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Borley Rectory – Most Haunted House in England

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Featured Haunted Places Horror Mystery and Lore

There are many, many demon houses in America – from the hauntings of Amityville to Georgia to Connecticut and every state in between. But there’s another Gothic-style home that came far before any of these famous hauntings – across the pond and described as “the most haunted house in England” by famed psychic researcher Harry Price. Yes, we’re talking about Borley Rectory. Built in 1862 and demolished in 1944, there were claims of paranormal activity within the house for many decades – from owners, paranormal experts, visitors and more for many decades after the house was destroyed. Sure, there were a few skeptics… but what haunting legend doesn’t have its haters? Read on to learn more about Borley Rectory and the horror it bestowed upon Britain many years ago.

The Reverend

Quite a few hauntings around demon houses involve religion, whether it’s regarding a nun spirit (wait for it) or the priest who is forced to come in and perform an exorcism on the property. The difference with Borley Rectory, however, is that it was made specifically for Reverend Henry Dawson Ellis Bull to live in after becoming rector of the parish. The manor was built after the previous rectory had burned to the ground just one year prior… and immediately became a source of gossip for the townspeople. Partly for the gothic exterior that stood out in a rural suburban town, and partly for the spirits that were seen wandering the grounds throughout the years.

Borely Rectory Image from 1800's

Reverend Henry Dawson Ellis Bull lived there with his fourteen children until his death in 1892, and those three decades were supposedly filled with all types of paranormal activity and unexplained events – a claim which would be supported by later owners. His daughters were the first ones who claimed to see the ghostly nun – which would become one of the most prominent spiritual figures within the home and an apparition seen by many people of Borley. Despite these claims of ghostly activity, the Bull family owned the house until 1927 when the Reverend’s eldest son died. That’s when Reverend Guy Eric Smith and his wife moved in and began to ask questions that the Bulls never had. 

Society for Psychical Research

Society for Psychical Research

When you find the skull of a young woman in one of the cupboards of your new house, like the Smiths did, it’s likely that you’d have a few questions. Especially since the paranormal activity at Borley Rectory reached a peak right after this discovery of human remains. The couple apparently saw a headless horseman pulling the carriage while they heard unexplained footsteps and servant bells ringing… which prompted them to contact The Daily Mirror and plead for contact with the Society for Psychical Research (SPR). That’s how the Smiths met Harry Price, the famed paranormal investigator who would later call Borley Rectory “the most haunted house in England.”

Price’s presence in the house only upset the spirits, and his report of terrifying experiences at Borley Rectory included objects being thrown and “spirit messages” in the mirror. As could be expected, this phenomena came to a halt shortly after Price left the house. While the investigator had many skeptics who doubted his claims of paranormal activity at the house, including Mrs. Smith herself, his experiences captured the attention of people far outside of Borley and contributed to the house’s infamy. It’s also worth noting that many other paranormal investigators over the years, including famed ghosthunters Ed and Lorraine Warren, supported the idea of frightening phenomena within Borley Rectory. 

The Smiths stayed in the house for only a couple years, being replaced by Reverend Lionel Algernon Foyster and his wife Marianne in 1929. This family reported far more frightening events than those before them – including being locked in rooms, threatening mirror messages, and being violently thrown from the bed. The Reverend compiled an entire report of paranormal phenomena that they experienced during their time at Borley Rectory, which caused Harry Prince to circle back around and become even more interested in the house. While he failed to exorcise the property on two occasions, he drew enormous attention to Borley Rectory and inspired many ghosthunters and mediums to attend and study the ghosts within the walls. How popular was this home in the city of Essex, exactly? Let this quote from The Daily Mirror tell you. 

Daily Mirror Borely Rectory 1929

“The rectory continues to receive the unwelcome attention of hundreds of curious people, and at night the headlights of their cars may be seen for miles around. One ‘enterprising’ firm even ran a motor coach to the Rectory, inviting the public ‘to come and see the Borley Ghost’, while cases of rowdyism were frequent.’”

The Spirits

After the Foysters left Borley Rectory in 1935, Price would move in and spend years experimenting with the paranormal phenomena in the house. He held seances, hired psychics, and recorded instances with meticulous detail to uncover the history of the house. The closest he got was one instance in 1938, in which medium Helen Glanville was reported as having made successful contact with a nun and an unidentified male spirit. The man even predicted that the Borley Rectory would be destroyed in a fire in March of that year. Spoiler alert: he was right. 

Despite the fire badly damaging the house and the entire demolition of the property in 1944, there has been continued interest in the ghostly activity within Borley Rectory. Both from Harry Prince and the many ghost hunters that came after him. What’s the deal with the nun, and why exactly did the Foysters experience more terror than any other family?

There are plenty of books, movies and mini-series that you can check out for answers, as you become immersed in the mystery of Borley Rectory. 

Books

Films

Borley Rectory horror film 2017

Borley Rectory horror film 2017 poster

The Haunting of the Borely Rectory 2019

The Haunting of the Borely Rectory 2019 horror movie poster

The Banishing Coming 2021

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Brahms: The Boy II Left Us With ‘Lunch Box Let Down”

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Featured Reviews Scary Movies and Series
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Brahms The Boy II Image Source: Exhibitor Relations Co. 2 – Box Office Boogaloo

We love movies about haunted artifacts and apparently so do millions of people. There is just something about an evil spirit trapped inside an inanimate object when it causes suffering and chaos to the unfortunate owner that is so mysteriously macabre.

We Really Like Katie Holmes (But Not in Horror Movies)

Laura Cohen was the central character of The Boy (2016) and she had already mastered horror after playing Maggie in The Walking Dead (2010 – ). As a horror actress, she’s an instant hit, because she brings a sort of fearless badassery that makes us believe she is experiencing authentic terror. When Cohen is scared, we are scared. This is something that Katie Holmes has not quite mastered because horror is not really a genre that fits her profile or range.

It takes someone who loves horror to act with believable fear in a horror movie. Laura Cohen had more than a decade of that experience as she was slaying zombies on-screen every week. She has the survivor chops that someone like Katie Holmes cannot quite muster in a scary movie. She does, however, play a really awesome victim who is being stalked by a psychopath, but even her performance in the 2002 movie Abandon was panned by critics. Katie Holmes is not someone we want to see in a horror movie; she belongs in forty-something adult romantic comedies or suspense movies.

Brahms: The Boy II is not the first horror movie that Katie Holmes has been cast in, which is kind of strange since we feel that she’s not really the kind of person you want to see fighting in a life or death situation with a demonic entity.  Holmes also appeared in “Don’t Be Afraid of the Dark”, “Teaching Mrs. Tingle” and “Disturbing Behavior”, which do not top the list of truly scary movies. More like, the kind of scary movies you watch with your mom who hates horror movies. Watered down. Decidedly un-scary.

We wondered if Katie Holmes was a closeted horror fan. Was she someone that had a massive collection of every horror movie ever made? Did she snuggle on the couch with Jamie Foxx with a big ass bowl of popcorn and watch The Exorcist for the 100th time? There has to be a reason why she seems to get cast into horror roles right? Is she asking for work in the genre, without knowing she would be a better fit on feel-good shows like a Gilmore Girls reboot?

https://www.youtube.com/watch?v=tNJgte__mIc

Apparently, she does love horror, but her inspiration for the movie was communicating the vulnerability of Liza, the mother of Jude (played by the talented Christopher Convery). In several interviews Holmes has said she wanted to show the protective nature of a parent, and she nailed that (tapping into her own real-life experiences). But while she states in several interviews that Brahms: The Boy II will ‘have you on the edge of your seat terrified” the truth is that the scariest scenes barely involve Holmes at all. That is not where the few (but impactful) terror moments in the movie come from.

A High-Quality Scary Movie Which Pales in Comparison to the First Iteration “The Boy”

There is a checklist of cinematic techniques and storytelling that make for a good (but maybe not great) horror movie. Real fans of the horror genre and writers are able to see these commercial cookie cutter elements that are (unfortunately) a predictable and repetitive recipe for mainstream scary movies.

  • At least one A-list actor to ensure audience enticement
  • A scary filming location (the Craigdarroch Castle in Victoria, British Columbia Canada)
  • Eerie but pristine old looking wooded areas
  • Creepy doll
  • An older historian type figure who connects the dots for the family with facts they were not aware of about the house, and the doll
  • A dog that can sense the malevolent spirit is brutally killed (we hate this by the way but understand the psychological trigger of including it in the plot). Cheap shot.
  • A strained marriage because of [insert trauma type] that makes the protagonist feel like he/she may be going insane as they start to witness paranormal behaviors
  • The injury of a child playing with the possessed or influenced child, within the geographic influence of the haunted artifact.
  • A male partner who thinks the female protagonist experiencing paranormal is hormonal or possibly insane. (We love it when horror writers throw in the ‘female is batshit crazy’ card… thanks.)

Sounds familiar right? With very few exceptions and breakout moments of script and storyline originality, Brahms: The Boy II feels like a movie we have seen before. Time and time again.

We cannot call it ‘horror’ because we were not afraid to go into the basement with the lights off, after watching the movie. We did not feel the need to sleep with the closet light on, and we had no bad dreams after watching Brahm: The Boy II.  It made us jump a few times which was fun, but it failed to penetrate into that squishy psychological area of our brain which makes us think about the movie for days afterward. Zero trauma. We were disappointed.

Hollywood horror producers, if you are looking for some talented writers in the genre, we have a long list of talented horror creatives. Just in case, you know, you are actually looking for some truly terrifying novels to adapt to the kind of horror movies we want to see.

REAL. SCARY. HORROR.

Brahms: The Boy II is Less Intense and Terrifying Than “The Boy”

At time of publishing “Brahms: The Boy II was out in the theaters (hello pandemic, not that we can actually go see it or anything… anyone else missing hot pretzels and insanely large sodas?). We went to Redbox on Demand and found that it was not yet available for rent, but we could buy it for $9.99. So, we did.

In the first film The Boy, we see a much more violent and malevolent demonic presence and influence in the doll. Yep, we are Maggie fans, because the talented Laura Cohen makes you feel the same fear she is experiencing. By comparison to Liza, played by Katie Holmes, we have a ‘concerned mother’ who feels a little slow moving to connect the dots.

The trauma is to blame? Maybe, but Holmes comes across as the kind of Mom that is distracted (not distraught), and definitely not the horror movie hero we want her to be in the movie. She comes across as being too nice, like a Mom you would like to invite to your wine and book club. This movie and storyline based on the original had so much potential, and literally falls on its face. Great cinematography however and some amazing camera angles, set and performances by other new and supporting actors in the film.

The creepy factor of Brahms activities are really limited to moving his head, footsteps in the hall (or up the stairs), slamming doors and one particular scene with a flashlight that we won’t ruin for you.  But overall, the dolls behavior in this sequel is pretty tame when you compare it to his epic and eerie malice in “The Boy”.

For the record, we REALLY wanted to see this movie. We paid $10 to watch it at home! We wanted it to be a fun and scary experience but ended up watching something scarier after the movie was over. My 14-year old stepson (who is only toe dipping into the genre with books and movies) said it best:

“That wasn’t really a scary movie. Can we watch something scary next?”

Go back to what worked in the first film. We look forward to the potential twist of storyline in The Boy 3.

Definition of Lunchbox Let Down:  When your mom tells you that she packed something extra special for your lunch. And you get all excited about it, until you open it on the bus and find a peanut butter and jelly sandwich, a bottle of water, and an apple.

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Release date: February 21, 2020 (USA)

Director: William Brent Bell

Film series: The Boy

Screenplay: Stacey Menear

Production company: Lakeshore Entertainment

Distributed by: STX Films

Run time: 86 minutes

Image: Theatrical release poster

Feature Image Source: Exhibitor Relations Co. 2 – Box Office Boogaloo

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Cabin Horror Genre and Recommendations

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Cabin horror, sometimes referred to as “cabin in the woods” horror, is a subgenre of horror movies and books that typically takes place in a remote cabin or similarly isolated location of some kind. These movies often feature a group of young adults who are stalked and terrorized by some sort of supernatural or human threat. Some common themes in cabin horror stories include the fear of the unknown, the danger of isolation, and the consequences of reckless behavior. Overall, cabin horror movies often use their isolated and claustrophobic settings to create a sense of tension and unease, while also playing on the audience’s fears of being trapped and hunted by an unseen threat.

Some common tropes of the cabin horror genre include: 

  • The remote location: The cabin is often located far from civilization, making it difficult for the characters to get help or escape from their attackers.
  • The group of friends: The main characters are often a group of young adults who are on vacation together, allowing for the opportunity to explore themes of friendship and group dynamics.
  • The supernatural threat: The cabin horror genre often features supernatural elements, such as ghosts, demons, or other monsters.
  • The slasher element: Cabin horror movies may also include a human threat, such as a deranged killer who is stalking the characters and picking them off one by one.
  • The final girl: A common trope of horror movies in general, the “final girl” is typically a female character who survives the attack and is left to face the aftermath of the horror. 
Demon possessed woman from The Evil Dead movie.

Cabin horror has been popular since at least the 1980s, when movies like Friday the 13th and The Evil Dead helped popularize the subgenre. However, the genre has continued to evolve over the years, with movies like The Cabin in the Woods and Knock at the Cabin Door playing with audience expectations and subverting some of the traditional tropes of the genre.

Below are examples of popular films, books, and graphic novels in the cabin horror genre.

Cabin Horror Movies

The Evil Dead (1981) – A group of friends travel to a remote cabin in the woods for a weekend getaway, but stumble upon an ancient tome that unleashes a demonic force that possesses them one by one. This movie is a classic example of cabin horror, featuring a remote location, supernatural threat, and group of friends being stalked by an unseen enemy. 

Friday the 13th (1980) – A group of counselors arrive at Camp Crystal Lake to prepare it for the summer season, but are stalked and killed by an unseen assailant. This movie helped popularize the slasher subgenre of horror and features a remote location, group of young adults, and a killer on the loose.

The Cabin in the Woods (2012) – A group of friends travel to a remote cabin for a weekend getaway, only to discover that they are being monitored and manipulated by a mysterious organization. This movie plays with the audience’s expectations of the cabin horror genre and features elements of both supernatural and science fiction horror.

Movie poster for The Cabin in the Woods

Tucker and Dale vs. Evil (2010) – Two hillbillies, Tucker and Dale, buy a remote cabin in the woods for a vacation home, but their attempts to enjoy a peaceful weekend are interrupted by a group of college students who mistake them for deranged killers. This movie is a comedic take on the cabin horror genre, featuring elements of both horror and satire.

The Cabin (2018) – When a group of friends go on a weekend trip to a remote cabin in the woods, they unwittingly stumble upon an ancient curse that begins to take over their minds and bodies. This curse brings the cabin and the surrounding woods to life, creating a hostile environment where the friends are constantly under attack. The supernatural elements of the film add a layer of mystery and terror to the already tense situation, creating a unique and engaging horror experience.

The Lodge (2019) – Two children and their stepmother are snowed in at a remote cabin during the holidays, but as various conflicts begin to escalate, it becomes clear that something sinister is at play. The movie explores the deteriorating mental states of the characters as they become trapped in the cabin, which creates an atmosphere of dread and uncertainty. As tensions rise between the characters, strange occurrences begin to happen, and the line between reality and nightmare becomes blurred.

Cabin Horror Books & Comics

The Troop by Nick Cutter (2014) – A group of boy scouts and their troop leader venture to a remote island off the coast of Prince Edward Island for a weekend camping trip, but are soon stalked by a horrifying creature that feeds on flesh. The book also features elements of body horror, as the infection caused by the creature causes gruesome physical transformations and mutations in the characters. The combination of the group’s struggle for survival and the disturbing physical changes they experience creates a chilling and unsettling atmosphere.

Book cover for The Troop by Nick Cutter

Wytches by Scott Snyder and Jock (2014) – A family moves to a small town in New Hampshire to escape their troubled past, but are targeted by a coven of witches who dwell in the nearby woods. This graphic novel adds terrifying narrative turns with the inclusion of the witch’s dark magic and the mystery surrounding the town’s past, creating a gripping and chilling read. Overall, Wytches fits within the cabin horror genre due to its remote setting, supernatural elements, and atmosphere of terror and suspense.

The Cabin at the End of the World by Paul Tremblay (2018) – A family vacations at a remote cabin in the woods, but are soon visited by a group of strangers who claim that the end of the world is imminent and that they need the family’s help to prevent it. The book creates a sense of claustrophobia and isolation within the cabin, as the family members are cut off from the rest of the world and forced to confront the strangers who have invaded their sanctuary. The story also does a great job of blending elements of psychological horror with supernatural and apocalyptic themes, creating a sense of unease and tension that builds throughout the book.

Camp Slaughter by Sergio Gomez (2019) – The story follows a group of teenagers who are sent to a summer camp in the woods, but soon discover that the camp has a dark and deadly history. The camp was the site of a mass murder years before, and the spirits of the victims have returned to seek revenge on those who dare to set foot on the grounds. The isolation of the camp and the surrounding woods creates a sense of claustrophobia and paranoia among the characters, as they realize that they are cut off from the rest of the world and facing unknown dangers lurking in the shadows.

Book cover for Camp Slaughter by Sergio Gomez

The Shuddering by Ania Ahlborn (2019) – A group of friends embark on a winter vacation in a remote cabin in the mountains, only to discover that the cabin and the surrounding woods hold a dark and terrifying secret. The book also features elements of supernatural horror, as the friends are confronted by mysterious and malevolent forces that seem to be connected to the cabin and the surrounding woods. The supernatural elements of the story add to the horror and create a sense of unease and uncertainty as the characters struggle to survive and uncover the truth about the cabin’s dark past.

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California’s Haunted Lighthouses

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Featured Haunted Places Horror Mystery and Lore NA

Lighthouses are a common fixture in the world of horror, and there are many reasons why. Perhaps it’s the eerie crashing of the waves, or dim light that may or may not bring lost ships to safety. But there’s one aspect that definitely plays a part in the horror of lighthouses – the real-world fear of loneliness. Lighthouse keepers often choose to live in solitude, spending their days alone as they save ships from danger and witness horrific shipwrecks. It’s very common for lighthouse keepers to die alone in their chamber of solitude, and continuously haunt the area for years to come. This is the case with some of the most haunted lighthouses in California, which combine the common fears of the sea, lost spirits, and abandonment for a true horror story. Here are the top haunted lighthouses in California that you need to know….

Point Sur Haunted Lighthouse

Point Sur Haunted Lighthouse

Location: Monterey, CA

Nestled on the rocky coastline between Carmel and Big Sur, this lighthouse isn’t just one of the most haunted in California, but the entire country. That being said, you’d never know just by looking at it. It’s perched on a volcanic rock with a gorgeous view of the Pacific Ocean, on a beach that’s more serene than spooky. It’s when you get close enough that you realize it’s haunted by the souls of all those who perished in shipwrecks near the shore. And even the families who lived here in harmony, and simply wish to return as spirits and enjoy the breathtaking ocean views. Many ghosts have been sighted throughout the years, but one of the most famous is a tall man in dark blue, 19th century attire – and you’re guaranteed to hear about him when you take a guided tour of Point Sur State Historic Park.

Battery Point Haunted Lighthouse

Battery Point Haunted Lighthouse

Location: Crescent City

Believe it or not, you can actually apply to work as a keeper at Battery Point Lighthouse. You’ll work on a one-month rotation, help upkeep the museum, and keep the ghosts at bay! Okay, maybe not. But there has been some extreme paranormal activity inside this red-bricked building. People have heard footsteps on the tower stairs during storms, slippers have moved in the middle of the night with no explanation, and strange smells of cigars are a common occurrence at the Battery Point Lighthouse, even more than 100 years after it was built. Visit the museum and learn more about the haunted history of this lighthouse!

Point Piños Haunted Lighthouse

Point Piños Haunted Lighthouse

Location: Pacific Grove, CA

If you didn’t know any better, you’d think that the Point Piños Lighthouse was just a cute little house… not a haunted institution. Can’t it be both? It’s still in use today as a way to warn ships of upcoming rocks and dangers, and also has museums and exhibits on the grounds. Many apparitions have been seen throughout the years, but one of the most popular spirits is that of Emily Fish, the “socialite lighthouse keeper.” She served as a keeper from 1893 to 1914, and it was quite rare at the time for women to hold such a position. She did a great job upkeeping the grounds and keeping the lighthouse in top shape, and as it turns out… she does the same thing in death. Fish is frequently seen hanging out around the lighthouse and keeping things running!

Alcatraz Island Haunted Lighthouse

Alcatraz Island Haunted Lighthouse

Location: San Francisco, CA

There’s a very good chance that you’ve heard of Alcatraz Island in the San Francisco Bay, and the prison that once housed some of the worst criminals in America. It’s hard not to be consumed by evil when you’re surrounded by murderers and thieves – many of whom were killed by other inmates or while trying to escape “The Rock.” Many of these bad vibes can also be felt in the lighthouse, which has been out of service for decades. Take a cruise to Alcatraz and discover why the island, and its lighthouse, are considered to be some of the most haunted places in California.

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Call of Cthulhu Manifest: Illustrating an Outer-God

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The time is once again upon us to take a plunge into the morbid and cosmic horror world of H. P. Lovecraft, once more staggeringly illustrated by the visionary François Baranger. I’m now two books into this series which is beginning to feel akin to a sort of cinematic universe, only retained on paper where it can truly pay tribute to Lovecraft’s original work. Whereas the first part of At The Mountains of Madness left me hanging on the edge of a sheer plummet into darkness, Call of Cthulhu, a much shorter tale, manages to contain it’s entire self within the confines of this gargantuan hardback. But only just. 

With this being a story I’m familiar with and one I managed to enjoy in a single sitting along with all of the gorgeous artwork it swims in, how did Baranger and Free League Publishing do? In short: terrifyingly well. 

Call of Cthulhu is a rather more nautical outing than it’s snowy predecessor in this series and, for those with sensibilities such as my own, holds far more capacity for cosmic horror and its suffocating vastness. This story deals primarily with scale: the ocean, the dreaded city of R’lyeh, and the tentacled megalith himself; almighty Cthulhu. Of course the narrative wades in accounts and letters and newspaper articles in classic Lovecraft fashion, but towards the final act things heat up to boiling point and we’re treated to several devastating views of the alien geometry of R’lyeh and the towering, tentacled form of the lumbering god himself. 

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I’ve mentioned in the past that Baranger’s art makes Lovecraft’s writing even more dramatic and far more accessible. You’d be hard-pressed to find someone who hasn’t heard of Cthulhu these days, or at least seen one of the countless artistic depictions of the squid-dragon goliath. He was an obvious choice for this next huge illustrated issue, and the payoff involves some truly chilling images.

In an age of plush toys and parodies it’s good to see my personal favorite oceanic behemoth in a style more befitting his true nature, and in a book big enough to support him. These hand-painted renditions depict the colossal elder god rising from unfathomable depths, looming over a fiery, decimated New York and roaring into the heavens beneath stomach-dropping storms. It truly is the best tribute to the visual horror of Cthulhu that i’ve witnessed, and serves as the perfect accompaniment to Lovecraft’s unsettling tale.

Call of Cthulhu book art featuring a giant monster in the ocean

Thematically, the narrative centers around madness and obsession, as is common in Lovecraft’s work, though perhaps not to the extent of detail and thoughtfulness as displayed in this masterpiece of a short story. Implications of extensive lore are found throughout logs, notes, newspaper articles, alien statues and accounts of outlandish dreams. Much of it is a story within a story as our narrator, Francis Weyland Thurston pores over his late uncle’s notes and a strange bas-relief depicting Cthulhu reigning over R’lyeh. Insanity is displayed through obsessive artistry, mass hysteria and primordial cultism. The pervading racism is unfortunately as apparent as we’ve come to expect from this particular author. While the ignorance much of Lovecraft’s work is rooted in should not be glossed over, the style of story helps separate art from artist and merely take this as the views and wording of Thurston and his uncle. 

Baranger’s art remains moody yet grounded and rooted in realism so that when our titular overlord finally awakens, first time readers can breathe a sigh of relief that such an intense story ends on more than just implication. Lovecraft himself would be delighted and terrified at these powerful renditions of his brain spawn. I for one can’t wait to see what comes next in the series; with such an extensive backlog to choose from we’re left with infinite potential for stomach-dropping cosmic horror imagery. 

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