Like many other folktales of the
arctic region, Yup’ik folklore emphasized keeping children safe from the elements
and the dangers of being alone and ill-prepared. This folktale is no different,
but it definitely gave me goosebumps the first time I heard it over an
early-winter bonfire.
Photography by Jayberrytech
A very long time ago, in the Cape Prince of Wales, in a village off the shore, there once lived a poor orphaned boy with no one to look after him—because he had no one to care for him, he often found himself being forced to do the bidding of all the other villagers. Every single villager treated him cruelly, especially when they all gathered in the kashim—the men’s communal building where they gathered to stay warm, eat, and keep company during the cold winter months. One particularly blustery night, while the snow was falling harshly upon the village, the other villagers told him to leave the kashim to see if the weather was getting any worse. Due to the fact that he was an orphan, he had no one to make him skin boots or warm clothes, so he objected. It was too cold and the boy did not wish to go outside but was driven out of the kashim anyway. Upon returning inside, he told the others that it had stopped snowing, but the weather had gotten even colder. Every so often, the men would drive him back out into the elements, just to torture the poor boy.
Finally, the boy came in, stating that he had seen a ball of fire that looked like the moon coming over the hill to the north, but the men simply laughed at him. They accused him of seeing things and told him to go back out and to look again, that he might see a whale coming over the hill instead. When the boy quickly returned inside, he looked scared and reported that the red ball had come nearer to the kashim and that it was right outside of the house. Once again, his words were met with laughter, but the boy was truly frightened and hid within the kashim. As the men were still laughing, a large fiery figure appeared on the gut-skin covering over the vent in the ceiling and it appeared to be dancing. The men were both scared and captivated by the figure and did not notice the figure creeping through the passage into the room on its elbows and knees. The figure was a frightful sight—a human skeleton that with a brief wave of its hand somehow caused all of the men in the room to follow it, as it crawled through of the passage to the outdoors. Under the spell of the skeleton, the men followed it to the edge of the village until every last one of them had died of the elements, at which point it vanished.
Other villagers returned from fishing to find the rest of the men of the village had died, bodies scattered over the snowy landscape. They entered the kashim finally, finding the orphan boy who recounted the entire story and how the men had died—investigating where the tracks of the skeleton had come from, they followed the tracks through the snow, up the side of the mountain. The tracks ended when they came upon an ancient gravesite—it was the grave of the boy’s father.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
As was discussed in our article Ghosts Can Be More Than Just Dead People, ghosts are generally the spirits of humans and animals that have passed away. What people assume or claim are ghosts are not necessarily fitting of their description, but it’s easy to understand why the whole thing might be a little bit confusing. The truth is, is that ghosts, demons, and poltergeists are often mislabeled and it, therefore, makes it more difficult to really know what kind of being the evidence acquired actually points to. Ghosts, spirits, and apparitions all point to the same thing—the spirit or soul of a human or animal that has passed on. These spirits haunt locations, objects, and most importantly other living creatures. Haunting living creatures is not to be confused with possessing living creatures, not to say they are unable to possess, but not all possessions are ghostly in nature—and this is an important distinction to be made.
Possessed by Demons
Photography by Camila Quintero Franco
Another topic for confusion is how demons are perceived, this is unfortunate because much of the evidence for demons seems to simply be cases of malevolent ghosts and not entities that are truly demonic in nature. One such misinformed definition, from Rosemary Ellen Guiley’s The Encyclopedia of Ghosts and Spirits, is that demons are, “a type of spirit that may be either good or evil that allegedly has the ability to intervene in the affairs of humankind.” While it’s true that many cultures perceive some demonic entities to be good, the word spirit was a poor choice in attempting to define what a demon actually is.
Religious definitions, such as the one from Christianity, assert that demons are evil minions of Satan and that their sole purpose is to torment people, then inevitably lead them into sin. The strategic takeover of pagan cultures turned their deities into demons in Christianity. Other religions, however, suggest that demons can be good or evil entities—or indeed have a dual nature like human beings. Regardless of the nature of the entity, good or evil, demons quite often exercise their ability to possess or inhabit living creatures. There are instances reported where demons have possessed inanimate objects, but this can be chalked up to another case of a ghost that has been mislabeled as a demonic entity.
Terrorized by Poltergeists
Demons and poltergeists are also quite frequently confused for one another—the main reason for this is because Poltergeists are mischievous and often malicious spirits or energy. Ghosts and poltergeists also confused for each other, but poltergeists, in particular, are entities or energies identified by their consistent abilities to interact in a vigorous way with their environment. It would be unfair to say that poltergeists are not, in fact, a type of ghost or spirit, but if they are to be classified as ghosts in any sense, they are in a league of their own entirely.
The earliest reports of poltergeists tell of the different types of interactions they have within the environment that they inhabit. These interactions include, but were not limited to, throwing rocks or other objects, loud noises (such as shrieking, and knocking or rapping), inexplicable lights and apparitions, as well as in rare cases sexual assaults. Later cases would grow to include technology-related events, such as phone numbers being dialed repeatedly or televisions turning on. The speculation that remains with poltergeists relates to the scientific data that has been collected in pursuit of evidence of their existence—many cases of poltergeist activity have clear indications of mental problems within the agent (or the primary person being affected) that even support theories of psychokinesis.
Some examples of poltergeist activity caught on camera.
Hopefully, this helps answer an age-old question we often see: “What is the difference between a ghost, a demon, and a poltergeist?” Below are a few scary movie recommendations related to ghosts, demons, and poltergeists.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Are they the benevolent spirits of our loved ones who have passed on? Or are they malevolent specters haunting the shadows, waiting for the moment to attack unwitting victims? Modern folklore says that ghosts are the souls or spirits of a dead person or animal that can often be perceived by the living. These apparitions vary widely in descriptions, whether they be completely disembodied sounds, translucent forms of a person who has passed, or wisps, orbs, shapes, and other realistic silhouettes. From firsthand experiences and stories passed down through the ages, it seems that these entities can be fully aware of their surroundings, or simply faded recordings tragically repeating moments from within their own lifetime.
There is a widespread belief in the afterlife, including the manifestation of spirits which is highly intertwined in the ancestor worship that has appeared in cultures across the world since before the written word. These beliefs have led to funeral rites, exorcisms, and attempts to contact those who have passed as a means to put the spirits of the dead to rest. Contacting those who haunt your halls can be done in a number of ways, most notably through a séance wherein participants use Ouija boards or mediums.
Disembodied spirits are identified not necessarily by their appearance as apparitions, but by the displacement of objects, strange or flickering lights, as well as an auditory presence—laughter or screams with no origin, footsteps when there is no one else around, ringing bells or other spontaneous music that comes from untouched musical instruments. Haunted locations are believed to be associated with possessing spirits who still have a strong attachment to the location from their own past, whether it be sorrow, fear, or distress due to a violent death. People can be haunted as well—not entirely unlike possession, but the person being haunted does not have their body inhabited by the spirit itself, instead, they are likely associated in some way to the unhappy experience that keeps the spirit tethered to the world of the living.
Photography by JR Korpa
There are multiple types of spirits that are known to haunt the living, even in the modern age. First, is called the interactive personality—these are considered the most common of all and are often human in nature. Whether it’s your deceased Aunt Sally coming to tell you that she’s not happy that you took her vintage jade brooch or a person lost to history they’re not always kind apparitions. These personalities can make themselves known in a variety of different ways, whether visible or not, some can speak, make noises, touch you, or even cause odors reminiscent of when they were alive (i.e. a perfume they used to wear, or cigar smoke). Those who study and hunt for ghosts are convinced that these spirits retain their personality and can still feel the emotions that would have been relevant to them during life.
Not all of the commonly acknowledged apparitions go out of their way to communicate with people—if you’ve ever heard of the White Ladies, you know that most if not all of these women keep to themselves, by lingering mournfully in a cemetery, or an aging historical building. These White Ladies are described as being dressed entirely in white and can be heard sobbing, crying, or wailing over the painful loss that drove them to take their own lives. They’re not known to necessarily interact with their environment, so much as to be painfully aware of where they are and continue to wallow in the depth of grief that keeps them stuck where they died.
The term poltergeist would most likely conjure images of a swirling vortex and alternate dimensions resulting from disrespecting ancient burial grounds of Native Americans, but it’s not the most accurate portrayal. Poltergeist is actually one of the most common names for a ghost that can interact with their environment—except that instances of these spirits are more often associated with violent interaction with their physical environment. They can knock items off of shelves, open cabinet doors, slam doors, stack chairs, or generally displace objects from their original resting place. Not too surprisingly, poltergeists are the most terrifying because they give us the impression that if they can move things around us, then they can also take physical action upon us.
So, whether you’re experiencing unnatural phenomena throughout your house or are out hunting ghosts in an abandoned building, you may find that there are multiple types of entities that you come across. Ghosts are herein described as the spirits of people or animals that have passed away that may have an unordinary attachment to the world of the living–good or bad, it depends on the person they were in life. Due to the lack of documentation that has been proven to be authenticated, it’s unlikely that you will be able to capture viable evidence that would declare with finality that ghosts are real. It is, however, important to continue to try to document proof of the existence of ghosts, because otherwise, we may never know.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Mirrors are thought to be portals to another world—some believe this is another dimension, but those who believe in ghosts believe it is a portal to the other side. Many cultures still hold on to their superstitions that exist concerning mirrors, ghosts, souls, and death. In cultures that are still considered primitive by some, there is the belief that mirrors reflect the soul and that they must be avoided in order to prevent the soul from being lost—not unlike the belief that taking photographs of a person will also capture their soul. Russian folklore dictates that mirrors are an invention of the Devil due to their ability to draw the soul out of the body. This also makes sense that there are superstitions that are still held within some places of the world that all shiny and reflective surfaces, mirror or otherwise, must be covered in a house after a death. Their belief requires covering mirrors after death to prevent souls from the living being taken by those who have recently departed the mortal plane. Depending on the lore of the culture, the mirrors may actually be covered for a variety of reasons—it could be a corpse looking back at you over your shoulder, at which time the soul of the dead will have no rest.
It is incredibly unlucky for those who are ill to see their reflections, it puts them at risk of dying, so cultures that believe the soul is vulnerable during times of illness often remove the mirror entirely from where the sick person is residing. More bad luck comes when looking into a mirror in a dark room by candlelight, during which event the observer will see ghosts, the Devil or other paranormal phenomena, such as Bloody Mary. Aside from the bad luck associated with staring into mirrors that seem to be widespread within many cultures, there is also the ancient cultural relevance that should be mentioned. In Greek myth, the tale of Narcissus warns against becoming so entranced with his own reflected image in a pond that he fell into the water and drowned—then again, the Greeks believed that even dreaming of your own reflection was an omen that foretold death. Suffice it to say that there is a lot of nasty lore when it comes to mirrors and this article can only explore a few of them.
The Myrtles Plantation: The Most Haunted House in the World
The folklore of mirrors isn’t just some abstract idea that appears in stories, there are actually ghost stories about places where it is reported that haunted mirrors are still on view to the public. In St. Francisville, Louisiana, the Myrtles Plantation plays host to several apparitions, most notably the spirits of Sara Woodruff and her two children, which were allegedly poisoned by a slave named Chloe—she apparently had an affair with Sara’s husband and committed this crime of passion against his family. These spirits appear in a mirror that hangs in the location of the original mirror, which over the years has had to be replaced several times, it’s said that Sara’s face, children’s fingerprints, and claw marks appear within the reflection of the mirror. The mirror was not covered during the wake that followed their deaths, a practice during the 19th century in the Southern United States, not following the tradition therefore trapped their souls within the home, where they can only appear as reflections.
The Truth Behind the Bloody Mary Legend
Bloody Mary, the haunting presence that inspired the movie Candyman (1992)–set to be remade and released in 2020–is based on the legend of a woman who appears in a mirror after being summoned. The origin of Bloody Mary varies widely, the most popular of versions is that of Mary Worth, a witch executed during the Salem Witch Trials. Other versions claim she was a hitchhiker who was badly mutilated and then died following a dreadful car crash, while still others suggest she was a child murderer—this particular version can’t be sure whether she just murdered children in general or if it was her own child. Finally, another famous variation suggests that Bloody Mary was actually royalty, but there tends to be another disagreement on which royal Mary she happened to be. Was she Mary Tudor, Queen of France, or Mary I, the first Queen Regnant of England? Regardless of the origin of the story, it remains a popular game among teens and preteens during slumber parties, which shows how ingrained paranormal superstition is within western societies.
These games also have variations, as is the case when the
tradition is passed on orally, but whether her name is chanted three times or
thirteen times, the room must be darkened, with backlighting by candles or
flashlights. Will Bloody Mary tell you who your future spouse is, how many
children you’ll have, or if you’ll die before marriage? If you’re brave enough
to find out, you’ll face the possibility of being killed, driven insane, or
being taken by the mirror.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Night of the Living Dead (1968) was hardly the first zombie film—in fact, it was the fortieth, for those of you who like useless trivia facts—but it is possibly the most memorable of the older zombie classics. It’s not hard to see why it has persisted for the last fifty-three years, enduring beyond the renown of such modern zombie sensations, such as The Walking Dead (2010 – Present) and Train to Busan/Busanhaeng (2016). What most modern films and television shows of the horror genre seem to gloss over is their captive audience. Therein lies the opportunity for commentary on the civil rights issues that are still incredibly relevant in the present day.
One notable exception to missed opportunities for commentary being Jordan Peele’s Get Out (2017)—but we can get to that one later. For now, we’ll just focus on the message of Night of the Living Dead. As Tom Gunning explained in his essay, “confrontation rules the cinema of attractions in both the form of its films and their mode of exhibition. The directness of this act of display allows an emphasis on the thrill itself—the immediate reaction of the viewer,” (“An Aesthetic of Astonishment”, 122)—this thrill that we get from controversial messages and images on display within films is one of the main reasons we watch horror. Excitement is king.
They’re coming to get you, Barbara!
Johnny in Night of the Living Dead (1968)
A line of undead ‘zombies’ walk through a field in the night
What is Night of the Living Dead about?
At face value, this movie is just a story about survivors of a zombie apocalypse stumbling upon one another, clashing personalities, and finally a begrudging combining of forces to fend off the zombie hoard that surrounds the farmhouse that they each found and decided to hunker down in for safety. One by one, these survivors each ends up dying, until we see the last man standing—Ben, emerged cautiously from his secure space in the cellar of the farmhouse to find that police and other volunteers were roaming around, killing the zombies, and reclaiming their land for the safety of the living.
Unfortunately for Ben, these rescuers are less focused on finding survivors and more focused on mindlessly putting down anything they find that moves. While that might simply be interpreted as bad luck for our main character, Romero’s decision for this ending was actually fairly controversial considering the time in which it had been created. Now you might be asking yourself, where does the conversation of civil rights factor into this? Well, buckle up, buttercup—we’re just getting started.
Night of the Living Dead (1968) Movie Poster
Controversial Social Commentary
“Curiositas draws the viewer towards unbeautiful sights, such as a mangled corpse, and ‘because of this disease of curiosity monsters and anything out of the ordinary are put on show in our theatres,’” (Gunning, 124). Romero’s Night of the Living Dead (1968) gives us these “unbeautiful sights” in spades. Consider the special effects that were available to directors at that time—the glimpses of a woman with her face eaten off at the top of the stairs and zombies ripping flesh off of bones after an unfortunate accidental explosion of the getaway vehicle were the literal encapsulation of this concept. The intangible concepts within this film are the reflections of society and how little progress has been made since 1968.
Ben giving Barbara slippers
Freud pinpoints the appeal of the horror story. He begins by discussing the etymological root of the word “uncanny” in German, a word long associated with the horror genre, demonstrating how both the word and its opposite are very close in definition and usage… ‘it may be true that the uncanny [unheimlich] is something which is secretly familiar [heimlich-heimlisch], which has undergone repression and returned from it, and that everything is uncanny fulfills this condition.’ … Freud … hit upon the key to understanding the core of the horror genre. Horror is dissimilar from much of [the] science fiction genre in which the threatening ‘monster’ (often created because of the interference of science or technology)—whether it be alien, atomic mutant, or cyborg—is portrayed as the Other which must be destroyed or controlled by science, often in conjunction with the military/industrial complex, in order to save humanity. Horror tends rather to concentrate on another type of ‘Other,’ an ‘Other’ which is very familiar and because of that much more frightening, an ‘Other’ which is rooted in our psyche, in our fears and obsessions.
James Ursini, pg. 4 of the Introduction in The Horror Film Reader
The Civil Rights Movement
From 1954 to 1968 the Civil Rights Movement empowered Black Americans and their like-minded allies. They battled against systemic racism (or institutionalized racial discrimination), disenfranchisement, and racial segregation within the United States. The brave efforts of civil rights activists and innumerable protesters brought meaningful change to the US, through changes in legislation; these changes ended segregation, voter suppression for Black Americans, as well as discriminatory employment and housing practices.
The Assassination of Martin Luther King Jr.
There were tragic consequences for two of the leaders of the Civil Rights Movement. With the assassination of Malcolm X on February 21, 1965, and the subsequent assassination of Civil Rights leader and Nobel Peace Prize recipient Martin Luther King Jr. on April 4, 1968. Each of these losses to the movements provoked an emotionally-charged response; looting and riots put even more pressure on President Johnson to push through civil rights laws that still sat undecided.
The Fair Housing Act of 1968
The Fair Housing Act became law on April 11, 1968. It came just days after the assassination of Martin Luther King Jr.; too little too late, but it prevented housing discrimination based on race, sex, national origin, and religion. It was also the last piece of legislation that was made into law during the civil rights era.
Casting a Black Actor in a Non-Ethnic Role
The way the lead character Ben was written originally with Rudy Ricci. Surprisingly, however, when 31-year-old African American actor Duane Jones auditioned for the part, the decision to cast him was unanimous. Even Rudy Ricci was on board with the change in plans, stating that, “Hey, this [was] the guy that should be Ben.”
Duane Jones—the Anti-Ben
Romero recalled that Jones had been the best option when it came to casting the part of Ben, and remarked that, “if there was a film with a black actor in it, it usually had a racial theme.” He even saw fit to mention that he resisted writing new dialogue for the part just because they had cast a black lead. It was assumed that Jones was the first black actor to be cast in a non-ethnic-specific starring role, but that barrier was broken by Sidney Poitier in 1965.
Interestingly enough, the role of Ben was supposed to be a gruff, crude, yet resourceful trucker. His essence was that of an uneducated or lower class person. On the other hand, Jones happened to be very well-educated, with fluency in several languages, obtained a B.A. at the University of Pittsburgh, and an M.A. at NYU. Jones was the one who flipped the script, improvising through the dialogue to portray his interpretation of Ben as a well-spoken, educated, and capable character. Therefore, as originally written, white Ben was a stereotype whereas Jones turned the character into the antithesis of a stereotypical black ben.
So why was Night of the Living Dead so controversial?
Even though Ben is the protagonist, he was never meant to be the hero—in fact, Ben was supposed to represent just an everyday Joe, who “simply reacted to an irrational situation with strong survival instincts and a competence that, though far from infallible, surpassed that of his five adult companions trapped in that zombie-besieged farmhouse,” (Kane). What we would expect in terms of racially heated arguments, we only witness the palpable tension that displays what goes unsaid. What also may not occur to modern viewers as being controversial, is the portrayal of a black man and a white woman being locked up alone in a house together. Segregation may have begun over a decade prior, but racism doesn’t die overnight just because laws are changed.
The “Final Guy”
The tragic ending of Night of the Living Dead was a commentary on real injustices that were happening at the time, as well as a foreshadowing of an issue that has doggedly limped into the systemic racism of the twenty-first century. The world was facing its end of days. The threat of the undead rising from their graves and feeding off of the living was enough to pull everyone together to stay alive—but racism was still alive and well. Unlike most of his African-American male successors of horror, Ben does not fall victim to the black character stereotype by being the first character to die. Ben makes it to the end—the so-called “final” guy—he was able to save himself when the house was overrun by the living dead. Then, after all of his hardship, he ends up dying at the hands of the gun-toting police officers.
Ben was wielding a gun, he was clearly not a revenant, and the sharpshooter who put one between Ben’s eyes could very obviously see this—his death affected not a soul in that situation, his life in plain language was unworthy of continuing in the eyes of the men who were supposed to serve and protect the living, who instead of seeing a human being, perceived a threat. The ending that Romero’s film allowed to linger in the minds of the audience was controversial because it made people think. It made them look at the social and political issues that were washing over the United States all around them; Romero delivered in that two minutes ending, a message that was unforgettable. It has thusly endured through the culture of horror and has continued to inspire modern horror cinema.
Final Thoughts
If classical Hollywood style is posited as the norm, then filmmaking practices that deviate from it risk becoming seen as “primitive” (such as early cinema) or “excessive” (such as genres where spectacle often seems to trump narrative, including musicals and horror films).
Adam Lowenstein, “Living Dead: Fearful Attractions of Film”
Night of the Living Dead (1968)
Interested in watching the full film now that you’ve read this article? Well, you’re in luck—this film is now in the public domain and can be watched online for free.
Work Cited
Gunning, Tom. “An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator.” Viewing Positions: Ways of Seeing Film, by Linda Williams, Rutgers University Press, New Brunswick, NJ, 1995, pp. 114–133.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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