Horror Comedy “The Central Authority” Gets Creative and Releases During Lockdown

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Indie Horror Creation Indie horror film makers Scary Movies and Series
Using groundbreaking techniques, the first socially distanced feature film was shot entirely during the pandemic
The Central Authority Horror Movie Poster
The Central Authority, the horror-comedy  brainchild of Kristin West and Dana Olita, has been a brave undertaking in these hazardous times. “We knew this was a huge endeavor going in,” said West, who co-directed with Armin Nasseri. “We were forced to use the technology  available, which meant doing some unusual things.” Those “unusual things” included dusting off some archaic film techniques and using brand new processes. “We gave ourselves permission to fail,” says West, “but things worked out fine in the end.”

Those processes including having actors from all over the world come together on the screen. Actress Anna Elena Pepe, who plays Dr Zhivaga, a quarantine sex therapist, says it was an experience for her like no other, “I was in London, and my scene partner (Lachelle Allen) was in Los Angeles. ‘It was fantastic.'”

“The actors were the key,” according to Olita, “We basically let them pick and choose characters and wrote around their choices.” West agrees, “We gave our actors a tremendous amount of freedom, there was a lot of improvisation. Everyone gave great performances and the chemistry the actors have with one and other is magical.”

The Central Authority, takes place in a dystopian future, where entertainment is king. There is no content, so the government (“The Central Authority”) creates a streaming channel where “performers” can submit their material, in order to obtain items in short supply.  The film takes place over one day of programming.

In addition to West, Olita and Nasseri, The Central Authority uses an ensemble cast of working actors, Tick Tock stars, comics and podcast hosts: Lachelle Allen, Brandy Bryant, April Monique Burrill,  Jimmyo Burrill, Lily Burrill, Candice Callins, Charles Chudabala, Rodney Damon Collins, Michael Coulombe, Lauren Deleon, Vanessa Esparanza, Jonathan Freeman-Anderson, Sara Gaston, Katie Gordon, Nate Gordon, Joe Grisaffi, Josh Hutchinson, Betsy Johnson, Allison Michelle, Rory Ogden, Marco Antonio Parra, Anna Elena Pepe, Jake Red, Genoveva Rossi, Nailya Sharakova, Narlyia Sterling, Todd Stroik, and Cristina Vargas. Nasseri said he was “proud to work with such a strong group of diverse actors.” Inclusion has been a recurring theme in Nasseri’s films, with award-winning shorts The Carting Call, and Seeking Valentina, already under his belt, Nasseri felt like this was the perfect vehicle for him as a director, editor and actor.

The Central Authority is written by Dana Olita and Kristin West, directed by Armin Nasseri and Kristin West, and produced by Matt Chassin, Armin Nasseri, Dana Olita, Narlyia Sterling, Kristin West and Quarantini Productions.

For more information go to https://www.imdb.com/title/tt12265464/

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Is Jeepers Creepers Based on a True Story?

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Featured Horror Mystery and Lore Scary Movies and Series

Is Jeepers Creepers all fiction, or could it be that there was some true story inspiration for such a terrifying opening, not to mention the bloody events that follow?

Victor Salva’s millennial cult classic Jeepers Creepers (2001) was an important film in the lives of many budding horror fans. Its story of a brother and sister’s road trip crossing paths with the twisted and deadly Creeper captivated audiences in its day. Though packed with genre clichés and predictable cheese, the film features one of the more imaginative and effectively chilling openings of the 2000s; a long and sparse shot of a rural stretch of road where an increasingly menacing-looking van approaches our protagonists’ car. While the rest of the flick doesn’t quite retain the nail-biting tension offered here, Jeepers Creepers still remains a fun and gory horror outing for nostalgic or less-demanding viewers.

The Horrific Story of Dennis DePue

Dennis and Marilynn DePue


Here we introduce Dennis DePue, a disturbed murderer and a direct influence on the character of the Creeper himself. Dennis’ story, and that of his wife Marilynn and their three children, follows unsettlingly similar beats to that of Salva’s 2001 pseudo-slasher, though the reality is far more horrifying than any fictional, bat-winged killer scarecrow could hope to be.

Marilynn had many, many opportunities to treat me fairly during this divorce, but she chose to string it out, trick me, lie to me. And when you lose your wife, children, and home, there’s not much left. I was too old to start over.

Dennis DuPue

Following building tensions on an already tense marriage, forty-six-year-old Dennis DePue had murdered his forty-eight-year-old wife Marilynn earlier that day, beating and pushing her down a flight of stairs, as reports go. He carried her body to the car, telling their children that he was taking her to the hospital. They never saw her again. her body found by an eerie old school bus also ties back to Jeepers Creepers as it is similar how the creeper stores his bodies.

DePue was found only when his story aired on Unsolved Mysteries. Having changed his name and attracting a new girlfriend, Mary, DePue was living happily as Hank when his story was made public. After he disappeared and Mary discovered who he really was, she contacted the police immediately and DePue was located within just four hours. After firing a couple of warning shots at approaching officers, DePue then turned the gun on himself, thus ending the grim saga.

Comparing the intro to DePue’s Story

AndersYdna on youtube got creative and spliced together the intro from Jeepers Creepers and the Unsolved Mysteries story about Dennis DePue to show the similarities. It’s a quick 10 min watch.

The Thornton’s True Story Inspiration

April 15th, 1990. A couple, Ray and Marie Thornton, set off on their weekly routine of a peaceful country drive outside of Coldwater, Michigan. Little did they know that their usual Sunday tradition would this week land them in the centre of a horrific and bloody mystery. As they drove south on Snow Prairie Road a strange van revved loudly from behind as it sped past them. Marie noticed that the van’s license plate began with “GZ”, exclaiming, “jeez, he’s really in a hurry”.

Some miles down the road, the Thorntons passed an old schoolhouse where they saw the mystery van a second time. The van was parked between the school and a huge tank, and its driver was carrying a blood-soaked blanket across the grounds. Not long after this, the now-clearly-dangerous stranger was behind them once more, this time tailgating them within inches for at least two miles. As Ray pulled off the highway, the van parked itself at the side of the road and the bold Thorntons decided to swing back in an attempt to see the rest of its license plate. When the mystery driver was seen changing his license plate, the Thorntons decided to head back to the schoolhouse where they found the bloodied blanket partly stuffed into a rabbit hole. They immediately went to the police.

Jeepers Creepers Film poster featuring a scary eye peeking through a sack

Is Jeepers Creepers Based on a True Story?

While many Jeepers Creeper fans will see a lot of similarities between what the brave Thorntons did (and saw) that day and the establishing minutes of Jeepers Creepers, the reality is no less harrowing than Salva’s reimagining. Although DuPue seems to have a direct influence on the Creeper it does not appear to be based purely on him.

https://unsolvedmysteries.fandom.com/wiki/Dennis_DePue
https://www.truecrimeedition.com/post/dennis-depue
https://reallifevillains.miraheze.org/wiki/Dennis_DePue

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Is the Bedeviled Movie Based On a True Story?

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Scary Movies and Series

Is the Bedeviled App Real?

A group of friends is being picked off one by one, trying to figure out exactly what is happening.  Turns out, a killer Siri-like app is responsible for the carnage!  Anyone with a smart phone or an Alexa device is familiar with the creepy-powerful abilities of a “personal assistant.”  Today’s personal assistants are practically A.I. Robots who have the ability to remember our name, interests and make potential suggestions.  Bedeviled harnesses the power of “What If” psychological horror when it comes to a killer, out of control app that knows everywhere you go, everything you do and everyone you talk to.

Is there a Real Killer App Like in the Bedeviled Movie?

Anyone who sees the technology-inspired horror movie Bedeviled, wonders if Bedeviled is a real app. The truth is, there are apps that function a lot like Bedeviled. Three tech giants, in fact, are making a few artificial intelligence-like apps quite capable and commonplace. One of the well-known apps like Bedeviled is Siri, an Apple spawned application for the iphone that has the power to understand who you are and learn your habits.  Alexa, an Amazon personal assistant device, is able to even purchase goods.  And Cortana, a Microsoft application, is even built into Windows these days.  With these apps all over the devices we use today, it makes a lot of sense that one of these apps could become corrupt!

Final Notes & Review of Bedeviled (2016)

Although Bedeviled is a creative idea, ultimately, there is no real “killer app” like Bedeviled. However, it is reasonable to worry about the apps in existence today and the movie really makes us think about the direction of technology in the future! The app features in the movie seem a little outdated and unimpressive. Still, the ideology behind technology being so intricately woven into our lives that an app like this could become a killer is enough psychological terror to thrill.

In the end, Bedeviled may not be the best horror movie, but it is creative enough and done well enough to enjoy the entire film without bailing halfway through. And while other reviews may indicate the movie is too cheesy to be scary, Horror Enthusiast would still give this film a solid 5 out of 10 stars and an honorable mention!

Look out for Siri, ladies and gentlemen! You just never know!

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Is the Slender Man Movie About the Murders?

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Horror Mystery and Lore Scary Movies and Series

Behind the Scenes: The New Slender Man Movie (2018)

Slender Man is a world renown horror figure in form of a tall, slanky man without a face or real defining characteristics. He is ghostly in appearance and has abnormally long arms. Slender Man haunts children and is responsible for the disappearances of many of them. This horror icon was born long before the upcoming theatrical release was even conceived.  So, was the plot for the Slender man (2018) movie (release date of May 18, 2018) based upon the myth and legend of Slender Man himself?  Does the Slender Man movie have anything to do with the murders attributed to the monster? Horror Enthusiast probes internet lore and mystery surrounding Slender Man, and compares details about the script for the film, to determine the true origin of the movie.

The Real Story of Slender Man

The real Slender Man is scary, because many people believe that he is real.  He is a tall, long-armed face-less man that sometimes wears a black suit.  The truth is, the real Slender Man started out as a simple meme. People swear, however, that they see Slender Man. They claim they see him in their dreams, in the mirror, in photographs, out their window (almost like a Mothman type of entity), and in their house.  Usually he is a stalker or abductor of children.

Unfortunately, the Slender Man fiction inspired a series of violent activities, most notably an almost-fatal stabbing of a teenage girl in Wisconsin.  This stabbing would be known as the “Slender Man Stabbing.” Two teenage girls lured one of their peers into the woods to stab her in order to impress and gain notoriety with Slender Man.  They truly believed he was real, so much so that they were declared not guilty by reason of mental insanity.  Instead, they would be sentenced to a mental institute for 25 years.

About the Slender Man (2018) Movie

The Slender Man movie most definitely capitalizes on the mainstream attention that the Slender Man Stabbing achieved…however, it does not appear to be directly about the incident, at least, not from what has been leaked so far.  The movie seems to be about a man on a mission to find his missing daughter. The trailer is grotesque, including actual maggots and a disturbing collection of Slender Man clips.  One character exclaims that he gets into your mind…and another girl is depicted as delusional and in psychiatric care.  There is no doubt the movie would be an instant horror classic and it appears to be a unique representation of the horror villain, rather than a true crime or “inspired by true events” type of movie.  The movie appears to focus on the true essence of Slender Man and his reputation as a horror icon.

Slender Man’s Painful Backlash

Regardless of whether the movie is about the actual Slender Man Stabbing or not, the victim’s father and several others noted the film as “distasteful” or otherwise poorly timed.  Many theaters have vowed not to screen the Slender Man movie.  The mother of the victim has revealed how traumatic the event has been for her family and her daughter, explaining that the stabbing has defined their lives.  This was not the only Slender Man-inspired crime, either.  Two more young girls are on record in the same year (2014), also wreaked violent havoc, attributing their criminal activity to Slender Man’s beck and call.

No Matter What Slender Man Gets the Final Say…

Slender Man would make for a scary horror movie killer. And there is no doubt he would be responsible for a lot of deaths, and probably have a really high body count.  Though, it is hard to make a horror movie directly about a string of high profile violence so close to the time of occurrence…the exact reason many critics spoke negatively after the release of the Slender Man trailer.  Still, Slender Man set its release date for May 18, 2018 and there does not seem to be any going back!

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Night of the Living Dead: Social Commentary in Horror Cinema

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Featured Lifestyle Scary Movies and Series

Night of the Living Dead (1968) was hardly the first zombie film—in fact, it was the fortieth, for those of you who like useless trivia facts—but it is possibly the most memorable of the older zombie classics. It’s not hard to see why it has persisted for the last fifty-three years, enduring beyond the renown of such modern zombie sensations, such as The Walking Dead (2010 – Present) and Train to Busan/Busanhaeng (2016). What most modern films and television shows of the horror genre seem to gloss over is their captive audience. Therein lies the opportunity for commentary on the civil rights issues that are still incredibly relevant in the present day.

One notable exception to missed opportunities for commentary being Jordan Peele’s Get Out (2017)—but we can get to that one later. For now, we’ll just focus on the message of Night of the Living Dead. As Tom Gunning explained in his essay, “confrontation rules the cinema of attractions in both the form of its films and their mode of exhibition. The directness of this act of display allows an emphasis on the thrill itself—the immediate reaction of the viewer,” (“An Aesthetic of Astonishment”, 122)—this thrill that we get from controversial messages and images on display within films is one of the main reasons we watch horror. Excitement is king.

They’re coming to get you, Barbara!

Johnny in Night of the Living Dead (1968)
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A line of undead ‘zombies’ walk through a field in the night

What is Night of the Living Dead about?

At face value, this movie is just a story about survivors of a zombie apocalypse stumbling upon one another, clashing personalities, and finally a begrudging combining of forces to fend off the zombie hoard that surrounds the farmhouse that they each found and decided to hunker down in for safety. One by one, these survivors each ends up dying, until we see the last man standing—Ben, emerged cautiously from his secure space in the cellar of the farmhouse to find that police and other volunteers were roaming around, killing the zombies, and reclaiming their land for the safety of the living.

Unfortunately for Ben, these rescuers are less focused on finding survivors and more focused on mindlessly putting down anything they find that moves. While that might simply be interpreted as bad luck for our main character, Romero’s decision for this ending was actually fairly controversial considering the time in which it had been created. Now you might be asking yourself, where does the conversation of civil rights factor into this? Well, buckle up, buttercup—we’re just getting started.

Night of the Living Dead (1968) Movie Poster
Night of the Living Dead (1968) Movie Poster

Controversial Social Commentary

“Curiositas draws the viewer towards unbeautiful sights, such as a mangled corpse, and ‘because of this disease of curiosity monsters and anything out of the ordinary are put on show in our theatres,’” (Gunning, 124). Romero’s Night of the Living Dead (1968) gives us these “unbeautiful sights” in spades. Consider the special effects that were available to directors at that time—the glimpses of a woman with her face eaten off at the top of the stairs and zombies ripping flesh off of bones after an unfortunate accidental explosion of the getaway vehicle were the literal encapsulation of this concept. The intangible concepts within this film are the reflections of society and how little progress has been made since 1968.

Ben giving Barbara slippers in Night of the Living Dead
Ben giving Barbara slippers

Freud pinpoints the appeal of the horror story. He begins by discussing the etymological root of the word “uncanny” in German, a word long associated with the horror genre, demonstrating how both the word and its opposite are very close in definition and usage… ‘it may be true that the uncanny [unheimlich] is something which is secretly familiar [heimlich-heimlisch], which has undergone repression and returned from it, and that everything is uncanny fulfills this condition.’ … Freud … hit upon the key to understanding the core of the horror genre. Horror is dissimilar from much of [the] science fiction genre in which the threatening ‘monster’ (often created because of the interference of science or technology)—whether it be alien, atomic mutant, or cyborg—is portrayed as the Other which must be destroyed or controlled by science, often in conjunction with the military/industrial complex, in order to save humanity. Horror tends rather to concentrate on another type of ‘Other,’ an ‘Other’ which is very familiar and because of that much more frightening, an ‘Other’ which is rooted in our psyche, in our fears and obsessions.

James Ursini, pg. 4 of the Introduction in The Horror Film Reader

The Civil Rights Movement

From 1954 to 1968 the Civil Rights Movement empowered Black Americans and their like-minded allies. They battled against systemic racism (or institutionalized racial discrimination), disenfranchisement, and racial segregation within the United States. The brave efforts of civil rights activists and innumerable protesters brought meaningful change to the US, through changes in legislation; these changes ended segregation, voter suppression for Black Americans, as well as discriminatory employment and housing practices.

The Assassination of Martin Luther King Jr.

There were tragic consequences for two of the leaders of the Civil Rights Movement. With the assassination of Malcolm X on February 21, 1965, and the subsequent assassination of Civil Rights leader and Nobel Peace Prize recipient Martin Luther King Jr. on April 4, 1968. Each of these losses to the movements provoked an emotionally-charged response; looting and riots put even more pressure on President Johnson to push through civil rights laws that still sat undecided.

The Fair Housing Act of 1968

The Fair Housing Act became law on April 11, 1968. It came just days after the assassination of Martin Luther King Jr.; too little too late, but it prevented housing discrimination based on race, sex, national origin, and religion. It was also the last piece of legislation that was made into law during the civil rights era.

Casting a Black Actor in a Non-Ethnic Role

The way the lead character Ben was written originally with Rudy Ricci. Surprisingly, however, when 31-year-old African American actor Duane Jones auditioned for the part, the decision to cast him was unanimous. Even Rudy Ricci was on board with the change in plans, stating that, “Hey, this [was] the guy that should be Ben.”

Duane Jones—the Anti-Ben

Romero recalled that Jones had been the best option when it came to casting the part of Ben, and remarked that, “if there was a film with a black actor in it, it usually had a racial theme.” He even saw fit to mention that he resisted writing new dialogue for the part just because they had cast a black lead. It was assumed that Jones was the first black actor to be cast in a non-ethnic-specific starring role, but that barrier was broken by Sidney Poitier in 1965.

Interestingly enough, the role of Ben was supposed to be a gruff, crude, yet resourceful trucker. His essence was that of an uneducated or lower class person. On the other hand, Jones happened to be very well-educated, with fluency in several languages, obtained a B.A. at the University of Pittsburgh, and an M.A. at NYU. Jones was the one who flipped the script, improvising through the dialogue to portray his interpretation of Ben as a well-spoken, educated, and capable character. Therefore, as originally written, white Ben was a stereotype whereas Jones turned the character into the antithesis of a stereotypical black ben.

So why was Night of the Living Dead so controversial?

Even though Ben is the protagonist, he was never meant to be the hero—in fact, Ben was supposed to represent just an everyday Joe, who “simply reacted to an irrational situation with strong survival instincts and a competence that, though far from infallible, surpassed that of his five adult companions trapped in that zombie-besieged farmhouse,” (Kane). What we would expect in terms of racially heated arguments, we only witness the palpable tension that displays what goes unsaid. What also may not occur to modern viewers as being controversial, is the portrayal of a black man and a white woman being locked up alone in a house together. Segregation may have begun over a decade prior, but racism doesn’t die overnight just because laws are changed.

The “Final Guy”

The tragic ending of Night of the Living Dead was a commentary on real injustices that were happening at the time, as well as a foreshadowing of an issue that has doggedly limped into the systemic racism of the twenty-first century. The world was facing its end of days. The threat of the undead rising from their graves and feeding off of the living was enough to pull everyone together to stay alive—but racism was still alive and well. Unlike most of his African-American male successors of horror, Ben does not fall victim to the black character stereotype by being the first character to die. Ben makes it to the end—the so-called “final” guy—he was able to save himself when the house was overrun by the living dead. Then, after all of his hardship, he ends up dying at the hands of the gun-toting police officers.

Ben was wielding a gun, he was clearly not a revenant, and the sharpshooter who put one between Ben’s eyes could very obviously see this—his death affected not a soul in that situation, his life in plain language was unworthy of continuing in the eyes of the men who were supposed to serve and protect the living, who instead of seeing a human being, perceived a threat. The ending that Romero’s film allowed to linger in the minds of the audience was controversial because it made people think. It made them look at the social and political issues that were washing over the United States all around them; Romero delivered in that two minutes ending, a message that was unforgettable. It has thusly endured through the culture of horror and has continued to inspire modern horror cinema.

Final Thoughts

If classical Hollywood style is posited as the norm, then filmmaking practices that deviate from it risk becoming seen as “primitive” (such as early cinema) or “excessive” (such as genres where spectacle often seems to trump narrative, including musicals and horror films).

Adam Lowenstein, “Living Dead: Fearful Attractions of Film”

Night of the Living Dead (1968)

Interested in watching the full film now that you’ve read this article? Well, you’re in luck—this film is now in the public domain and can be watched online for free.

Work Cited

Gunning, Tom. “An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator.” Viewing Positions: Ways of Seeing Film, by Linda Williams, Rutgers University Press, New Brunswick, NJ, 1995, pp. 114–133.

Lowenstein, Adam. “Living Dead: Fearful Attractions of Film.” Representations, vol. 110, no. 1, 2010, pp. 105–128. JSTOR. Accessed 19 Jan. 2021.

Kane, Joe. “How Casting a Black Actor Changed ‘Night of the Living Dead’.” TheWrap, 1 Sept. 2010.

Harper, Stephen. “Bright Lights Film Journal: Night of the Living Dead.” Bright Lights Film Journal | Night of the Living Dead.

Ursini, James, and Curtis Harrington. “Introduction/Ghoulies and Ghosties.” The Horror Film Reader, by Alain Silver, Limelight Ed., 2006, pp. 3–19.

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