Categories
Best Of Best of Movies Featured Scary Movies and Series

The Best Movies About the End of the World

Remember when everybody thought the world would end in 2012? Nearly a decade later and we’re still here, but the terrifying apocalyptic movies will never stop… and we like it that way. These films are the ideal combination of action, suspense, and horror – watching society unravel as the main characters quite literally run for their lives, often to no avail. What would you do if you were simply getting your hair done at the salon, when buildings started to collapse all around you? Is there any imaginable way to escape a natural disaster of this capacity? Answer these questions and get a fix of apocalyptic horror with these top-rated films about the end of the world.

These Final Hours (2015)

These final hours movie poster

If you found out the world was ending, what’s the first thing you would do? Some would say goodbye to their loved ones or chill out with Netflix and good food, but the protagonist in These Final Hours wants to party. And party hard. The film begins in Perth, Australia as an asteroid collides with Earth, with about twelve hours to go until a firestorm reaches the country. James wants to experience the “party to end all parties” before he exits the planet, but things take a unique turn as he meets new people and comes across terrifying things. This is definitely one of the most underrated end-of-the-world thrillers, ever. 

Take Shelter (2011)

Take Shelter movie poster

The end of the world is even more terrifying when it’s all happening inside your head, and that’s exactly what happens to Curtis LaForche in this apocalyptic thriller. He sees raindrops made of oil and swarms of black birds, while nobody else does… and his increasing anxiety and strange behavior begins to cause issues with his job, family, and life. Is he simply going through a rough time period, struggling with mental illness, or foreshadowing a future disaster? You’ll have to watch this Jessica Chastain thriller (her specialty) and find out. 

2012 (2009)

2012 end of the world movie poster

For many years, there were conspiracy theories about the world ending in 2012, as this was the conclusion of the Mesoamerican Long Count calendar. Obviously, it didn’t happen… but we did get a pretty sweet disaster movie out of it. Released in 2009, this film centers around Jackson Curtis and his attempts to save his family from impending doom. And by that, we mean a series of natural disasters that are slowly crumbling the Earth and killing off the population. This film has the ideal combination of action and scares, and you can sleep easy knowing that we all survived the year 2012. 

I Am Legend (2007)

I am legend movie poster

I hope you are enjoying the apocalypse. So what do you do when 90% of the Earth’s population is killed by a virus, while you’re the 1% who lives and the other 9% are terrifying mutants who want to kill you? Ask scientist Robert Neville, who is living a post-apocalyptic life in the ruins of Manhattan. Will Smith gives a breathtaking performance as he tries to survive and find a cure for the virus, while tracking down any fellow survivors and trying not to get attacked by the mutants. As you can imagine, it’s an eventful film!

Children of Men (2006)

Children of men movie poster

The premise of this film is quite simple. Humans have mysteriously become infertile and society is quickly (and not so quietly) dying out. There are less natural disasters and more quiet moments of fear, but Children of Men still has plenty of action. When a woman is believed to be pregnant, it becomes a symbol of hope for society… and the film follows a group of people as they do whatever it takes to stay alive. 

World War Z (2013)

World War Z Movie Poster

Brad Pitt spending a nearly 2 hour movie trying to stop a zombie pandemic, and looking amazing doing it? That’s why you need to watch World War Z. Pitt stars as Gerry Lane, a former United Nations agent who is assigned to gather clues about how to stop zombies from taking over the planet – guided by his duty to his job and need to protect his family. This movie is based on the 2006 novel World War Z, which you should also check out! If Brad Pitt can’t make the apocalypse fun who can?

28 Days Later (2002)

28 days later movie poster

This film hits a bit close to home in 2021, as it centers around four individuals trying to rebuild their life after a contagious virus hits and destroys society as they once knew it. Before there was Bird Bo or The Quiet Place, there was 28 Days Later… as this film shows the survivors trying to cope with their losses while avoiding the zombies that could possibly infect them. Among many, many other things. Some critics even say that it revived the zombie genre all the way back in 2002!

Categories
Featured Horror Books Horror Mystery and Lore Women in Horror

The Morbid Feminist Voice Behind the First Sci-Fi and Dystopian Apocalyptic Horror Novels

Mary Shelley
Mary Wollstonecraft Shelley

Why on earth would a delicate woman of your stature write about such awful, disturbing, and blasphemous things?

As the daughter of the brilliant feminist Mary Wollstonecraft Godwin as the reformist writer and philosopher William Godwin, Shelley is famously noted for her 1831 introduction to a reprint of Frankenstein. Her explanation that, “it is not singular that, as the daughter of two persons of distinguished literary celebrity, I should very early in life have thought of writing…” shows exactly how significant they were to her self-image.

The Liberating Feminine Voice of Horror

It is genuinely not surprising that the daughter of the renowned mother of the modern feminist movement was a feminist herself. Mary Shelley’s life reflected by the inspiration she took from her mother’s radically forward-thinking when it came to equality on the basis of sex. Her mother’s best-known work, A Vindication of the Rights of Women, lived on through Shelley’s own lifestyle and unstoppable life-force, but how did that translate into her own voice as an author? There is a lot of dialog between scholars as far as interpretations of her motivations behind the wonderfully disturbing work she created in her lifetime. Some suggest that Frankenstein is a horror story of maternity as much as it is about the perils of intellectual hubris.

From the time that Mary ran away with Percy Shelley all through the time she spent writing Frankenstein, Mary was going through maternal horror of her own—she was ceaselessly pregnant, confined, nursing, and then watching her first three children die at young ages. It doesn’t help matters that Shelley’s life was haunted by the fact that her mother died only ten days after Mary was born. Truth be told though, it was unsanitary practices by the attending physician, Dr. Poignand, and not through any fault of Shelley’s. It was Puerperal Fever, caused by doctors moving directly from autopsies to births without any means of sanitation, that took Shelley’s mother from her.

The tragedy of her mother’s death so early on in her life influenced Shelley greatly and losing three of her own children just compounded upon her morbidity. She used this mindset to her advantage though and translated her message of what it felt like to be born without a right to history—for, “what is woman but man without a history…” as Sandra Gilbert and Susan Gubar stated in The Madwoman in the Attic. We can see Mary Shelley in Frankenstein’s monster, as a creature born without a history, or at least without an unalterable or supported history. Both Shelley and Frankenstein’s creation shared the feeling of being born without a soul, “as a thing, an other, a creature of the second sex,”—for being a woman in the time that Mary Shelley lived was to be a second-class human being.

A Symbol for Early Equality

Shelley can be considered a symbol for both feminism and equality of sexual orientation; a less discussed topic than anything else of her life, there is evidence that shows that Mary sought the company of women after her husband’s death. This is an important topic to mention, as it is signifies the very secretive intimate history of homosexuality and how big of a part it actually played during the Romantic era.

Life From the Bed of a Grave

Writer Sandra Gilbert insists, that Mary Shelley’s, “only real mother was a tombstone,” but she didn’t mean it figuratively—when Mary was a child, her father brought her to the churchyard where her mother was buried and she would continue to visit on her own after that. This became especially true when her father married their next-door-neighbor Mary Jane Clairmont, a woman who could never replace her own mother and who made Shelley’s home life unbearable. In her earliest years, Shelley used, “reading … [as] an act of resurrection,” due to feeling excluded from her father’s household after his marriage. In a sense, it is said that she “read,” or knew her family then determined her sense of self through her mother and father’s literary works. She would endlessly study her mother’s works during her younger years while sitting at her mother’s graveside.

The burden of this type of childhood was also expressed through Mary’s first work when she included a scene wherein Victor Frankenstein visits the cemetery where his father, brother, and bride were buried before leaving Geneva to search for the monstrosity that he had created. “As night approached, I found myself at the entrance of the cemetery … I entered it and approached the tomb which marked their graves … The spirits of the departed seemed to flit around, and to cast a shadow, which was felt but seen not, around the head of the mourner,” where Victor ultimately calls for revenge against his creation, “O Night, and by the spirits that preside over thee, I swear to pursue the daemon … And I call on you, spirits of the dead; and on the wandering ministers of vengeance, to aid and conduct me in my work.” Godwin passed on his idealization of books being a sort of host for the dead, that to read a book by a departed author would be to know them entirely. Then again, Godwin was also fiercely interested in communicating with the dead, another trait that he passed to his daughter through that fateful visit to her mother’s grave.

[The dead] still have their place, where we may visit them, and where, if we dwell in a composed and a quiet spirit, we shall not fail to be conscious of their presence.

William Godwin, Literary Tourism, And the Work of Necromanticism

Necromantic Preoccupations of Her Father

Like father, like daughter; Shelley picked up her father’s proclivity for intrigue in the dead. Godwin often tried to connect his readers to the dead by encouraging the placement of illustrious graves. In his eyes, such a grave would honor them in their place of rest and give both the deceased and their mourners a way to stay on speaking terms, of sorts. He even expressed his desire to do so himself in quite an illustrated manner, when he said, “[he] would have [the dead] … around [his] path, and around [his] bed, and not allow [himself] to hold a more frequent intercourse with the living, than with the good departed.” He meant this of course as a means of conveying his desire to communicate with the dear ones he had lost in his lifetime and not in a sexual context.

The Morbidity of Her Truest Love

Mary may have strayed from that viewpoint in a way, after she was introduced to an impassioned devotee of her father’s, Percy Shelley. The two spent much of their time together at the grave of Mary’s mother, where her father likely believed they were conversing about their reformist ideals. The truth lay a bit beyond that, however, as it was by her mother’s grave that she lost her virginity and pledged herself at sixteen to a twenty-year-old Percy. While it may seem creepy, to Mary the cemetery was more than just a resting place for the dead, she saw it as a place where all of life converged for her.

Learning all of this about Shelley definitely brings us some clarity on how she possessed the wit and imagination to create two new genres within literature—that of Science-Fiction horror, along with the brilliance of the first Apocalyptic Dystopian styles.

Index of Sources