The Bloodhound from Filmmaker Patrick Picard

Categories
Best Of Best of Movies Featured Horror Movie Reviews Scary Movies and Series

The Bloodhound is the directorial debut from Patrick Picard, and is loosely based on Edgar Allan Poe’s short story, The Fall of The House of Usher (1839). The story follows a disenchanted young man who visits his elusive childhood friend at the request of a beckoning letter, and the uncomfortable terrors that follow.

Clocking in at only 72 minutes, this psychological slow-burn explores a few of the themes and ideas of its inspirational ancestor, using a few key plot points from the short story to present its ideas, though for the most part remains its own film completely. Inclusions such as the titular, and likely metaphorical, antagonist himself and the modernised setting of the Luret mansion enable a fresh horror to be invoked from the work while key themes retain what made the original so chilling. 

These themes are as relevant now as they were almost two hundred years ago; social isolation, mental health (with obvious correlations between the two), and obligations felt through different relationships. Although ideas of friendship are explored in some emotional ways, a rather cold atmosphere permeates the picture, aided by uncannily stilted performances from its two leads. These, along with beautiful, yet clinically-focused camerawork give the impression of looking into another universe at times.

The Bloodhound horror movie poster featuring a drawing of 2 men and a red doorway

As mentioned, this is another slow one, but if you’ve read any of my previous articles you should almost expect that by now. Rather than rely on scenery or atmosphere The Bloodhound is primarily dialogue-driven, as expected from a classic story adaptation. And it’s expertly handled by the two leads Joe Adler and Liam Aikan, both in delivery and consistent conviction until the final scene. You feel every pinch of Francis’ (Aikan) discomfort at the whims of the eccentric and disturbed Jean Paul Luret (Adler) and the growing distrust by both of them as each narrative intricacy reveals itself. 

The Bloodhound plays out much like an upper-class The Lighthouse (2019) in many ways, with a modernised dash of Alex Garland’s Ex-Machina (2014). With plenty enough detail within its short runtime to keep the most perceptive viewer engaged. It appears almost play-like with its limited cast, allowing plenty of opportunity for them to bounce off each other and get the most out of plot and setting. It revels in the confusion of the viewer, being that much of the information ascertained is unreliable, which bleeds through into our viewing experience as we start to doubt the things we are seeing are real. Those favouring familiar plots and more immediate scares may become frustrated. 

Even Francis, our initially implied connection with sanity, begins to act oddly. Where most would have undoubtedly left the Luret household after many of JP’s increasingly hostile antics, Francis stays to enact his own motives, leaving us all the more alone in the Luret mansion. The chemistry between these two characters is so engrossing at times that any ‘horror scene’ that does fall upon us is made all the more jarring because of it. This elevates the film from effective psychological horror to a testament to the importance of strong acting and direction within the genre. 

The Bloodhound is an intense, atmospheric and darkly comedic tribute to Edgar Allan Poe’s The Fall of the House of Usher, and a strong first entry for Patrick Picard. If his work continues to exude the same unsettling nihilistic macabre as this debut offering then I for one am in for the long haul.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






The Creepiest Apps for True Horror Enthusiasts

Categories
Best Of Featured Reviews

In a time where technology and horror intersect, the thrill of the unknown has found a new home in our phones. For those of us who thrive on the spine-tingling, heart-pounding experiences, the world of horror apps offers an entirely different dimension of chills and thrills. From horror social media apps, streaming apps, to some great horror app games we’ve delved deep into the eerie abyss of the app stores to bring you a curated list of the best horror apps for true horror enthusiasts.

Social Apps

This category has had a rough ride lately with Twitter (Now X) having an identity crisis and AI bots not having a clue what the difference is between people talking about horror and people being horrible. Two apps standout in their ability to let the horror community be who they are talking about movies, books and all things creative horror without confusing the issues of real life horrors.

Slasher App

Slasher app screenshots showing how it is the Best horror app for social media

Slasher was built for horror fans! Now you can enjoy a friendly community with no censorship of bloody or gory special effects and makeup! Want to connect with other horror fans? Slasher makes it possible to make connections faster than any other social platform! The people behind Slasher are horror fans too! Available on Iphone, Android, and Desktop

You can find us there @puzzlebox

r/Horror

The horror subreddit on Reddit is a virtual haven for fans of all things macabre and spine-tingling. This thriving community is where horror enthusiasts, both casual and die-hard, come together to share and discuss their love for the genre. From chilling stories and terrifying urban legends to eerie photos and spine-tingling artwork, the horror subreddit is a treasure trove of everything that goes bump in the night. Users can post their own original horror content, engage in discussions about favorite horror films, books, and games, and seek recommendations for the best scares in the genre. With a diverse and passionate user base, the subreddit serves as a communal campfire for those who relish the thrill of fear and enjoy delving into the darkest corners of the human imagination. Whether you’re a horror writer looking for inspiration or a horror film fanatic seeking hidden gems, Reddit’s horror subreddit is the perfect place to embrace the darkness.

Horror Movie Apps

Shudder

Shudder is the ultimate streaming platform for horror aficionados, catering to those who crave a constant dose of spine-tingling and chilling content. This specialized app offers a vast and ever-expanding library of horror films, series, documentaries, and original content, making it a go-to destination for all things terrifying. From classic horror masterpieces to cutting-edge, exclusive releases, Shudder curates a diverse selection to satisfy every horror enthusiast’s appetite. With its dedication to the genre, Shudder ensures that subscribers can experience horror in its many forms, from supernatural to psychological, providing a nightmarish journey that’s both thrilling and horrifying.

Screambox

Screambox horror app screen shot showing many horror movie titles

Screambox is a dedicated streaming service designed to terrify and delight horror fans. This platform curates a vast collection of horror films, TV shows, and original content, offering a one-stop destination for all things eerie and spine-tingling. With a wide range of horror sub-genres, from classic slashers to supernatural thrillers, Screambox caters to every taste in the horror world. It’s the perfect haunt for those who seek a constant supply of scares and a diverse array of fear-inducing content, ensuring that subscribers can experience the best and darkest offerings in the horror genre. Screambox is known to have original content you cannot find elsewhere. It’s a Scream!

Shout TV

Shout TV’s horror offerings are a spine-tingling treasure trove for fans of the genre. With a vast collection of classic and cult horror films, as well as hidden gems and iconic series, Shout TV is your go-to source for all things chilling, macabre, and favors the campy side of horror.

Horror App Games for Phones

Simulacra

Ever wondered what would happen if you stumbled upon someone’s lost phone and discovered a series of unsettling messages and videos? Simulacra puts you in the shoes of the person who found that phone. This interactive, found-phone-style horror game delivers a deeply immersive experience, blurring the line between reality and fiction.

Into the Dead 2

For those who love the adrenaline rush of a good zombie apocalypse, Into the Dead 2 is your ultimate companion. This first-person runner game throws you into a world overrun by the undead, and your only goal is to survive. The haunting sound design and relentless zombie hordes make for an intense mobile gaming experience.

Night Book

screenshot from the horror app night book featuring a spooky face

Is a spine-tingling interactive horror experience that transcends the boundaries of traditional storytelling. It immerses players in a harrowing tale that takes place during a fateful night of translation work. As the protagonist, you must make choices that impact the unfolding narrative, but be warned: the consequences of your decisions are often far from predictable. The game’s live-action sequences and stellar performances by the cast add a level of realism that intensifies the sense of dread. With its gripping story, eerie atmosphere, and multiple branching paths, “Night Book” keeps you on the edge of your seat, making it a must-play for horror enthusiasts seeking an immersive and chilling interactive experience.

Dead By Daylight Mobile

brings the relentless terror of the popular multiplayer horror game to your fingertips. In this mobile adaptation, players can immerse themselves in the heart-pounding asymmetrical gameplay that pits survivors against a relentless killer. The mobile version faithfully captures the essence of the original, offering the same spine-tingling suspense, dark atmospheres, and heart-pounding chase sequences.

The game allows you to step into the shoes of both survivors and killers, each with their own unique abilities and objectives. The thrilling cat-and-mouse game play, coupled with a wide array of locked characters, perks, and customization options, ensures that “Dead by Daylight Mobile” offers a captivating and chilling experience for fans of the horror genre on the go. Whether you’re escaping the clutches of a merciless killer or hunting down your prey, the mobile version of Dead by Daylight delivers the horror experience you’ve been craving.

Five Nights at Freddy’s

Five nights at freddy's horror app screenshot featuring a scary animatronic bear

No list of horror apps would be complete without mentioning the infamous Five Nights at Freddy’s. This classic indie game has spawned multiple sequels and spin-offs, and it remains a must-play for fans of animatronic-based terror. As a night security guard at a creepy pizza place, you’ll need to survive against the animatronics’ murderous tendencies.

Granny

Granny is a heart-pounding mobile horror game that throws players into the nightmarish depths of an old, decrepit house, where the eponymous character, Granny, lurks. The game’s premise is simple but intensely chilling: you must escape Granny’s clutches and navigate a maze of dark, creaky rooms filled with secrets and puzzles. With a limited number of days to escape, players must maintain stealth, solve puzzles, and avoid being caught by the relentless Granny, who is always one step behind. The eerie ambiance, jump scares, and suspenseful gameplay make “Granny” a cult classic among mobile horror game enthusiasts. With its intense atmosphere and constant sense of dread, it’s not for the faint of heart, providing a thrilling and terrifying experience for horror aficionados looking for a good scare on their smartphones.

Conclusion

For horror enthusiasts, the realm of mobile apps offers a diverse array of experiences, from heart-pounding games to immersive narratives and augmented reality nightmares. Whether you’re into jump scares or prefer a slower, cerebral approach to horror, there’s an app out there to satisfy your craving for the macabre.

So, as you embark on your digital journey into the unknown, remember to keep your phone charged, the lights off, and your courage intact. The best horror apps are here to test your limits and plunge you into a world where the darkness holds secrets waiting to be discovered. Enjoy your descent into the depths of terror!

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






The Diverse History of Survival Horror

Categories
Best Horror Books Best Of Best of Comics Best of Movies Featured

We’ve all been in these survival horror scenarios before.

You find yourself in the middle of a dark and creepy abandoned hospital, your only source of light a flickering flashlight. You’re searching for your missing daughter, and you have a gut feeling that she’s somewhere in this building. As you move deeper into the hospital, you start to feel like something is following you, and every shadow seems to hold a new threat. Suddenly, you hear a sound coming from one of the rooms and it sends shivers down your spine. You slowly push open the door and find yourself face to face with a horde of twisted and deformed creatures, their eyes glowing in the dark. They let out a blood-curdling roar, and you realize that you’re low on ammo.

Classic.

What is Survival Horror?

“Survival horror” is a subgenre of the horror genre that focuses on a character or characters attempting to survive against some form of deadly threat, often in a situation where they are helpless or poorly equipped. This genre typically involves a combination of horror and action elements, as the characters must not only evade or hide from the danger, but also actively fight back against it.

Survival horror scenario abandoned hallway

In survival horror games and movies, the protagonist is often portrayed as vulnerable and in a disadvantageous position, such as being stranded in an isolated location or being pursued by a powerful and deadly monster. The goal of the protagonist is to survive by using limited resources, solving puzzles, and making strategic decisions.

The genre is characterized by its emphasis on suspense, tension, and fear. The atmosphere is often creepy and foreboding, with a focus on creating a sense of dread and unease for the player or viewer. The genre often incorporates elements of science fiction horror, with storylines that involve the supernatural, mutants, or viral outbreaks. It’s challenging to effectively trace the history of survival history because it overlaps with so many other genres. Instead we will just give a brief overview as it relates to video games, movies, and books.

Survival Horror in Games

The survival horror genre is most commonly associated with video games, and here its roots go back to the late 1970s through 1980s, with the release of horror-themed cartridge games like Haunted House (1972) and Sweet Home (1989). These early games established the basic formula of a character navigating through a dangerous environment while facing off against frightening creatures.

The survival horror genre came into its own in the 1990s with the release of Alone in the Dark (1992) on the PC and Resident Evil (1996) on the PlayStation console. These games popularized the genre with their combination of survival mechanics, such as resource management and puzzle-solving, with intense action and horror elements. The success of Resident Evil in particular paved the way for other successful survival horror franchises like Clock Tower (1996) and Silent Hill (1999), and it was Capcom who first coined the term “survival horror”..

Logo for Resident Evil survival horror video game

In the 2000s, the genre experienced a resurgence in popularity with the advent of new gaming technologies and a greater focus on creating immersive and atmospheric experiences. The release of games like Dead Space (2008), Amnesia: The Dark Descent (2010) and the Outlast series brought a new level of intensity to the genre, emphasizing psychological horror and creating more intense, frightening experiences for players.

In recent years, the survival horror genre has continued to evolve, incorporating new technologies and gameplay mechanics to create more immersive and terrifying experiences. For example, Until Dawn (2015) allows players to control multiple characters and the game changes based on decisions made, while Dead by Daylight (2016) features one versus four gameplay where one player is the killer and the other four attempt to survive. As virtual reality games become more popular, survival horror will continue to push the boundaries of what is possible in the world of horror gaming.

Other popular survival horror video games include: Fatal Frame (2001), Resident Evil 4 (2005), The Last of Us (2013), and The Evil Within (2014). The Last of Us also being a fan favorite tv show.

Poster for The Last of Us survival horror video game

Survival Horror in Movies

Much like in gaming, the history of survival horror in movies can also be traced back to the 1970s and 1980s, with early films like The Texas Chain Saw Massacre (1974) and Halloween (1978) setting the groundwork for the genre, and later being followed by movies such as The Thing (1982) and Predator (1987). These films established the basic formula of characters facing off against dangerous and terrifying threats, often with limited resources and weapons. 

The 1990s saw survival horror being blended with other subgenres, such as “body horror”, with films like Candyman (1992) and Event Horizon (1997) bringing a new level of intensity and gore to the survival horror genre. These films expanded on the core formula of survival horror, incorporating elements of science fiction and supernatural horror to create even more frightening and suspenseful experiences for audiences.

Shot from Candyman survival horror movie

In the 2000s, the survival horror genre experienced a resurgence in popularity with the release of successful films like The Ring (2002) and Saw (2004). These films brought a new level of psychological horror to the genre, exploring the dark and twisted thoughts and motivations of the characters in a way that was both terrifying and thought-provoking. Other great movies from the era include 28 Days Later (2002), The Descent (2005), The Mist (2007), Eden Lake (2008) and The Ruins (2008).

More recently, the survival horror genre has continued to evolve and expand, with newer films bringing an increased level of realism and immediacy to the genre, creating more anxiety-inducing and unnerving experiences for audiences. You can find survival horror happening in the woods with The Ritual (2017), in the snow with Frozen (2012), in a alligator-filled hurricane with Crawl (2019), on a deserted island with Sweetheart (2019), and under the water with movies like 47 Meters Down (2017) and Underwater (2020) 

Other popular survival horror movies include: Buried (2010), The Shallows (2016), A Quiet Place (2018), and Alone (2020).

Scary island in survival horror

Survival Horror in Literature

The history of survival horror in books and comics can be traced back to the Gothic novels of the late 18th and early 19th centuries, such as Mary Shelley’s Frankenstein (1818) and Bram Stoker’s Dracula (1897). These early works established many of the core themes and motifs that would come to define the survival horror genre, including the use of suspense, tension, and fear to create a sense of danger and unease. A lot of the genre owes thanks to the works of Lovecraft as well, which often feature investigative narratives and characters struggling to survive insurmountable odds.

In the 20th century, the survival horror genre continued to evolve and expand in the world of literature with the publication of books like Stephen King’s Salem’s Lot (1975), Scott Smith’s The Ruins (2006), and Comac McCarthy’s The Road (2006), along with the creation of popular comic book series like The Walking Dead (2003). These works brought a new level of intensity and realism to the genre, exploring the fear and desperation of characters facing off against dangerous and unpredictable threats.

Moving into the 21st century, the genre has continued to thrive in the world of books and comics, with the publication of works like Josh Malerman’s Bird Box (2014) and of graphic novels such as Grant Morrison’s Nameless (2017). These works bring a new level of sophistication and complexity to the genre, exploring the psychological and emotional aspects of survival in the face of horror and danger.

Other popular survival horror books/comics include: 30 Days of Night by Steve Niles (2002), The Last One by Alexandra Oliva (2017), The Hunger by Alma Katsu (2018), The Luminous Dead by Caitlin Starling (2019), Below by Laurel Hightower (2022), and The Deep (2015) and The Troop (2016) both by Nick Cutter.

Final Thoughts

Today, the survival horror genre remains one of the most popular and enduring and diverse subgenres of horror, attracting fans with its multitudes of settings and its combination of suspense, tension, and fear. The genre continues to evolve and expand, with new games, movies, and other forms of media that explore new and exciting directions for survival horror.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






The Frightful History of the Best Jumpscares

Categories
Best Of Best of Movies Featured Scary Movies and Series

The jumpscare; one of the most polarizing yet widely used tropes in the horror genre since Mark Robson’s clever editing work in Jacques Tourneur’s 1942 chiller Cat People. Some will tell you that jumpscares are cheap tactics to manipulate the audience into finding something more scary than it really is, while others insist that if they don’t jump out of their seats at least once then a film quite simply isn’t scary at all. The truth is that jumpscares are neither good nor bad, like an overly aggressive dog the blame can be placed fully on their handler. Here I have personally handpicked and compiled a list of jumpscares from throughout the ages of film, to hopefully weed out the wheat from the chaff in the world of heart-stopping horror moments.

Heavy dramatic music is better for horrific reveals and dramatic moments than to make the audience jump, though some cases have proved it can be effective.

Smile (2022)


Smile is a nightmarish slow-burn horror film comparable to the likes of It Follows (2014) and They Look Like People (2015), with plenty of creepy images and a pervasive sense of building dread throughout its entire runtime. Therapist Dr. Rose Cotter begins experiencing a terrifying phenomenon following a patient’s apparent suicide, and must figure out what smiling, shapeshifting thing is stalking her before it is too late. Unfortunately, just about every frame that could be considered chilling in Smile was shown proudly in its trailer, making the film itself feel like an extended rehash and forcing it to rely on a few jumpscares to keep the wider audience interested. One of these jolts is a scene in which Rose’s sister approaches Rose’s car, knocking on the window. As she does, her head swings violently into view to reveal a hideous smile on her face. The whole thing happens so quickly and the grotesque appearance of the long, swinging neck and demented grin make this a hugely effective scare, even if it was also sadly shown in the trailer.

Insidious (2010)

Insidious (2010) horror movie poster featuring a scary child in front of a house

This one got me good back in 2010, and I still remember jumping clean out of my seat at a couple of points. Of course I was more impressional back then and I’m not sure it would have the same effect nowadays, though I would consider Insidious to be a chillingly atmospheric and intensely creepy horror film nonetheless. Many would probably consider the best jumpscare here to be the appearance of the red-faced demon behind Patrick Wilson’s character, though there was another scene that sticks with me far more. Somewhere in the madness of the first real night of haunting, Renai (played by Rose Byrne) runs into her baby’s room to see a figure standing over the cot. Because this happens in the midst of so much panic, and because Rose Byrne’s reaction through one unbroken camera shot is so convincing, I would place this as one of the more spine-chilling jumpscares James Wan has to offer.

The Visit (2015)

The visit jumpscare horror movie poster featuring some rules and a house


Despite being one of M. Night Shyamalan’s later works, The Visit actually utilises its found-footage presentation well for the most part, offering a group of charismatic and interesting characters and plenty of passable chills, not to mention an ending that calls back to the director’s earlier, more widely regarded films. While I enjoyed a lot of The Visit, we are here to talk about the jumpscares of the matter, which sadly I liked a lot less. One stand-out scene is when the kids are crawling under their grandparent’s house and end up hiding from their snarling ‘grandmother’ as it crawls around looking for them. This may have been a creepy scene if not for the incessant and inhuman screeching and snarling coming from her. These sounds have no bearing on the story and are seemingly there to give the audience a little jolt, like an editing afterthought when it was realised the scene simply wasn’t that scary.

Hereditary (2018)

Hereditary Horror Movie Poster featuring a mother and child in a spooky scene


Ari Aster’s breakout directorial debut Hereditary is a uniquely nasty look at classic haunting tropes, one that shocked audiences with its blend of supernatural chills and pitch-black family drama. The scare I’m choosing to focus on from this particular nightmare is a good case for the argument that quiet jumpscares can work better. Things are already tense as Charlie (Millie Shapiro) struggles through her closing airways and when she tries for air, a small thud is all that’s needed to let us know that the worst has happened. You might not have initially jumped at this one, hell, you might not have even caught it the first time around, but once the realization sets in of what happens when Charlie sticks her head out of the car window, we are left in the same state of silent shock her unfortunate brother Peter (Alex Wolff) is in. Phenomenal acting and truly disturbing subject matter mean that this flick is not for the weak of heart.

The Conjuring (2013)

The Conjuring Horror Movie Poster featuring s spooky house and a noose hanging from a tree


Like any decent ghostly chiller from James Wan, The Conjuring is chock full of dread, atmosphere and a bucketload of jumpscares. As with his other works such as Insidious, Wan likes to turn up the shocks and then keep them coming until the audience is completely worn out from gritting their teeth. Once the tension ramps up we can expect horrors jumping from every shadow, meaning it can be quite hard to pin down a particular jumpscare amongst the madness. That being said, the reveal of the evil entity, Bathsheba, hiding atop the wardrobe has to be one of the better timed and executed scares of James Wan’s career. Her hideous, yet not over-the-top, appearance flashing so suddenly gives such a threatening air that our fight-or-flight sense begins to tingle at the very sight of her. Couple that with the knowledge that she sacrificed her own child just to get one over on God and you have one truly unsettling antagonist.

Signs (2002)

Signs sci-fi horror movie poster featuring a crop circle


I’ve already picked on one of Shyamalan’s later works so why not go back and have a look at one of his more worthy creations? Signs stars Mel Gibson and Joaquin Phoenix and could to this day be the scariest sci-fi horror extraterrestrial invasion film in history. This is chiefly due to the thick sense of foreboding that builds over the film’s first couple of acts, before panic ensues and the family hope their preparations weren’t in vain. The scares work here because Shyamalan keeps things quiet for the most part. One standout moment is when Merrill Hess (Phoenix) is watching shaky news footage of an alleged ‘sighting’ at a child’s birthday party. The shot of a backyard alley is held just long enough to put viewers on edge before an alien walks brazenly out and swaggers across to the other side. At this point in the film we don’t know what to expect from these creatures, so when a vaguely sinister humanoid walks out the effect is a confusing and hair-raising jolt. Every little glimpse of a leg or hand of the creatures thus far has been leading to an almost casual reveal, and Phoenix’s reaction illustrates the significance of the event perfectly.

Sinister (2012)

sinister horror movie poster featuring a scary young girl walking by a blood stained wall


Sinister is a moody and atmospheric horror directed by Scott Derrickson and starring Ethan Hawke, which utilises a home-movie effect through some of its sequences that can be considered some of the creepiest scenes in modern horror. When author Ellsion Oswalt (Hawke) finds a stack of super 8 footage depicting the gruesome murders of several families, he must decipher the connections between them before the malicious entity residing in the footage finds him. I won’t spoil too much, though I’ll say that one of these tapes has one of the more unexpected and gut-dropping jumpscares I’ve personally come across. While Sinister’s third act doesn’t quite live up to the dread built in the first two, it’s still a worthy modern horror flick in many regards and should be watched at least once.

Lights Out (short) (2013)


For this pick I’m giving a shout out to one of the most harrowing short films that ever graced the internet. It was later adapted into a great feature film of the same name, though I still consider the rawness and simplicity of the original Lights Out short to be far superior for a quick scare. Clocking at around three minutes, Lights Out features no dialogue and very minimal sound effects with no excessive increases in volume. When our lead turns out the light and sees the sinister figure at the end of the hall, we see it as she does, with no obnoxious instrumentation or erratic camera editing. As she starts to curiously turn the light on and off , the figure only appearing in the dark, we scream internally to just leave the thing on and get out of the place. The 2016 feature film definitely took things further in every possible way, and happens to be a very competently horrifying film in the process, though something about the short will always reign supreme. Watch the Light Our Horror short below.

Barbarian (2022)

Barbarian horror movie poster featuring a woman looking through a scary doorway


Barbarian is an absolute enigma of a film and is best enjoyed with absolutely no prior knowledge going into it. Let’s just say that the first act in no way hints at the insane length the story goes to, and the first actual reveal of where things are going is downright horrifying. Featuring little to no sound, this particular scene uses a quick and horrifying visual followed by some brutal violence that are both heart-stopping in their abruptness and such a curveball in terms of story that viewers feel completely and suitably helpless.

The Ring (2002)

The Ring Horror Movie poster showing a glowing supernatural ring


Gore Verbinski’s 2002 remake of the Japanese chiller Ringu, The Ring, was one of the first horror films I remember seeing, and I still remember the nightmares, the fear of TV static, and the absolute hatred of little girls with long black hair. There’s plenty to be scared of in what I would consider one of the best horror remakes around, though one scene disturbed my young mind beyond belief. Following an account of a young girl’s horrifying death, we are greeted to a quick shot of the victim crouched in a cupboard, her face twisted and warped beyond recognition. The image is so jarring and unexpected that the audience is put in a state of alert apprehension, and although I am biased I would consider it one of the best scares on this list.

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






The Good, The Bad, and The Saw: The Best Texas Chainsaw Massacre 

Categories
Best Of Best of Movies Featured Scary Movies and Series

Last month saw the release of yet another entry in the Texas Chainsaw Massacre franchise, marking the ninth in the series. This latest sequel (reboot? remake? reboot-quel?) has been largely panned by critics, with RogerEbert.com calling it “a startling misfire” and Rolling Stone concluding “it’s time to put the chainsaw down and walk away.” While many fans agree, some think the critics are being too harsh. One tweet that stood out to me in particular, from user @creepyduckart, said: “Sometimes a film called Texas Chainsaw Massacre is literally about a massacre in Texas with a chainsaw and if you don’t overthink it you might just enjoy it.” 

While I agree that the new movie is not entirely deserving of its hate, I want to push back a little on the point made by this tweet. Having seen all of the films in the franchise, I believe there are certain core attributes that define the series. Namely, the films work best when they combine an oppressive atmosphere, a dark sense of humor, and a liberal amount of violence. When deployed right, these ingredients can add up to horror movie magic. 

With that in mind, I have decided to analyze the movies in the Texas Chainsaw series and rank them worst to best, based on how effectively they adopt this winning formula. This ranking will be inevitably subjective, but I have tried the best I can to lay aside my personal biases and evaluate the movies on how successful they follow this formula, rather than how much I enjoy them. 

Texas Chainsaw Films from Worst to Best

With no further ado, sharpen your saws, and let’s get started with…

Texas Chainsaw 3D (2013) 

Texas Chainsaw Massacre 3D horror poster featuring leatherface with a chainsaw

Like the recent Texas Chainsaw, this 2013 installment attempted to breathe life back into a dying franchise by going back to the beginning. Disregarding every film after the 1974 original, Saw 3D picks up right where that masterpiece left off, even featuring several clips from the first film. This was the filmmakers’ first mistake, as such a direct comparison to a superior film makes Saw 3D look even worse than it is.

Boring, convoluted, and joyless, Texas Chainsaw 3D’s worst sin is that it doesn’t feel like a Texas Chainsaw movie at all. The film is devoid of the sweaty, brutal atmosphere of the original, featuring flat cinematography and bizarre, contemporary soundtrack choices that do nothing to build up tension. The characters, too, have none of the charisma that made the original cast so fun to watch. Leatherface and his family are reimagined as somehow sympathetic (?), undercutting the aura of menace they ought to have. Despite a few effective gore sequences, Texas Chainsaw 3D is a low point in the franchise, evoking none of the humor or dread that made the original so successful. 

Texas Chainsaw Massacre (2022) 

Texas Chainsaw Massacre 2022 Netflix Release Movie Poster

Like the 2017 reboot before it, the latest film in the Chainsaw canon is guilty of simply not feeling like a Texas Chainsaw movie. This is largely due to the way the film isolates Leatherface away from the rest of his family; this is the first film that does not feature a single other member of the Sawyer/Hewitt Clan. The deranged (and often hilarious) interactions between Leatherface and his family are a core part of what made past movies so great. By depicting Leatherface as a lone killer, he becomes interchangeable with any other slasher villain. One almost wonders if this was originally an unrelated script that was clumsily rewritten to fit into the Chainsaw series. 

Like other worst-offenders on this list, TCM ‘22 spends too much time developing a convoluted, nonsensical plot – something about gentrification? – instead of delivering effective scares. There are attempts at humor, a hallmark of the franchise, but they fall embarrassingly flat (the “canceled” joke may be the absolute worst moment in any of these movies.) The one factor keeping this from the bottom is that it does a decent job of building atmosphere; the dusty, abandoned ghost town and fields of dead sunflowers are vaguely reminiscent of the menacing vibes of the original film. Other than that, though, this is yet another installment in the franchise that barely deserves to wear its name. 

The Texas Chainsaw Massacre (2003) 

Texas Chainsaw Massacre 2003 movie poster

As the only true “remake” on this list (every other Chainsaw movie post-2000 acts as some form of belated sequel), TCM ‘03 is the most likely to draw comparisons with the original film. Seen from that perspective, it is hopelessly outmatched. Marcus Nispel’s reimagining of The Texas Chainsaw Massacre,

part of a wave of early 2000s slasher remakes, doesn’t come close to recapturing the nightmarish spirit of the original. Its characters are less engrossing, its script clunkier, and its kills far less memorable – despite being dramatically gorier than the comparatively tame 1974 film. 

Still, unlike the films lower on this list, TCM ‘03 does a halfway decent job at actually being a Texas Chainsaw movie. This is most apparent in its grimy atmosphere, thanks in part to the presence of cinematographer Daniel Pearl, who shot the original film. And while they are a far cry from the charisma and hilarity of previous Sawyers, the family members in this film are at least memorable (Sheriff Hoyt, played by R. Lee Ermey, is a particularly despicable character.) Unfortunately, in its attempt to be dark and gritty, the movie avoids the humor that is necessary for a great Texas Chainsaw movie. All in all, it is a valiant attempt, but largely an unsuccessful one. 

Leatherface: The Texas Chainsaw Massacre III (1990) 

Leatherface: Texas Chainsaw Massacre 3 movie poster

Leatherface is the only one of the original four films to be a true dud. After the comedic left-turn that was TCM2, studio executives reportedly wanted to take the third movie back in the direction of “hardcore horror.” This was their first mistake, as comedy has always been a central part of the Texas Chainsaw franchise. While there are a few moments in this movie that try to be funny – cut to Leatherface learning his ABCs – it is a downright snoozefest compared to the anarchic lunacy of the previous two films. 

The bigger problem, though, is that this movie doesn’t really work as “hardcore horror” either. It has none of the punishing atmosphere or nihilistic tone of the first two films, leading to a bland, cookie-cutter final product. Much of this is due to the departure of Tobe Hooper from the franchise. Without Hooper’s unique vision, TCM3 is an unworthy successor to the previous movies. Despite a couple of solid performances – I could watch Ken Foree and Viggo Mortensen in this movie all day – TCM3 marks the beginning of a long downhill for the Texas Chainsaw series. 

The Texas Chainsaw Massacre: The Beginning (2006) 

Texas Chainsaw Massacre: The Beginning Horror Movie poster

Believe it or not, this 2006 prequel is actually a little better than the remake that preceded it. It boasts a tighter script and stronger characters than the ‘03 film,

while also featuring some genuinely terrifying, memorable moments. Highlights include the first time that Leatherface dons his signature skin mask, and a shocking ending that left me genuinely shook. R. Lee Ermey’s Sheriff Hoyt also gets plenty of screen time in this one, delivering what is by far the best performance in any of these films post-2000. There are even a few moments of trademark Texas Chainsaw black comedy: Leatherface performing an unsolicited amputation on his uncle got a good chuckle out of me. 

Let’s talk about gore, of which there is plenty to go around in this movie. Throats are slit, skulls are caved in, and bodies are butchered left and right. But The Texas Chainsaw Massacre has never been defined by its gore; the original film is fairly bloodless. Violence works best in the Texas Chainsaw movies when it is sudden, bizarre, and brutal – recall the infamous bludgeoning scene from the first movie. The Beginning relies too much on its graphic violence, sacrificing subtlety for mindless carnage. For this reason, it falls short of being a truly great Texas Chainsaw movie. 

Leatherface (2017) 

Leatherface 2017 Horror Movie Poster

Leatherface (the second movie in the series to hold that title) is far better than it has any right to be. It is also the most narratively ambitious film in the series, abandoning the traditional TCM plot structure and instead telling the origin story of its title character. Equal parts coming-of-age road movie, bleak family drama, and brutal gorefest, Leatherface comes the closest of any post-2000s installment to capturing the true spirit of the Texas Chainsaw franchise. 

Some purists might balk at this movie’s high ranking, since it veers so far from the tried-and-true Texas Chainsaw formula. But by experimenting within an established framework, Leatherface expands on the original film’s legacy rather than engaging in rote repetition. And by bookending the main story with two of the best Sawyer family sequences since the 1990s, the film firmly anchors itself in TCM lore. The movie’s opening birthday party scene alone, in all its gleeful gore and over-the-top acting, would be enough to cement this as a worthy and enjoyable Texas Chainsaw movie. 

The Texas Chainsaw Massacre: The Next Generation (1995)

Texas Chainsaw Massacre: The Next Generation Movie poster

Mocked since its release for its bizarre tone and nonsensical plot, The Next Generation might just be the best Chainsaw movie not made by Tobe Hooper. This is no doubt due to the direction of Kim Henkel, who was Hooper’s writing partner on the original film. Consequently, Henkel’s vision of Leatherface and family feels more authentic and visceral than the studio-helmed TCM3. As unconventional as some of his choices may be, Henkel knows the world of Texas Chainsaw on a gut level. 

While some fans balk at Henkel’s emphasis on campy, over-the-top humor, I believe it works as a natural evolution of Hooper’s two films. Yes, the film is not particularly gory, and the plot does take some questionable left turns in the final act. But at its heart, the Texas Chainsaw series has always been about unpredictable violence perpetrated by comically deranged characters. That is a letter-perfect description of The Next Generation, in particular Matthew McConnaughey’s performance as the unhinged Vilmer. If you’re going to watch any Texas Chainsaw movie not directed by Tobe Hooper, this should be the one. 

Tied for Best: The Texas Chainsaw Massacre (1974) and The Texas Chainsaw Massacre 2 (1985) 

Texas Chainsaw Massacre Movie Poster 1974

The two Texas Chainsaw movies directed by Tobe Hooper operate on another level from anything else in the franchise. While the other movies on this list range from great to unwatchable, TCM & TCM2 are crown jewels of horror filmmaking, chock-full of one unforgettable moment after another. From the brutal, apocalyptic imagery of the original, to the campy splatter of its sequel, these movies comprise a single, sustained peak for the TCM series, and an artistic triumph for one of the greatest horror directors of all time. 

The reason I am ranking these movies together is because each one represents different but equally vital components of what defines a Texas Chainsaw movie. The original film is one of the most atmospheric, brutal pieces of horror cinema ever made. It was even marketed as being based on a true story. Watching it, you can feel the sweat pouring down your brow, smell the decay and horror of every moment. The sequel, on the other hand, expands rather than retreads its predecessor, turning its black humor up to eleven. Both films are deeply scary and moody; both shock us with moments of brutal violence; both feature some of the hammiest and memorable performances of their respective decades. In short, both demonstrate everything you need for a perfect and clearly the best Texas Chainsaw Massacre movie.

Sources: 

https://www.rollingstone.com/movies/movie-reviews/texas-chainsaw-massacre -review-netflix-1302675/ 

https://www.rogerebert.com/reviews/texas-chainsaw-massacre-movie-review-2 022

blank

Advertisements

Join "The Horror List" for Weekly Horror in your inbox






Join The Horror List