It stands to reason that when you make a horror movie based on a dark entity or malevolent spirits that some of that dark energy may be drawn to you or the movie set. It’s a risk that horror movie producers take especially when the horror film is based on a true story. These haunting tales come directly from actors, directors, and staff working on the movies themselves. It’s not just bad luck that cursed these movies it was everything from murder and near-death experiences to just plain creepy events – here are the top 5 cursed horror movies of all time.
This film is probably the most well-known cursed film in the world. Loosely based on a true story, the events that happened behind the scenes are just as strange as the movie itself. Death seemed to follow not just the actors that played in the first movie but also in Poltergeist 2 and 3 as well. Dominque Dunne, who played the older sister, was killed by her boyfriend. Julian Beck, who played Henry Kane, died of stomach cancer. The actress who played Carol Anne died when she was 12 from a mysterious illness before Poltergeist 3 was released. Will Sampson, who played the Shaman, died 3 years after the film was released. Then in 2009 Lou Perryman, who was in the first film, was killed in his home by an ex-convict wielding an ax. Lastly, Richard Lawson barely survived a plane crash in 1992. These deaths could be a coincidence but that’s a lot of disaster for such a small group of people. If the true story was not enough rumor also has it the director Steve Spielberg used real skeletons in the muddy pool from the first movie.
Based on real events experienced by the Lutz family. With the horrors the Lutz family went through it is no wonder the movie crew had some strange experiences. A dead body washed up on shore near the home that was used in the movie. Allegedly the cast and crew were awakened at 3:15 every morning while working on the movie. 3:15 was the time that the murders took place.
The Exorcism of Emily Rose follows the trial of a priest who conducted an exorcism and the girl(Emily) who died. It is based on the real exorcism of Anneliese Michel, who died of dehydration and malnutrition. Jennifer Carpenter, who played Emily, said during filming her radio would turn on by itself, in the middle of the night. It only played the song Alive by Pearl Jam. In fact, it only played a specific part over and over. “I’m still alive.” But it wasn’t just her. It happened to other cast members so often that they removed their radios from their rooms.
The Possession is based on the true story of a Dybbuk box. During filming, they used a fake dybbuk box but strange things still happened. There was a constant creepy, eerie feeling on set. Light bulbs exploded and props caught fire for some unknown reason. So many strange things happened that when the current owners of the box asked if the film would like to use the real box, everyone vehemently declined.
Based on a true story, The Conjuring is about a farmhouse that was haunted by a witch. Cast and crew members felt like they were being watched by a dark force. A crew member’s dog was often found growling at nothing but when filming was done, he stopped. A strange fire started on set for no reason. Actress Ver Farmiga said there were claw marks on the cover of her laptop after filming finished.
What is the Necronomicon, you may ask? It’s an ancient tome that sprung from the nightmarish imagination of H.P. Lovecraft, which he encouraged his peers to use in their literature as well–subsequently, it has become a book that symbolizes evil in horror culture. It continues on now, as an icon of what can come from the supernatural and occult influences of, what could be, an unknown origin of our universe.
So now we get to enjoy a plethora of movies that all have something to do with the Necronomicon–to be clear, this isn’t an exhaustive list of where the Necronomicon appears within pop-culture, but these are some of the most memorable!
The Dunwich Horror (1970)
This movie never got rave reviews, but it did add to the pop-culture relevance to the history of the Necronomicon. Despite its blatant 1970s style, it has a sort of creepy charm to it. This particular mystery is taken from Lovecraft’s novel by the same name in which Wilbur Whateley, a seemingly harmless young man, coerces a female virgin from a California University to be the vessel for the spawn of the devil. It’s worth a watch, even if it’s just to learn more about what the Necronomicon can do when it’s in the hands of someone who wants to destroy the world.
The Evil Dead Franchise
Yeah, we know, the Evil Dead franchise constitutes four movies, a series, as well as a handful of crossover movies, comic books, and more–but we’re going to count it as one for the sake of this list. As far as the Necronomicon is concerned, it is pretty much contained in the four feature films, as well as the television series. This supernatural horror film franchise was the brainchild of Sam Raimi and revolves around the Necronomicon Ex-Mortis, which is referenced as an ancient Sumerian text that systematically targets and possesses its victims. Initially, a group of teenagers who are staying in a cabin overnight, in The Evil Dead (1981); the franchise devolves into a sort of comedic horror hybrid, which suits fans just fine.
The ninth chapter of the Friday the 13th franchise, where we get yet another dose of our favorite supernatural psycho, Jason Voorhees. We see Jason return from the dead in order to possesses the body of a medical coroner–so we realize that even after his death, we can never escape the fate of Camp Crystal Lake. This movie is one of several interesting crossovers that appears with Raimi’s Evil Dead Franchise–as the Necronomicon and the Kandarian dagger appear within the movie, very briefly. Here’s the thing though and Adam Marcus confirmed it later on–Jason Vorhees is now a deadite, after his mother made a deal with the devil to bring her son back.
This film is a collection of three terrifying Lovecraft stories brought together as an anthology. In the Cold revolves around a scientist who cannot tolerate warm temperatures. The Drowned tells the story of a man who inherits a dilapidated mansion from his uncle. Whispers concerns two police officers who have to deal with a particular resident of a horrifying subterranean community.
This particular movie never made it to the big screen; in fact, the low budget and actors made this a less refined, yet interesting take on Lovecraft’s original creations. We follow the story of a young man who inherits a book–the Necronomicon–from an estranged uncle, and against his better judgment begins to investigate the content of the book quite intently. After reading from the book, he begins to be haunted by disturbing dreams that are reminiscent of the Lovecraft universe, this leads him to become interested in the writings of the father of cosmic horror himself.
This anthology of horror features a myriad of inexplicable and terrifying stories; part spiraling insanity, part supernatural exploration, Enola Penny is obsessed with what is thought to be a long-abandoned theatre. Acting upon her impulsive curiosity, she sneaks in one night and what she finds in that dilapidated auditorium is a show she could have never expected. This show features six different stories and while it might not be a huge part of the story, there is one entitled “Mother of Toads” which is based loosely on a story by Clark Ashton Smith, a colleague of Lovecraft’s. Smith’s stories regularly featured the Necronomicon and this one was no exception.
Loosely based on the short story by Lovecraft, Color Out of Space is possibly the most successful movie to come out of the body of work of H.P. Lovecraft. This isn’t of course due to a flaw in his stories, so much as an inability to capture the cosmic horror sub-genre for which Lovecraft is responsible. This doesn’t follow the short story that Lovecraft wrote specifically, so it can’t be judged based on those merits, but it does capture the essence of Lovecraft’s cosmic horror. This movie focuses on a secluded farm that is struck by a strange meteorite, the consequences of which are quite disastrous for the family who lives there with the potential of it reaching the rest of the world.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Many of Richard Matheson’s works went from page to screen pretty successfully–perhaps that’s part of the reason why so many people are familiar with work that he originally penned, but are unaware of the source of the story. After such a long career, one might hope that people would come to recognize your name, but it didn’t seem to bother Matheson, who seemed to only write for the love of writing.
The Films Based on Matheson’s Novels
I Am Legend (1954) is Richard Matheson’s most talked-about novel–it was such a success and inspiration to creatives everywhere that it was even adapted to film three separate times. The Last Man On Earth (1964), The Omega Man (1971), and I Am Legend (2007) all wonderful movies in their own right, just never seemed to capture the concept behind the original novel.
The Last Man On Earth (1964)
The dark tale of The Last Man On Earth takes place in a post-epidemic nightmare world, where a scientist by the name of Robert Morgan–played by Vincent Price–is the only man immune to a vampire plague which has transformed the entire population on Earth. This vampire society comes to fear Morgan, as he turns into a monster slayer. As a scientist, he studies the plague and ends up being able to cure one of them, by transfusing his blood into her. This upsets the vampire race and they end up killing him for what he has done to Ruth.
Considered the second adaptation of I Am Legend to film, Charlton Heston plays Robert Neville, a man who is the only recipient of a serum that made him immune to the germ warfare between Russia and China. This caused him to be the only known normal human left alive and he lives in a gaudy, antique-decorated penthouse in Los Angeles where he roams the vacant city by day and fends off bloodthirsty (read: vampire) mutant scavengers. Eventually, Neville comes across a young group of healthy non-vampires, which destroys the idea of him being the last remaining normal human being.
The third adaptation of Richard Matheson’s I Am Legend, this attempt at the film follows Robert Neville–played by Will Smith–as the last man on Earth struggling to survive and fend off the infected victims of the vampiric plague. He’s a brilliant scientist who is meant to find the cure to a highly contagious superbug–something he is inexplicably immune to, as we find out later in the film. By day, Neville searches high and low for supplies, sends out desperate radio messages with the hope to find other survivors, and by night he hunkers down in his fortress of a home while attempting to find the cure to the virus by using his own blood in experiments on vampires he has captured. The horde of vampires is more intelligent than Neville realizes, however, and they take vengeance upon him after he captures a vampire woman who the alpha vampire is bonded to.
Adapted from Hell House by Matheson, into a screenplay by Matheson himself, four people with supposed extrasensory powers are hired to spend the weekend in a haunted house in order to gather evidence of the haunting.
Tom Witzky lives a fairly normal life, he works in Chicago and lives with his wife and son, not believing in anything out of the ordinary. One night, while at a party, Tom and his sister-in-law, Lisa, get into a verbal debate about psychic communication and the power of hypnosis–he challenges Lisa to hypnotize him, so she does. She plants a post-hypnotic suggestion for Tom to be more open-minded and things begin to happen.
Matheson wrote several screenplays, including sixteen episodes of The Twilight Zone, where he could simply pitch an idea and spur an entire episode.
Nightmare at 20,000 Feet (2002)
A salesman is traveling via plane after a recent nervous breakdown–after being told that he’s recovered from his issues–while flying, he begins to believe he’s seeing a monster climbing on the wing of the plane and damaging the engine. The only problem is, is that he’s the only one who sees it.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
It’s been well over a hundred years since the first horror movie was created—since it’s fair to say that the three-minute short film, Le Manoir du Diable (1896) counts as the first horror film ever created. Known in English both as The Haunted Castle as well as The House of the Devil, which you can actually watch here. While considered tame by today’s standards of the horror genre, it launched a multimedia genre that has gotten increasingly popular over the last one hundred twenty-four years. The sheer number of horror movies made per year continues to grow steadily, but since 2001 it has been an ever-accelerating trend—sources cite that by the year 2000 an approximated two-hundred horror films had been produced, then by 2016 the number had jumped to well over a thousand films in the genre.
This says nothing of the vastly different topics that this
genre actually covers, which essentially has a taste of every kind of interest
paired with the one thing that brings horror lovers together—the fear factor!
Popularity Within Horror—What Draws the Audience In?
It used to be that gory, disturbing, and slasher flicks brought the crowds in, at least that’s what the data has said since 1996. Interestingly enough, ever since 1999 this particular subgenre of horror has dramatically declined, coinciding with the introduction of stellar horror movies that fall within other genres, especially the paranormal and supernatural subgenre.
Gore, Disturbing, and Slasher Films
Photography by Jisun Han
For those of you unclear about what thematic elements cause a horror movie to be classified as either a gore, disturbing, or slasher film, I’ll clear that up here. Gory and disturbing movies tend to focus on portraying violence, blood, and guts in the most graphic way possible—the general emphasis is the shock factor. Violence tends to incite the fight or flight instinct that lays within each and every one of us, which in turn causes a huge release of adrenaline as well as mood-altering hormones. It’s safe to say that real-world events had some impact on whether or not a person might want to go see a horror movie that depicted obscene amounts of violence, as the early 2000s displayed a steep decline of this violent subgenre of horror. There have been exceptions to this rule, of course, the Saw movie franchise and the rebooted Hellraiser franchise enjoyed success, but 2008 marked the rapid drop in popularity. To compare fifty percent of the horror movies produced in 1999 were categorized into the gore, disturbing, and slasher film genre, whereas it now makes up less than fifteen percent of horror films being made. That being said, it’s been suggested that much like senses of fashion, certain trends are cyclically popular and that the gore, disturbing, and slasher subgenre should be expected to make a comeback sometime in the future.
Audiences have a remarkable fascination with gory violence and disgusting scenes, and scientists who have studied the depths of human recall, when surrounding horrific events have discovered—not surprisingly—that participants in this study had detailed recall of the scene itself, but the overwhelming nature of the event causes a “temporary blindness,” in our memory of what happened just before and just after the event. This is why gory movies are so jam-packed full of violence—they want the movie to be memorable, even if they aren’t the best movies ever. As an example, films like Cannibal Holocaust (1980) and Green Inferno (2013) are talked about more frequently than any other horror film simply because of the abhorrent events that take place within the film. These films often surpass box office hits like Saw (2004) and Hostel (2005) when it comes to how memorable they are because these movies are violent and gory just for the sake of being violent and gory.
Cannibal Holocaust (1980) continues to be talked about today because it was legitimately believed to be a snuff film and the director even got brought up on murder charges until he produced the actors that were believed to have been killed during filming—that’s not all though, it featured live animal torture and is now one of the main reasons why films are required to divulge that “no animals were harmed in the making of this movie,” in a testament to animal cruelty laws that are now in effect. Films like this were made for shock value and although they remain in the memory of those who have dared to watch them, they leave the audience feeling somehow dirty. Suffice it to say, watching a movie like this once is often overkill if you like horror for more than just shock value.
Bridget
Rubenking and Annie Lang argue that even though disgust makes us feel bad,
it has evolved to a functional response of attention capture—as a form of
entertainment, filmmakers can’t lose with the factor of disgust on their side.
It keeps audiences engrossed and engaged, hoping that somehow the story gets
better. From the 482 participants that were studied in Germany and the United
States, they reached a conclusion that gory scenes function to reinforce our
hope that good will inevitably triumph over evil.
Paranormal and Supernatural Films
While it’s clear that not all paranormal and supernatural films can be classified as horror movies, which can be easily explained by referencing A Ghost Story (2017)—a movie where the featured version of ghosts is literally a guy wearing a sheet with eye-holes cut out, over his head and walking around in a kind of vacant melodrama. A Ghost Story (2017) isn’t meant to be a scary movie, it’s meant to be a depressing drama and honestly kind of failed at that too. The horror franchise marks paranormal and supernatural movies as having content that, “deal[s] with phenomena which defy scientific explanation such as ghosts, demons, psychics, the dead and other such spooky experiences.” These days, paranormal and supernatural take the proverbial cake, as they become increasingly popular in production and now take up the largest share of the box office. It’s thought that this trend is due to the mysterious nature of this subgenre of horror—people like to be kept guessing what is going to happen next. A huge benefit to the volume of production for paranormal and supernatural films versus monster films and violent flicks is that they have a low cost to produce—with ghosts and other paranormal phenomena it’s what is left unseen that makes the movie more compelling. With a low cost in production means that more ideas are able to be brought to fruition on-screen without the burden of raising funds or seeking sponsors. The major uptick in viewership of paranormal horror came with the beginning of the Paranormal Activity franchise, which hundreds of films being added into the genre.
Low budget costs for creating a movie means that creating a captivating film becomes more attainable for people that aren’t already known in the film industry. So, these paranormal and supernatural films are brought to us from a wider collective of filmmakers who have fresh and exciting ideas, original takes on existing content, or a new idea entirely—then they help thrill-seekers who have an affinity for horror find their adrenaline rush.
What this means for the Horror Genre
Violence and Monster-centric movies aren’t going to die out anytime soon, don’t worry—we’re still going to have plenty of new slashers and monsters coming (we’re personally excited about Antlers (2020) coming out this April. So while the popularity of these movies may have decreased to the point of minimal production, it seems like the ones that do make it end up generally being well worth the watch. Take Films like I Am Legend (2007) and World War Z (2013) as examples, both were large budget movies (over $150 million dollars each) and unqualified successes within the monster subgenre. Then again, despite the average horror audience’s proclivity to enjoy things that scare or disturb them, they inevitably want to see a positive ending—instead of being left with an ending that raises questions or leaves the audience wishing for some emotional closure. This can be seen in how I Am Legend (2007) was released with two different endings, one in which the main protagonist sacrifices himself and the one that was ultimately used for the final cut—where the main protagonist finds a way to fix the problem.
Why We Keep Watching
Horror films are entertaining—anyone who enjoys watching
them would wholeheartedly agree—according to Søren
Birkvad, a film scholar at the Inland Norway University of Applied Sciences—they
are a way we keep the boredom away. Those who are prone to boredom more often
than not, score higher than others in a trait dubbed, “sensation seeking.”
These people are then more likely to have an increased affinity for horror
films.
Photography by Caleb Minear
Horror films help us explain away the evil and darkness in
the world—they enable us to essentially get to the root cause of why evil
exists in the world. Whether or not it’s the true cause of evil doesn’t really
matter in this scenario, because the fictional explanations give the audience
closure for their curiosity. If people want true reasons why people do awful
things to one another, they generally have a fascination with movies or television
series that revolve around serial killers, who have been psychologically
studied and often diagnosed with a mental disorder—psychopathy, sociopathy, the
worst of the worst helped define evil within forensic psychiatry.
In
modern culture, it’s a rarity to discuss evil as a true force of nature—what
drove the conversation before was the dominant religious influence within
western culture. The beliefs of religious extremists, it’s simply not common
for people to believe in a demonic force within the world; in popular culture,
especially within books and movies, evil is easily conveyed within the horror
genre. More and more noticeably we’ve seen the gore and monster subgenre move
from the fantasy realm to the science fiction realm, where instead of relying
upon the explanations from the church, we’ve begun to explore the hubris of
man. Unexplainable forces that were responsible for vampires and zombies turned
into explainable scientific procedures gone wrong—in the form of viruses, or
cures, they generally allude to man trying to play the role of God.
The final reason why people frequently seek out the thrills that horror movies provide is what Birkvad calls the anthropological and therapeutic utility of horror film. Birkvad insists that horror movies help us to cope with our own anxiety by stimulating us through a “familiar framework,” which is essentially our safety net. The audience need never overwhelm itself with how they would feel if these film sequences were really happening in front of them, as they can easily disconnect from the action—cover your eyes, cover your ears, make a joke to ease the tension, or indulge in comfort foods.
In psychology, we call this activation of a feeling “emotional regulation.” By watching horror films one can have a sense of control over both the situation, or the viewing experience, and over the feeling of fear. Watching a scary film may possibly also function as a distraction from other feelings.
Svein Åge Kjøs Johnsen
Freud’s attempts to provide a reason to how we perceive things that are considered strange or unusual—he insists that entertaining the idea of the existence of ghosts can create undue excitement, so when we experience things that we cannot explain it incites the adrenaline response. Then again, considering Freud’s work on behavioral psychology he also insists that we never fully overcome the triggers of stress and anxiety from our childhood. Fear of the dark, excessive solitude and eerie silences are things that some adults just can’t shake the trepidation of. Come to think of it, have you ever had an unbearably awkward silence with someone you’ve just met—it stands to reason that the feeling of anxiety most people get from those awkward silences stems from the same source.
So, what are your thoughts on why we as horror lovers have moved away from the gore and violence and begun to embrace paranormal and supernatural themes within the horror genre?
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Winter is a wonderful time with falling snow, crackling fireplaces, and precious family moments. However, like all beautiful things, this season also has a dark side – and Puzzle Box Horror is bringing you the ultimate guide to winter horror seasonal scares. From real-world terrors like almost dying from frostbite to holiday folklore creatures that pull you into the depths of Hell, here are the top winter horror stories you need this season.
Movies
30 Days of Night
Released: 2007
Before there was Twilight, there was30 Days of Night… a truly brilliant horror film that tells the story of bloodsuckers, captivity, and bone-chilling terror in Alaska. The town of Barrow is preparing for the annual “30 Days of Night,” a period during the winter when there is a polar night for an entire month. Or in simpler terms, 24-hour a day darkness. As the community is snowed in and confined to their homes, a band of bloodthirsty vampires arrives and begins to pick off the townspeople one-by-one. With monstrous killers on the loose, and no communication to the outside world, the main characters must find a way to stay alive and overcome the darkness. Both literally and figuratively. If you’re a real vampire enthusiast with a side of winter horror obsession, this is the perfect film for you! Stream on Amazon here.
Krampus
Released: 2015
Who doesn’t love a good holiday horror movie? Especially when it’s about a demonic creature from European folklore that guarantees you’ll sleep with one eye open on Christmas Eve. Krampus has everything you could typically expect from a Christmas film – a dysfunctional family, a blizzard snowing people in, a child doubting his holiday spirit – but instead of Santa, you have Krampus. This horned, demonic creature originates from German folklore, and descends each winter to punish those who have lost their Christmas spirit and drag them straight to Hell. Which seems a little harsh, if you ask us… but you’ll get a kick out of this winter comedy horror film that’s scarily good. Stream on Amazon here.
Frozen
Released: 2010
Sometimes your winter vacation can turn into a nightmare, and it definitely did for the three college students in Frozen. It’s a simple premise, but truly terrifying. One second, you’re in a chairlift getting ready to ski and snowboard at a high-end resort – and the next, you’re trapped in freezing cold temperatures 100 feet above the ground. When the three friends get stranded in the chairlift with no help in sight, they go to extreme measures to stay alive and avoid freezing to death. There’s no ghosts or demons, just three people fighting against nature to protect themselves from the woes of winter… and it’s incredibly frightening. Stream on Amazon here.
The Thing
Released: 1982
When a group of researchers in Antarctica encounter “The Thing,” it’s not just the bitter cold that they need to protect themselves from. This alien orgasm is a parasite that can imitate people to perfection, giving them all paranoia that they can’t trust each other. And to be honest, they probably can’t. Like many winter horror films, this is a story of survival amongst both evil forces and the steep snow… and it’s simply chilling to watch. After you’ve finished watching the 1982 version of The Thing, you can also watch the 2011 remake that many horror fans believe is as brilliant as the original! Purchase the DVD here.
The Invisible Man
Released: 1933
If you’re in the mood for a black-and-white holiday movie that’s a bit less cheery than It’s A Wonderful Life, this eerie winter horror film will definitely do the trick. As the name suggests, it tells the story of a man who checks into a hotel on a snowy night with this face fully wrapped in bandages and topped off with goggles. After a series of events, it’s uncovered that this man has discovered the science of invisibility, and he’s even more dangerous than you think. An invisible man who can sneak up on his victims before their brutal murders, in the middle of the snowy winter? What could possibly go wrong? Stream on Amazon here.
Books
The Shining
Author: Steven King
Published: 1977
The Shining isn’t just one of the best haunted books of all time, it’s also a winter horror masterpiece. While it’s the supernatural forces that cause Jack Torrance to lose himself and become a danger to himself and his family – it’s safe to say that any of us would go crazy after being trapped in a haunted hotel during a winter snowstorm. Jack begins working there as a caretaker as he recovers from alcoholism, and his inner demons combined with actual evil spirits begin to take over his body. As the snow falls around this Colorado hotel, he goes on a quest to kill his son Danny (who posseses psychic powers called “the shining”), wife Wendy, and anybody else who stands in his way. Even if you’ve seen the cult favorite 1980 film starring Jack Nicholson, this Steven King novel is a classic that you should definitely read from your creepy hotel room. Available on Amazon here.
The Winter People
Author: Jennifer McMahon
Published: 2014
Living “off the grid” in a Vermont farmhouse to survive the winter cold may seem like a dream at first. Netflix, blankets, and hot cocoa… oh my! But things take a turn when 19-year-old Ruthie moves into the home with her mother and sister, only for her mother to mysteriously vanish one day. Trapped in the middle of nowhere with no answers, she uncovers an old diary that pulls her into a town mystery that may or may not decide her mother’s fate. Along with provide answers for the other townspeople who have disappeared throughout the decades. Available on Amazon here.
Ghost Story
Author: Peter Straub
Published: 1971
You know you’ve written a killer book when even Stephen King compliments it. The famed horror author has nothing but great things to say about Ghost Story, as does Puzzle Box Horror. It tells the tale of four old men who gather around one winter night to tell the many stories of their past. Some are simple, others are frightening, but there’s one that’s purely horrifying. A terrible mistake that shows that your past can always come back to haunt you, and no sin is truly forgiven. Available on Amazon here.
Snowblind
Author: Christopher Golden
Published: 2014
The snow is the true villain in this novel by Christopher Golden, as the town of Coventry still struggles to recover from a devastating blizzard that happened over a decade ago. And it wasn’t just your typical natural disaster. Many people died, others mysteriously vanished, and strange things began to happen as icy figures danced in the snow and gazed inside children’s windows. With another blizzard set to hit the town, the people of Coventry must put away their painful memories and prepare to save themselves from the supernatural forces of the snow. Available on Amazon here.
Misery
Author: Stephen King
Published: 1987
Snow and Stephan King novels are always a scarily good combination, and Misery is no exception. When acclaimed author Paul Sheldon gets caught in a snowstorm and crashes his car, he awakens to find that he has been captured by Annie Wilkes, a superfan of his work who will go to great lengths to get her definition of a happy ending. This includes holding him hostage, manipulating him by withholding food and painkillers, and even cutting off his foot. It becomes clear that Annie is unstable and Paul’s life is in danger, and he must escape her before his own life story comes to an end. This novel was also made into a highly successful movie starring James Caan and Kathy Bates! Available on Amazon here.
I am a lifelong pop culture junkie with immense passion for all forms of art and entertainment. On a typical weekend, I can be found at a concert or musical, chasing ghosts on the Haunted Mansion at Disneyland, or watching way too many makeup tutorials on YouTube.
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