The 10 Scariest Podcasts Out There

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Best Horror Podcasts Featured Horror Mystery and Lore Indie Horror Short Horror Stories

It seems that podcasts are a dime a dozen these days, but fortunately for horror fans, the quality quite closely matches the quantity. We have scoured the web to find you the scariest podcasts. Also, quite luckily for the fans of the horror genre, the popularity of podcast creation is still on the rise. Like audiobooks, horror podcasts have turned into a popular form of entertainment because it only requires that we listen. We can listen to music, an audiobook, and even a scary podcasts while we’re doing our daily routine–when we’re getting ready for work in the morning, while we’re working out, while we’re commuting to or from work, and when we’re taking a relaxing bath… With horror podcasts, we especially enjoy allowing these creepy stories into our brains during the relentlessly sleepless nights, when an audio-only creepfest entitles us to retreat to the safety of our comfiest blanket while the darkness envelopes us entirely. Check out the ten scariest podcasts below.


10. Ghosts in the Burbs

Ghosts in the Burbs is a podcast made by a children’s librarian, who interviews her neighbors in Wellsley, Massachusetts about stories that no one would ever want to tell children. While she doesn’t bring all the special effects of music, special editing, or anything extraordinary, it’s her content that drives the creepy content of her podcast–while the stories don’t need to be heard in any particular order, we still recommend that you start at the beginning so you can get the full experience that Liz brings us with her dark tales that lurk in the otherwise sunny Wellesley.


9. The NoSleep Podcast

If you follow the NoSleep subreddit, then you’re probably not a stranger to the NoSleep Podcast, but if you’ve never heard it before, then give it a listen–there are so many plausible horror short stories that are a variety of styles as well as perspectives, but the one thing that they all share is the quality of scares. You’ll be consistently spooked by the stories told by NoSleep and you can thank us later.


8. PseudoPod

It seems like PseudoPod is kind of a horror-household name, they have amazing narrators, read some of the best horror short stories, that have come from some of the best authors around. There is something for everyone with this insanely simple and blood-curdling story-telling experience, it stands to reason if you don’t like one you should try another one, you’ll find something that you’re bound to enjoy.


7. Knifepoint Horror

Where other podcasts have an amazing track, or melodious narrators with voices of angels, who can emote through their presence of voice alone, Knifepoint Horror seems to only use the strengths of the narrator voices as well as limited sound effects somehow makes it feel like you’re there in the room with the characters. It makes you feel as if you might be the one that will next fall victim to the horrors that the characters are made to face. We highly recommend this horror podcast if you want something that will make your skin crawl at its best points and intrigue you at its slowest parts.


At number 6 in our scary podcast recommendation list is a self-proclaimed modern take on the Twilight Zone, it doesn’t fail to deliver with its eclectic collection of author contributions as well as narrators along with stellar audio effects make this an immersive experience, but what really makes this podcast special is the agonizingly spooky and mysterious nature of these short stories. The variety available with The Other Stories is perhaps one of its most attractive qualities of this horror, sci-fi, and thriller fiction show–but there’s also the themes that they tackle with each chapter. We even came up with a list of our favorites, so take a look at this podcast, we guarantee you won’t regret it!


5. Limetown

This horror mystery podcast gives the feeling that there is something real going on, it has the depth of a real news story–kind of like a forensic crime documentary. There is something wonderful about the production value of this particular podcast, as it features a fictional host of the fictional American Public Radio who is trying to solve the mystery of several hundred people vanishing from a town in Tennessee a decade ago. The interesting thing about this particular ongoing story is that there are moments where, despite being reminded that it’s pure fiction, that you can’t really be sure of whether or not it’s real. What’s more, there are moments where you might entertain conspiratorial beliefs about it being an elaborate cover-up. Regardless, it smacks hard of the Orson Welles’ adaptation of the H.G. Wells classic War of the Worlds as a radio broadcast that convinced many people that the world was being invaded by creatures from another planet.


4. Video Palace

So if you were to stumble upon Video Palace without any previous knowledge of what they were about, you might think that the narrative was a true story–it starts when the narrator’s girlfriend wakes him up after he began sleep-talking in a non-existent language. They decide to do a full investigation into what could be causing this and what they end up finding is something of a mystery that needs to be solved. The thing that really makes this fictional podcast feel all-the-more real, is the real-life writers, bloggers, and filmmakers that have their own history in the horror genre.


3. Unwell

There’s something very unwell about Mount Absalom, Ohio–even if everything about it screams hospitality. When Lily Harper returns home to Mount Absalom to look after her mother, Dot, she encounters all of the things she hated about visiting her mother during the summers. This podcast is amazingly done, with impeccable audio and a quirky sense of humor that doesn’t overwhelm the darkness and malice that lays beneath the facade of niceties. If you want to disappear into a story, then this is an incredible one to immerse yourself in.


2. The Magnus Archives

Another anthology podcast with a classical sense of tone, the cadence of the narration weighs heavily upon the mood that is delivered–there is something soothing, but utterly petrifying about the way the words are spoken. Something that we find wonderful about the Magnus Archives is the fearless nature in which it tackles each of the episodes–the eerie ability to pull you into a story–submerse yourself in the Archives.


1. Alice Isn’t Dead

There isn’t a way to describe this podcast without gushing like a complete geek–there is something in the production value of this podcast that truly pulls you into the story. We’re following a female truck driver as she searches for her previously thought-to-be dead wife through a desolate landscape of mystery, allure, and a darkness that is difficult to capture through words. With a stunningly capturing score, an entrancing voice actress who gives us a narrative that we don’t want to quit. Just take a listen and tell us you didn’t want to keep listening through to the end.

We hope that you enjoyed this discussion on horror podcasts–it’s an eclectic bunch of channels, but if you’re a horror junkie, you now have hours of content at your fingertips and all for the low-low price of your time and attention! The popular Lore Podcast did not make the cut here, as it isn’t fully horror-based, but we do have a list of some of the scariest Lore episodes you can check out. Let us know what you think about these podcasts and let us know if you feel we should include other horror channels in any future podcast discussions?

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The Bizarre Horror Novel That Outsold Dracula

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Featured Horror Books Horror Mystery and Lore

How ridiculous would it sound if I said that the infamous novel Dracula by Bram Stoker—yes, the guy that essentially created the foundation of what we think of when we envision vampires—was originally outsold six to one by a novel that you probably have never heard about?

Well, it’s true. Richard Marsh, author of The Beetle: A Mystery gave Stoker a run for his money in 1897, however, after his novel fell out of print in the sixties, Marsh’s novel has been all but forgotten.

The Beetle (1897) by Richard Marsh

To put this in better context, most people know about Dracula even if they have never even heard of Bram Stoker’s novel. Since the novel’s initial publication, Dracula has become the benchmark for vampires within horror culture. With Gary Oldman’s 1992 depiction of Dracula in Bram Stoker’s Dracula, or the most recently created Dracula Untold (2014) it’s clear that Dracula has been an influential character for over a century.

The character, with or without Stoker’s name attached, has made so many cameos throughout pop-culture that it might be near impossible to create a comprehensive list. Then again, unlike Marsh, Stoker had the good fortune to remain in print ever since its first publication in April of 1897.

After having read The Beetle: A Mystery (1897) I now know how strange this supernatural mystery-horror this novel truly is. A tale of possession, revenge and literal transformation, the author of this literary oddity was Richard Marsh—born Richard Bernard Heldmann—was actually more successful as a short story author throughout his career. That didn’t stop the fierce competition that this book posed for Stoker’s insanely popular novel. Now, I may have roused your interest on how, exactly, The Beetle: A Mystery is so bizarre? Well, I’ll give you a brief synopsis of it, but be warned, there may be spoilers if you haven’t read it and plan to.

The Beetle: A Mystery (1897)

This Victorian-era mystery is told from the perspective of four different characters; this aptly described motley crew of middle-class individuals find that they are the last hope for civilization when they discover that a shape-shifting monster has arrived in London from the East (specifically Egypt). Now, our ragtag group of gumshoes includes an actual detective by the name of Augustus Champnell, a man named Sidney Atherton, a forward-thinking young lady named Marjorie Lindon, and Robert Holt an out-of-work clerk who can’t seem to catch a break. This seductive, yet inhuman creature has its eye on a British politician by the name of Paul Lessingham (who happens to be the fiancé of Marjorie Lindon), but after enslaving Holt this creature decides to attack London society.

The story itself is presented as a series of elaborate testimonies gathered by Champnell himself, who gives the context of the creature’s motives as well as the status of the rest of the Londoners, who were involved in the adventure, after the fact.

It’s up to these four Londoners to solve this mystery and stop the monster from achieving its goal—but when they find that the monster is actually a gender-swapping female that can transform into a giant Scarab beetle (I mean that part is pretty obvious from the title, but still wtf!) they’re a little bit more than unsettled! The situation gets even more terrifying for our protagonists when they learn that this evil creature, which originated in Ancient Egyptian civilization, is actually a High Priestess of a cult that worships the goddess Isis and has been kidnapping and subsequently sacrificing white British women to her goddess. Now, this is all happening years after Lessingham had been vacationing in Egypt when the Beetle monster, in her female form, had hypnotized him and then forced him to live as her sex slave until he was finally able to break free. During his escape, he attacked the Beetle and fled for his life; as a result of their previous run-in, the Beetle came to England specifically to seek her revenge through torturing and kidnapping his fiancée Lindon and then finally, killing Lessingham.

Of course, our characters are all intertwined in solving this mystery and defeating the beetle, but instead, it turns to a chase in an effort to save the life of Lindon after she had been abducted by the Beetle. They end up catching up with the monster, just to find that Lindon and her captor had been in a trainwreck—while Lindon was found relatively unharmed, they only find scattered burnt rags and bloodstains where the creature should have been. Of course, this uncertain ending marks where Champnell decided that he had exhausted his investigation, but had high hopes that the Beetle will never return.

Final Thoughts on The Beetle: A Mystery

Marsh wrote this novel to be a sort of literary fake, describing the events from each of the narrator’s points of view as if it were based on true events and insinuating that names had been changed to protect the identities of those involved. Even the year in which the events occurred is left ambiguous, with the reference to it having happened in the year of 18— around June 2, on a Friday. It was initially released piece by piece over the course of several weeks then finally released as a full novel later in the year—think of this in terms of Edgar Allan Poe’s Great Balloon Hoax in the paper, or H.G. Wells’ War of the Worlds radio theater broadcast. Marsh, at the time, was an extremely prolific short story author so this story served as a heightened form of entertainment for the era.

I have a few objections about this novel, despite the fact that I thought it was a good read; to me, this novel was a little xenophobic—in the sense of what comes from the “exotic” East is dangerous or evil. In contrast to that blatant xenophobic message, there is also a message that speaks against colonization—that warning of something bad happening when we trespass into the lands of others and assume to have any authority. This, in my opinion, is a strange stance for a Victorian-era author like Marsh to take, but this was written during England’s colonization of Egypt during the late 1800s and England wouldn’t end its occupation of Egypt until the early 1920s. It’s safe to say that fear of foreigners was fairly commonplace, but that is but one of the

This novel provides a general commentary that would have been accurate at the time, with its anxieties over gender and sexuality—both of which are still providing consternation from the more conservative people in society. It also addresses the panic that white people may have had (or still have) in regards to traveling to non-English speaking countries, in fear of their precious white bodies and in particular white women’s bodies would be harmed or taken advantage of by the so-called evil foreigners.

The Beetle: A Mystery was published in 1897, so it’s well within the public domain laws and can be read here, or you can purchase a physical copy here. If you’re interested in learning more about Bram Stoker and his novel Dracula, you can always take a look at our article dedicated to the topic.

Works Cited

Rutigliano, O. (2020, April 27). This is the weird horror novel that outsold Dracula in 1897. Retrieved November 07, 2020, from https://lithub.com/this-is-the-weird-horror-novel-that-outsold-dracula-in-1897/

Marsh, R. (2019). The Beetle: A mystery. Sweden: Timaios Press.

Tichelaar, T. (2018, October 25). Dracula’s Rival: The Beetle by Richard Marsh. Retrieved November 07, 2020, from https://thegothicwanderer.wordpress.com/2018/10/24/draculas-rival-the-beetle-by-richard-marsh/

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