the hillside that had been long left undisturbed and consequently was overgrown.

Although Rue left the Heceta Head Cottage after her daughter died, it is said that she came back after her own death to look for her daughter. When checking into the bed and breakfast, there are many guests that request the Victoria room, where the keepers of the lighthouse and their wives were said to have slept. Others are drawn to the Cape Cove Room, which contains a closet that houses the stairs leading up to the locked attic. Still other guests prefer not to know at all.

Possibly the most frightening encounter with Rue that was ever reported appeared in the Siuslaw News in 1975—a workman was cleaning one of the windows in the attic when he noticed an odd reflection in the glass. When she turned to see what was behind him, he saw the apparition of an elderly woman wearing a late-Victorian style gown—he fled the house and didn’t return to the cottage for several days and refused to ever go into the attic again. Even when he accidentally broke one of the attic windows, he opted instead to repair the window from the outside and the broken glass was left on the attic floor. That same night, the caretakers of the house were woken up to the sounds of scraping sounds in the attic and reported that it sounded as if someone was sweeping up broken glass, but they had not yet been told about the broken window. The next morning when they went to investigate, they found that the glass had been swept into a neat pile.

Other stories include one from a guest when sleeping in the Cape Cove room, she was awakened at 4:30 in the morning to what felt like a presence climbing into bed beside her and staying for a couple of hours. She said she felt concerned about the experience, but she was unharmed and in an odd way felt honored that she had the opportunity to experience it. Despite the lack of truly negative experiences, the manager of the bed and breakfast, Anderson, refuses to spend the night there anymore.

One of her employees, a housekeeper and food server named Beth Mozzachio, said she often feels a presence while she’s working and specifically reported making the bed and then noticing a depression has formed, as if someone recently sat there. Mazzachio knows that if she ever saw an apparition of Rue that she would be terrified, but believes that because she takes care of the inn and makes it look nice that Rue doesn’t bother her much.

The Anna Byrne Chronicles: Chapter 01 – The Haunting of Heceta Head

We’ve discussed the Heceta Head Lighthouse before in our Encyclopedia of Supernatural Horror, where we aimed to discuss the facts of the location–in this article we’ve tried to go a bit further with witness experiences. We have even created an original horror fiction where our character visits Heceta Head–so check out The Anna Byrne Chronicles: Chapter 01 – The Haunting of Heceta Head.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






The Haunting of Captain George Conrad Flavel House in Astoria, OR

Categories
Featured Haunted Places Horror Mystery and Lore

About the House

The Flavel House in Astoria, while now a museum, was once a mansion that is haunted by the spirits of those poor souls of the family who once inhabited its walls. The phantom remnants of the Flavel family have made themselves known by speaking amongst themselves—which has been reported as disembodied voices—as well as practicing music in the empty rooms. A woman’s ghost has been sighted in the hallway, and Captain Flavel himself has been seen in his old bedroom before promptly vanishing.

The Interior

A Queen Anne style, two and a half story, 11,600 square-foot behemoth, the Flavel House sits on the corner of a fairly large plot of land—there is traditional woodwork around the interior windows, doors, windows, and staircase, all of which are Eastlake-influenced in design. The doors and window trim were made of Douglas Fir and were crafted by a master carpenter to look like mahogany and burl rosewood. There are six unique fireplace mantels within the house and they feature different imported tiles from around the world, an elaborate hand-carved mantel and a patterned firebox designed to burn coal. The first floor features fourteen-foot high ceilings, where the second floor’s ceilings sit at twelve feet high and are both embellished with crown molding and plaster medallions. The house was also fitted with indoor plumbing—incredibly state-of-the-art at the time—as well as gas-fueled lighting.

The first floor is dedicated to the public rooms, such as the grand entrance hall, formal parlor, music room—where the Flavel daughters held their music recitals—the library, dining room, and conservatory. The more private rooms on the first floor included the butler’s pantry, kitchen, and mudroom which were reserved for the housekeeping staff. The second floor was where the main bathroom, five bedrooms, and a small storage room or sewing room were. The attic floor is large and unfinished and houses the two plain wood bedrooms that were used by the Flavel’s domestic help. The four-story tower was made for the Captain to have a 360-degree view of Astoria and the Columbia River as a way for him to keep an eye on the local ship traffic coming through. There was also a dirt-floor basement that housed the large wood-burning furnace that kept the house warm.

The Carriage House was home to the family’s caretaker, and was also originally made to hold the family kept their carriage, sleigh, and small buggies—where it had three temporary holding stalls for their horses, a tack room, and an upstairs hayloft. In time it was transitioned to hold the more modern vehicles, such as the Flavel’s Studebaker sedan, and the family’s driver kept a room upstairs.

The Grounds

Not too long after the house was originally built, the family’s gardener, Louis Schultz, began planting trees, beautiful roses, as well as bulb flowers and shrubs—many of which were typical of a traditional Victorian garden. A number of the trees on the premises were officially named Oregon Heritage Trees—there is also a pond and a bench under the pear tree where Flavel’s daughters would sit in the shade. The entire house is considered a significant architectural and historical treasure for the entire Pacific Northwest.

The Timeline of the Flavels, Their Houses & Fate

1886

While the construction of the Captain George Conrad Flavel house was started in 1884, and it was finally finished in the spring of 1886. The Flavel House was built for Captain George Conrad Flavel and his family. The house was designed by German-born architect Carl W. Leick and the construction bordered between the Victorian and Colonial Revival periods. It was considered a prime example of Queen Anne architecture; one of the few remaining well-preserved examples in the entire Northwest. Due to the Captain’s long history and contributions to the community of Astoria, the Flavel family had long been considered the most prominent family in town.

The Captain had made his name and fortune as a prominent businessman through real estate investments and his occupation as a Columbia River bar pilot—becoming Astoria’s first millionaire—at the age of 62, he was finally able to retire in the house that he had built for himself and his family.

1887

The Carriage House was built on the south-west corner of the property.

1890s

Alex Murray, the family’s hired caretaker, called the Carriage House home while in the employment of the Flavels.

1893

Captain Flavel lived in the house for seven years with his wife Mary Christina Boelling and their two adult daughters, Nelli and Katie. Their son, George Conrad Flavel never resided within the George Conrad Flavel House, as he was already married and living in a house of his own. During his seventh year in the residence of the Flavel House, Captain Flavel passed away, leaving the to the family.

1901

Captain George Conrad Flavel’s son, George Conrad Flavel would build his house—the house that is now often referred to as the Harry Flavel House. George Conrad Flavel Junior had worked as a bar pilot for his father, becoming a Captain as well.

1922

When most of downtown Astoria was destroyed by a fire, the Flavel House was one of the only survivors.

1934

The Captain George Conrad Flavel House remained in the family until the great-granddaughter Patricia Jean Flavel gave the property to the city as a memorial to her family.

1936

The house was set to be torn down to establish an outdoor community property—the city ended up having financial difficulties and returned the property to Patricia Flavel—that same year, Patricia deeded the residence to Clatsop County, but with conditions. The understanding was that both the grounds and the house would be kept in good repair and used for public purposes.

1937

From the time the house was deeded the to county, until the end of World War II, the Public Health Department, Red Cross, and local Welfare Commission all had offices within the mansion.

1951

The Captain George Conrad Flavel House was officially added to the list of the National Register of Historic places, before which it was nearly demolished twice—once for a parking lot and again for a community park, but the townspeople rallied against the proposal and it began to be operated by the Clatsop County Historical Society in 1950.

2003

The Camperdown Elm, Sequoia Redwood, four Cork Elms, Bay Laurel, Pear, and Ginkgo Biloba trees on the premises were named official Oregon Heritage Trees in a state-wide dedication ceremony that was held on the grounds.

The Haunting at Captain George Conrad Flavels House

Truly, ever since the Flavel house was converted into a museum in 1951, there have been many reports of hauntings; phantom music and voices were heard on the first story of the house which was believed to have been a product of the Flavel sisters, as they were gifted musicians. The Library has always housed an unhappy and strange presence. There is an apparition of a woman who roams the hallway on the second floor, but she vanishes when approached—and a floral scent can be smelt at strange times in the bedroom of Ms. Flavel, when no one has been around. In Captain George Flavel’s room, his apparition can be seen, but he disappears into the floor once he has been noticed.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Join The Horror List