History is littered with questions as to the validity of extremism in art and media. Traditional English-speaking sensibilities all but protect us from the taboo-destroying underground world of experimental cinema, a place until now reserved for those who were prepared for a deep-dive into their local video rental store or, more recently, the internet. That being said, if I see that a horror film originated in the likes of France, Japan or Korea, to name a few, I know I may be in for a bit of a ride. At least I could be about to see something I had, through cultural linearity, never seen before. When I discovered Arrow Video’s release of We Are The Flesh (2016) promising an extreme and uninhibited French-Mexican horror experience, I was cautiously optimistic.
Written and directed by Emiliano Rocha Minter, it’s a gleefully depraved slice of post-apocalyptic experimentalism. Beginning with a brother and sister (played by Diego Galamiel and María Evoli, respectively) discovering the makeshift lair of a primitive loner (Noé Hernández) after wandering a seemingly ruined city for ‘days’, the loner offers them refuge under his own, as of yet unknown conditions. Before long the ethos of this energetic stanger has leached fully into their minds, as well as our own, and from here We Are The Flesh consistently ups the ante until we’re sure we’ve seen it all. Displaying shockingly brash instances of sex, torture, murder and cannibalism, one would be forgiven for assuming that this is simply another exercise in shock horror and likely deserves the dreaded ‘Torture-Porn’ moniker.
What Genre is We Are the Flesh?
The fact is, Minter’s directorial feature debut is far too intelligent to fall into such derogatory categories. The full commitment to its views, monologued with gusto by Hernández, completely backs the primordial hedonism to follow. As he bangs his drum and screams of deep phenomenology and the freedom of primitive chaos, viewers can’t help but be sucked into his words, nodding along and cheering for things that would have otherwise disgusted them. The core themes of his diatribes being isolation and the liberation it has afforded him, these matters could not be more apt for times like these. Rather than condemn his seclusion, he describes its effects with violently joyous energy. He speaks lovingly of mankind’s dual and savage nature as beasts who only suppress their most ancient of instincts, urging his new acquaintances to do away with the thin frameworks of moral decency that only other people held in front of them.
“The spirit doesn’t reside within the flesh; The spirit is the flesh!”
The storytelling is vague and often confusing. The destruction of the outside world is only hinted at by the state of the converted apartment block the characters reside in. Many elements are implied and only fall into place in the final moments leading to an ending that makes any right-minded viewer question everything they have seen, their own values, and likely those of the entire human race. This is the essence of experimental horror.
Shock or Thought Provoking Imagery, Maybe Both?
We Are The Flesh left a hell of an impression on me; the type you sit and ponder for a time, probably long after the credits roll. While a lot of people won’t make it to that point, and some may even react negatively at being shown such an uncompromising film. But that’s where the true point of cinema like this lies, for me anyway. If someone becomes joyous or angry or upset at what they see then they’re making a decision on it; for better or worse it has made them think. Either we reject the new and strange ideas being shown to us or we embrace them for all of their gleeful depravity. These long, unbroken scenes of increasingly bizarre, deviant sex and violence will unnerve even seasoned horror fans and, elite as it may sound, only those with the capacity and intent to soak in the true meanings behind the insanity will gain anything from their viewing. If Hernández chanting, flapping his arms like a bird and appearing like something between Gollum and Dennis Hopper in Blue Velvet (1986)doesn’t spark at some primitive charge in your brain then what follows will only deepen your confusion.
Through focused cinematography, blistering intelligence and chilling commitment to performances, We Are The Flesh is one of the finer experimental horror films I have subjected myself to. While appreciators of this type of art remain in the few, this is one of the more accomplished pieces of work that could take its shameless style to a wider audience. That being said, I won’t be recommending it to any family members.
Joe first knew he wanted to write in year six after plaguing his teacher’s dreams with a harrowing story of World War prisoners and an insidious ‘book of the dead’. Clearly infatuated with horror, and wearing his influences on his sleeve, he dabbled in some smaller pieces before starting work on his condensed sci-fi epic, System Reset in 2013.Once this was published he began work on many smaller horror stories and poems in bid to harness and connect with his own fears and passions and build on his craft. Joe is obsessed with atmosphere and aesthetic, big concepts and even bigger senses of scale, feeding on cosmic horror of the deep sea and vastness of space and the emotions these can invoke. His main fixes within the dark arts include horror films, extreme metal music and the bleakest of poetry and science fiction literature. He holds a deep respect for plot, creative flow and the context of art, and hopes to forge deeper connections between them around filmmakers dabbling in the dark and macabre.
Over fifty years have passed since the original reports rolled into the Defiance Police Department. In spite of the turbulent political climate of the early 1970s (Nicely), this story caused panic. Rampant unsolicited reports ensued, meanwhile, there was a werewolf on the loose!
Outside of the original news articles, not much exists in the way of evidence of the Defiance werewolf sightings. Unfortunately, any articles found these days consist primarily of conflicting information. The focus on theatrics, mystery, and whimsy has only served to dilute the sightings from the summer of 1972.
This story has faced more than its share of scrutiny, undoubtedly small changes to the story over time have taken away from any authenticity it had. Marler stated that “the legend has stuck to the town and locals still talk about it to this day,” but our research has shown otherwise.
While it’s true that the legend has stuck to the town in a historical capacity, there are actually very few people who recall the incident. Those that do remember, however, don’t recall much detail. Nevertheless, most of the town remains relatively unaware of the existence of their local cryptid.
One common misconception about the original incidents is that they did not happen during a full moon. Common lore, however, would suggest that the days surrounding a completely full moon are also indicative of werewolf transformation. So, while the moon wasn’t full on July 25, 1972, it was a Waxing Gibbous moon. For those who want exact figures, it was at 98.18% illumination (“Moon”), which means it likely looked full to the naked eye.
Werecreatures, according to lore, are humans who have been cursed with the uncontrollable curse of transforming into a beast under the light of the full moon (Newton, 149). These creatures are paranormal in nature because they are humans with an affliction that transforms them into a beast. Unsurprisingly, legends have existed across nearly every culture in history, with the oldest reference being from Petronius Arbiter’s The Satyricon.
The appearance of werewolves is most prevalent in American pop culture. Throughout the last century movies, television, and literature have attempted to renew the vigor of werewolf lore ad nauseam. The depiction of werecreatures tends to range from comedic to horrific and this vacillation is heavily reliant upon the genre in which they appear. Regardless of their portrayal, whether comical or frightening, they remain a product of a paranormal world of which scientists remain highly skeptical.
The dogman is a conceptualized werewolf-like creature native to American culture. Dogmen are not considered to be paranormal in nature, since they exist at all times in their beast state, as both half-dog and half-man. Sightings of these wolf-like cryptids have a history of reports from across the United States but are most heavily centralized in the eastern half of the country.
Cryptid Canines of Ohio
For the past half-century, reported dogman sightings have been rampant throughout the state of Ohio. The most widely acknowledged case of sightings happened in the summer of 1972. Throughout the history of the Ohioan Dogman, it has boasted a surprising variety of different physical descriptions. Witnesses never seem to agree whether it presented as a bipedal humanoid, or as a beast walking on all fours.
Outside of Ohio, the most famous dogman in America is the Beast of Bray Road. It was reported from Elkhorn, Wisconsin, and the neighboring region beginning in the fall of 1989. The subsequent film, inspired by real events, depicted a wholly fictitious storyline (Newton, 149).
Is it a Dogman or a Werewolf?
In Newton’s entry on dogmen within his book Hidden Animals, there is a mention of a 2004 encounter with an unidentified witness. The witness claimed to have had a close encounter with a large bipedal creature with a face that more closely resembled a dog than a human. Another witness report from August 2005, coming from the Liberty area, described a sighting of a creature that was black in color and possessed the head of a large dog (Newton, 151).
When witnesses were prompted to describe the creature, each person immediately mentioned that the creature was “very hairy.” Outside of this vague descriptor, the three witnesses gave similar reports of the creature’s appearance (Stegall). DeLoye aptly summarized the physical appearance of the beast, as it was reported by various sources. All reports agreed it was very tall—between six and nine feet. The creature is bipedal but often looks as if it’s on all fours, as it has been seen hunched over on several occasions.
Many reported that despite having an animal’s head the creature resembled a man, or at the very least an upright wolf. Reports said the creature was covered in hair and that it ran around barefoot. Strangely, in place of human feet, it had large hairy paws and wolf-like claws. Potentially the strangest part of the description, by comparison, was that the creature seemed to be wearing blue jeans and a dark shirt. (DeLoye)
The Werewolf of Defiance
Amidst the heat of the summer of 1972, the residents of Defiance, Ohio suddenly began reporting sightings of a werewolf. An alarming number of people claimed to see a large hairy beast running around town, dressed in rags. Such an insurgence of reports came in, that it was far too great for the police to ignore.
Bewildering Encounters
The myriad versions of the myths and legends circulating about both werewolves and dogmen create a preconception of what they are. This means that the layman will assume the information they’ve gleaned from pop culture to be fact, despite the source material’s claims of fiction.
According to news sources, the first encounter with the Werewolf of Defiance happened around four in the morning on July 25, 1972. Railroad worker, Ted Davis, was working on the Norfolk and Western train lines (Pfeifle) at the time of his first encounter. As Davis was connecting the air hoses of two train cars something on the ground caught his gaze. Two huge hairy paws stood before him. No sooner did Davis raise his eyes in curiosity than the creature hit him with a two-by-four. Davis had seen enough to describe the creature as approximately six feet tall, hunched over, and hairy.
Skeptical of Werewolves
Less than a week later, on July 30, Ted Davis and his colleague Tom Jones reported a second sighting of the creature. Davis faced ridicule from Jones, who believed the whole incident to be a joke amongst the crewmen. All of that stopped that night when Jones witnessed the creature for himself at the edge of the railyard (Pfeifle). Jones was a believer.
The creature disappeared into the brush at the same time an unlucky grocer was driving home late from his shift that night. According to the unnamed witness’ statement, a large dog-like creature ran across the road in front of him (DeLoye). After Jones and Davis noted the creature’s absence, they heard screaming from a car stopped on a nearby road (Stegall).
The Crescent News was the largest skeptic of the bunch and reported that “two of the incidents occurred last week and one last night. None [have] happened during a full moon,” despite the evidence to the contrary. In fact, the first incident happened the day before the full moon (“Moon”).
Elaborate Hoax?
Marler suggested that the investigation should have been more thorough. In the original report from August 3, 1972, The Blade stated that “one man, a train crewman switching trains, said that he was approached from behind and struck on the shoulder.” Later in that same article, Davis is quoted as having claimed, “The creature ran away before [Davis] could say anything.” This uncertainty questions the legitimacy of the claim. Was Davis ever attacked by the creature?
In a follow-up article, The Blade discussed how most people in the area believed it was simply a hoax. A man in a costume, or rather “just some nut running loose,” (“Defiance Residents”).
Werewolf Panic Turned Joke
The problem the Defiance Police Department seemed to face, was not that people were reluctant to report what they had seen, but that the panic caused people who hadn’t seen it to begin calling in due to their concern over the situation. One woman called in with such concerns due to her house being adjacent to the train tracks. She had not seen the creature, but stated that the reported sightings had put her “in a state of shock.”
The initial reports by local Defiance news outlet, The Crescent News suggest that they believed the whole thing to be a joke. Journalist Ellen Armstrong added humor to the incident when she reported it in her article on August 2, 1972. She went as far as to state that the police were “possibly armed with silver bullets and sharpened stakes” (Armstrong).
“Even a man who is pure of heart, And says his prayers by night, May become a wolf when the wolfbane blooms, And the moon is clear and bright.”
Defiance Police, possibly armed with silver bullets and sharpened stakes, are on the lookout for “a wolfman,” who on three occasions, has accosted persons near the Norfolk and Western railroad tracks in the vicinity of Fifth Street and Swift and Co.
Two of the Incidents occurred last week and one last night. None has happened during a full moon.
According to Defiance Police Department, one man was attacked and struck on the shoulder with a two-by-four, however managed to get away from the assailant.
Two other attempts on residents, both men, have not been successful, so the department can’t say if the motive is robbery or just to scare people. No one has reported neck bites.
He, she or it, is described as very tall with “some kind of an animal head.”
Police Chief Don F. Breckler today said if anyone sees the “subject” they should not attempt to apprehend him but call the department immediately, giving a description and the direction in which he was heading.
The attacks have occurred (during the early morning hours, from 1:30 a.m. to 4:20 a.m. — before sunrise.
Ellen Armstrong, The Crescent News. August 3, 1972
Police Remained Alert to Werewolf Reports
The Toledo Blade also began running a series of articles, starting August 3, 1972, on the strange sightings that had popped up in Defiance just a week earlier. Anyone not in the immediate vicinity of the occurrences readily made light of the situation. Defiance police, however, remained steadfast in their duties to protect and serve their small community (Stegall).
The reports baffled the authorities. Unsure what to think about the incidents being reported, they remained skeptical. Despite the number of sightings reported, all of the descriptions were vague. Police Chief Breckler was quoted saying, “We didn’t release it to the news media when we got the first report about a week ago, but now we’re taking it seriously for the safety of our people.” Breckler approached the reports with seriousness. Nevertheless, he was adamant in his belief that it was simply a person wearing a disguise, “such as a mask.” (Stegall)
When probed about his thoughts on the incidents, Breckler admitted that he was, “inclined to think it might be a local person … [since] none of the other area towns [had] anything like [it]. And in each case [the werewolf had] been seen in the same area of [Defiance].” (Stegall)
Motive for a Werewolf Hoax
Breckler was unsure what the motive may have been for a man scaring people in a costume. From the standpoint of a lawman Breckler doubted that the motive was robbery. He pointed out that the targets of these incidents were not the type to have a lot of money (Stegall).
While the panic over the werewolf was overwhelming, it disappeared as quickly as it appeared that early morning on July 25, 1972. Reports of sightings ceased, but the legend lingers on, especially now that information is so readily available in digital format (Marler).
Modern Interpretation of the Werewolf Incident
At the time of Nicely’s article in The Crescent News on July 25, 2013 there were still a few officers remaining in the city from the time, but none seem to remember the details of the case and none of the reports remain at the police department. JoAnne Barton, who worked dispatch at the time, insists that people ask her about the incident fairly regularly and her response is always the same, that she doesn’t “really recall it.” Granted at the time of asking, forty years had already passed, which makes sense that department worker Floyd Stites had much of the same response when asked about the happening. (Nicely)
Were these true werewolf sightings or was it all just a hoax? Since there was no physical evidence to fall back on, it’s hard to say. One thing is certain, if it were really just a man in a mask would it have fooled so many? It’s easy to look back on it from a modern perspective and reason that it could have been a realistic mask. However, in consideration of the technology available at the time for prop masks and practical effects, even large budget movies couldn’t create something altogether convincing. It’s clear that these people truly believed they saw a creature and not simply a man. For, if it were indeed a man, it would have been likely that the reports would have mentioned a man in a mask running around and causing mischief.
Works Cited
Armstrong, Ellen. “Horror Movie Now Playing On Fifth St.” The Crescent News, Aug 3, 1972.
“Defiance Residents Suspicious Of Their Werewolf.” Toledo Blade, Aug 4, 1972, pp. 1 & 21.
“Moon Phase for Tuesday July 25th, 1972.” The Nine Planets, nineplanets.org/moon/phase/7-25-1972/. Accessed 25 June 2023.
Newton, Michael. “Dogmen.” Hidden Animals: A Field Guide to Batsquatch, Chupacabra, and Other Elusive Creatures, Greenwood Press, Santa Barbara, CA, 2009, pp. 149–152.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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