Vilified Voodoo Dolls: Can They Really Cause Harm?

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Horror Mystery and Lore

The Origin of Voodoo Dolls

Voodoo Market in Bohicon, Benin
Photography by Jean-Baptiste Dodane

While the exact origins of the Voodoo doll aren’t known, it can be tracked down from the Fon people of the region that now Benin. When slavery brought the voodoo religious practice to the Southern United States—specifically Louisiana—it brought along with it the practice of imbuing dolls with magical intent. Many sources say that voodoo dolls are not actually a practice associated with legitimate voodoo, but actual practitioners would disagree. Doll magic is a part of many magical spiritual paths, including European based folk magic, wherein people would create poppets much for the same reasons that are seen in the modern voodoo practice.

Although slaves were forbidden by slave owners to practice voodoo, it was still an extremely common practice. These dolls were frequently used in secret as a means of self-defense, it’s been speculated that this history of trauma is where the dolls originally obtained their reputation for being instruments of revenge. These days it’s not uncommon to see voodoo dolls being marketed specifically for harmful intentions, which contributes to their already dark reputation. It’s unfortunate, as many people are unaware of the common belief that the practice of darker magic ultimately brings around its own darker consequences for the user—depression, conflicts, bad luck, and overall negativity are things that using such methods can bring back. Glossing over details like this are reasons why dark and devious magic practices are often still the source of fright and horror. It wouldn’t look as good to have the main villain of a story worrying about their own comeuppance for using magic that might harm another individual.

During the reign of Marie Laveau, the Queen of Voodoo, the use of Voodoo dolls rose exponentially. Veering from the original practice of carved wooden figures, used to house spirits of those who have passed, the modern-day voodoo doll is typically a small, soft fabric doll used to represent a person who has not passed. Physically, voodoo dolls vary in the extremes, from the type of fabric, color, and pattern, the basic idea is that a hand-constructed doll is a representation of the intended target.

The Importance of Color

Voodoo dolls in the Voodoo Museum
Photography by Claudia Brooke

Color carries incredible meanings that differ from culture to culture, where love, anger, sadness, infidelity, and more can be expressed merely by the color of an object. Even the culture of flower arrangements had a huge impact on western culture, in which it combined the shades of flowers along with the type of flower being added to the bouquet. Departing from everyday meanings of color, it’s widely believed in many different metaphysical communities that different colors represent different aspects of life and the voodoo community is no exception.

Fabric and Pin Color

When it comes to the actual intention of the Voodoo Doll, one of the most important aspects is the color of the material the doll is made out of, as well as the clothing that the doll is dressed in. The colors with which the doll has been crafted directly correlate to what the doll is meant to be used for. As an example, a doll made of, or clothed in yellow fabric represents things like success, confidence, and attractiveness. Using black fabric for the doll would represent dispelling negative habits, grief, poverty, and bad luck—keeping in mind that a doll made from and fully clothed in black fabric would be used in what is considered “black” magic, which would result in the kind of magic that is often over-represented in television, movies, and books. So what about the pins that you stick in the doll? Well, unbeknownst to many, the color of the pins also holds significance, and the meaning of pin color actually varies more than you might suspect.

How Are They Used?

The concept of these dolls isn’t lost on most people, but the intention of them is frequently confused with how they are portrayed in movies and popular culture—diverse as this spiritual practice is in reality, Hollywood loves to vilify practices that are outside of what is deemed the normal scope of religious practices. This isn’t necessarily meant to be an affront to such practices, the practice of painting it with such broad evil strokes is because of how deeply submerged the actual spiritual practices are in mystery. Modern media portrays voodoo dolls being used by witch doctors, black magic practitioners, and pins that cause pain when placed, but the truth is far more interesting. When exploring this practice in-depth, we see that these dolls are meant to convey the intention of the user, for a full spectrum of uses—not just the dark aspects.

Voodoo doll resting against a book
Artwork by Mary Farnstrom

When the user is attempting to manifest their intent, they can use various personal objects for the target. Handwriting samples, locks of hair, a picture or piece of clothing, and even bodily fluids can be pinned to, or stuffed into the doll in an effort to pinpoint the target person—whether that person is alive or dead. To further manifest the doll as a representation of the target, the user may focus upon the intended person during meditation or spells, either by placing it upon their altar or while holding it. Additionally, specific herbs are often stuffed into the dolls and oils are also used to anoint the doll before use.

What is done with voodoo dolls once they have been used for their purpose? The final step when using a voodoo doll is as much of a variable as what the doll is made of. There are a few methods for finalizing, some elect to toss it into a river, or lake if available to them, others bury them in the ground, where still others may burn them. Each of these avenues is a symbolic reference to ending a particular spell—to give the doll up to a rushing river would be helpful in sweeping everything the doll represents away with the moving water; whereas burying would imply wanting a solid result, allowing the doll to disintegrate slowly and over time in the earth that surrounds it. Burning a doll has be the most profoundly symbolic way of disposing of the doll, where it is literally turned to ash and the manifestation is carried away into the air through smoke.

It’s not difficult to understand the illustrious dark connotations that voodoo dolls carry outside of the spiritual practice, as it’s steeped in mystery and misunderstood history.

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The Honey Island Swamp Monster of Louisiana

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Horror Mystery and Lore
Dark and spooky swampland
Photography by Anthony Roberts

Louisiana is rife with local folklore, particularly stemming from the untouched acres of the Honey Island Swamp just a short drive from New Orleans. These legends are of the pirates of the Bayou who were said to have hidden buried treasures, Native American ghosts, and the mysterious green lights that lure unsuspecting night travelers into the depths of the swamp, never to be seen again. These are just a few examples of all of the stories that are hidden in the unfathomable depths of the Louisiana swamps, which is home to the Honey Island Swamp Monster.

In August of 1963, Harlan Ford—a retired air traffic controller—was the first to catch sight of the bigfoot of the Bayou, having recently taken up wildlife photography. He described this seven-foot-tall, bipedal creature as being covered in grey hair, with yellow or red inhuman eyes set deep into its primatial face. The air hangs thick around this swamp monster, with an odor of rotting, decaying flesh—a smell so distinctive and disgusting that it would warn anyone of its presence.

The Honey Island Swamp Monster
Honey Island Swamp Monster

In 1974, the Honey Island Swamp Monster gained fame nationally, after Ford and his associate Billy Mills claimed to have found footprints that weren’t like any other creature in the area—these footprints according to myth, and a chance casting of a footprint found by these two men were at between ten to twelve inches long with three webbed toes, along with an opposable digit that was set much farther back than the others. Along with the luck of finding this footprint and casting it, they found the body of a wild board whose throat had been gashed open just a short way away. For the next six years, until his death in 1980, Ford continued to hunt for the creature—after his passing, a reel of Super 8 film was found among the belongings he had left behind, this film supposedly showed proof of the creature’s existence.

In the early twentieth century, before the first reported sighting of the Honey Island Swamp Monster by Ford, there was a legend of a traveling circus—traveling by train, a catastrophic wreck resulted in the escape of a group of chimpanzees. These chimpanzees were said to have gone deep into the swamps and interbred with the local alligator population. The Native Americans who called the area home, referred to the creature as the Letiche—they knew it as carnivorous, living both on land and in water—they believed this creature had originated as an abandoned child, raised by alligators in the darkest, most untouched regions of the swamp.

The Honey Island Swamp Monster caught on Super 8 Video footage

Researchers who have studied the lore of the Honey Island Swamp Monster, believe that it is related to Bigfoot—one reason that it is often referred to as the Bigfoot of the Bayou. While their description is similar, the tracks do not resemble those collected of Bigfoot from the Pacific North West. Despite the reputable nature of Ford and Mills, there have been a number of shows that have focused on hunting down the Honey Island Swamp Monster in order to prove the existence of this cryptid—all of them have come down on the side of the whole thing being a hoax, which isn’t entirely surprising.

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Oddities of the Bayou: Religions and the Occult

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Horror Mystery and Lore Lifestyle

The Voodoo Religion of New Orleans

Zombie standing in a dark cornfield
I Walked with a Zombie (1943)

The roots of voodoo run deep with the sordid history of slavery in America, originating from the traditional West African religion of vodoun (also vodun), it further evolved once it reached Haiti and Louisiana. Louisiana voodoo—properly known as vodoun—the queens and priestesses hold the highest position within this matriarchal religion. Something that may surprise those unfamiliar with vodoun, is that it’s actually a monotheistic religion which centers around the supreme creator, Bondye (French Creole for “good god”) who controls life and destiny. Bondye manifests his will through the many loa (also lwa) present within this belief system.

Loa: Spirits of Vodoun

The loa are spirits who connect the followers of vodoun to their deity—through the use of vèvè, symbols which serve as visual representation of the loa during ritual, practitioners are able to call upon the loa for their assistance in personal matters. Despite many people not having any formal knowledge of loa or their role in the religious practices of vodoun, they would easily recognize the visage of popular spirits such as Papa Ghede and Papa Legba, if not just as cultural references that they associate with New Orleans in general.

Assortment of voodoo dolls
Photography by Wian Juanico

Misconceptions of Voodoo Dolls

Misrepresented time and time again, voodoo dolls have come to represent something far beyond the reach of what they were originally used for. Hollywood would have us convinced that they’re instruments of evil, used to control the actions of people, or otherwise wreak havoc, and destroy their lives. Except voodoo dolls are not traditionally used to cause people harm in any sense of the word. These dolls are indeed used as a physical representation of the person who is the focus of the ritual, but instead of harm, they are often used for among other things, love, success, and healing.

The Mystery of Zombification

A far cry from the stereotypical walking dead that has made the horror genre of international cinema so powerful, the origin of zombies is quite a bit more disturbing than we’re used to these days. When it comes to the origin of zombie lore, the fear isn’t derived from the idea of being the main course of a zombie feast—instead it’s the idea of being turned into a zombie. The short and sweet version? Zombies as derived from the Haitian vodun practice are actually living people, who have been chemically induced to have no free-will.

New Orleans Voodoo Display
Photography by Jane Hawkner

Hoodoo, Conjure, and Rootwork: African American Folk Magic

Many people believe that hoodoo and voodoo are interchangeable—it’s not a tough concept to explain that while they’re similar, they’re not the same, but it still seems to be an ongoing issue of mistaken identity. Voodoo, as has been explained now, is actually a religion that utilizes the folk magic practice, whereas hoodoo is actually just a folk magic practice with no hard and fast religious affiliation, although most practitioners identify as Protestant Christians. To be clear, hoodoo is but one of the most common types of African American Folk Magic, with other practices such as conjure and rootwork being nearly interchangeable with minimal differences, other than the region in which they are practiced.

Mural, Santeria the worship of Saints
Photography by Gerhard Lipold

Santería: The Worship of Saints

Another religion that is commonly mistaken for voodoo, is Santería—a religion that also has West African origins, but was further developed in Cuba among West African descendants. One of Louisiana’s best kept religious secrets, this Yoruba based religion merged with Roman Catholicism and embraced the Catholic saints, referred to often as orishas who act as emissaries to God—Olodumare.

The Honey Island Swamp Monster

Dark and spooky swampland
Photography by Anthony Roberts

A legend known in the Bayou is that of the Honey Island Swamp Monster—a bipedal cryptid that is likened to bigfoot, but described physically as being quite dissimilar other than its stature. This grey-haired, yellow (or red, depending on the source) eyed monster is said to be a creature that was born from chimpanzees that escaped from a circus train that wrecked on the tracks, and the local alligator population.

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Spirits Within Voodoo: Ancestors, and the Loa

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Horror Mystery and Lore
Practitioners standing in Voodoo Alley
Artwork by Wesness

Voodoo in New Orleans is quite distinguishable from the practice in other parts of the world, it grew to be more inclusive of the spiritualism that sprang up within the nineteenth century. Within the voodoo religion, powerful spirits called loa—also called mystères, or the invisibles—unlike saints and angels that are housed within the Judeo-Christian religions, they are not prayed to, they are served. Contrary to popular belief, the loa are not deities. They are considered spiritual guides, who communicate with the one supreme creator, Bondye, in order to manifest the petitions for family, love, money, happiness, wealth, and of course revenge.  The loa preside over daily life, since Bondye doesn’t interfere with personal matters, and depending upon way in which they are called upon, the spirits can be sympathetic or impish.

The Role of Deceased Ancestors

Within the voodoo religion, it’s a common belief that those who have passed away remain on the earthly plane—this is because it is the responsibility of the living to care for their passed loved ones to help them shed the baggage of their life and get them closer to Bondye. In order to care for ancestors, vodouisants light a candle and leave offerings of food and drink—as thanks, ancestors bless their loved ones with health, wealth, and fortune.

The Loa: Contacting the Spirits

Voodoo Altar in New Orleans
Photography by Greg Willis

Conducting voodoo rituals don’t always require a practitioner to petition the loa, but it’s more frequent for them to be a part of the ritual than not. Contacting the spirits can be achieved through dance, music, singing, and the use of snakes—a symbol of Papa Legba, who is the conduit to contacting the rest. In organized practice, there are houngans (priests) and mambos (priestesses), as well as bokors (sorcerers) and caplatas (witches) who lead the rituals, take requests, and receive offerings. These ritualists act as hosts to the possessing loa, which can be quite a violent sight, where the participant thrash and shake, then fall to the ground. Being a host to a loa requires those around to know how to sufficiently provide for the spirit, as they can become stubborn and demand more.

Vèvè: Symbolic Representations of the Loa

A vèvè is a religious symbol which serves to represent a loa during ritualistic practice, whereupon sacrifices and offerings are placed. Every loa has their own individual vèvè, which is typically drawn on the floor using a powder—the type of powder used depended on the type of ritual being performed.

Main Loa of the Voodoo Religion

The loa are a diverse group of spirits, too many to name without going too in depth, but these are a couple of the most well-known of the bunch.

Papa Legba: The Spirit of the Crossroads

Among one of the most important spirits within voodoo, in order for there to be any ritual regarding any other loa, Papa Legba must be contacted first. As the spirit of the crossroads, he is the origin of life, the old man who guards the crossroads, the contact between the realms of life and death—Legba must give his permission in order to communicate any other loa.

Veve, symbolic representations of Voodoo Spirits, the Loa

The poor soul who happens to offend Papa Legba will be virtually deprived of the protection of the spirit world. Guardian of voodoo temples, courtyards, plantations, and crossroads, he also protects the home—if a practitioner is planning on going traveling, they pray to Legba for protection and petition him to safely return them home. A small, crooked old man with a broken body covered in sores, he insists on walking barefoot so he has continuous contact with the earth below him—Legba is a polite and caring spirit, one that all practitioners consider to be lovable.

Papa Ghede and Baron Samedi

Papa Ghede, despite being the spirit of death, is not as forbidding as he may appear in popular imagery—he is dressed in black, with a top hat, with a cigar in his mouth, and controls the souls of those who have passed on. Although the other loa fear and avoid him, he is the one people petition when children are poor of health, as he very much loves children.

Veve, Symbolic representation of Voodoo Spirits, the Loa

There is conflicting information about the relationship between Papa Ghede and Baron Samedi—where some sources claim they are one in the same, where Papa Ghede is the lighter aspect concerning life and Baron Samedi is the dark aspect concerning death. Other sources speak of them being separate entities, where Papa Ghede does the bidding of Baron Samedi. When it comes to magic that deals with death, you can be sure whose power is actually behind it, especially since he has a special interest in those who meet their death as a result of magic.

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Voodoo on the Bayou

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Horror Mystery and Lore Lifestyle
Spiritual Speaker in the streets of New Orleans, Louisiana
Photography by Nico Bhlr

Anyone can practice voodoo in New Orleans—embraced by people no matter their race, creed, or origin—there are no standard worship practices, in this flexible and inclusive spiritual and religious practice. A religion so immersed in mystery, voodoo is often mistaken for something much more sinister. First introduced to the United States through the repugnant practice of slavery, it originated from the Fon people of West Africa and was then intermixed with European cultural influences, as well as Native American herbalism and spiritual practices.

In Denise Alvarado’s The Voodoo Hoodoo Spellbook, it’s explained that voodoo and hoodoo are not the same, despite the how often they are confused for one another. Incredibly complementary in nature, voodoo and hoodoo in New Orleans are melded together in a practice endearingly referred to as voodoo hoodoo, something that is distinct to the region—elsewhere, voodoo is strictly a religion and hoodoo is strictly a folk magic practice. New Orleans is a mixing pot—multiple cultures converging together, the influences of voodoo are so incredibly diverse that it’s no wonder why those who aren’t involved in the religion would be confused about the whole thing.

The Voodoo Hoodoo Spellbook

Well, here is where the confusion clears—like it was mentioned before, voodoo is a religion, while hoodoo is a practice. Voodoo practitioners believe in a single supreme creator, known as Bondye, which in French Creole stands for “good god.” There is no mention of only good or only evil beings in the religion—instead it is a practice that embraces the good and bad in all situations, where spirits known as the loa act as messengers for Bondye. Despite there being a single god, the loa, also known as lwa, are the ones that practitioners communicate with. Frequently likened to the saints in Catholicism, there is a loa to contact in regards to nearly every aspect of normal life.

Popular media insists that New Orleans voodoo is an ominous, evil tradition—this is based on the demonization of the unique practices within the religion. During the reign of the infamous Voodoo Queen of New Orleans, Marie Laveau, the use of voodoo dolls came into common use, like gris gris (gree-gree), as a form of talismanic magic. There is an odd tradition of depicting voodoo dolls are objects of revenge—ways for malevolent practitioners to send destruction and pain into the lives of their targets. The majority of Voodoo practitioners have been actively working against this negative media presence, showing that most voodoo dolls are centered on healing, finding true love, and obtaining spiritual guidance. Just like Marie Laveau, it seeks to help those in need—to feed the hungry, help the poor, and curing ailments such as anxiety, addictions, depression, and loneliness are mainstays of this religion.

Skulls deteriorating in the jungle
Photography by Christian Grecu

All in all, it seems that those who are a part of the voodoo religion actually prefer to keep their beliefs and practices to themselves, you won’t find any legitimate practitioners displaying their rituals in public, as this would be considered disrespectful to the spirits. This is fair, considering the amount of public bile that spills over into their culture whenever it is brought to light anywhere else in the United States. Privacy is often more pleasant than negativity when it comes to personal beliefs.

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