Back in the old times, when Baffin Island was still known as Nunatsiarmiut (new-naht-saw-me-oot) and before European influence, the Inuit people lived near the coast of Kangiqtualuk. They were master kayak-builders and survived by means of subsistence—they were excellent hunters, regularly bringing in seals and whales to feed the people in their villages. They were not the only people living on the island though, they lived under the shadow of fear with a tribe of much bigger and aggressive people. Their way of living was different than their Inuit counterparts, as they could not build kayaks, tan hides, or preserve food in the traditional ways of the north.
These people are known as the Tornit (tore-knit) and possessed not only a larger stature but extraordinary strength; they would build houses out of stones and boulders that were much too large for any Inuit person to lift. These creatures, although human-like, are not human at all, with long arms and legs, they present more like a large ape or Neanderthal. Although they are bipedal in nature they would still be mistaken for a bear at a distance, due to their hairy appearance. Despite their largely physical advantages over a regular man, the Tornit have exceedingly poor eyesight which hinders their ability to hunt. They often smell like ghastly rotting flesh at worst and at best as if they have been freshly sprayed by a skunk—this concept also connects them largely to the creature of the southern United States known as the Skunk Ape.
So What’s the Story?
Photography by Kelly Sikkema
There is an abundance of lore available on these creatures through the published anthropological surveys of the Northern territories from the late nineteenth to the early twentieth centuries. Franz Boas wrote down the oral traditions of the Inuit people from Baffin Island to Hudson Bay and captured many stories of the unscrupulous nature of the Tornit. There were some inconsistencies, with some villages recalling oral traditions that painted the Tornit to be a friendlier beast and even other recollections that the Tornit were actually hunted as a food source.
Their tense relationship with most of the Inuit tribes may have had less to do with the race of people as a whole and more so with the idea that neither the Inuit nor the Tornit seemed to be too fond of each other in general. The overwhelming consensus with all of the information available in books and online suggest they are a morally repugnant, dim-witted, unpleasant, and vicious creature. All of the lore taken into consideration, the reputation that the Tornit have, smacks more of a feudal war than that of a monster that hunts its prey from the shadows, but the isolated incidents of Tornit invading Inuit villages while the men were away simply to kill all of the women and children, in my opinion, makes them creatures to be feared.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
I remember when I was younger, I must have only been five or six–I was sitting next to my father in the auditorium at the local University and I was watching my old moosehide boots as I swung them back and forth, playfully trying to hit the floor with my toes. My father lovingly draped a blanket over my lap, I think he mumbled something about, “in case you get chilly.” I remember the anticipation that I had as I sat there, waiting for people to come on stage–I knew that I was in for a treat. My father regularly took me to the University in town, we had made a sort of tradition out of it, as if he were trying to expose me to as much of the culture of Alaska as he could. I always enjoyed attending those student led performances, I guess it reminded me of when my grandmother would tell me stories when I was a baby. I barely remember the wrinkled smile of my elder now, but even a glimpse of those memories brought me feelings of warmth and safety.
I remember that I hadn’t had to wait for long before a University student came on the stage, she was dressed in traditional Inuit regalia and sat down on a stool in the middle of the stage. I had been mesmerized by the woman’s coat, it was made of caribou skin and trimmed in wolf fur–it looked so soft and warm, and the beading that decorated it was so beautifully colored. I vaguely remember the Inuit student clear her throat several times, it was almost as if she did so self-consciously, then she tapped on the microphone that was set up in front of her. I remember grasping my father’s hand as I sat next to him, jittery and excited; he squeezed my hand back to let me know he was also excited for the show.
Photography by Jennifer Latuperisa-Andresen
“I want to thank you all for coming today,” she adjusted the microphone to better capture her voice, “today I will be telling you a story about the Inuit people from Baffin Bay, this particular tribe had to deal with another tribe of people known as Tornit–here we call them the Alaska Bushmen. I heard this story from my aanaq when I was younger. I know she would be happy to see how many of you are here today to carry on this oral tradition.” The woman on stage cleared her throat once again, adjusted herself one last time in her seat, then began her story.
“It was a quiet summer morning in fish camp on the coast of Nunatsiarmiut (new-naht-saw-me-oot), the repetitious chirps of sandpipers in the distance announced a change in the tide, and the people in the camp moved about in a soft and polite manner,” just as the first words came out of her mouth, several people joined her on stage, all dressed in regalia, faces covered in character masks. The men carried their traditional drums while the women carried their dance fans–my childlike joy gave me away and I gasped in awe, my eyes glossed over as I became entranced with the wondrous spectacle before me.
“Tulugaak (too-loo-gawk) opened his sleep-crusted eyes laboriously, rubbed them clean, then blinked several times to clear the morning’s fog. He realized what day it was, bolted upright in his bedding, and went to scramble out of his seal-skin tent. When Tulugaak stumbled out of his tent while attempting to adjust his seal-skin boots, his distraction nearly caused him to land squarely on top of his best friend. Nukka (newk-ka) who greeted him with an appreciative groan, had been patiently sunning herself, awaiting the time her master would finally arise for the day.
Excitement overtook Tulugaak, who couldn’t believe he had overslept on such an important day, his kayak was ready to take out into the bay and fish with his father and the other men. Nukka’s tongue lolled out in a lazy yawn, her stark white body stretched downward, which readied her for the day. She fell in step behind Tulugaak as they both started off toward the shore. He would never get sick of the brilliant summer greens that revealed themselves on the mossy, overgrown boulders and thickets that were humming with life. The salty air tickled his nose as they got closer to where his mother and sister had breakfast ready; a cacophony of gulls overwhelmed the squeaky chirps of the sandpipers. The sun reached ever higher into the sky, though it wasn’t even half-way to its final destination for the day. Clouds wisped through the sky, a brief reprieve on an otherwise unnaturally warm day.
Nukka was the first to see Anana (ah-nah-nah), Tulugaak’s mother and, having caught the smell of food on the light breeze, perked her ears up and kicked up the sand and rocks behind her as she broke into a run. Tulugaak could see her greet his mother with an audacious, playful bark. Nukka was nearly finished with her food by the time Tulugaak sat down to eat. His sister, Namak (nah-mahk) teased him for his lateness, but his mother simply handed him a bowl of dried fish and seal oil. While he was mid-mouthful, his mother brushed his disheveled black hair to the side with her hand, then made it clear he was to hurry to shore.
Photography by Pawel Kadysz
Tulugaak finished his bowl with voracity, grabbed his net and found Nukka at his heels once again; they both dashed down the slope to the inlet where they kept their kayaks. Nukka stopped for a moment to curiously bury her nose in a small hole that had been hiding amongst the stony beach and emerged with a terrified and squirming collared lemming. Nukka unceremoniously bit down on the rodent before she caught up with her master. When Tulugaak arrived at the kayaks, his smiling grandfather presented him with a spear. He couldn’t believe his grandfather was giving him his lucky spear—it was a gift he felt he could never repay.
The men of the village, who were irritated by his lateness, barely acknowledged him as they all began to hop into their kayaks. Tulugaak, determined to not hinder them further, struggled to get his own kayak into the water, his body buzzing in anticipation. Today was the day. Nukka, upset that she was not going with him, sat down next to his grandfather in resignation, as he and all of the other hunters paddled out of the inlet and into the expansive bay.
Photography by Alex Glebov
Small schools of fish passed under his kayak, which he quickly scooped up with a skillful turn of his net in the water then dumped three fairly large char at his feet. Tulugaak was even more confident in his first trip than he could have imagined, being out on the mild waves of the bay was invigorating and he felt like a true hunter for the first time. He heard his father holler from the front of their formation of kayaks, there were seals lounging in the water closer to the cliffs, feeding on the fish that were running with the tide.
His father was the first to reach them, he saw him let loose his spear, taking advantage of the opportunity when it presented itself—two men joined him in pulling the first successful strike back to his father’s kayak. The hunt progressed quickly, before long there were several strikes, all of which resulted in a nicely weighted down kayak. Tulugaak was as anxious as ever, his knuckles white with tension around his grandfather’s lucky spear—he saw a flash pass near his kayak and before he realized what he was doing, his own spear let loose from his hands. Within an instant, he felt the spear pierce the seal he had so haphazardly aimed for and he let out a triumphant yawp.
The men joined in on his celebratory cries, his uncle who was beaming with pride, was among the two closest men to him that helped him bring his seal aboard. Although this was exactly what Tulugaak had hoped would come of his first hunt in the bay, it wasn’t at all what he was expecting—such luck on his first trip out could only be explained by the spear that his grandfather had so lovingly bestowed upon him. The rest of the trip was a blur, although he would later remember helping another man pull his own catch in, he couldn’t recall paddling home.
The rest of the night passed fairly slowly, he had been drunk on success when they had reached the shore and it only began to wear off when he saw his mother and sister gut his catches and prepare them for storage. Tulugaak’s father and grandfather soon joined them all around the fire for dinner, Namak had brought her story knife to the circle and entertained them all with stories about their neighboring tribe, the Tornit.
Namak told them all about how one of them had recently stolen away with the kayak of one of the other men in the village, her narrative continued to become less and less friendly until their father suddenly scolded her. He did not want any of them to invite a run-in with a Tornit, the reputation for the devious nature of the monsters was well known in their village. Namak stowed her story knife away obediently, her father kissed her forehead, said his goodbyes for the for the evening, and stated he would be gone by early morning on his caribou hunt.
Their impish grandfather leaned in close to the two children, his voice was soft and low—he continued on with Namak’s story and several others before their mother finally caught on to his mischiefs. Anana looked over at them all sternly which caused their grandfather to chuckle and take his leave for the night. The fire in front of Tulugaak cracked loudly, it brought him back into the present, the fire’s embers were still hot and bright, but they were beginning to die out. The smoke, which hung heavily around their heads, made him weary—his sister stifled a yawn and they were both promptly shooed off to bed.
The sun was still hanging well above the horizon, but Tulugaak and his sister gave in, they knew it was late enough; it had been a long, exhausting day, but his mind was still racing with the thought of the Tornit. He had never really seen one of them up close, but he knew that was because they weren’t entirely friendly to his people. Namak disappeared into the tent that she shared with their mother, while Tulugaak and Nukka headed back thoroughly unconcerned with their surroundings. Nukka bounced around in a futile attempt to capture a bug that had caught her eye; they were just passing the thicket when Tulugaak heard it.
Photography by Ales Krivec
There was a muffled crunch of brush beyond the trees—it wasn’t bright enough in the thicket for him to see much of anything but a blur. Suddenly, he felt his heartbeat hasten, it felt like it was jumping up his throat—what was that? Feeling unusually brave, with spear in hand, his curiosity got the better of him and he stepped into the thicket to get a closer look at what had made the sound. Pretty soon he found himself hiding, pressed against a tree as he spotted the abnormally large and hairy creature creeping toward the edge of the trees. He watched from a safe distance as he realized the brutish creature was attempting to sneak past their camp.
With everyone except, to his knowledge, himself tucked away in their tents, he figured this Tornit was emboldened to help himself to what he liked. Tulugaak fumed, he couldn’t let this creature steal right from under their noses, could he? He felt like both the hunter and the hunted in that moment as he stalked the creature, his palms clammy with sweat, his heart hammered in his chest. What would the creature do if it stumbled upon a tent? Would it harm those who were sleeping peacefully inside? Tulugaak knew he had to continue to follow, as a man now it was his duty to help protect his people.
He was so focused on following that he didn’t realize where he had been led until his feet landed on the rocky soil of the inlet—just then he felt Nukka’s cold nose on the back of his hand, she had been following her master silently the whole time. They watched from behind a few large boulders as the beast loomed over some of the kayaks, as if intrigued by their construction—it didn’t take long for him to decide which one he wanted. The creature hefted it easily over his bulky shoulder, his elongated arms hugged it in place. That was the moment that Tulugaak recognized that the kayak being taken was his own. His blood boiled, his grip tightened around the spear in his hand, and he crouched down as his father had taught him when hunting polar bears the previous winter.
The boy could feel his companion tense behind him, a soft, low growl escaped her as they saw the beast lumbering back toward them, fully unaware that they were there. Tulugaak’s breath was caught uncomfortably in his chest, his heart once again beat rapidly, the hand that gripped the spear began to go numb, but he remained still—he was still hoping that the rumors of their eyesight being poor were true. The Tornit drew closer to their hiding spot and Tulugaak could see the look of pride on the creature’s face, it was twisted into a grotesque inhuman smile–his yellowed teeth broke through his dingy broad cracked lips, his dark demonic eyes sunk deeply under a large furrowed brow. His own kayak had become the prize in some twisted game this beast was playing, Tulugaak had built that kayak himself and it had taken him so much time and effort to complete.
Lost in the rage that continued to build within him, Tulugaak jumped out from his hiding spot, Nukka right at his heels. In his foolhardiness he charged at the creature, spear angled to strike. He didn’t expect the Tornit to grab him up and toss him aside, he didn’t expect to have the wind knocked hard from his body as he slammed into the boulders surrounding them. The Tornit gave a guttural scream, only then did Tulugaak notice that Nukka had hurled herself at the creature, her teeth bared as they sunk into the arm that had so effortlessly tossed her master aside. In the brief moments that Nukka had distracted the creature, Tulugaak had regained a wobbly stance and flung his grandfather’s lucky spear at the injured beast.
The spear flew true, it penetrated the neck of the creature and brought him to the ground hard. The kayak tumbled off the beast’s shoulder like a toy out of a child’s hand, his large hairy hand grasped weakly at the spear in his neck, the loss of blood brought a quick end to him. Tulugaak collapsed in exhaustion and took a breath in what seemed like ages, his head was foggy, his body was weak—Nukka’s blood red face hovered near his own, her cold, wet nose briefly touched his temple and she sat next to him. That’s when they heard the stirred villagers approaching the shore.”
There was a wave of applause that filled the auditorium, the dancers and the storyteller all stood and took a bow, before taking their leave. I looked up curiously at my father, “Da, do you think there really was a Tornit tribe that lived, I mean for real?”
“Well, my sweet, these legends come from people as a way to explain the world around them–” he told me and then my head tilted to the side, “stories like this one had to have originated from somewhere, otherwise they wouldn’t exist at all. It’s not likely that they just made up a monster that they had problems with in the past, so I have to believe they existed, maybe even still do,” my father explained.
“The way they were described, big and hairy? That sounds a lot like Bigfoot. Do you think they’re the same?”
My father smiled thoughtfully, “I think that’s a very meaningful connection that you have just made, maybe we can look this all up when we get back home.”
I gathered up my blanket and popped up out of my seat, my grin spread from ear to ear, “Let’s go Da!”
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
There are so many cultures that have tales of Sea-Monsters, particularly of the serpent variety, that it would almost be a shock to learn that the Inuit culture didn’t possess one. It is only natural to fear what we do not know, and the list of phobias that have spawned from “not knowing” is fairly long. Fear of the dark is a prevalent phobia for many people, which is why it’s such a commonplace tool for creators of horror movies and scary stories. Another common phobia is fear of the unknown in the depths of the sea. The common theme here is that many fear not only what they do not know but also what they cannot see, dual traits that make the habitat of the Tizheruk (tiz-zer-ook), also known as the Pal-Rai-Yûk (pall-rye-yook), that much more frightening.
Not unlike the Loch Ness Monster, the Tizheruk is described as being a sea-serpent. Its visage is quite interesting; with a head that is purportedly seven feet long, it is said to be estimated at only fifteen feet in total length. In some cases, the Tizheruk is said to have a fishtail, while still in others it is said to be more of a flipper, but those aren’t the only inconsistencies that make up the lore of the Tizheruk. As can be observed in the pictures that accompany this article, there are a wide variety of different accounts of what the Tizheruk actually looks like.
According to Mysterious Creatures: A Guide to Cryptozoology by George M. Eberhart the Tizheruk has thick fur, a snake or crocodile-like head, short horns, and a long tongue. Eberhart’s version of the Tizheruk has three pairs of legs and three dorsal fins, and his version also has the description of a flipper for a tail. He references that the Tizheruk could be an evolutionary off-shoot of a long-necked seal that ventured from the shores of the arctic ocean to the fresh-water rivers that fork inland from Key Island in Alaska.
Without a doubt, the most terrifying form that the Tizheruk is said to have is that of a giant eel-like creature with transparent skin and flesh, which not only allows the observer to see still-digesting victims but also allows the creature to be less visible when stalking its prey. This version of the Tizheruk can also venture into water as shallow as one foot deep, meaning it can compress its body small enough to fit in such a space. This makes it easier for it to ambush predators and snatch prey. It also results in any still-living victims in its belly being brutally crushed.
Tizheruk by Felipe Krull
There is surprisingly not a great deal of lore about the Tizheruk available to give the full extent of this creature’s history, but there have been quite a few sightings, including the possibility of it being caught on camera. NBC News even did an article about Alaska’s Loch Ness Monster being captured on tape. While I couldn’t locate the footage that supposedly resurfaced in 2009, I did find a more recent clip from when I first arrived in Alaska in 2016 filmed by the Alaskan Bureau of Land Management.
Having watched the clip, it’s unclear what it really is, but as the video shows the Department of Fish and Game did their best to debunk this sighting. What are your thoughts on this water-bound cryptid?
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Not a true werewolf—but they are the closest thing you’ll see to one in Inuit folklore. The Adlet (ah-dlit), also known as the Erqigdlet (urk-kig-dlit) in Greenland, is considered the arctic counterpart of the well-known werewolf and for good reason. Although they are not shapeshifters and the moon has no effect on them, their physical appearance is enough to make anyone believe they’re one and the same. In their own lore, they are considered a ferocious man-eating beast, originating from an unnatural mating between an Inuit woman and a dog. This woman ended up birthing a litter of ten—five of which were dogs, and five that were half-human, half-canine monstrosities which began their history of terrorizing the frozen north.
Many accounts of this murderous race of humanoids, have described them as having a more human upper-half and a fully canine lower-half, but there are more who say that they resemble the more infamous werewolf of European lore. What all of these descriptions have in common though is the details of their monstrosity. The Adlet, in particular, possesses a mouth full of razor-sharp teeth, a rusty-red coat, a pronounced canine snout, pointed ears, piercing eyes, and a long, wolf-like tail. Other than the known ability of a werewolf to transition back into a human form after a full moon, they both seem rather similar, don’t they?
Photography by Neil Rosenstech
Origin of the Adlet
It would be negligent to speak at length about the Adlet, without giving an explanation of where this creature originated from within the Inuit culture, luckily there are recorded tales from the late nineteenth century that help to fill the gap of our knowledge on this particular cryptid.
Uinigumissuitoq married a dog. One night she was found outside the hut sleeping with the dog. She gave birth to ten children, one half of them dogs, the other Adlet. The children grew up. Every time their grandfather had got a seal, he loaded it upon his kayak and carried it to them. His grandchildren were very voracious. Therefore, he selected an island for their place of abode and carried them over there, his daughter, the dog, and the children.
Photography by Virginia Johnson
Their father, the dog, swam every day to the old man’s hut to fetch meat in a pair of boots which he had hung around his neck. One day the grandfather filled them with stones instead of meat and thus drowned the dog. When he was drowned their grandfather continued to send them food.
The mother, however, said to her children, “Watch your grandfather, when he goes out in his kayak, and attack him!” They killed him. Then she searched for her children, and after having cut a sole for herself, she transformed it quickly into a boat, in which she ordered them to travel across the ocean. She sang, “Angnaijaja. When you have arrived on the other side, you will make many little things. Angnaija.”
Excerpt from Journal of American Folklore v. 1-2 (1888-1889): Eskimo Tales and Songs
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The roots of voodoo run deep with the sordid history of slavery in America, originating from the traditional West African religion of vodoun (also vodun), it further evolved once it reached Haiti and Louisiana. Louisiana voodoo—properly known as vodoun—the queens and priestesses hold the highest position within this matriarchal religion. Something that may surprise those unfamiliar with vodoun, is that it’s actually a monotheistic religion which centers around the supreme creator, Bondye (French Creole for “good god”) who controls life and destiny. Bondye manifests his will through the many loa (also lwa) present within this belief system.
The loa are spirits who connect the followers of vodoun to their deity—through the use of vèvè, symbols which serve as visual representation of the loa during ritual, practitioners are able to call upon the loa for their assistance in personal matters. Despite many people not having any formal knowledge of loa or their role in the religious practices of vodoun, they would easily recognize the visage of popular spirits such as Papa Ghede and Papa Legba, if not just as cultural references that they associate with New Orleans in general.
Photography by Wian Juanico
Misconceptions of Voodoo Dolls
Misrepresented time and time again, voodoo dolls have come to represent something far beyond the reach of what they were originally used for. Hollywood would have us convinced that they’re instruments of evil, used to control the actions of people, or otherwise wreak havoc, and destroy their lives. Except voodoo dolls are not traditionally used to cause people harm in any sense of the word. These dolls are indeed used as a physical representation of the person who is the focus of the ritual, but instead of harm, they are often used for among other things, love, success, and healing.
The Mystery of Zombification
A far cry from the stereotypical walking dead that has made the horror genre of international cinema so powerful, the origin of zombies is quite a bit more disturbing than we’re used to these days. When it comes to the origin of zombie lore, the fear isn’t derived from the idea of being the main course of a zombie feast—instead it’s the idea of being turned into a zombie. The short and sweet version? Zombies as derived from the Haitian vodun practice are actually living people, who have been chemically induced to have no free-will.
Photography by Jane Hawkner
Hoodoo, Conjure, and Rootwork: African American Folk Magic
Many people believe that hoodoo and voodoo are interchangeable—it’s not a tough concept to explain that while they’re similar, they’re not the same, but it still seems to be an ongoing issue of mistaken identity. Voodoo, as has been explained now, is actually a religion that utilizes the folk magic practice, whereas hoodoo is actually just a folk magic practice with no hard and fast religious affiliation, although most practitioners identify as Protestant Christians. To be clear, hoodoo is but one of the most common types of African American Folk Magic, with other practices such as conjure and rootwork being nearly interchangeable with minimal differences, other than the region in which they are practiced.
Photography by Gerhard Lipold
Santería: The Worship of Saints
Another religion that is commonly mistaken for voodoo, is Santería—a religion that also has West African origins, but was further developed in Cuba among West African descendants. One of Louisiana’s best kept religious secrets, this Yoruba based religion merged with Roman Catholicism and embraced the Catholic saints, referred to often as orishas who act as emissaries to God—Olodumare.
A legend known in the Bayou is that of the Honey Island Swamp Monster—a bipedal cryptid that is likened to bigfoot, but described physically as being quite dissimilar other than its stature. This grey-haired, yellow (or red, depending on the source) eyed monster is said to be a creature that was born from chimpanzees that escaped from a circus train that wrecked on the tracks, and the local alligator population.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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