Tag: Horror Novels

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A Gothic, Cosmic, and Psychological Lifetime of Horror: The 16 Greatest Short Stories from Robert Bloch

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Featured Horror Books Horror Mystery and Lore

Robert Bloch wrote literature that ranged from the psychologically terrifying to the downright “weird” horror; his inspiration stemmed both from watching his first scary film on his own as a child—and his subsequent nightmares—and his admiration for the stylistic horror of H.P. Lovecraft. His stories, however, are and always will be uniquely Robert Bloch, a genius in psychological horror with a splash of the supernatural. His deep interest in serial killers brought back anti-heroes like Norman Bates and Jack the Ripper.

“The Shambler From The Stars” (1935)

This particular short story first appeared in the September issue of Weird Tales, in 1935—later on, it was included as a part of his first published book, The Opener of the Way (1945). It was one of the many works that bore the influence of H.P. Lovecraft and can be considered part of the genre of cosmic horror. More than just another author following the footsteps of Lovecraft, Bloch still included elements of Lovecraftian influence, such as the inclusion of The Necronomicon, and The Book of Eibon. Deliciously self-indulgent, Bloch’s story is about a writer of weird fiction obsessed with learning all things occult when he looks to find the aforementioned esoteric tomes of forbidden knowledge. As we all know when it comes to Eldritch cosmic horror, this writer inevitably summons something disastrous.

“The Secret in the Tomb” (1935)

Another instance of cosmic horror in the early days of Bloch’s writing career, it has been compared directly to the stylistic literature of the father of cosmic horror himself—to the point that, if the author of this had been unknown, it would have been assumed to have been a product of Lovecraft. This dark, dank tale of eldritch horror and dread is lurking, just beyond sight, and awaiting the arrival of the last descendant of a long line of sorcerers.

“The Mannikin” (1937)

Another Weird Tales original, published in the April edition in 1937, we get a tale of a strange reclusive and a disfigured, hunchbacked man named Simon, whom the locals all despise. As a short story, of course, it doesn’t take long to find that this cosmic horror is based all around the diabolical hump on Simon’s back—just wait until you find out what the hump really is.

“The Sorcerer’s Jewel” (1939)

This is a story that Bloch originally published under the pen name Tarleton Fiske in Strange Stories Magazine, in 1939; in this story we see a similarity to “A Shambler in the Stars” when we follow a photographer who takes incredibly bizarre photos as his life’s passion. While he doesn’t believe in the occult, his assistant happens to be a devotee of a peculiar occult practice and everything changes when the photographer is brought an ancient jewel.

“Yours Truly, Jack The Ripper” (1943)

Over the years, Robert Bloch’s short story “Yours Truly, Jack The Ripper” has been adapted to various mediums following its publication—the story is about a man from Chicago who is approached by a gentleman from England who tells him that he’s looking for Jack the Ripper. This, of course, is strange on its own as the infamous serial killer should have died years before. The Englishman believes that Jack the Ripper has become immortal through occult means and that his serial murders are actually ritual sacrifices that restore his youth. The man from Chicago is enlisted to help to bring the Ripper to light.

“Satan’s Phonograph” (1946)

A slow burn for a short story, this haunting tale follows the narrator down memory lane as he tells the reader about the ingenious, but wildly mad piano teacher that helped him to reach Carnegie Hall—but when the pupil returns from his tours across Europe with his new wife in tow, he finds that his old teacher had been institutionalized—when his insane old teacher shows up in his house with a seemingly innocent phonograph and his wild theories, the narrator believes his teacher is simply delusional.

“Sweets To The Sweet” (1947)

Bloch spins the thread of a sinister six-year-old girl, following the narrative of the housekeeper as she speaks to her former boss’s brother, who happens to be a lawyer. The housekeeper encourages the lawyer to look into what she believes to be a brutally abusive situation between father and daughter. She tells the brother about all of the signs of alcoholism and beatings, while the child is accused of witchcraft. When the lawyer finally goes to investigate what is happening in his brother’s home, he finds out that the truth may be more disturbing than he expects.

“Floral Tribute” (1949)

An eerie tale of a young boy being raised by his grandmother brings her fresh flowers home every day—it’s not until the inhabitants of the local cemetery come to speak with the grandmother that she finds out that he has been taking them from the graves of the nearby graveyard, where he plays among the tombstones.

“The Shadow From The Steeple” (1950)

Yet another story based in the Lovecraft universe, Bloch starts the story off with the friend of a character Lovecraft had killed in his short story “The Haunter in the Dark” whom Lovecraft had modeled after Bloch himself. A convoluted and dark fictional tale based on Lovecraft and his circle of writers, we get to see the authors appearing as characters of their own making. As another story within the Cthulhu Mythos, we see how involved Bloch was still within the Lovefcraft style even at this point in his career.

“Head Man” (1950)

An interesting spin on Nazi Germany’s obsession with the occult and paranormal, a SS executioner puts everything on the line to keep possession of the heads of a man and woman who had been charged with witchcraft and executed as a result.

“The Hungry House” (1951)

A tale that will once again make you fear your own reflection in a mirror; “The Hungry House” takes place after a couple moves into their new home. As they try to get comfortable in their new house they begin to see spooky inexplicable reflections around the house and dismiss it as being an overactive imagination. It’s not until the husband finds the locked closet in the attic that they realize something is incredibly wrong with their house—in it are all of the mirrors that the previous owners had removed from the walls of the house.

“Notebook Found in an Abandoned House” (1951)

This story is told from a notebook found in an abandoned house, which was written by a twelve-year-old boy by the name of Willy Osborne who is trapped within the house by the sinister beasts, or “them ones,” that stalk him from within the woods and swamps that surround the house. “Them ones,” that Willy is scared might come and get him are monstrous, Lovecraftian elder creatures who used to be take sacrifices to be appeased.

“The Light-House” (1953)

This particular short story took special influence from a story that Edgar Allan Poe began before his death in 1849, but was never able to finish; in 1953 Bloch took this unfinished short story, finished it, polished it up, and then had it published. As such, it is considered a posthumous collaboration. It follows the pursuits of a nobleman who takes a job as a lighthouse keeper, so he may write in solitude. His loneliness gets the better of him in this weird and satisfyingly dark tale, when he tries to psychically summon a companion.

“House of the Hatchet” (1955)

A couple with a relationship on the rocks decides to take their a second honeymoon on the road—on their trip they end up stopping at a haunted tourist attraction, where the story goes that a husband had killed his wife with a hatchet in one of the rooms. When they decided to take a tour of this haunted house, the husband begins to feel a heavy dark presence in the room where the murder was said to have occurred…

“Terror In Cut Throat Cove” (1958)

Considered a horror adventure tale, “Terror In Cut Throat Cove” follows the tale of an American writer who is approached by a treasure-hunting duo; they end up recruiting him to help them locate this long-lost legendary ship that sunk with a massive fortune aboard because the writer has an undeniable fondness for the girlfriend of the treasure hunter. A crazy adventure ensues until they find the ship and one of the divers returns from the ship’s wreckage without his head.

“The Animal Fair” (1971)

This story of a drifter who ends up in the small town of Medley, Oklahoma while the carnival is in town—where he enters the a tent that houses a gorilla who happens to be the main attraction—not to mention seriously abused by his trainer. This horrifying weird tale ends in a shocking twist and is well worth the read.

Works Cited:

Cowan, Matt. “FIFTEEN HORROR TALES BY ROBERT BLOCH.” Horror Delve, 4 Apr. 2016, horrordelve.com/2016/04/04/robert-bloch/.

HorrorBabble. “The Shambler from the Stars” by Robert Bloch. Youtube/”The Shambler from the Stars” by Robert Bloch, HorrorBabble, 12 Mar. 2018, youtu.be/0Q6xA0f9SNk.

HorrorBabble. “The Secret in the Tomb” by Robert Bloch. Youtube/”The Secret in the Tomb” by Robert Bloch, HorrorBabble, 20 Aug. 2018, youtu.be/vodqchPxgCoyoutu.be/vodqchPxgCo.

Thomas, G. W. “The Early Robert Bloch.” Dark Worlds Quarterly, 6 Aug. 2020, darkworldsquarterly.gwthomas.org/the-early-robert-bloch/.

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Becoming a Published Horror Writer: Industry Tips from Puzzle Box Horror

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Indie Horror Creation Indie horror writers

If you talk to most horror writers, it is more than a hobby to them. Some aspire to become a famous author, who will have their books converted to screen plays. Other writers love the potential of selling a horror screen play that may become a series, to networks that are buying up original content like crazy. Entertainment leaders like Netflix, Hulu, and Amazon Prime.

Every once in awhile you will hear this amazing story about how a talented horror writer met the right connections and was able to move and shake their way to the desk of a publisher, talent manager, and their copyrighted work was purchased. For a lot of money. Happy writer. Happy production company. Happy horror fans.

But how often does that really happen? What is the process for a horror writer to get their work noticed or have the rights to their work bought by a large production company? Do you actually need to publish and sell a horror novel first, before you have a chance of pitching the rights to your creative work to a film company?

At Puzzle Box Horror, our team has a lot of experience in marketing and relationships with horror authors and indie film makers. If you are at the stage where you would like to get serious about having your work published and making an income from horror writing, we would like to share a few tips to help get you started.

Publishers Will Not Throw Money Down Unless You Have Built An Audience

No matter how talented you are, a publisher is not going to bite or buy in to a product that does not have an audience. That is a hard fact that many writers struggle to understand. Why wouldn’t publishers want to snap up your work, package it up into a novel and start selling it for a profit? That model has not been predominant in the industry for over ten years.

The average cost of launching a new book? It can be as much as $25,000 to an average of $60,000 or more depending on the size and resources of the commercial publisher. When your book has been accepted and you have signed a contract with a publisher, there are a series of steps and services that happen to your original work, before you will see your book distributed on the shelves.

The process of launching a new book with a publisher can take an average of 18 months or longer, and will include the following steps and services:

  • The setting of the target date for retail distribution. You are issued a payment by check after endorsing your contract with the publisher.
  • Professional proof reading and editing for first revisions.
  • The manuscript is then sent to the sales and marketing departments for another revision. This is where changes are proposed to the novel, to tweak it for marketability. This can also be a long process as authors tend to object to changes, and it becomes a negotiation process. The copyeditor oversees this process and helps consolidate edits and reviews.
  • The cover design will commence about 6 months before the release of the book.
  • Galleys or ARCs are advanced copies and excerpts that will be sent out for getting book reviews of the work about 6 months prior to release. Authors are also provided with the advanced copy to start marketing efforts as well, podcast interviews, social media teasers etc.
  • Marketing and sales plans go into effect about 3 months before the book is published. This includes setting up interviews, live book signing events, tradeshow attendance, press releases and more. The pre-launch reviews will be received with favorable reviews used to accelerate the promotion of the book.
  • About 8 weeks before the book is published, the author will receive a copy. The finished novel goes into distribution and the writer begins to earn residual payments per volume of book sales.

In short, a whole lot of people and talent goes into every commercially published book. And it is expensive for publishers to complete the process and make sure each book has a successful launch. Publishers will not take a risk on a new author that does not have audience and personal branding established. They use the size of your audience as a measurement of the potential commercial sales of your book.

No audience? You are unlikely to attract a commercial publishing deal. There are no assurances that your book will be a best seller, but with strong personal branding and an established audience, it is the jump start that publishers need to feel confident about investing and absorbing the cost of selling your novel.

Be Careful About What You Self-Publish if Your Goal is to Be Picked Up by a Commercial Publisher

One of the biggest mistakes talented horror writers make, is self-publishing. The process of building an audience and authority authorship (recognition of your name or pen name) can be time intensive. It can take years before you build a substantial audience that would make your novel(s) attractive to commercial publishers and that is frustrating.

You want the recognition, the money, and the fame now (not years from now), particularly if you have been working on your fiction for a long time. By comparison self-publishing is so affordable! For less than $20 (USD) and a small royalty to the printer, you can start selling your own self-published novels or collections of horror short stories or micro-fiction work.

The approach to self-publishing with the intention to build a brand name is not entirely wrong. In fact, if you are already working aggressively on your branding as an author, some pieces of self-published work can escalate the growth of your readership. Add your books to your website and start generating some revenue for your creative work.

However, anyone who has self-published will tell you that the revenue (while it is pretty exciting) is not exactly enough to quit your day job. There is a price sensitivity to self-published books. If you plan to offer them on Kindle for instance or digital download, the average price might be $4.99 to keep your price competitive with other new releases. And if you plan to sell print on demand, and keep the book under the $9.99 price threshold, you may make between $3.00 to $5.00 per copy.

The most important consideration is what to choose for self-publishing. One of the strategies that has worked very well for horror writers (including the legends like Stephen King) is to produce short horror story collections.

Give the audience a little taste of your writing style, themes, and macabre mastermind, and build a fan following with your short stories. And save the novels for commercial publishers; that is where the real money is in terms of royalties and residuals. And they will not be interested if you have already self-published the same work, because it complicates copyright, and it is not a ‘new’ book if it has already been circulated as an author-published piece.

Want some tips on building your personal brand and authority authorship? Watch for our upcoming articles as we share strategies for horror writers that work and free resources you can use to start building your audience of readers and fans.

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Beyond Frankenstein—Mary Shelley’s Literary Successes

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Featured Horror Books Horror Mystery and Lore Women in Horror

The tragedy of Mary Wollstonecraft Shelley is that, despite having one of the most famous horror stories of all time, her other work is virtually unknown. Her other two novels, aside from Frankenstein, were actually strange and unique in their own way—keep reading to learn more about the roads Mary Shelley paved for the literary community.

Frankenstein, or The Modern Prometheus (1818)

Shelley’s first and most notorious novel was started when she was still a teenager, in 1816, at age 18. Female writers around the world, myself included, are grateful for her contribution to literature, even though she published initial additions anonymously when she was twenty in London in 1818. Her name didn’t actually appear on the publication until the second edition was published in Paris in 1821.

Frankenstein, or the Modern Prometheus

What is incredible about this book is not just that it was written by a teenager, or that it was written by a woman, but that it was written by a woman from the perspective of a young male scientist. This story arose from her travels through Europe in 1815 while she traveled along the Rhine in Germany. Eleven miles away from what is considered Frankenstein Castle, where two centuries before her visit a mad alchemist conducted various experiments. She continued her travels across Geneva, Switzerland—which was also used as a setting for much of the novel. Shelley and her traveling companions had incredibly controversial conversations that ranged from the occult to galvanism—this of course was around the time that Luigi Galvani was conducting his experiments with his frog galvanoscope.

The legend of how Shelley came up with her idea of this particular novel tells us that Shelley and her traveling companions, most all of them writers, decided to have a contest amongst themselves. They wanted to challenge each other and see, who among them could create the most engaging, terrifying, and outrageous horror story. Initially stumped by the prompt, Shelly thought upon the topic for days until she finally had a dream that would inspire her to write the story of a scientist who created life, only to be horrified by his own creation.

The story of Victor Frankenstein was rather controversial due to the idea of Galvani’s technology and what his experiments meant for the scientific community at the time. So, Shelley portrays Victor Frankenstein, a young scientist as a man pursuing knowledge that lies in the unorthodox, blasphemous fields of secrets yet-to-be-told. Life and death are uncertainties in this story, when Victor creates a sapient creature, one constructed from the pilfered parts of those who have died.

Galvani’s experiments gave the scientific community a lot of ideas about reanimation after death and also launched experimental medical treatments using electricity to cure diseases that were incurable at the time. If you’re interested in learning a bit more about the process that Luigi Galvani used to achieve this ground-breaking discovery about electrical impulses and the nerve system, there are a few YouTubers who decided to replicate the experiment. Enjoy!

The Last Man (1826)

Shelley’s novel The Last Man is an unusual topic for the time during which it arose; originally published in 1826, this book envisions a future Earth—set in the late twenty-first century—that is ravaged by plague and unknown pandemic. It harbors the eery scene of a planet in the throes of apocalypse, where society has degraded to a dystopian nightmare, amidst the ravages of an unchecked and unknowable plague that blankets the globe.

The Last Man

In order to write this particular novel, Shelley spent time sitting in meetings of the House of Commons in order to have a deeper understanding of the inner workings of a Romantic Era political system. As such, she created another first in literature—dystopian apocalyptic visions of the future within the writing community. Due to the insanely new concept of a dystopic world, her novel was suppressed by the literary community at large, as it was a wholly nightmarish idea at the time. It was almost considered prophecy and it wasn’t until the 1960s that the novel resurfaced to the public where it was clearly understood to be a work of fiction.

Mathilda (1959)

Mathilda is one of those books that, if it had been published during Shelley’s lifetime, it might have created another scandal for Mary Shelley—as such her second long work, despite having been written between August 1819 and February 1820, wasn’t published until 1959, well after Shelley’s death. While this isn’t a horror novel, it does provide some insight into the dark and depressed mind of Shelley following the death of two of her children. Their deaths in 1818 and 1819 respectively caused Mary Shelley to distance herself emotionally and sexually from her husband which was an incredible hardship on their marriage.

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The plot of this particular novel dealt with a common theme found in Romance Era novels—incest and suicide, this novel in particular was the narrative of a father’s incestuous love for his daughter. Now you may be thinking—that’s disgusting! And by today’s standards of familial relationships and romantic relationships, you would be correct.

Mathilda tells her story from her deathbed, having barely lived to her twenties, in order to tell the story of her darkest secrets that have led her to such a young demise. She confesses the truth of her isolated upbringing which leads to the ultimate begrudging truth of her emotional withdrawal and inevitable, secluded death. She never names her father, who confesses his incestuous love for her—his confession fuels his decision to commit suicide by drowning.

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Celebrating the Female Writers of Horror

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Featured Horror Books Women in Horror

Women don’t get a lot of credit in any field that they may excel in, so why should the world of literature be any different? While, they get recognized by their peers, how many of you can name more than a handful of famous female horror authors off the top of your head? It’s unfortunate that most can’t, to say the least, but that’s something that we plan to remedy here today.

Woman in the dark
Photography by H.F.E. & Co.

While we are asserting that all of the writers listed here are horror writers, a lot of these amazing women have actually produced written work that is outside of the horror genre–or, even more astoundingly, their main genre of work may not even be horror.

Mary Shelley

(08/30/1797 – 02/01/1851)

Mary Shelley

Born Mary Wollstonecraft Godwin, Shelley is best known for her novel Frankenstein (1818) which is quite widely cited as the very first Science Fiction horror novel. Unfortunately, her career wasn’t quite as prolific as some modern writers, but her work seems to have been more about quality, rather than quantity. Unsurprisingly she wasn’t the first writer within the horror genre, but she was the first female horror writer and she did invent two completely different subgenres of horror. I do find it rather nice though, that all of her works are within the public domain and can be enjoyed by anyone who wishes to read her Gothic-styled genius.

Check out our coverage of Mary Shelley in her Dead Author Dedication we did earlier this year.

Daphne Du Maurier

(05/13/1907 – 04/19/1989)

Daphne du Maurier

Daphne Du Maurier has generally been classed as a romantic novelist, but the stories she produced in her lifetime have been described as “moody and resonant,” and most if not all of them have paranormal and supernatural overtones. Critics never gave her a fair shot when her bestselling works were first published, but her exceptional talent with her voice in narrative changed their minds and earned her a persistently unparalleled reputation.

A few of her novels have been adapted into films—quite successfully in fact, including Rebecca (1938), adapted by Alfred Hitchcock to film in 1940—which starts off as such an innocent romance, but quickly turns into a story with such a haunting atmosphere, you can’t be sure if it’s a ghost story, or one of subterfuge. Don’t even get us started on his adaptation of her novel The Birds (1952) which was released in 1963!

Some Books to Read by Du Maurier

  • Jamaica Inn (1936)
  • Rebecca (1938)
  • My Cousin Rachel (1951)
  • The Birds (1952)
  • Not After Midnight and Other Stories (1971)

Unfortunately, we haven’t covered the life and times of Daphne Du Maurier as of yet, but believe us when we say that her style of writing is phenomenal–actually, don’t believe us, read some of them and decide for yourself! Since we’ve been trying to cover a single dead author per month, in memoriam during the month in which they passed, we won’t be visiting the life and achievements of Daphene Du Maurier in full until April of 2021.

Shirley Jackson

(12/14/1916 – 08/08/1965)

Shirley Jackson

Shirley Jackson is one of those writers that the weird, dark, and haunted can thoroughly relate to–personally, I believe that she is the one writer I can relate to the most. Not because she was insanely talented–I’m not self-centered enough to believe I rank on her level–it’s because she never made an attempt to pretend that she was in any way normal and I mean that in complete admiration.

If you’re interested in learning more about Shirley Jackson, take a look at the articles we did to honor her for August’s Dead Author Dedication:

Lois Duncan

(04/28/1934 – 06/15/2016)

Lois Duncan

Lois Duncan made a name for herself by writing for young adults–those transitioning from childhood to adulthood, who needed a voice to relate to that would help them understand what it was like to have to evolve into a responsible human being, even under the worst of circumstances. As a horror writer for the young and the young-at-heart, Duncan left a legacy, not only for her readers, but for those who were inspired to follow in her footsteps.

She paved the way for writers and creatives to finally be able to appeal to the younger audiences who, otherwise would only have had adult horror to turn to–because, let’s be honest, those among us who love horror now have loved horror for a long time and if it hadn’t been for Duncan’s books we might not have had age-appropriate content for our nerdy dark brains to dive into.

You can learn more about Lois Duncan through our exploration of her life, literary achievements, and legacy–Puzzle Box Horror style, in our Dead Author Dedication in July 2020.

Anne Rice

(10/04/1941 – Present)

Anne Rice

She is a best-selling American author and having sold nearly 100 million copies of her books, is one of the most widely read authors in modern history. World-renowned, among her works the most well-known are the Vampire Chronicles, where she demonstrates her ability to convey love, death, immortality, existentialism, as well as the human condition under the umbrella of the gothic horror genre. One thing is certain, aside from Mary Shelley, Rice is possibly the most popular female author on this list!

Octavia E. Butler

(06/22/1947 – 02/24/2006)

Octavia E. Butler

Butler started her writing career in her twenties after studying at several universities and she blended elements of science fiction and African American spiritualism in her novels. Her first book, Patternmaster (1976) which would kick start her first series of books. It wouldn’t be her last series, however, as she continued to write and publish books up until her death in February of 2006. Although Butler was better known to be an author of science fiction, she often incorporated elements of our favorite genre, horror. Her most horror-inspired novel was published just a year before her death and told the story of a girl who discovers she’s a vampire. Often hailed as a genius, Butler worked to address racism from her vantage point as a writer and exposed the horrors of oppression in American history. When talking about one of her most popular books, she explained that, “[she] wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.”

Join us in February of 2021, for when we honor Butler’s contribution to horror.

Kathe Koja

(01/06/1960 – Present)

Kathe Koja

As a writer, director, and independent producer, Kathe Koja is a multiple platform powerhouse of a woman—her talent allows her to work within several different genres, from Young Adult, to contemporary, to historical, as well as horror fiction genres. Several of her novels have won awards and have also been translated into multiple different languages and her work has also been optioned for film and performance pieces.

Caitlín R. Kiernan

(05/26/1964 – Present)

Caitlín R. Kiernan

As an Irish-born American, Caitlín R. Kiernan is a published paleontologist and author of both science fiction and dark/horror fantasy. An accomplished author in her own right, Kiernan has published ten novels, a series of comic books, and over two hundred fifty short stories, novellas, and vignettes—for all of her hard work she has received both the World Fantasy and Bram Stoker awards twice!

Tananarive Due

(01/05/1966 – Present)

Tananarive Due

Tananarive is an all-around wonder when it comes to the horror community, not only is she an award-winning author, she also teaches about Black Horror and Afrofuturism at the University of California Los Angeles. But wait, there’s more—as a prominent figure in black speculative fiction over the last twenty years, she and her husband collaborated to write “A Small Town” for the second season of the reboot of The Twilight Zone. This is by no means a complete biography for Due but we hope it’s enough to interest you in her incredible literature and work for equality as she helps to educate in the exclusionary history of not just American history, but horror history.

To get better acquainted with Tananarive Due, check out her official website and the upcoming article we have dedicated to her work in horror.

For a more in-depth look at the history of horror and the role that black people have historically played within the genre, keep an eye out for Shudder’s Horror Noire: A History of Black Horror. Tananarive Due is listed as an executive producer for this highly anticipated documentary and it’s coming out in February 2021, just in time for Black History month!

Gemma Files

(04/04/1968 – Present)

Gemma Files

London-born, Gemma Files is a Canadian horror writer, journalist, and film critic—but she had quite a meager start as a freelance writer until she landed a continuing gig with an entertainment periodical called Eye Weekly. It was this position that led to her gaining local traction, as she began critiquing horror, independent, and Canadian films. In 1999 Gemma won the International Horror Guild Award for Best Short Story, with The Emperor’s Old Bones. Since then, five of her short stories have been adapted to television for The Hunger series. She’s been nominated for countless awards, including the Shirley Jackson Award in 2009 and 2010 for a short story and novelette respectively.

Jemiah Jefferson

(01/01/1972 – Present)

Jemiah Jefferson

Another elegant African American horror author, Jemiah Jefferson toes the line between horror and erotica through her gift to horror-loving women everywhere—her Voice of the Blood series about the famous creatures of the night has been called “smart, beautiful, sexy, and vicious.” (I’m not going to lie, I may have purchased all four of them the very same day I discovered her.) Jemiah has a lot more to offer in the way of novels and short stories, however, and we’re exceptionally excited to share her with you all.

Helen Olajumoke Oyeyemi

(12/10/1984 – Present)

Helen Oyeyemi

Oyeyemi and her writing are equally unique, her writing transcends any genre that attempts to confine or define her, so the best way we can describe her work is a blend of horror, fantasy, fairy tales, and folklore. While not a dedicated horror writer, her work is often unsettling (just the way we like it), frightening, and she often explores the paranormal, bizarre, and supernatural elements of fiction. When she was a young woman, just twenty years of age, she published her first novel The Icarus Girl (2005), which mixed the paranormal with Gothic horror themes and Nigerian folklore. In 2009, her novel White is For Witching, was published and is considered one of the great modern cosmic horror novels—we personally loved it!

Kat Howard

(09/14/19** – Present)

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As a modern-day writer in a genre dominated by a more masculine influence, Kat Howard is a refreshing change of pace–since the best writing is when you are allowed to immerse yourself in the story and are otherwise unaware of the writer’s gender, skin color, sexuality, or how they otherwise identify themselves.

We were lucky enough to be able to speak to Kat Howard recently—so, check out the interview that we did with Kat Howard, where she speaks about her novel The End of the Sentence (2014), horror, and what it’s like to be a writer. You can check out that interview here if you’d like to know more!

You can find out a bit more about her on her official website, kathowardbooks.com and you can also follow her on twitter!

We reserve the right to update this list in the future to further represent female writers of the horror genre that we may currently be unfamiliar with–an exclusion of an amazing female horror author here only means that we have yet to be introduced to her work! Let us know if you believe someone should be included here!

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Following the Literary Works of Dennis Etchison

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For authors like Dennis Etchison, who had prolific writing careers and a popular reputation within the genre of horror, it’s hard to believe that there was ever a time when they weren’t completely brilliant. With a unique voice and the ability to paint a realistically terrifying image of the scenes that play through their head, an author can snatch the very breath from the lips of their readers. So what it is about a specific author that makes them so special? Why are people like Dennis Etchison voices within horror and what did they leave behind as a creative legacy? The answer may seem to be nothing more than simple common sense, but I know I learned something new or at least found something inspirational about the way he grew up and lived his life.

Short Stories

The fictional short story works of the late Dennis Etchison have graced the public since 1961 and can be found in a wide variety of publications–including, but definitely not limited to The Magazine of Fantasy and Science Fiction, Mystery Monthly, Escapade, Fantastic Stories, Fantasy Tales, and Weirdbook. Apart from his work in magazines, he was also featured in anthologies like Orbit, New Writings in SF, od Sterling’s Other Worlds, Prize Stories from Seventeen, The Pseudo-People, and The Future is Now. This is far from an exhaustive list, since his stories can also be found in many of the major horror and dark fantasy anthology publications that include Frights, Horrors, Fears, Nightmares, Dark Forces, Terrors, New Terrors, Shadows, Whispers, Night Chills, Death, World Fantasy Awards, The Dodd, Mead Gallery of Horror, Mad Scientists, Year’s Best Horror Stories, Midnight and many others.

The Dark Country (1982)

In 1982, Etchison published his short story collection, entitled The Dark Country, which subsequently received both the World Fantasy Award for its title story–interestingly enough he tied with Stephen King for this award. For this collection he also won the British Fantasy Award for the Best Collection of that year, an award for which he had been previously nominated for his Late Night Shift (1981) collection. That would be the first time that one writer would receive both of those major awards for a single work. Possibly the most interesting part about the story of his first award-winning collection of short stories is how it very nearly got published over a decade earlier in 1971–but on the eve of the release of the publication, the company went bankrupt and Etchison had to wait for his first collection to reach his audience and be received to critical acclaim. He since published several more collections, some of which won Best Short Story, such as The Olympic Runner (1986) and The Dog Park (1994).

Novels

Aside from his brief time dabbling in the adult, erotic scene, Etchison’s first official novel was intended to be The Shudder, was meant to be published in 1980, the editor was very demanding when it came to changes to the manuscript that Etchison believed were highly unreasonable. Although a portion of the novel was published in A Fantasy Reader–the book of the Seventh World Fantasy Convention–in 1981, the novel as a whole sadly remains unpublished. That’s something that we as readers would nearly die to read!

Movie Novelizations and The Jack Martin Books

Between the 70s and the 90s, Etchison fell into the business of writing movie novelizations–not the best of gigs, given his awards received with his past publications–a form of writing considered to be a thankless form of writing. Arguably the only form that garners less appreciation is ghostwriting. Both forms offer poor pay, unrealistic deadlines, and a certain apathy that consumers approach the style of literature with.

Despite the early obstacles that he faced, Etchison became a renowned author of short stories, novels, and a highly regarded anthologist in his own right. Even Dennis Etchison had to eat though and the decision to churn out novelizations of an already established plotline became an easily defended one. Surprisingly, or perhaps not due to their popularity on-screen, these movie novelizations are now amongst his most popular works as an author. Die-hard fans of the HALLOWEEN franchise tend to hold those particular novelizations by Dennis Etchison, under the pseudonym of Jack Martin, in great esteem.

The Fog by Dennis Etchison (1980)

THE FOG (1980)

One of the only books that Etchison wrote under his own name, versus his pseudonym Jack Martin, was THE FOG (1980). This particular novelization is considered the best of all of them–not just of his movie novelizations, but out of all of his novels period. This may be due in part to the fact that while Etchison’s best work was in short story format, that this particular novelization had a creative voice and flow that went unmatched with the rest of his novel-length work.

Halloween II by Jack Martin (1981)

The HALLOWEEN Franchise

Etchison wasn’t the author for the novelization of the first HALLOWEEN movie, instead, he followed Curtis Richard’s 1979 publication of HALLOWEEN with the sequel, HALLOWEEN II (1981). The novelization by Curtis Richard was rather impressive, which gave Etchison a fairly high standard of literature to match, even if he was operating under his Jack Martin pseudonym. Considering even just the content of the movie itself, with a storyline that just couldn’t be compared to the original movie, HALLOWEEN II and its subsequent novelization felt as though it were lacking. The quality that he had made himself known for, through his short story collections and THE FOG (1980), was simply not there.

There is something to be said for a good plot and storyline, but no one would ever say it about the HALLOWEEN sequel, because there wasn’t a comprehensive plot to be found. Truthfully, there is little of Etchison’s presence in the book at all, aside from chapter headings and brief moments where he let his writing personality shine through. This book, as well as the following HALLOWEEN III, pushed Etchison out of his comfort zone. As a more cerebral and non-violent horror writer, the fact that he had to write gory and bloody horror forced him to write material that would never have been seen in an original novel. Despite all of the pitfalls of these two particular novelizations, they managed to somehow be bestsellers amongst fans of the genre.

VIDEODROME by Jack Martin (1983)

VIDEODROME (1983)

The final movie novelization that Etchison wrote under his Jack Martin pseudonym, was VIDEODROME (1983) a movie originally by David Cronenberg. After THE FOG (1980), VIDEODROME is considered one of his stronger novels, since the genre of horror that it falls under is more in line with the author’s writing style. Etchison’s strengths always came from the ability to create a palpable tension, the apprehension within a character and their motivations, as well as the atmosphere in which the entire story operates under. Unlike the slasher genre that HALLOWEEN belongs to, VIDEODROME capitalized on the fear of mental, emotional, and physical torture that suited Etchison’s talents just fine.

Editorial Work

Etchison not only excelled with his talent for writing–as shown by the many awards he won in that field–but he was also a talented editor, having received two World Fantasy Awards for Best Anthology. One of the awards was for MetaHorror (1993) and the second was for The Museum of Horrors (2002). Other anthologies that he edited include the critically acclaimed Cutting Edge (1986), Gathering The Bones (2003) as well as the three volume series Masters of Darkness.

Have you read any of the novels or short story collections that were authored by Dennis Etchison? Let us know what you thought about them in the comments!

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