Gretel & Hansel (2020), a Grimm Fairy Tale

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Featured Horror Mystery and Lore
Creepy Foggy Forest
Photography by Silvana Amicone

Folklore has an extended history of portraying witches as evil, human-sacrificing, child-eating monsters–and for with all of the religious turmoil and economic insecurity that these stories sprang from it’s no wonder. Hansel and Gretel are no different, in fact, it may be the most telling story of them all; for the real evil lies not within the woods, but in the home from which Hansel and Gretel are inevitably turned out.

The Origin of Hansel and Gretel

The original tale of Hansel and Gretel, like many tales that came before literacy and written record was a tale passed down through verbal methods–if you grew up having fairy tales read to you, then you’re probably familiar with the tale of these two siblings. Two children lost in the woods, a trail of breadcrumbs, and a cottage made out of delicious sweets. A wicked witch traps the siblings, intending to eat them, but they trick her, narrowly escape with their lives, and make it back home to their father.

Hansel & Gretel at the Witch's House
Hansel & Gretel at the Witch’s House

While the story doesn’t give us an exact date of when the story was to have taken place, the Brothers Grimm recorded and published the first printed version in 1812, but the story has roots that show it existed in oral traditions for hundreds of years prior. There are theories that date this tale back to the famine that ravaged Europe during the 1300s, which would place the origin somewhere during the Medieval era. The key-point of the story is that the family of Hansel and Gretel are on the brink of starvation–there is so little that the story suggests that their father’s wife, referenced as the children’s stepmother, would rather sacrifice the lives of the children than go without herself.

Survival is the name of the game–this developed the mood of scarcity, gumption, and the bond between siblings. Their family must survive the famine, then the siblings must survive the parents, as well as the hardships of the woods, not to mention the witch herself. It’s easy to overlook the sinister nature of all of these aspects of the tale as soon as there is mention of a cottage made out of candy and sweets. That is the one part of the tale that plants this story firmly into the category of fairy tale, because even though witches may be no stranger to fictional tales, we know all too well that humans can do awful things to one another, including abandoning their children for selfish reasons.

Giving Folklore New Life

Gretel & Hansel (2020) Movie Poster
Gretel & Hansel (2020) Movie Poster

From the origins of Hansel and Gretel, to this newest take on its adaptation to film, the director Osgood Perkins did a wonderful job in honoring the roots of this fairy tale, while also making it unique, visually tantalizing, as well a tasteful combination between the old and the modern. Since he originally made his debut as a horror writer/director with a beautifully tragic and superbly horrific possession film entitled The Blackcoat’s Daughter (2015), Perkins has given us a fresh perspective on what we should expect from horror. His movies are particularly dark and dreary, the hauntingly realistic settings in which he places his characters bring a dramatic, eerie, slowness that takes you through someone’s story, instead of rushing you to the end. Just like with his first true horror success, Gretel & Hansel (2020) takes us on a journey upon which we are allowed to savor the terrifying circumstances our protagonists take.

If you noticed the glaring differences between the folklore and this new film adaptation, you’re not the only one–the most obvious of which is the age of the siblings. In the original folklore they’re either portrayed as twins, or as an older brother/younger sister pair, but here we see Gretel as the big protective sister. This change is captivating as it gave us Sophia Lillis exploring her talents for horror again after she brought us It (2017) as well as It: Chapter Two (2019) as Beverly Marsh–the sole girl “loser” in an otherwise boys-only club. Suffice it to say Lillis is exceptional in both her role as Beverly and now as Gretel.

It’s not like there haven’t been multiple attempts to capture the original story on film, but it seems like any film that ventured to capture the dark and terrible nature of this tale of caution have all been conveyed with too much of a sense of fantasy and not with the reality with which it was treated in this newest adaptation.

Long live Gretel the Good.

Gretel & Hansel IMDB Listing

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Hagazussa (2017) – Experimental Witch Horror

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Featured Horror Movie Reviews Scary Movies and Series

Lukas Fiegelfeld’s debut chiller, Hagazussa (2017) (Hagazussa being a German term for Witch) is commonly mentioned alongside Robert Eggers’ debut flick The Witch (2015). This is not only for obvious titular reasons, but also for their moody, slow-burn atmospheres and psychologically bleak plots depicting young girls taken in by the darkness. Although there’s comparisons to be made, the two witch films do differ in many key ways. While The Witch has, for all its oddities, a rather straightforward plot, Hagazussa plays with ambiguity in a way reminiscent of such experimental films as David Lynch’s Eraserhead (1997) and Denis Villeneuve’s wholly interpretive Enemy (2013). From the opening shot of Fiegfeld’s snowy chiller an effect takes place on it’s audience. Some may shuffle uncomfortably at the slow motion frames of snow, accented by MMMD’s permeating stringed-drone soundtrack, though those familiar with hypnotic and slow burn cinema will already be settling in with a smile on their faces. 

Like the works of Andrei Tarkovsky, Hagazussa relies on an atmosphere of gradually-building dread to drag it along. While this could have been achieved with the tight, focused shots of snowy mountains and moody forests alone, MMMD’s cerebral drones help accent every frame to its full artistic potential. Atmospheric horror and drone music have always gone hand in hand on some level, though recent years have seen the two forming a dreadful bond. MMMD’s is a relaxing dread, more akin to the sounds of Bernard Hermann in his work for Hitchcock’s Vertigo, though retaining the world-ending vibrations boasted by many doom/drone groups. 

Hagazussa witch horror film poster featuring a witch with antlers

Hagazussa is a cerebrally-focused feast for the eyes, aiming to bring you down to its speed and keep you there until the final head-scratching scene climaxes. That’s not to say that you’ll be enjoying only mountain scenery and expressionist artistry. Hagazussa unflinchingly plays with themes of madness through isolation, child molestation, implied bestiality and multiple instances of rape in a bold way. It’s essentially that quiet kid you befriended in school, only to later find their collection of black metal CDs and skinned rodents; an analogy I’m sure we can all relate to. 

History of Hagazussa

Germanic folklore image from the Bohemian region

Hagazussa relates to the German folklore tale of Perchta, a ‘Christmas witch’ who was said to punish those with untidy houses or those too lazy to have all of their flax spun by a certain night with fire and disembowelment. While traditional ideas run rampant in Hagazussa, rather than tell a tale of Perchta herself the film focuses more on how these tales of darkness can affect superstitious groups, leading to prejudice towards its character of focus, Albrun (Aleksandra Cwen) from surrounding villagers. A sense of self-loathing pervades every scene, making the viewer feel like one of the villagers themselves, observing each increasingly degenerate act as all human decency falters. The idea of loneliness in a populated land, being surrounded by people with no intent to help does wonders for the hostile foreboding the film is trying to invoke. 

Hagazussa (2017) Trailer

Without delving into spoilers, the third act of Hagazussa indeed involves a payoff of sorts, introducing a revenge aspect to the plot as well as some very dark psychedelic hijinxs. It’s very much worth wading through the admitted snails-pace of much of its proceedings, and features an ending that warps the viewers recollection of the whole film, meaning that if you weren’t already questioning everything you had just seen, you will by the time the credits roll. The heavy themes in Hagazussa will be polarising for some, though rather than just random shock factor inclusions they felt more by-products of an already bleak alternate universe, and rather fitting. 


Those with patience, and perhaps a little energy (I fell asleep during my first watch) will find artistry and atmosphere by the bucketload in Hagazussa, as well as a disturbing depiction of one woman’s struggle against dark urges and darker neighbors. While not for those with delicate sensibilities, it offers challenging source material that arguably goes further in terms of experimentation than Robert Egger’s comparative witchy outing of two years previous, from it’s opening to it’s beautiful final shot that will be burned into my mind for years to come.

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HAIL TO THE DEADITES

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Featured Scary Movies and Series

One thing we love at Puzzle Box Horror is The Evil Dead franchise. From cosmic horror icons such as the Necronomicon to evil spirits and possessions it just butters our biscuits. It’s no mystery why this movie has created a cult-like following. We’re excited to share the news about this new documentary “Hail To The Deadites” and remember “Shop smart, shop s-mart.”

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After 7 years of hard work, HAIL TO THE DEADITES will have its world premiere next month at the Fantasia International Film Festival.  

“Inspired by the 1981 classic’s cult following, HAIL TO THE DEADITES is a documentary about the fans of the EVIL DEAD franchise. Through interviews with the cast, crew, collectors, fans, freaks and geeks, HAIL TO THE DEADITES seeks to illuminate the darkest reaches of the EVIL DEAD franchise’s undying and still-growing popularity, a popularity that has spawned four films, a TV series, comic books, figurines and surpassed even its creator’s wildest dreams.

HAIL TO THE DEADITES puts the spotlight on the fans that cultivated and spread this groovy pop-culture infection! It celebrates those who’ve celebrated the films! ”Some people might find it weird to not see any footage of the franchise in the documentary but this is what I’ve been aiming for since day one. I’m really proud to say that everything you will see or hear in this documentary was created by the fans. So, rev your chainsaws and load your boomsticks, it’s time to give the DEADITES some sugar, baby!” – Steve Villeneuve

Bruce Campbell aka Ash Williams from the Evil Dead

Beside meeting with fans around the world, the 80 minutes documentary feature interviews with Evil Dead franchise cast members such as Bruce Campbell, Ted Raimi, Betsy Baker, Theresa Tilly, Ellen Sandweiss, Richard DeManincor, Tom Sullivan ,Dan Hicks ,Kassie Wesley DePaiva, Sarah Berry, Rick Domeier & Bill Moseley.

Given the continuing uncertainty related to physical cinema spaces and large gatherings which will likely continue through the remainder of the calendar year due to the ongoing COVID-19 pandemic, the Fantasia International Film Festival decided to mount their 2020 edition as a cutting-edge virtual festival in August. From what we heard so far, the movie should be available on the Fantasia online platform from August 20 to September 2nd. All film screenings will be geo-blocked to Canadian audiences and only accessible from within the country, vastly expanding the number of viewers we can engage with outside of Quebec.

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Halloween III: Season of the Witch (1982)

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Featured Scary Movies and Series

The Halloween Anomaly, Season of the Witch

Some pretty great minds went into creating Halloween’s third film, Halloween Part III: Season of the Witch (1982).  Tommy Lee Wallace wrote and directed the film with contributions from Debra Hill and John Carpenter himself!  While this film was supposed to be the start of what they all hoped would become a Halloween anthology series (that would never be), it is most certainly a hidden gem of a horror movie altogether! The movie took a lot of risks to create a masterpiece that has developed a definite cult following some 30-some years later!  And the worst part is the more time that goes by, the creepier the movie gets…almost in a predictive sort of way!

Behind the Scenes: Halloween Part III

The creators of the Season of the Witch found a hidden fear in the fabric of society. The movie successfully showcases horror by way of brainwashing and mind-control, conspiracy and full-on hopelessness. Here are some of the most interesting facts in the making of Halloween Part 3: Season of the Witch…

Cameo Pharmaceutical

In Halloween (1978), Dr Loomis suggests a drug called “Thorazine” to Nurse Chambers. Thorazine is supposed to suggested to suppress Michael Myers’ mental and psychiatric disorders. In Halloween III: Season of the Witch (1982), this same drug is prescribed by Dr Challis to Harry Grimbridge during his stint in the hospital!

Truly Hypnotizing

The creators were insistent upon the Silver Shamrock theme song and commercial playing as much as possible throughout the film.  Branding the film with the Silver Shamrock Novelties company logos, stickers, and themes was imperative in creating the fear that is experienced throughout the film. Ultimately, the Silver Shamrock theme song plays a total of 14 times throughout the movie!

Where Was Halloween Season of the Witch Filmed?

The film was produced in California.  The gas stations are located off the Sierra Highway, and also in Loleta (both are still there). The hospital was in Sylmar, however, no longer remains. And the Silver Shamrock commercials were filmed in Sierra Madre.  The movie also uses the Rose of Shannon Motel and a manufacturing factory in Loleta. Random scenes are shot all over L.A. As well.

Voicing Cameo

Halloween’s previous films starred Jamie Lee Curtis.  She is also the phone operator in the third installment, Season of the Witch. The role is uncredited, but she sounds absolutely convincing! She is also the voice reciting the curfew.

Coining Witchcraft in the Computer Age

halloween season of the witch silver shamrock commercial on a TV

Several people, including the film’s director (Tommy Lee Wallace), credit Debra hill with the concept of introducing witchcraft to the computer age.  Witchcraft had not previously been used to fuse with or take over technology in the way it is used throughout the Silver Shamrock story.

The Masks Were Real

The three Silver Shamrock masks present throughout the film were mass produced as a part of a merchandising campaign. Don Post was selected for the job, as he had previously done similar merchandising for E.T. (1982), Star Wars (1977), and Planet of the Apes (1968).  The producers felt that if the masks were released early enough, fans would purchase them prior to the film’s release and wear them to the actual movie theater.

A Masked Plot

Tommy Lee Wallace, writer and director of Season of the Witch, explained that he had an intricate plan for the three masked sold by the Silver Shamrock Novelties company.  Each mask was going to represent another film in the series…thus connecting Season of the Witch (loosely) with the other movies in the franchise.  Unfortunately, after this third movie in the franchise totally bombed at the box office, Halloween would have to return to their cash cow, famed slasher Michael Myers, instead of merely leaving behind his mask.

Mostly Acting Newbies

Almost all of the cast of the third Halloween film were total newbies…only having previous credits as extras or cameo types of appearances. There were a couple bigger names, but ultimately the film relied upon newer, green talent. Amazingly, the acting itself is pretty alright and the movie maintains a fairly strong level of suspense. 

Halloween Cameo Appearance

Halloween (1978) itself receives a cameo appearance roughly 1:17 to 1:19 minutes into the movie. The movie can be seen played on a small TV as a Silver Shamrock victim sits strapped to a chair and locked in a room with a mask over his head.

The Silver Shamrock Theme Song

The Silver Shamrock theme song is based on the popular “London Bridge” song.  London Bridge was in the public domain, so it became a clear choice as a catchy, modifiable tune that people would recognize, remember, and be able to follow along with.

Robot Guts

Robot guts was seemingly new territory as the staff ended up using orange juice.  The high-in-vitamin-c citrus drink can be seen pouring from the robots’ mouths throughout the films.

Got Milk?

black and white skeleton drawings

Although the crew used orange juice for robot blood, the Silver Shamrock factory was actually producing something much different before being cast in Season of the Witch.  A milk factory was used as the Silver Shamrock headquarters due to its availability, location ambiance and size.

Inspirations for Making the Film

There are obvious tips of the hat to both Don Siegel (Invasion of the Body Snatchers general concept) and George A Romero (Season of the Witch film title). Halloween itself (the holiday, not the movie franchise), deserves an applause, for without Halloween, none of Season of the Witch would be possible! The movie focuses on the sale of Halloween masks to would-be trick-or-treaters, days before…you guessed it! Halloween!

An Under appreciated 80s Horror Movie

Season of the Witch is one of the most original horror movies to come out of the 80s, despite drawing a lot of inspiration from even very popular pieces such as Invasion of the Body Snatchers (1956) and Season of the Witch (1972). The acting is pretty decent, believable. The characters are drawn perfectly.  The film style and natural fear is excellent, in traditional Carpenter-Hill fashion. And Tommy Lee Wallace totally knocks the ball out of the park when it comes to directing the movie. Regardless of its amazing feats, the brilliant attempt at reinventing the Halloween franchise came a little too early; Thus, Season of the Witch joins the ranks of underappreciated 80s horror movies.

And if it were still possible to actually buy Silver Shamrock masks, every fan absolutely would!

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History and Haunting of The White Eagle Saloon in Portland, OR

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Featured Haunted Places Horror Mystery and Lore
White Eagle Saloon image from early 1900's

On Russell Street, the White Eagle Saloon has been serving drinks to the community of Portland since 1905. Today, the building stands a regular hot spot on the Eastside of Portland for musicians and travelers alike. Notably marked on the National Register of Historic Places, the building has acquired a set of ghost stories and tales that expands over a century. Polish immigrants, William Hryszko and Bronisław Sobolewski, opened the saloon with intent to help serve other Polish immigrants around them. Yet shortly after opening, the White Eagle Saloon garnished a reputation for itself that would endure a century later: as a puzzle piece of the past in the Albina district. Prostitutes, kidnappings and an opium den are some of the rumors circling what the building, possibly, could have hidden within the walls. The mysterious and mischievous past are never far behind us, and many who stay at the hotel today experience frequent paranormal activity. Stories surrounding the saloon aren’t soon to die, and neither are the spirits still roaming the grounds. 

Oregonian newspaper clipping from early 1900's about Polish Society not being anarchistic

Shortly after opening, the White Eagle Saloon made headlines regarding who occupied the building and what it stood for. Multiple publications in the Oregonian helped to circulate rumors. The Saloon was thought to be an opium den, a brothel, the headquarters for an anarchist group or possibly all three combined. In June of 1906, press surrounding the White Eagle alerted the Secret Service to investigate the happenings within the saloon, believing the Polish members were planning to assassinate President Theodore Roosevelt. Although cleared after investigation, Portland natives were wary of the White Eagle Saloon after this press, which helped secure the saloon’s reputation on the mischievous side. Later that same June, the Oregonian printed an article clarifying that the White Eagle Saloon had, “been misrepresented by enemies”. (1) The Polish immigrants were often thought of as anarchists. Perhaps other members of the community saw them as violent members, as it was reported that many disturbances, such as beatings and brawls, occurred within the property. The Polish immigrants who came to Portland created a circle where they could retain their traditions and share their faith with other Poles. Many of these disturbances were due to politics or religion, as any Pole who did not believe in the Catholic Church was considered an anarchist (1) and one of the founders, Broinslaw “Barney” Sobolewski, was also the Minister of Justice on the Polish Cabinet (7). Regardless of the disturbances within the Polish community, the Saloon stood as meeting hall and refugee for Polish immigrants (3) where, “an immense emblem, a Polish eagle with the American and Polish flags underneath, occupies a prominent place on the wall.” (1)

newspaper clipping early 1900's about a war on vices such as prostitution being planned by the US government.

The White Eagle underwent a remodel from a wooden structure to a brick building, and beginning in 1914 lodging was offered. The original intent Hryszko had to serve their Polish community proved true, as a census taken in 1920 showed that all the guests at the White Eagle were Polish men. (2) Although there is no substantial evidence to prove that the White Eagle Saloon was also a brothel along with the offered lodging, that is not to say that “working women”, or prostitutes, did not frequent the rooms available to rent on the second floor. Proof that prostitution existed in this way on the streets of Portland is shown in an Oregonian article from October of 1917. The article discusses cracking down on prostitution, and that the policy involves, “not only in eliminating regular houses of prostitution, but in checking the more or less clandestine class that walks the streets, and is apt to frequent lodging-houses and hotels”. (4) With Prohibition beginning in 1917, the saloon began to offer “soft drinks”, but it is largely eluded that regular activities were engaged in within. 

Gritty stories surrounding shanghai-ing patrons and enslaved women in the basement have circled the saloon for decades, with little truth ever found behind them. Tim Hills, a historian who researched the origin of the White Eagle, clarified that, “the opening in the basement that is usually identified as the shanghai tunnel is actually a coal chute leading to a trap door in the front sidewalk”. (2) Not only this, but Shanghai activity decreased at the turn of the century, making those dark rumors difficult to believe – thankfully. Nevertheless, rumors of spirits from the shanghai tunnels continue to proliferate even as recently as to my last visit to the bar in late 2019. When asked about the haunted hotel the staff reported that several ghosts from the tunnels have been heard over the years.

It’s natural for a destination of this notoriety to be believed to be haunted. The White Eagle Saloon was a notable location for dozens over the decades, and the idea that spirits of the dead are still attached to the building is not a unique idea. There are a couple of prominent ghosts known to haunt the grounds, with other ghosts poking fun at current hotel guests. Recounting’s of the tales vary in dates, names and other details. With something as intangible as ghosts, these differences are bound to appear. It has been reported that a prostitute named Rose met an untimely fate within the walls of the saloon. The general tale is that Rose was a favored and frequent prostitute around the area, who was often at the White Eagle. Sadly, a customer happened to fall in love with her and schemed up a plan for the two of them to run away together. Hoping to convince her to run away with him, he met up with Rose one night, pleading with her to leave her life of prostitution. Rose refused his advances and chose to remain. In desperation and anger, whether she was pushed down the stairs or stabbed to death in her room, the man then killed Rose. Guests at the hotel reported having seen an apparition of a beautiful woman, with some experiencing the feeling of being touched while in their beds. (5) While the spirits of multiple prostitutes may be tied to the saloon, guests have been reported to experience a run-in with some sort of female energy. Local staff report that most of the activity is rumored to come out of Room #2 in the hotel where she allegedly frequently stayed.

Another prominent ghost is a man rumored to be named Sam Warrick. (6) The tale surrounding Sam is that he was born on the second floor, believed to be birthed by a prostitute. Orphaned at birth, Sam grew up in the White Eagle trading his services for room and board. It is reported that he was a bartender amongst other jobs at the White Eagle. The saloon would be his final resting place, as he never moved away and eventually passed away in his room. Some of his possessions are said to still be in the guest rooms, appearing to have been moved on their own. It’s told that Sam is one of the faces you can see in the old photographs hung upon the walls on the White Eagle, keeping a dutiful eye on his forever home. 

A quick check on youtube has several paranormal investigators who have stayed at the hotel with various measurement tools. Their reports vary and some even report that room 3 has more paranormal activity than room 2. If you get the chance to walk the halls you will see why this hotel maintains such a vibrant haunted past. It is truly spooky in the hotel although it does maintain a warm vibe regardless of the low lighting, creaky stairs and stories of hauntings.

Perhaps it’s the spirits of Bronislaw Szelaszkewiez and William Hryszko that roam the halls, as their spirits are no doubt also tied to the White Eagle Saloon. Regardless of the truth, which many may never truly know, these tales that come from the White Eagle Saloon is an honor itself to the significance the building has had in Portland. The White Eagle Saloon has seen over a century of happenings occur within its brick walls, fluctuating between a safe haven for immigrants or a final meeting place for some souls. Spirits are still welcoming new guests, so feel free to book one of the original boarding rooms any night of the week and test it yourself. If you are brave enough perhaps add the Stanley hotel and Crescent hotel to your list as well, those are certainly on mine!

Oregon has several other haunted hotels also worth investigating including Hood River, Oregon’s Hood River Hotel and The Gorge Hotel.

Index 

  1. Article: The Oregonian, June 25, 1906 “Polish Society Not Anarchists”
  2. Article: Hills, Tim. “Oregon Places: Myths and Anarchists: Sorting out the History of Portland’s White Eagle Saloon.” Oregon Historical Quarterly, vol. 101, no. 4, 2000, pp. 520–529. JSTOR, www.jstor.org/stable/20615097.
  3. Article: The Oregonian, “White Eagles True Story”, Sep 27,2001 
  4. Article: The Oregonian, Oct 13, 1917, “Vice War Planned” 
  5. Ghost Hunting Oregon by Donna Stewart 
  6. Ghost Hunters Guide to Portland the Oregon Coast by Jeff Dwyer 
  7. Article: “Journal of the American-Polish Chamber or Commerce and Industry June/July 1921” 
Atlas of Lore #1
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