Phantom War Part 4: Abaddon

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For Bethany. You were worth the fight. Come with me, my love, our Willow Tree beckons.

The Man drew his sword from its sheath and approached the cave of Abaddon. The light of the full moon shimmered in the blade and shone down on The Man as a celestial spotlight; as if heaven and hell were watching the events play out on a divine stage. All The Man’s senses were acute. His nose smelled the stench of evil arising from the cave. He could hear the breaths of the demonic guard as it inhaled and exhaled, anticipating The Man’s approach. He felt the grooves of the leather wrapped hilt tight against his palm. He lifted his steel, stared into the blade, and prayed. 

“Creator God, grant your servant strength to slay the wretched beast and avenge our families.” He then lowered his sword and walked. 

The voice of Creator God echoed in his soul. “My Son, do you trust me?”

The Man paused, and with a bewildered look, gazed up into the heavens. “Yes,Lord,” he said. “I trust you. Why?” 

“Then go,” God said. “The end of a thing will birth forth a new beginning.” 

The Man raised an eyebrow and said, “What do you mean?”

“You will see,” God said. “Now, go.” 

The Man nodded and continued his pace. He drew near to the cave and the demon guardian stepped out to meet him. The guardian thrust its ax and stuck the blade against The Man’s neck. The Man stopped, narrowed his brow, and stared at the demon with righteous anger. 

“What business do you have here,” the demon said. 

“I’ve come to kill the dragon,” The Man said. 

“What gives you the right to challenge Abaddon,” the demon said. 

The Man held up his necklace of vengeance and showed it to the demon. “I have come to add to my collection.” 

“Abaddon will take your head,” the demon said. “He will shit in your skull then ejaculate down your neck. There’s nothing better than to give a dead, righteous man a desecrating body fuck.”

“If you’re not careful,” The Man said. “I will shove that beak of yours where you do most of your talking.” 

“Very well, fool. It’s your death,” the demon said. It lowered the ax, turned around, and walked towards the cave. “Follow me,” it said over its shoulder.

“With pleasure,” The Man said. He thought about decapitating the guard just for the hell of it–just as a “fuck you” to Abaddon. He weighed the thought and before he could push it out of his mind, his arms were already in motion.

The blade of the sword cut deep into the demon’s neck and orange blood spewed into the air. The demon dropped its ax with a howl and clasped its hands against the wound. It turned around and faced The Man. 

The Man lifted his sword in the air and brought it down in a slicing motion, cutting off the demon’s beak. The beak fell to the ground and chattered. The Man stared at the gaping cavity with satisfaction before the demon fell to its knees. 

The demon held its hands out in a pleading gesture. This angered The Man. “How dare you, a viscous, heartless, servant of Abaddon beg for mercy!” The Man snarled, quivered his lips, and swung his sword. The blade connected with the demon’s wrist and its hands took flight. The demon flailed its arms and more orange blood filled the air as a mist. The Man cocked his arms back again and swung at the demon’s neck. There was a sharp, ripping and gutting sound as the blade sliced through muscle and bone. 

The Man picked up the beakless head and added it to his necklace. He snatched the keys to the iron gate off the carcass and marched towards the cave. The entrance to the cave was around fifty feet in diameter and the bars to the gate were several inches thick. The lock was eye level to The Man. 

He tried the keys until he found one that worked. The bow of the key was a circular, dragon tail. The stem resembled the bone of a human finger and the bit looked like a tooth. It fit with perfection into the lock. The Man turned the key and heard the latch click. He put the keys in his waistband and pushed the iron gate open.  

The hinges roared as if in agony. The bars were laced with human flesh. The Man felt the dried and rotting texture in his hand as he gripped the iron. He eased the gate against the rocky wall and glanced around. The cave was illuminated by strange looking skulls with a fire burning on their insides. They hung from the ceiling by ropes and the light of the flames flowed out of the eye sockets, casting strips of light onto the walls and floor. 

The Man titled his head and walked in a circle, examining the skulls. They were massive, with four faces on each side–human, lion, eagle, and ox.  

“God in heaven,” he whispered. He recognized the bone structure. These were not skulls of the earthly realm. They were angel skulls, but not just any angels. They were cherubim skulls–the living creatures who guarded the throne of God. They were Abaddon’s trophies; a monument of mockery and a reminder of the ones he slayed when Lucifer declared war on God. 

God had Michael the Archangel and Lucifer had Abaddon. The Man recalled another passage from the Book of Abaddon:

“The First War of Heaven was one of violence. More violent than any war of man, both now and in the ages to come. Lucifer was cunning and his deception, powerful. This is where correction is needed about the original account of The First War, which was penned by Kenan, the son of Enosh, the son of Seth, who was the son of Adam.

In his account, Kenan said Lucifer gathered a third of the host of heaven in his cause. But I, Methusalah, the son of Enoch, was gifted in visions of God just as my father. After God took my father to be with Him, fifty years later, the heavens were open to me and I saw my father before the throne of God. He said, ‘My son, come up here and I will show you visions of The First War.’

The army of Lucifer was more numerous than the sands on the seashore. Their number was three-fourths of the heavenly creatures. The leaders of his army were Abaddon, Leviathan, and Lilith. Their advances were almost successful, but the Son of God and his warrior, Micheal the archangel, were able to prevail. But not before most of the angelic beings on both sides were killed. 

God was able to create more angels but Lucifer had to result to more menial means to reproduce. Abaddon and Leviathan took Lilith as their consort, and she replenished the armies of Lucifer.” 

The Man stared at the walls. They sweated a red liquid. He eased over and dipped his finger in the substance. It was warm and smelled metallic.

“Blood,” The Man said. “Human blood.” He wiped his fingers on his chest, leaving behind red streaks. “The blood of my brothers. The blood of my fathers. The blood of my children and the blood of the prophets.” The Man lifted his eyes and stared at the hanging cherubim skulls. “I’ll avenge you all. Every last one of you.” The Man dipped his fingers in the crimson flow again and spread some on his face. He did this over and over again until all his exposed skin burned red. 

“I am the wrath of God,” he said. “The sword of His vengeance and the one who will make hell weep.” 

The Man traveled deeper into the abyss. The walls were now decorated with the body parts of humans and angels. Sounds of great lamenting and sorrow echoed through the corridor. Further ahead, The Man heard footsteps. He paused, dropped his necklace, and gripped his sword. 

“Who approaches,” The Man yelled. 

There was no answer. Just the sound of footsteps.

“I said, who approaches!” This time his voice was more forceful.

The footsteps stopped. 

“Daddy.” a voice called. “Daddy, is that you?” 

The Man froze. Chills slithered up his spine like an arctic serpent then sank its fangs into the back of his neck. His head reeled and his eyes fluttered. “No,” he whispered. “It can’t be. Dorian?” 

“Hi, Daddy. It is me,” Dorian said.

The Man stared at his seven year old daughter with mouth agape. Tears welled in his eyes. He sheathed his sword and reached out a hand towards her. “Why are you here? You’re…you’re supposed to be…”

“Daddy, what is that all over you,” Dorian asked, interrupting him. 

The Man glanced down at his arms. “It’s uh…” He looked back at her. “Nothing.” 

Dorian drew closer to him. She was so close now he could touch her. He ran his fingers through her caramel colored hair and stared deep into her brown eyes. “I’ve missed you.” 

“I’ve missed you too, Daddy.” She reached up and held his hand. “Come with me. We have lots of games to play.” Dorian let out a giggle then tugged at her father’s arm.

The Man swiped his necklace off the ground and followed her lead. “What games are we going to play?”

“Oh, some really fun ones,” Dorian said as she glanced over her shoulder. 

“Well, what about your brother,” The Man asked. “Is he here? Does he want to play?” 

Dorain shook her head. “No, he is resting.” 

“Why is he resting? Is he ill?” 

“No, Daddy,” Dorain said. “Just tired.”

“Very well,” The Man said. “I guess it will just be me and you. Now, tell me what game we shall play first?” 

“Oh, it is a fun one, Daddy!” 

“Is that so?” He was now walking by her side, still holding her hand. 

“Yes, Daddy,” she said and looked up at him with a smile. “It’s called Save the Children from the Fire. Do you remember how to play that game?” 

The Man froze. His face fell and his eyes took on a serious glow. “What?”

Dorian nodded. “Yes, Daddy. You were not very good at it the first time, so let’s see if you can win now.” 

He let go of Dorian’s hand, grabbed her by the shoulder, and spun her towards him. “Stop, child. This isn’t humorous.” 

“I’m not laughing, Daddy,” she said. Then her voice turned into a shrill. “I am BURNING! BURNING! BURNING DADDY! OH GOD HELP! DADDY WHERE ARE YOU!” 

The Man jerked his hand away. Dorian’s skin started to char then peel off. Her eyeballs burst and fluid poured from the sockets. Flames filled the empty holes. She opened her mouth to scream, revealing more fire. 

The Man dropped his necklace and grabbed both her arms. “Dorian! No! Daddy is here! I’m right here!” Her skin melted into his hands. He drew them back and held them to his face. The flesh dripped from his fingers like wax. His eyes bulged, his nostrils flared, and his lips trembled. The Man was terrified. 

Dorian exploded and her melted skin covered The Man. He screamed and wiped himself with frantic motions. “No, no, no no!” He fell to his knees, buried his face in his hands, and wept. He rocked back and forth, crying, “Dorain, sweet Dorian…my baby…I tried…God knows I did.” 

A thundering voice shook the cave. “Try as you did, warrior. You still failed and your children are dead. Not only yours, but The Girl’s offspring as well.” 

“Noooo,” The Man screamed. He closed his eyes and raked his fingers down his cheeks. “Shut up, Abaddon!” 

“You’re weak,” the voice rumbled. “Just like your so-called Savior.” 

The Man heard a whooshing sound, like someone lighting a large fire. He could feel a bright light shining on his eyelids, so he opened his eyes. 

Before him was a burning cross. Nailed to it was a man, but the man didn’t burn. The Man draped his arm across his forehead, trying to see through the blinding inferno. The figure was held to the cross by snakes. They were wrapped around his arms, legs, and mid-section. The figure resembled a crude representation of the Son of God. He had been castrated and his manhood shoved in his mouth. 

The Man was repulsed by the image. 

“See your weak Savior,” Abaddon said. “See what I have done to him? Now, imagine what fate awaits you!” 

The Man jumped to his feet with a growl. “I rebuke your lies,” The Man screamed. “My Savior is exalted in heaven and is by the right hand of His Father!”

The flames on the cross flickered out and the image dissolved into an ash heap. 

The Girl with Sunlit Hair and Black Wings stood under the Willow Tree. A finger was pressed against her lips and her stomach was in knots. Something was wrong. Dead wrong. She could feel the angst of The Man surging through her body like the waves of the sea. She reached for The Man with her mind.

“My God,” she whispered. She had felt The Man many times since they met, but never had she sensed such anger and fear in him. “My angel,” she said and placed her other hand on the trunk of the Tree. “You have to let it go, please.” 

The Man picked up on The Girl’s presence. “Dammit, not now,” he mumbled. He didn’t have the time nor energy to deal with her distraction. He put up his psychic block. 

The Girl felt it. The block was like a punch to her gut and a knife in her heart. “Why,” she asked with quivering lips. “Why are you pushing me out?” She dropped her hands and darted to the edge of the cliff. “Why,” she screamed. She then stood in silence, listening as her voice echoed across the Valley. 

The Man drew his sword and picked up his necklace. “Show yourself, Abaddon,” he demanded. “Stop hiding in the shadows like a coward and come face me!” 

The walls of the cave contracted and expanded over and again, as if the cave itself was breathing. With each breath, everything around The Man closed in on him. Then there was the sound of a mighty wind but no gust. The Man looked straight ahead. After the sound of the wind ceased, he turned his head and his ears picked up on another noise. It was a rushing sound.

“Like water,” The Man said. “…Oh shit!” 

In the dim light of the cave, The Man saw a great flood or raging liquid pummeling through the cave. He turned around and sprinted towards the exit but he could not outrun the deluge. He was wiped off his feet in the flood and flailed his limbs as the liquid engulfed him. His instincts told him not to let go of his sword and necklace, so he held them fast. 

The liquid was warm and thick, but translucent. In his state of panic, The Man discovered he could still breathe. But this new found fact did not quench the terror within. He could still see the walls of the cave moving in on him. He tried to maneuver through the gel-like substance but the resistance was great. 

He felt a tug on his leg. 

The Man looked down to see something resembling intestines snaking around his ankle. It slithered its way up his knee and then wrapped around his midsection. 

The Man was helpless. He couldn’t move his arms to try and slice it with his blade. By this time, the walls of the cave were inches from him. His heart pounded and severe claustrophobia constricted his airway. He then heard a thumping.

Thump, thump.

Thump, thump.

Thump, thump. 

The rhythm was like a heartbeat, slow and steady. 

The tension on The Man’s midsection eased. He glanced down and saw the intestine-like serpent uncoil. It made its way through the liquid and began to expand like a balloon. It then folded on top of itself numerous times. The Man turned his eyes upward again. Above him, a shape took form. It was large, black, and had several chambers. Tubes formed around the chambers and the black mass pulsated to the sounds of the thumps. 

The walls of the cave thinned out and became pliable with the gel encasing The Man. He tried to move his arms. This time there was no resistance. Then, he heard Abaddon’s voice.

“How does it feel, oh warrior, to be in the belly of the beast!”

“You bastard,” The Man thought. He snarled and raised his sword above his head.

He hacked away at the intestines, giving him enough room to travel to the other side. He then stabbed the lining of Abaddon’s bosom. The blade traveled through and pierced it. The Man twisted his steel and sawed. The liquid gushed out the puncture until it was all drained. The Man climbed through the opening and then toppled out. 

He fell on something hard. He took a moment to gather himself and saw he still had possession of his sword and necklace. He glanced around and was now sitting in the middle of the road in the Valley. 

“You deserved to be passed from me like a piece of excrement,” Abaddon said. “I should have shat you out!” 

The Man fixed his gaze forward. Abaddon stood before him and the wound in his stomach was healing. 

“Well,” The Man said and stood to his feet. “That was your mistake!” 

Abaddon loomed over him. The dragon was of an ungodly size. His primate body stood erect and his wings were expanded. The goat horns on his head seemed to tickle the clouds above and his dragon mouth could swallow a man whole. 

“Oh,” Abaddon said. “But this next time I will. I will rip your head off and deliver it to The Girl. I will swallow your body then shit you out. I will gather your remains in a pile and spread you all over the Valley so that any who come after you might smell the smell of defeat.”

 “Those words? They shall be your last!” The man charged at the dragon.

The Girl with Sunlit Hair and Black Wings scurried to the other side of the Willow Tree and hid behind it. The tip of Abaddon’s horns almost reached the edge of the cliff. She had to work up the courage to peek over the side. She had to know if her lover was alive. 

The Man didn’t know what hit him. Abaddon’s tail swiped him and knocked him against the Valley wall. Everything went black for several moments for The Man. Something warm and gritty filled his mouth. He gathered himself then spit out his shattered teeth and a mouthful of blood. The jarring of his head against the Valley wall imploded most of his teeth. 

The Man wobbled to his feet and gripped his sword with shaking hands. He had no idea what happened to his necklace, but it was the least of his concerns. His eyes were glazed over and his vision blurred. He saw a form coming near him then felt immense pressure around his entire body. 

Abaddon squeezed The Man in his hand and lifted him to his snout. 

“You made this too easy, warrior,” Abbadon said. 

The Girl was now watching from the edge of the cliff. Her eyes were wide with fight and tears streaked her face. “No, God. Please, no.” 

The Man gave rapid blinks then turned his head. He saw The Girl lying on the edge of the cliff with their tree behind her. He reached out his hand towards her and his sword dropped. Everything seemed to happen in slow motion. The Girl watched as the sword twirled and descended to the bottom of the Valley. The blade clanked to the ground and she flinched. 

“I…,” The Man had trouble speaking. “I…I tried…darling…I…love…y–”

The Girl screamed. It was a scream the Valley had never heard in all its eon’s of existence. It was a scream of horror, loss, sadness, and unfulfilled dreams. It was the only sound ever to make the Valley walls leak tears. It seemed as if even evil could appreciate the loss of love unfulfilled. 

The mouth of Abaddon came clamping down on The Man’s head, cutting his words short. Abbadon separated the cranium from the body with a ripping sound and a fountain of blood geysered from The Man’s neck. The Man’s body jerked. His arms lifted above his head for a moment, shook, then went limp. 

Abaddon turned his head towards The Girl with a slow motion. “Here,” he said. “For keepsake,” and spat the head of The Man at her. 

The severed head soared through the air then landed by The Girl. It rolled with force and slammed up against the Willow Tree. The Girl pushed herself up on all fours and scurried over to the Tree. She did not want to see what Abaddon would do to the rest of her lover. 

She noticed The Man’s eyes. They were not filled with terror. The same love and intensity she remembered with such fondness still started back at her. His mouth was open, revealing his jagged, missing teeth. 

The Girl heard a thundering noise behind her. She glanced over her shoulder to see Abaddon walking off into the Valley. She turned her attention back to her lover. She hung her head and wept, the tears of her sorrow watering the grass underneath their Tree. She clasped his head in her arms then sat against the trunk. Her body shook with sobbing and she held him to her bosom. She tried to pray, but only unintelligible groanings bellowed forth. 

Memories flooded her mind. The good ones. It was always the good ones. She wanted to remember her lover for the man he was and not the body part resting lifeless in her arms like a still born child. All her dreams were shattered. In one, heartbreaking moment her world had come to an end. There was nothing left of the future she dreamed of. Nothing left of The Man. There would be no more nights of passion. No more of him tucking her blonde hair behind her ear and smiling down at her. There would be no more love poems and no more laughs. All was now a memory. 

How do you live on with memories? You cannot hold them. They cannot wrap their arms around you and give you warmth. They cannot whisper into your ear or satisfy the longing of your heart. 

Memories. These were all she had left of The Man with Hazel Eyes and Broken White Wings. 

She looked down upon him again and between sobs she said, “My angel…we…never…even…got to…fix…your wings!” She dropped his head and it rolled into her lap. She buried her face in her hands and mourned. “You were supposed to fly again! You were supposed to soar, my angel!” 

The Girl wept for hours then sat speechless for the rest of the night. Morning dawned, and she wanted to make a memorial for The Man. She took his head and put his long, brown hair in a ponytail. She grabbed several dangling branches of their Tree and tied it around The Man’s hair. 

The head now hung in the Tree. A slight breeze blew and the head and branches swayed. The Girl sat back down under the Tree to mourn. She would wait three days then fly back to the village. She lied down and rested her head on her arms. She stared at The Man then drifted into a sleep only the sorrowful could know. 

The Girl felt a hand caress her cheek. 

“Wake up, my darling. You need to get up.” 

She drifted between the state of sleepfulness and wakefulness. She fluttered her eyes and a being of light stood over her. “Come on, my beloved. Wake up.” 

It was the voice of The Man. 

The Girl awoke. “My angel?” 

But there was no one there. She furrowed her brow and sat up. She looked around and ran her hands through the grass. She saw The Man’s head still tied to the branches and reality came soaring back to her. The nightmare was real and The Man was dead. Her heart sank again and she moaned. 

“I thought you were here,” she said. “I really thought you were back from the dead.” She stood up and walked over to The Man’s head. She didn’t know how long she had been asleep, but it was almost evening time. The sun would be setting soon and she didn’t want to spend another night anywhere close to the Valley.  

She placed her hands on The Man’s cheeks. “I’ll leave you here, my love. I’ll come every day to visit you, until your flesh decays and all that is left is your skull. Even then, I will not cease to come visit you.” 

The Girl closed her eyes as she rubbed his cheeks with her thumbs. She was going to try it one last time. One last reach in the hopes of maybe, just maybe she could sense him. She opened her mind to him as she had done countless times before and let her soul search for him. 

She searched…

And searched…

And searched. But she could not find The Man. 

She opened her eyes and shed more tears. She gazed deep into his lifeless, hazel eyes. “You’re gone,” she said. “You’re really gone.” She released The Man then wiped her tears. 

Then she had a thought and said, “My love, we can be together. Where you go I will go.” 

She took branches from the Willow Tree and began to braid them together, making them thick, like a rope. She worked with them more until she was satisfied the noose and branches would hold her. She slipped it around her neck then tightened. 

“We were never meant to be apart. I can’t live without my twin flame.” 

She climbed the tree. When she was satisfied with the height, she stopped. She glanced down at the ground then at The Man. “Here I come, my angel. Forever to be reunited in death.” 

The Girl jumped.

The branches didn’t cooperate like she hoped. The rope wasn’t thick enough to snap her neck. She hung there, choking. With frantic motions she clawed and pulled at the noose. Why? She didn’t know because she wanted to die. It must have just been her survival instincts kicking in, but she knew it was all pointless. In a matter of seconds she would fade to black. She was determined to keep her eyes fixed on The Man until she crossed over. 

She stared at The Man. Maybe it was real or maybe it was her mind being depleted from oxygen, but she saw flames of fire burst forth from the bottom of The Man’s head. The flames formed into a body. They died out and from the neck down flesh appeared. The flames erupted from its back, forming into wings of fire. The Man’s head bonded with the body and life returned. A flaming sword was now in the hands of The Man. It swung upwards and cut the branches around The Girl. 

Gravity took hold and she fell towards the ground. The Man dropped his flaming blade and caught her. 

The Girl realized she must now be in heaven, reunited with her lover. The Man removed the noose from her neck then examined her to see if she was harmed. The Girl took deep breaths then reached out and touched his cheek. 

He felt so real. So alive. So…reborn.

“Did I make it to heaven,” she asked. 

“No,” The Man said. 

Fear etched itself into The Girl’s face. “Hell?”

“No, my darling,” The Man said. “You never left.” 

The Girl furrowed her brow. “Then, I’m dreaming?”

“No,” The Man said. “Touch my flesh and see that I am real!” 

The Girl gave a wide smile. She gripped his cheeks then ran her hands over his face. “My God,” she gasped. “You’re–”

“Back from the dead,” he said. 

Sensations of joy swept over The Girl. She buried her face in his chest and cried. 

The Man slid his hand under her chin and lifted her head. They gazed deep into each other’s eyes. They reached with their souls and reunited their bond. It was stronger; more intense. 

The Man set her on her feet and they embraced. He pulled away, clutched her face in his hands, then kissed her. The kiss was a kiss of hope. The kiss of dreams thought once dead now brought to life. It was love reborn and morphed into something no language in heaven and earth could describe. It was the expression of two twin flames reunited by the power of their God. 

They broke their kiss and The Girl ran her hands up The Man’s back. She felt his wings of fire. Though they were flames, they did not burn her. 

“Your wings,” she said and smiled. “They’re beautiful. But why don’t they burn me?” 

“Because,” The Man said. “The fire of love does not hurt the lover, only those who resent their love.” 

The Girl stood in awe of The Man.

“Now,” he said. “We have something to partake in before I kill Abaddon.” He gave her a seductive stare. “Get on the ground, woman,” he said with a smirk.

“Oh,” she said and bit her lip. “I see. You want to take me under our Tree like in the days of old?” 

“No,” he said. “As in the days ahead.” 

The Girl lied on the ground underneath the Willow Tree and The Man joined her. They made love and all of heaven sang while all of hell quaked. 

In the Valley, Abaddon awoke to the sound of angel songs. 

The Man with Hazel Eyes and Burning Wings flew with The Girl with Sunlit Hair and Black Wings down into the Valley. Abaddon was there, awaiting them. 

They landed at the foot of the dragon. 

“You are like a fly that won’t go away,” Abaddon said. “But I see this time, you brought your lwhore with you to die. It will be my pleasure to kill you twice!” 

Abaddon lifted his foot to stomp The Man and The Girl. The Man swung his flaming sword through the air and chopped off Abaddon’s toe. The blow startled the dragon and he staggered for a moment then set his foot back on the ground. 

The Man moved with the swiftness of the chariots of Yahweh. He resembled bolts of lightning as he flashed around Abaddon. He struck with his sword and gaping wounds appeared all over the body of the dragon, bleeding orange. 

Abaddon swatted and clapped his hands together, trying to squish The Man, but he was too quick. There was a sound like a tree snapping, and one of the dragon’s horns came crashing to the ground. 

In fury, Abaddon opened his mouth and sprayed fire. He swung his head in every direction, trying to hit The Man with his flames. The Girl retreated from the madness of Abaddon’s attack and hid behind a rock. 

There was another crash as Abaddon’s second horn hit the ground. The dragon panicked, flapped his wings, and took flight. 

The Man pursued the beast. This time, he was not going to be outran by the dragon. He whirled in and out of Abaddon’s body, circling him and slicing his wings to shreds. Abaddon lost control and went into a nosedive. Seconds later he smashed into the side of the Valley and toppled to the ground. 

The Man landed on top of the dragon and stood on his chest. Abaddon was unconscious and took heavy breaths, his chest heaving under The Man. The Man walked forward and paused at the neck. 

“An eye for an eye. A tooth or a tooth. And a head for a head!” The Man raised his flaming sword then jabbed it down into Abaddon’s throat. 

The beast awoke with a howl. The Man leaped down off of Abaddon, and with sword still in hand, sliced downward. The orange blood flowed. Abaddon made gurgling noises, and with each sound more blood spewed. The Man flew to the other side of the dragon’s neck and worked his sword downward, spilling more of the dragon’s life seed. 

Abaddon met his end in the Valley by the sword of The Man. The blood poured from his body for hours and filled the Valley. Until this day, the Abaddon River still flows through it. Legend has it, the decapitated body of the beast and his severed head still lie submerged at the bottom of the river. The Man and The Girl thought this was the proper burial for him. 

What happened to The Man and The Girl afterwards? 

Well that, my friends, is a tale still taking place. One day, I might tell you the rest of their story. 

The End

Original Short Horror Story by Ezekiel Kinkaid

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Robert Bloch: The Man Who Brought Us Psycho (1959)

Categories
Featured Horror Books Horror Mystery and Lore

During his lifetime, Robert Bloch traveled through the horror subgenres in pursuit of any and all things strange, morbid, or macabre. He started his writing career by imitating his mentor H.P. Lovecraft and subsequently becoming Lovecraft’s peer when he began to expand upon the Cthulhu mythos. It’s fair to say that without the influence and encouragement of Lovecraft, Bloch may never have become the successful and prolific author of horror fiction.

The Wildly Successful Novel?

It’s true that “millions of people across the globe know Psycho very well,” (Hood and Szumskyj, 102) but the Pyscho that they know is the Alfred Hitchcock film adaptation—to say that as many of them are familiar with the original novel by Robert Bloch would simply be false. Truth be told, however, without the masterful original inspiration, there would be no Psycho film franchise and massive following that it has had over the years.

All in all, Bloch himself was quite satisfied with how the movie adaptation came out, not to mention the fact that he regularly quoted Hitchcock when he reminded people that, “Psycho all came from Robert Bloch’s book. The scriptwriter, Joseph Stefano, a radio writer, he had been recommended by my agents MCA, contributed dialogue mostly, no ideas.” This apparently tickled Bloch so much that he even repeated it in his own unofficial biography Once Around the Bloch. He wanted everyone to know how much he endorsed the movie as a great representation of his book, this was a change in direction for Hitchcock, who had a history of taking artistic liberties when adapting other novels to the screen—consider, for example, the differences between Hitchcock’s The Birds (19363) and Daphne Du Maurier’s The Birds and Other Stories.

Was Psycho (1959) Based on a True Story?

Bloch had a pretty obsessive fascination with psychopaths and serial killers in general, in fact, the inspiration for his masterful novel Psycho (1959) was loosely based on “the infamous real-life Wisconsin serial murderer Ed Gein” (Hood and Szumskyj, 104). In 1985, Bloch gave an interview to Ron Leming where he disclosed the fact that at the time Gein’s crimes were discovered, he had lived only twenty-nine miles away from where Gein had lived in Plainfield, Wisconsin. It was upon this discovery that Bloch became obsessed with the idea of this psychotic murderous person living in plain sight, perhaps even being the seemingly kind neighbor who would fly under the radar. Although Bloch didn’t intend for the novel to read like a biography of Gein’s life, he did take elements from his life as inspiration for his main character, Norman Bates. Ed Gein was, during his early years, a poor loner raised by troubled parents; his father was an alcoholic and his mother a domineering and fanatically religious woman who exerted her monstrously controlling influence upon Ed and his older brother Henry. It’s not terribly surprising that Henry ended up dying in a fire under suspicious circumstances in their family home.

Alfred Hitchcock’s Film Adaptation: Psycho (1960)

When Alfred Hitchcock purchased the rights of Robert Bloch’s novel Psycho (1959) for a meager $9,500 he did so anonymously—it wasn’t until closer to the release of the film that he came to find out. Hitchcock’s screenwriter Joseph Stefano remained incredibly true to the original story, altering the screenplay only minimally to fit the infamous director’s vision.


Hitchcock’s wildly successful film continues to dominate the public consciousness and, indeed, its dreams and nightmares: the stark, indelible black-and-white images, the characters, the suspense and horror of the storyline, the infamous shower scene, Norman Bates as masterfully portrayed by the unnerving Anthony Perkins, the ultimate unveiling of “Mrs. Bates,” the unforgettably desolate setting of the little neglected dark motel off the road far from the main highway and the house behind it—all this has, by the present day, become such a part and parcel of our culture that for many, Psycho is just one of Hitchcock’s most popular and shocking films, now as then upon its release in 1960.

Scott D. Briggs, “The Keys to the Bates Motel: Robert Bloch’s Psycho Trilogy” in The Man Who Collected Psychos (2009)

Psycho Movie Poster (1960)
Psycho (1960)

Trickery in the Theater

Hitchcock was possibly at the height of his showmanship when the 1960s thriller Psycho came out. Now, when we look back at how he maximized the attention of this legendary film’s release, we can see how blatant of a publicity stunt it really was.

Kudos to Hitchcock though, because he committed to it to such a degree that he made it abundantly clear that, in no uncertain terms, no one was allowed into the theater once the feature had begun.

Stationed outside each box office where the film was being featured was a five-foot-tall cardboard standee of Hitchcock himself, holding a sign that warned theater attendees of the following:

WE WON’T ALLOW YOU to cheat yourself! You must see PSYCHO from beginning to end to enjoy it fully.

Therefore, do not expect to be admitted into the theatre after the start of each performance of the picture. We say no one – and we mean no one – not even the manager’s brother, the President of the United States, or the Queen of England (God bless her)!

– Alfred Hitchcock

Now, if you have seen this classic thriller, you’ll know exactly why Hitchcock didn’t want people to walk in late and spoil the movie for themselves, but if you don’t know why—consider the following:

The synopsis of the movie is that “a Phoenix secretary embezzles $40,000 from her employer’s client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.” To go along with this, the theatrical trailer for the movie shows the star of the film as Janet Leigh—Leigh’s part in the movie, while substantial to the story, is tragic and short-lived. This was incredibly controversial and shocking to audience members who, having watched the trailer, expected her to be in the entire movie. Classic Hitchcock.

The Remake—Psycho (1998)

While the remake from 1998 didn’t add any content or context that enriched the movie from the original Bloch creation, it did come across as a reverential and faithful scene-by-scene retelling of the original movie. Vince Vaughn and Anne Heche play our main characters and do these classic scenes a decent amount of justice. Other than being a modernized version of the original film, there isn’t much that this movie brings to the table—I still personally enjoy watching it occasionally.

Work Cited

Bloch, Robert. Psycho. Blackstone Audio, Inc., 1959.

Hood, Robert, and Szumskyj, Benjamin. The Man Who Collected Psychos: Critical Essays on Robert Bloch. McFarland, 2009.

Sorene, Paul. “Alfred Hitchcock’s Rules for Watching Psycho And Behind The Scenes Photos (1960).” Flashbak, 30 Oct. 2017, flashbak.com/alfred-hitchcocks-rules-watching-psycho-behind-scenes-photos-1960-389260/.

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Rosemary’s Baby Review: Terror in Plain Sight

Categories
Featured Reviews Scary Movies and Series Women in Horror
Rosemary's Baby (1968) movie poster
Rosemary’s Baby (1968)

Roman Polanski’s 1968 disturbing film, Rosemary’s Baby can technically be counted within the supernatural horror sub-genre. In truth, the horrific nature of this film lays within the details. The deeply disturbing psychological trauma, sexual assault, and domestic imprisonment that our pitiably petite Rosemary endures is what is horrifying. After all, what is psychological horror if not a gut-wrenchingly elongated and personally traumatizing?

We summarized Rosemary’s Baby last January when it was featured on Netflix, but we never explored this psychological horror show. There are many different topics to focus on as they exist within the walls of Rosemary’s bourgeois prison. Women face danger as the direct result of the history of inequities between men and women. Therefore, I decided to analyze the grotesque nature of these inequities as they existed as little as sixty years ago.

As a woman who has experienced domestic violence, I feel uniquely qualified to dissect this movie; one in three women will experience domestic violence at one point or another in their lifetime. The horrors that Rosemary faces in her own domestic prison hit so close to home for women everywhere. My own experience with an abusive husband taught me the code of red flags. When it comes to identifying them as they present themselves, I could spot them at sea with a spyglass. Rosemary has one up on me; I’ve never given birth to the antichrist and I only joke with my daughter that she’s demon spawn.

The Psychological Horror Show and the Slow Burn

From the offset, we see what is effectively being masked as a happy and healthy marriage. The relationship between meek and dreamy Rosemary and her D-List actor husband is pruned for the public. She nearly swoons every time someone asks what he does for a living; recalling every role he’s played as if to impress upon others how successful he is. I recognize this as a coping mechanism they use to convince themselves that, “he’s actually a great guy!” Guy, Rosemary’s husband, is definitely charming when there is company around—abusers usually are. Domestic strain isn’t visible from the outside looking in, instead we see it in the details—after all, that’s where the devil usually lies.

Rosemary's Baby (1968)
Mia Farrow as Rosemary in Rosemary’s Baby (1968)

Satanic Cults and the Antichrist

We’ve talked about Satanism and the religions that are associated with the image of Lucifer and Baphomet; we’ve discovered how they aren’t actually evil, or dark as might be suggested by modern media or popular culture. You can find more about them in our article here.

I decided to start the discussion here because it’s arguably the least horrifying thing that Rosemary actually experiences. In fact, this movie is about as supernatural as a park bench; any supernatural elements that are present within the movie are seemingly confined to drug-induced dream states—until the end…

Rosemary: Mother of the Antichrist

Early on in the film, Rosemary befriends a woman around her age by the name of Terry. They two share an innocent interaction where Terry, still under the spell of the Castevet’s elderly charm, sings their praise. Before they are able to speak again, Terry’s skull is cracked open on the sidewalk; in a disturbing mystery of how she fell from the apartment she shared with the elderly couple. It’s never fully explained in the movie and I haven’t read Ira Levin’s novel; so, I’m unsure of the reason behind her death according to canon. There are, however, several different theories to go along with her death. All of which are quickly swept under the rug as characters continue on, relatively unmoved after Terry’s apparent suicide.

Paranoia, Superstition, and the Unlikely truths

Whether Terry killed herself instead of submitting herself to the Devil for the benefit of the cult, or she was killed because of her unwillingness to comply, it’s clear that she was previously designated to be the host for Satan’s child. The Castavets had kept their distance from Rosemary and Guy prior to Terry’s death, having only made an appearance through their voices carrying through the shared walls. Luckily for the Castavets, they have a new host who consistently puts the interests of others before her own, Rosemary made the perfect candidate for their cult to impregnate.

Domestic Abuse and Rape Culture Explored

There is the age-old argument that marriage makes any intimacy automatically consensual—this certainly would have been the attitude of the time in which this film was created—or the years directly preceding its creation, since the time it was based in was the mid-1960s, versus the late 1960s. Fortunately for women, this attitude has changed dramatically and consent is what establishes whether or not rape has been committed.

There is an incredibly disturbing moment within the film, however, where anyone who has been taken advantage of sexually might feel their skin crawl. It’s the morning after Guy and Rosemary have a romantic dinner at home, complete with desert courtesy of their neighbor Minnie Castevet. This is not discounting of course the scenes that stretch the span between the desert and the next morning—where Rosemary notices that her chocolate treat “has a chalky undertaste,” and Guy coerces her into eating it by guilting her into believing she’s an awful person if she doesn’t. He leaves the room long enough for Rosemary to dump most of her cup into her cloth napkin, which she later dumps into the trash, and then she pretends she’s eaten the rest by the time he comes back into the room.

Drugging Rosemary for the Purpose of Rape

As Rosemary is getting rid of the evidence in her napkin, she nearly falls over—she’s clearly drugged—and Guy comes to her rescue. What a gentleman. When she finally collapses as he’s helping her down the hall, he scoops her up and hurries to the bedroom with her. What follows is, the half-drugged waking dream sequence where Rosemary has lost all control of the situation—a horror for any woman—and she as well as the audience is unsure of whether or not what she’s seeing is real. It is and it isn’t—at this point we’re not sure, but one thing we are certain of is that her neighbor drugged her desert so that her husband could get her into a vulnerable position.

Why would this be necessary if they were already trying to conceive a child you might ask? Well, as her dream sequence reveals, it’s so that her husband Guy can be assured that his wife won’t wake up as he and the residents of the apartment building perform a satanic ritual in which she becomes pregnant with the antichrist. It makes you wonder, if she had eaten all of the pudding (chocolate mousse) would the following paranoia and suffering have occurred at all?

There are some moments of clarity for Rosemary as it’s all happening where she realizes, even in her drugged state, that what is happening to her is not right and that she has not consented to what is being done to her. When she wakes up the next morning, she assumes that she’s just had a bad dream until she notices the scratches that run down the length of her side—the ones that the Devil gave to her in her waking nightmare. Guy, already aware that they’re there, immediately tells her not to be upset that he scratched her, that it was an accident because he was in too much of a rush to take advantage of her.

Rosemary: What time did I go to sleep?
Guy: You didn’t go to sleep. You passed out. From now on you get cocktails or wine, not cocktails and wine, hm?
Rosemary: The dreams I had.
[Rosemary notices the scratches]
Guy: Don’t yell. I already filed them down. I didn’t want to miss baby night. A couple of nails were ragged.
Rosemary: While I was out?
Guy: It was fun, in a necrophile sort of way.
Rosemary: I dreamed someone was raping me, I think it was someone inhuman.
Guy: Thanks a lot. Whatsa matter?
Rosemary: Nothing.
Guy: I didn’t want to miss the night.
Rosemary: We could have done it this morning or tonight. Last night wasn’t the only split-second.
Guy: I was a little bit loaded myself, you know.

Rosemary is outwardly upset about the fact that he openly admitted to having sex with her while she was passed out, but even more disturbed when Guy jokes that “it was fun, in a necrophile sort of way.” She is obviously bothered by the whole thing but doesn’t press the issue further—evidence of the abusive silence and gas-lighting that must regularly occur in their relationship already.

Paranoia, Superstition and the Unlikely Truths

The tumultuous whirlwind of paranoia, superstition, and wild theories that follows her rape and impregnation by the Devil is more than a little difficult on Rosemary—physically, emotionally, and psychologically it’s almost like she’s carrying the child of Satan. I kid, of course, because obviously she’s carrying the child of Satan. She doesn’t know that though, she chalked the dream up to be nothing more than an alcohol-addled nightmare and upon finding out she was actually pregnant was as happy as she could possibly be. The weeks and months that followed her impregnation were spent being taken under the wing of her controlling and abrasive neighbors Minnie and Roman Castevet. They get her to go to a doctor of their choosing, by saying they’re doing her a favor—he’s the best doctor, after all, plus he’s a life-long friend and won’t charge her as much as he usually does.

More Gas-lighting and the Final Reveal

Her obstetrician, doctor Saperstein dictates that her neighbor Minnie will be providing her all the prenatal vitamins she needs through herbal remedies in drink and cake form—he demands that she doesn’t read any books or talk to any of her friends about her pregnancy because “every pregnancy is different,” at first he seems to be a little domineering, but well-meaning. Eventually it becomes clear to Rosemary that something is wrong, after finally speaking to her friends—they tell her she looks awful and when she indicates she’s been in pain for a length of time, they suggest that she get a second doctor’s opinion. This doesn’t go over well with Guy. Luckily for Guy, the Castevets, and Dr. Saperstein, just as Rosemary is about to get a second opinion the pain suddenly vanishes and the rest of her pregnancy is generally problem free. That is, until she receives a book from her friend Hutch, which explains how they are all witches that have formed a plot to take her baby. Rosemary misunderstands though, they’re witches of course, they definitely want to take her baby, but not to use as a sacrifice—that’s their dark lord and savior growing in her womb.

This is where she once again is gaslit by all of the people in her life—the only people in her life—the ones who control every second of every day and have become a living prison for Rosemary. Rosemary’s paranoia has amped up, at this point, to such a degree that she tries to escape the clutches of those around her—eventually getting to the office of her one-time obstetrician Dr. Hill and explaining how there is a plot against her. Dr. Hill pretends he is on her side, puts her in one of his birthing rooms and has her take a nap. When she awakes, Dr. Saperstein and Guy are there to take her home. We learn through all of Rosemary’s paranoia and investigation that her husband became complicit in this plot as a means to achieve fame and fortune—a price he has to pay now that the role he lost to another man was suddenly given to him after the other man suddenly and mysteriously went blind.

When Rosemary finally has the baby, they continue to sedate her and when she finally starts hiding the pills and is coherent enough to question what happened to her baby, she’s told that her child died shortly after birth. Cool story bro, except why is there suddenly a baby crying in the Castevet’s apartment? Rosemary tells them all that they can miss her with that bullshit when she forces her way into the room with the crying baby and discovers her child as well as “his eyes.”

Rosemary’s baby is the son of Satan and when the film ends, we see her warming up to the idea of actually mothering the antichrist.

Feminism and Women’s Rights in the 1960s

It’s frightening to think that less than sixty years ago, women in the United States still didn’t have the basic freedoms that we take for granted today. Unmarried women couldn’t have credit cards,—what’s more is that 1960s scientists and psychiatrists often believed that a man beating or raping his wife while under the influence could actually be considered a good thing. They considered it, “violent, temporary therapy,” that remedied a man’s insecurities over letting his wife run the house and remedied a woman’s guilt over emasculating her husband. This of course is complete and utter bullshit.

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Unfortunately for Rosemary, having grown up in an era of repression, she does what she’s told (for the most part, without question). It’s only when she’s encouraged by her less repressed group of friends that she begins to think for herself. Even after being clued into what is really going on by her girlfriends and her former landlord, Hutch, she still doesn’t leave until the last possible moment. When she does eventually try to escape, it’s not for her own well-being, but for that of her child. Just as we fear, the one person she believes she can trust, her former obstetrician Dr. Hill chalks her fears up to paranoia and hysteria from pre-partum stressors. In the end, he betrays her trust and hands her back to her abusers.

Rosemary’s Baby Explained: Realism and Control

Final Thoughts

There are more disturbing elements in this movie than could ever possibly be discussed in one article. However, since I’m an overachiever, I dug at all of the issues that I found pertinent to the conversation. If you think I’ve missed something and you’d like to discuss it further, feel free to leave a comment! If you disagree with anything I have said here, I encourage you to share your opinion! I would love to discuss this movie further with fans of the genre.

All of that being said, there are a couple of things that I wanted to address about this particular movie. These things don’t necessarily have to do with the content of the movie itself, but they’re worth mentioning.

Polanski—The Predator

There are very few people who are not aware of the criminal background of Polanski, but Rosemary’s Baby was actually filmed before the scandal ever came to the forefront of public knowledge—so viewing this film with the knowledge of Polanski being a predator might not be the best lens through which to focus.

The Backstory—Our Disclaimer

At the time of the film’s release, Polanski had only been married to Sharon Tate for about five months and it’s alleged that Polanski wanted to cast Tate for the part of Rosemary, but Maurice Evans—the man who played Hutch—insisted upon Mia Farrow for the role. A little over a year after the film’s release, in August 1969, Tate and her friends were stabbed to death by the followers of Charles Manson. Tate, at the time, was over eight months pregnant with Polanski’s child.

Less than a decade after all of this, Polanski was charged and convicted of drugging and raping a thirteen-year-old girl. Polanski fled the country before he was able to be incarcerated. To this day, Polanski is still alive and well, with dual citizenship in France and Poland. Since his conviction and subsequent identification as a pedophile and child rapist, Polanski has continued to be a celebrated name. Disturbingly, he’s been nominated for over fifty awards and won quite a few of them since his conviction. Some of the nominations and awards were received as recently as 2020. Needless to say, this gross corruption of the entertainment industry is far from an isolated event; the last thing Polanski should be remembered for is his creative “genius,” when “child rapist” is a more suitable title.

Fuck Roman Polanski.

Work Cited

Dockterman, Eliana. “Domestic Violence: 50 Years Ago, Doctors Called It ‘Therapy’.” Time, Time, 25 Sept. 2014.

“The Horror Film BIRTH TRAUMAS: PARTURITION AND HORROR IN ROSEMARY’S BABY.” Cinematernity: Film, Motherhood, Genre, by Lucy Fischer, Princeton University Press, 2014, pp. 73–89.

Huntley, Chris. “MenuDramatica® The Next Chapter in Story Development.” Dramatica, dramatica.com/analysis/rosemarys-baby.

McElhaney, Joe. “Urban Irrational: ROSEMARY’S BABY, POLANSKI, NEW YORK.” City That Never Sleeps: New York and the Filmic Imagination, by Murray Pomerance, Rutgers University Press, 2007, pp. 201–213.

McLaughlin, Katie. “5 Things Women Couldn’t Do in the 1960s.” CNN, Cable News Network, 25 Aug. 2014.

Sharrett, Christopher. “The Horror Film as Social Allegory (And How It Comes Undone).” A Companion to the Horror Film, by Harry M. Benshoff, Wiley Blackwell, 2017.

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Shirley Jackson: Novels, Short Stories, and Other Works

Categories
Featured Horror Books Women in Horror

The Lottery (1948)

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The Lottery is a short story that Shirley Jackson wrote in 1948—it was written within the month of its first publication. It appeared within the June 26, 1948 issue of The New Yorker and describes a fictional account of a small town that participates in a lottery of sorts. This particular short story has often been described as “one of the most famous short stories in the history of American literature.”

Conceptually, two creative stories come to mind immediately after reading this story–no doubt the authors of which were inspired greatly by the Jackson original. The cult classic film The Wicker Man (1973), then later the novelization and The Hunger Games franchise both echo the idea of a ritual where the town comes together and holds what they call a lottery.

This lottery is, unfortunately, not the type that anyone hopes to win, but mirrors the dystopian attitude where the losers rejoice in the winner’s predicament. Without spoiling the entire story for anyone, let’s just say it’s most definitely worth the read (or simply listen below). What is truly interesting with this story–one that leaves the reader with a feeling of utmost terror and despair–is that Jackson apparently wrote within the confines of a single morning. The agreed-upon account of its creation is that Jackson came up with the idea for the story while she was shopping for groceries in the morning, came home, set her two-year-old daughter in her playpen to play, and had it finished before her son came home from kindergarten for lunch.

Talk about a whirlwind turn-around for something so utterly and terribly fantastic. Along with other myths that surround the creation of The Lottery, there was a time when people actually believed that the story was a factual report–this is in part due to the fact that at the time The New Yorker didn’t distinguish between fact and fiction when it came to the stories within its publications. As a result of the misunderstanding, much to the chagrin of Jackson, subscribers sent her several hundred letters that in her words could be summed up to, “bewilderment, speculation, and plain old-fashioned abuse.” It was especially alarming to her that some of the letters were from people who wanted to know where such lotteries were being held and whether they would be allowed to watch.

The Haunting of Hill House (1959)

The Haunting of Hill House (1959)
The Haunting of Hill House (1959)

This gothic horror novel stands in the same class as those by Edgar Allan Poe, Arthur Conan Doyle, and Bram Stoker—to the point of even being a finalist for the National Book Award in the category for best literary ghost stories published during the 20th century. While Shirley adhered more to the thrilling psychological aspects, which successfully elicited stronger emotions in her readers. It has since been adapted into two feature films, a play, radio theater, as well as a Netflix series which premiered in 2018, although considerable liberties were taken with Shirley’s original story.

Shirley’s initial idea for this particular novel came to her after she read about a real-life group of researchers from the nineteenth century who had spent time in a reportedly haunted house and then published their experiences while investigating the site. She spent quite a bit of time researching and studying floor plans of large, potentially haunted houses around the country, and also spent time reading several volumes on hauntings and ghost stories before she sketched out the grounds of Hill House, as well as the floor plan for the house itself. Suffice it to say, she took her time considering how the characters might move about the house and made sure she had a clear vision of how a haunting would play out in such a house.

Check out this trailer of the Netflix series of The Haunting of Hill House and see how this novel translated to a television series.

We Have Always Lived in the Castle (1962)

We Have Always Lived in the Castle (1962)
We Have Always Lived in the Castle (1962)

Shirley Jackson’s We Have Always Lived in the Castle was published in 1962—just a few years before the radical social movement of the 1960s and 1970s—and served as her reaction to the movement of traditionalism that followed the Second World War. The fifties was an exceptional decade when women were transitioning from having jobs that supported the war effort while the men were overseas, to being expected to stay at home in order to support their husbands by cooking, cleaning, and rearing children.

This novel takes place in a small New England town where the remaining members of the Blackwood family stay in their ancestral home—they seem to live a peaceful, if not removed life from the rest of the town and its oppressive atmosphere. The initial perception of the people in town is one of apprehension when the main character Mary Katherine admits the anxiety she feels when having to pass the general store when the men are sitting out front. The mood of the novel changes to reflect what many literary scholars believe might have been Jackson’s own response to the changing social climate of the fifties and how stifling it would have been to be a housewife with a job. It also bears mentioning that it brings attention to the ways women had been oppressed in the past, referencing witch hunts where women would be killed for even the slightest misstep.

We Have Always Lived in the Castle echoed a lot of the same themes that were found in her profoundly popular short story The Lottery, with special emphasis on the strange and hostile townspeople who take on the type of mob mentality that allows otherwise sensible people to commit horrible acts with little to no impact on their conscience. It is said that this particular novel served as inspiration to many writers—including authors like Neil Gaiman and Joyce Carol Oates—who, after reading Shirley’s work, felt liberated in taking leaps with horror, speculative fiction, and just enough realism to create creepy atmospheres within their own novels.

Take a look at the trailer for We Have Always Lived in the Castle (2019) and let us know what you think between the differences you’ve found between it and the original novel.

Looking back on a career like Shirley’s it’s widely believed that despite the fact that raising four children is an extremely difficult task, Shirley couldn’t have been such a literary success without them—after all, her first success, The Lottery came only a few months before Shirley was set to deliver her third child. A cringe-worthy moment came when the clerk asked Shirley her occupation, when she responded that she was a writer, the clerk responded that he was going to put down the occupation of housewife instead. While it was true that being a mother was one of her jobs, Shirley was more than just a mere housewife—in fact, she was the breadwinner of the family.

Shirley Jackson happened to be both a housewife and a “talented, determined, ambitious writer in an era when it was still unusual for a woman to have both a family and a profession.” The appearance of a conventional American household generated material for this sassy mother of four—who thrived on the tensions that it created between both roles. The expectations of herself, her husband, family, publishers, and readers gave life to her writing since what was normal for her was unspeakably abnormal for the time. She made this clear during the early years of her career, when she drew, “a muscular woman, looking disgruntled, [dragging] her husband off by his hair as another couple [looked] on worriedly. ‘I understand she’s trying to have both a marriage and a career,’ one says to the other.” The truth of the matter was, that Shirley’s career only really took off after she became a mother, having gained an empathetic view of developing minds and the well of imagination that she drew therein. In this respect, Shirley was not only a sensational author, she was an admirable role model for any woman who may have wanted to follow in her footsteps.

Index of Sources

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Sobriety

Categories
Featured Indie Horror Creation Indie horror writers Short Horror Stories

The funeral was over and Annie hesitated at the front door of her home. The ominous presence of sadness, despair, and loneliness draped over her like a heavy coat. Her trembling hand reached the knob and opened it. This was the part she dreaded; the part no preacher or sermon ever prepared her for. No more hearing Jason’s voice calling in the living room, “Annie, is that you?” No more watching how graceful he was when he poured her a cup of coffee in the morning. 

Jason wouldn’t be there to roll over in his sleep and drape an arm across her. He wouldn’t be there to hold her when life’s burden’s came crashing down. He wouldn’t be there to lower her on the bed and make love to her. All that was left when someone lies six feet deep were the haunting memories of past ghosts. 

“It’s all on the video.” 

That’s what the note said. The one she found stuffed in her coffee mug the day Jason died. His phone was left on the counter, unlocked, and with a paused video. It beckoned her to watch it. 

She still remembered the curiosity and confusion swirling in her mind when she hit “play.” 

Jason sat at his study in the upstairs loft. An emotionless, numb look covered his face. His eyes seemed lifeless and hollow and his voice was absent of any emotion. Jason stared at the camera and said,

“At first, I liked being sober. I thought I had my life back. I liked everything I learned in rehab, and when I got out, I was ready for this great life of sobriety that they told us lies ahead.” 

Jason paused, glanced down for a moment, then back at the camera. 

“Things were supposed to get better,” he said. He interlocked his hands and leaned on the desk. “Jobs, relationships, opportunities. Being sober was supposed to open up a whole new world of possibilities.” 

Jason looked down again for several seconds. He cleared his throat, wiped a tear, then interlocked his fingers again. “But they were wrong, Annie. They were all wrong. 

Being sober hasn’t changed anything. Life hasn’t gotten better and…” he swallowed hard then raked his fingers down his face. “The only thing that has happened? I can feel again. My emotions aren’t crippled by the alcohol.”

Jason stared off to his left. “And that’s the worse part. The feelings. The guilt and shame over what I’ve done in my addiction. The depression. The sorrow. Where is the joy they promised, Annie? ” He stared back at the camera. “They said, ‘Oh, Jason, life will be wonderful again. You will feel everything!’ Well, fuck them. I can feel everything and I fucking hate it. I fucking hate it, Annie! I can’t live with the emotions anymore, Annie. Nor can I go back to my addiction.” Jason looked back at the camera with a blank stare. “I liked being numb. And you know what I discovered? It’s me. I don’t like feeling me.  I’m being swallowed alive by my soul. It is a black hole and I can’t escape. Tell them bye for me, Annie. Tell them all goodbye and happy Halloween. “

Jason reached his hand down, opened the desk drawer, and pulled out a .45. He stuck the barrel in his mouth and pulled the trigger. The gun blast crackled through the phone. Jason’s skull and brains decorated the window behind him. 

Annie remembered these things before she stepped foot back into their home, and hoped the .45 was still in the desk drawer. 

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