Hope…for the Future, Vol 1 – A Neo-Noir, Pulp Crime Horror

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Best Of Best of Comics Featured Reviews

Imagine the black and white pulp crime world of Dick Tracy mixed with the neo-noir of Frank Miller’s Sin City. Now, add in a dash of occult magic and envision the love child of James Ellroy and Alan Moore, a genre-bending mashup of L.A. Confidential and Hellblazer. Starting to get the picture? If you love any of those genres as much as I do, then you will be head-over-heels for 2000AD’s gritty detective graphic novel Hope…for the Future. 

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Hope for the Future comic book cover
Hope for the Future comic book cover

In an alternate post-war 1940s Los Angeles, where occult forces are a fact of life, Mallory Hope is a private detective haunted by his past… and by the demon he works with. When a new case involving a missing boy reminds him of his own lost child, Hope is determined to find him. But he soon discovers all is not what it seems, with dark powers lurking behind the lights of Hollywood

Our protagonist, John Mallory, is very much a John Constantine type: a hard boiled private investigator who’s tuned into the magical world existing beneath everyday reality. He’s a man on a mission, navigating the dark underbelly of 1940s Los Angeles with a dry wit and a grim disposition that makes him immediately likeable. He’s rough and tough, and when given the option to run or double down he always chooses the latter (at one point shrugging and saying “It’s been hours since my last beating”). But he’s also compassionate – demonstrated when he risks his life to save a misfortunate child threatened by a gang of violent goons. I was invested in him from the very first page, his narration really helps to carry the story and give it the necessary exposition and snark.

john mallory art from Hope for the Future comic
John Mallory takes a beating

In this story Hope is tasked with finding a young movie prodigy, a child star who has suddenly gone missing. His investigation will take him to various Hollywood locales, from glitzy film production studios to seedy underground clubs. Along the way we learn about his use of magical powers and how these supernatural interactions are slowly draining his life force. We learn about the enigmatic spirit he accidentally conjured, who wears a nun’s habit and gas mask and feeds off his misery. And we learn, to my great excitement, that there is an overarching storyline about him tracking down the dark being who stole away his wife and son.

demon kidnapping art from Hope for the Future comic
A demonic kidnapper

The writing of Guy Adams is on point here. Literally every single wistful, droll, and pessimistic line from Hope is gold. The story includes a good mix of drama, horror, and humor, and the core mystery of the missing boy would be compelling enough, but the added occult elements really elevate it. Inserting scenes of snake-tongued demons into a detective thriller plot is jarring, but in the best way possible. I definitely appreciate that magic is simply part of the story, and that it’s the dynamic characters who drive the momentum. We get just enough backstory on Mallory to make him engaging, but there’s suggestions of more intriguing reveals in the future. 

And that art from Jimmy Broxton…wow. Normally, I’m a fan of vibrant colors in comics, but the black and white illustrations here just fit so superbly. They’re grungy, gritty, and the art certainly feels like an homage to earlier horror/crime comics. I love the shading and stark contrasts, and how the style bends towards realism in the way the characters and settings are drawn. I also love how Broxton overlays swirling runes and symbols across the panels to let us know when magic is (literally) in the air.

Occult magic art from Hope for the Future comic
Seeing the world through dark magic

This first volume, in my opinion, is a near perfect story. It’s a horror crime thriller with a solid plot  and great pacing, populated with wonderful character archetypes plucked from the supernatural noir genre that bred it. It has a self-contained storyline, but it expertly weaves in a larger plot and perfectly sets up the next book. At 66 pages it’s a very quick read and it leaves you hungry for more. I absolutely cannot wait to join Mallory Hope’s further adventures in the next volume!

Hope…for the Future is available now from 2000AD Comics

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In Search of Darkness – A Must See Horror Documentary Series

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Best Of Best of Movies Featured Horror Movie Reviews Scary Movies and Series

When I came across CreatorVC Studios’ In Search of Darkness (2019) and it’s sequel my mind instantly split itself into two warring factions. While one side revelled in the idea of two documentaries totalling around nine hours of in-depth exploration of 80s horror films, the other side focused more on the fact that it hadn’t hitherto sat through more than the ninety-or-so minutes of Blackfish (2013) or Jesus Camp (2006). To the latter side, this was an intimidating feat, though a pure love of the horror genre prevailed and to the joy and reconciliation of both sides I sat glued to the screen for the entire duration of both parts. 

A documentary this lengthy has to be informative and, equally as importantly, entertaining. In Search of Darkness: Part II (2021) boasts a wide array of guests from all corners of the horror world, some returning from Part 1, others seemingly jumping on board after its success. From pace-breaking spotlights on gore-effects legend Tom Savini to insights from the nightmare-mongering Robert Englund and the prolific Barbara Crampton to name a few, stories from backstage tidbits to production revelations lurk around every corner. A variety of perspectives are included on most matters ensuring diversity and political correctness throughout, along with some very interesting and thought-provoking takes on different events and (the many) controversies of 80s horror production. 

In search of Darkness Movie poster featuring a child watching 80s horror movies

While paying respectful tribute to the stars and the brains behind each picture, In Search Of Darkness 2 offers detailed, chronological and spoiler-free looks into a positive maelstrom of b-movies, video nasties, cult classics and creature features. The sheer volume of films I had previously glimpsed but never deemed worth my time, only to have In Search of Darkness instantly sell me on is astounding. Not only are films featured and referenced but they are explored equally on a social and ethical level, which is often surreal when such films as Cannibal Holocaust (1980) and Nightmare in a Damaged Brain (1981) are made subject. Not only did I, as expected, add many titles to my IMDB watchlist throughout, I also had my perspective widened on more than one occasion. 

In Search of Darkness Indiegogo Trailer

Creator VC Studios built this epic series through the use of crowd funding and fan support. VC studies are self described as. “An independent producer of community-powered entertainment: long-form factual content that is funded, inspired, and shaped by a dedicated community of fans.”

Everything about In Search of Darkness is packaged brilliantly, from it’s neon look to its atmospheric synth soundtrack that combine to draw viewers into the hyper-nostalgic glow of the 80s, perfectly embodying a full decade of filmmaking. All bases are covered, from the Italian ‘Giallo’ pictures of Dario Argento and Lucio Fulci to full dives into longer series such as A Nightmare on Elm Street and Friday 13th. Though rather than simply acting as a grisly encyclopedic list it treats viewers to several actor spotlights, squashings of undesirable misnomers such as the reductive ‘scream queen’ moniker and conversations into several of horror’s dirtier and more questionable past avenues. Where Part 1 began the discussion, Part 2 picks up right where it left off and proves that ‘more of the same’ is not always a bad thing. 

In Search of Darkness proves unequivocally that I need to make more time for documentaries; I only hope that others can summon the same electrical interest that these two did for me. One thing is for sure: other documentaries will have to wait for the extensive list of eighties horror movies I now have on my plate. 

In Search Of Darkness Part 3

In search of Darkness part 3 coming soon poster with a skeleton and dark graveyard imagery

Subscribe here to follow the 3rd films progress.

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Interview with Horror Author Laird Barron

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Best Horror Books Best Of Featured Horror Books Short Horror Stories

Recently, Puzzle Box Horror had the privilege of speaking with horror author Laird Barron about his life, his work, and his influences. Laird, an expat Alaskan, is the author of several books, including The Imago Sequence and Other Stories; Swift to Chase; and Blood Standard. Currently, Barron lives in the Rondout Valley of New York State and is at work on tales about the evil that men do.

Tell us a bit about yourself and what got you started in horror writing?

Picture of author Laird Barron
Photo Credit: Ardi Alspach

I started writing as a kid. I was into science fiction and fantasy–Star Trek, Star Wars, the Lord of the Rings. The typical pop culture stuff in the 1970s. When my family relocated from the suburbs to the wilderness, things took a darker turn. I enjoyed telling stories to my younger brothers. We spent many a winter night alone with snow and wind pressing against the cabin and our parents off to town. My siblings were particularly riveted by the spookier tales. Eventually, that translated to my writing horror. I experimented with high fantasy and various kinds of science fiction. Ultimately, it became clear that my affinity for the macabre outstripped everything else.

Has growing up in Alaska influenced your writing at all?

She left a mark. With rare exceptions, I didn’t write about Alaska until more recently. I’d gained distance but needed time. The geography and climate have always strongly influenced my work. Alaska was all about rough edges and extremes. The weather, the people, the swing between months of light and darkness…

I haven’t been back since ’96, but I dream of it often. It’s a lot of psychic pressure heaving against the bulwark of a dam. Past few years, I’ve vented more of it into my stories. Still haven’t decided how I feel about that turn of events except to acknowledge what’s done is done.

The Imago Sequence by Laird Barron book cover
The Light is the Darkness by Laird Barron book cover
Occultation by Laird Barron book cover

You’ve written a wealth of short stories. Do you have any favorites?

Over time, a writer’s career reveals a sort of fossil record of their obsessions. Twenty years on, I’ve published enough stories to see them as delineating several different modes. The crime/noir mode; the contemporary weird mode; the science fiction/fantasy mode. First person posthumous… Most of it horror-inflected. Which is a roundabout way of saying, it’s tough to objectively determine a favorite or most “successful” piece of work because there’s a real apples and oranges element. But…

Personal favorite: “Andy Kaufman Creeping through the Trees.”

Best: “Parallax.”

Creepiest: (and for me, creepy is paramount) A forthcoming story I sold to Ellen Datlow called “Tiptoe” for her Shirley Jackson tribute anthology—When Things Get Dark.

Are there any anthologies or magazines that you are particularly excited to have been published in?

I’m grateful to every last editor who has made a place for me in their magazines and anthologies.

The Magazine of Fantasy & Science Fiction set the tone for my career. It was, and might still be, the Holy Grail for writers tilling the science fiction/fantasy/horror fields. The heavyweights were featured there since 1949. King’s Dark Tower was serialized in those pages. Zelazny and Bradbury wrote stories for the mag. I’ve only become more aware of the importance of selling my first handful of pro stories to Gordon Van Gelder—two of which were cover novellas. There are world-renowned bestselling novelists who moan and groan to this day because they were never able to crack the ToC. So, yeah, a big, big deal.

The Magazine of Fantasy and Science Fiction June cover
The Magazine of Fantasy and Science Fiction May cover

Penning introductions and afterwords for collectors’ editions of Ray Russell’s The Case Against Satan; Jim Thompson’s Pop 1280; Peter Straub’s KOKO; and Michael Shea’s The Autopsy & Other Tales.

I’m also proud to have work reprinted in Ellen Datlow’s anthologies. You’re doing all right when Ellen takes an interest in your writing.

What scares you the most?

The declining state of the world should be enough to scare anyone.

What/who are some of your major influences?

Now, there’s a topic. My blood type is labeled “the ecstasy of influence.” I break down this incomplete list into three stages of life.

Adolescent: DM’s Guide, especially Appendix N; Edgar Rice Burroughs; Robert E. Howard; Roger Zelazny; Stephen King; Clive Barker; Edgar Allan Poe; Robert Service; Louis L’Amour; etc, etc.

Adult: Shirley Jackson; Jack Vance; Karl Edward Wagner; Robert Parker; John D MacDonald; Anne Sexton; Peter Straub; Michael Shea; Charles Simic; Mark Strand; etc, etc.

Old Man Winter: Livia Llewellyn; Stephen Graham Jones; John Langan; Paul Tremblay; S.P. Miskowski; Kelly Link; Aimee Bender; etc, etc.

Blood Standard by Laird Barron book cover
Black Mountain by Laird Barron book cover
Worse Angels by Laird Barron book cover

We talk to a fair amount of new writers. What tips would you give yourself if you could go back to when you started based on what you know now?

Like plenty of other people, I’ve my share of regrets. Career missteps aren’t among them, happily. By the time I started publishing, I’d spent twenty-odd years preparing for the day. I’d done my research and had a clear vision of the writer I wanted to be. That and some career advice from Gordon Van Gelder put me in a decent position.

A sentiment I carry from childhood? If you want to make art, make art. If your family and friends are supportive, wonderful. If not, fuck ‘em. The world pays lip service to pursuing your dreams, but the cold reality is that lots of people will act as living roadblocks to your dreams. The worst of the worst will profess to hold your best interests at heart. Don’t let them steal your fire.

Can you tell us anything about what you’re currently working on?

I’m working on a dark fantasy/horror novel and a handful of stories for upcoming anthologies. If all goes well, I’ll also hand my agent the next horror collection late this year, or early 2022.

If you’re interested in learning more about Laird Barron, check out his website at www.lairdbarron.wordpress.com. You can also follow the author on Twitter (@LairdBarron) and Goodreads (@Laird_Barron). Finally, to purchase books check out the author on Amazon.

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Jennifer Strange – Demon Hunting and Ghost Curses

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Best Horror Books Best Of Featured Horror Books Reviews

Young Adult (YA) and horror are two genres that I have a lot of affection for, and so it stands to reason that a book combining both of those should be one I would truly enjoy. Of course you have your celebrated series such as Goosebumps and Scary Stories to Tell in the Dark, but it’s been years since I’ve read those and I’ve been looking for something new. Enter the recent YA horror Jennifer Strange by Cat Scully.

Fifteen-year-old Jennifer Strange is the Sparrow, cursed with the ability to give ghosts and demonic spirits a body-a flesh and blood anchor in the mortal world-with the touch of her hand. When a ghost attacks her high school and awakens her powers, her father dumps her unceremoniously in the care of her estranged older sister Liz, leaving only his journal as an explanation. Drawn to the power of the Sparrow, the supernatural creatures preying on Savannah, Georgia will do anything to receive Jennifer’s powerful gift. The sisters must learn to trust each other again and uncover the truth about their family history by deciphering their father’s journal…because if they can’t, Jennifer’s uncontrolled power will rip apart the veil that separates the living from the dead.

Wow, I had SO much fun with this book! There’s an element of mystery to it right from the beginning, but then it also turns fairly gruesome and horrifying very early on. It reads like a typical YA book, so I was actually caught off guard (in the best way) by the brutality and pulse-pounding scares of our protagonist’s first major paranormal encounter. It’s violent, it’s instantly memorable, it lasts for three glorious chapters, and it instantly hooked me into the book. From that point on reading this was pure bliss.

I’ve seen this book compared to the Supernatural and Evil Dead franchises, and those are the two that really resonate with me (sorry, I never watched/read any Buffy). Much like the Winchester brothers, Jennifer and her older sister Liz were born into a demon-hunting family of sorts and are forced into taking on the family business as they search for their missing father. And much like the demons called forth from the Necronomicon, the spirits here are vicious, relentless, and feature a fair amount of gore and bodily fluids. I also liked that a paranormal attack (be it regular ghost, Wraith, Banshee, or something else) could literally come out of nowhere at any moment. Fortunately Scully balances this well with slower scenes and moments of character building, and the pacing works really well.

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Jennifer Strange horror book cover

Speaking of characters, I really like Jennifer as a main character (and I even grew to like her sister Liz). She’s caught in a new world of surprises and is having to deal with some heavy discoveries while fighting for her life. Not only is she sympathetic and realistically detailed, but her struggle with her newfound power and its damning implications is incredibly compelling. I also liked the character Marcus, and I’m glad he was written with care and complexity. Unfortunately those three are the most fleshed out characters. We learn enough about the others, their personalities and motivations, to get their relation to the plot, but I wish they were given opportunities to be as dynamic as Jennifer, Liz, and Marcus. 

The other thing that I didn’t like as much is the ambiguity that floats in and out of the pages. I don’t want to spoil too much, but the climax hinges around a series of events that, while epic and interesting in their telling, are overall a little confusing at times. And there are certainly pieces to the puzzle missing, though as this is the first in a trilogy I must presume they will begin to fall into place in later books. 

Overall, I really enjoyed this book! I loved that it is set in Savannah, GA (the perfect place for a ghost story), I loved some of the twists and turns, I loved the variety of ghouls, and I loved the pacing, structure, and characters. Yep, lots to love here! I also thought it was really neat how the book splices in pages from their father’s journal, including his diary entries and illustrations from their mother. Made for a cool dynamic to chunk the story and break things up. Jennifer Strange fits very well into the YA horror genre, and I think it’s a story that both teens and adults will find worth reading!

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Killadelphia – A Horror Comic Fable

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Best Of Best of Comics Featured NA

Before I start a new book, I’m always interested to see who else is talking about it. I like to think if creators I respect are praising the book then I too will enjoy it. So it’s safe to say my expectations were pretty high when I came across the much lauded graphic novel Killadelphia, which Jordan Peele claims is the “stunning and fresh horror fable” he’s been craving and Tananarive Due says is a “genuinely frightening horror graphic”. But therein lies the double edge of the sword, where cover blurbs and comparisons can sometimes over inflate an otherwise decent story and put it in a realm of expectation that is impossible to meet.

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Killadelphia horror comic cover
Killadelphia horror comic book cover

So, the question is does the Killadelphia comic live up to the hype?

I’m happy to report that for the most part it does. It’s bloody, gritty, and completely engaging.

Killadelphia Horror Comic Synopsis

Jimmy Sangster Jr is a cop who has returned to his hometown in Philadelphia to bury his recently deceased father, detective Jimmy Sangster Sr. Their father-son relationship was never very strong, and the death comes as a relief to Jimmy. However, back in his childhood home he finds his father’s journal and reads a startling story about Sangster Sr and chief medical examiner Jose. Recently they had been investigating a string of bizarre murders and, as the bodies in the morgue come back to life, they realize the culprits they’re hunting are…vampires!

vampire art from killadelphia horror comic
Killadelphia is full of unexpected surprises

Turns out John Adams, a founding father and former president, is a vampire and has been slowly amassing a horde of followers over the centuries in a bid to take back the America he helped begin so long ago. His crooked revolution is 300 hundred years in the making and apparently now it’s time to put it into action. With the doomsday clock ticking down, Jimmy Jr realizes he’s going to need the help of someone he had finally let go of. With shovel in hand he digs up his undead father and together, with the help of Jose and a few others, they face the vampire army dead on in a final effort to save their city.

For a story about an undead former president trying to take over the city (and yes, I kept thinking about a certain Deadpool storyline from Brain Posehn), Killadelphia is firmly grounded in realistic characters and a gripping plot. Jimmy Jr has conflicting feelings about his father, who was at turns abusive and absent during his childhood. His mother was the glue holding their family together, and when she passed their fragile relationship seemed to have crumbled. But now father and son are going to have to learn how to work through their differences in order to save the city they both care for. As readers we care about their characters, but I am thankful their back and forth quibbling was kept to a minimum.

There are also many relevant social issues and ideas woven into the storyline, including class disparity, poverty, racism, gentrification, addiction, and political corruption. The city itself, with its historical implications and complex history of social unrest, plays a significant role in the plot and is the perfect setting for such a story. I also appreciate that this isn’t just a story of good vs evil, as arguably none of the characters are purely good or bad. Even Adams, with his disturbing plan to rebuild the country, truly believes what he is doing is right.

vampire attack art from Killadelphia horror comic
Resistance is futile in Killadelphia

Of course, in a story about vampires there is also going to be a fair amount of supernatural horror elements. Apart from the whole blood-sucking monster thing, there’s also an interesting twist involving a (relatively) young vampire named Tevin and a magical book that he is entrusted to carry by John Adams. Tevin is actually one of my favorite characters in the graphic novel, and I really like the arc his storyline takes. I can’t say much more because of spoilers, but I’ll just say the second half goes in some neat directions I did not expect.

Killadelphia Vampires

Though the characters are strong and the plot is interesting, the vampires are definitely what elevate the story. Their design follows classic tradition for the most part: humanoid, yellow eyes, fangs, elongated fingers, and a healthy fear of sunlight. They can fly, they cohabitate in “nests,” and sleep hanging from the ceiling. Interestingly, they also are typically naked and cry tears of blood. They are also incredibly brutal, vicious, and efficient at killing. This is certainly a horror graphic novel, and there are several frightening and suspenseful moments along the way. It’s not Scott Snyder’s Wytches kind of scary, but it still works. I do love how much of the story is focused on the vampires’ perspective (be they “bad” or “good” they do make up most of the characters). And we get to see a lot of different perspectives on vampirism, from those who see it as a spiritual awakening or means to power to those who see it as a curse or form of slavery.

good vampire from Killadelphia horror comic
Not all vampires are bad

Killadelphia Comic Art

And the art! Oh my goodness the illustrations and colors are gorgeous here. The artwork of Jason Shawn Alexander excels in creating the dark, gritty noir atmosphere necessary for the story. I love the style, and it reminds me somewhat of comic artist John Bolton (whose style I also adore). Facial expressions and body movements are drawn in realistic detail, and it was interesting to learn at the end of the book how Alexander does photoshoots with live models to prepare for his pieces. Colors by Luis NCT perfectly compliment, bathing scenes in dark shadows and buckets of blood.

Here Rodney Barnes has given us a pretty solid story. There are some themes that didn’t quite pan out, and the romance angle between Jimmy Jr and Jose felt unearned and tacked on. But overall, I really enjoyed reading it. And though the primary storyline is wrapped up here, the ending easily sets us up for a sequel. I for one am very much looking forward to sinking my teeth into another volume of Killadelphia in the future!

Killadelphia is available now from Image Comics

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