Many people can fondly recall the creation of an imaginary friend when they were younger. Imaginary friends are a global phenomenon, used as a source to combat loneliness, and as a means to encourage creative enterprises in children.
But what would you do if your imaginary friend suddenly became real? Would you try to destroy it? Or would you accept its unusual companionship?
The Art of the Tulpa
Such is the idea behind tulpamancy, a metaphysical concept that stems from ancient Tibetan practices. In essence tulpamancy is the ability to manifest an imaginary friend by intense mental concentration. A tulpa is a mental construct that takes physical shape–and once it does, the tulpa is capable of being fully autonomous from its creator.
Individuals who practice the art of tulpamancy cite varying reasons for doing so, such as friendship, or as a means of combating certain types of anxiety. Practitioners all seem to agree on one thing, however–the tulpas they manifest are real people, entirely capable of freewill.
The Science of Tulpamancy
The creation of a tulpa is an arduous mental process that requires both immense time and concentration. First, an individual who wishes to manifest a tulpa must have a very concrete idea as to the parameters of their mental construct–what does this tulpa look like? What are the tulpas primary and secondary characteristics? What is the purpose of the tulpa? The tulpamancer must be able to create, then recall these details with near perfect clarity.
Once said parameters are established, the tulpamancer must be able to envision their mental construct over and over again until they can evoke these details with little to no conscious effort. Many practitioners believe that a meditative state must first be achieved in order to successfully manifest a tulpa.
Tulpas as Thoughtform
Tulpamancy was introduced to the western world as “thoughtform” and gained popularity during the late 20th Century by way of science fiction shows and novels. Thoughtforms are much the same as tulpas in that they are physical manifestations of a mental concept and are capable of operating as free agents upon creation.
While modern day practitioners tend to view tulpamancy as having separate origins from paranormal experiences there are some who believe that thoughtforms, or tulpas, are at the heart of some supernatural occurrences. For example, several individuals who study the paranormal now believe that poltergeist activity stems from negatively charged thoughtforms that are powerful enough to cause reactions and activity in the physical world.
A small community of modern American tulpamancers were asked about the origins of their tulpas. Of those surveyed, 8.5% believe tulpas stem from the metaphysical realm, 76.5% think tulpas are psychologically created, and 14% think tulpas originate from spirituality or from paranormal ideas, beyond the paradigms of science.
Dangerous Tulpas
While we may, ultimately, never know the origins of tulpas it is important to proceed with caution when engaged in tulpamancy. Practitioners are encouraged to use sound judgement during manifestations since tulpas are autonomous in nature. Nothing could be as potentially dangerous as a tulpa that has been created void of sound ethical practices.
Although many tulpamancers claim to have healthy, happy relationships with the tulpas they create, there have been multiple accounts where creating a tulpa has had a negative, even dangerous, impact on an individual. If you are contemplating creating a tulpa consider the following potential outcomes.
Born From Negativity
Once tulpas mature they develop their own personalities and preferences. However, every tulpa is born and primarily exists within their tulpamancers, or host’s mind. Since a tulpa is an extension of oneself it is common for tulpas to inherit their host’s thought patterns, moods, and mentality at the time of creation. Thus, individuals who are suffering from depression or anxiety can transfer these emotions into their tulpa. There have been numerous accounts of tulpas being extremely sad, even suicidal in nature. Tulpamancers who suffer from these bouts with depression may feel their problems have increased tenfold because now there are two depressed individuals to consider.
Negativity tends to feed off of itself, and hosts who are battling chronic, seasonal, or even temporary depression may “give birth” to a tulpa that increases these feelings.
Born From Violence
Many tulpamancers admit that during the creation process it is easier for them to emulate traits from fictional characters they love, rather than attempt to build a tulpa from scratch. Some tulpamancers do so deliberately. Many have been tempted to create tulpas based off of characters that possess less than savory personality traits including a tendency towards violence.
Again, once a tulpa is fully mature, they become free from their host’s will. Their actions are entirely their own and sometimes they desire to do things that could appall, even harm their host.
During development it is common for tulpas to experience drastic mood swings just like children and teens do. These fluctuating temperaments combined with the fact that they have yet to learn about morals and ethics makes for a dangerous combination. Tulpas have been known to threaten to kill a host’s family members, pets, friends, even the host themselves.
It takes a lot of hyper-focused concentration in order to create a tulpa and just as much energy and power to destroy them. Dissipating a tulpa can take several days, even for an advanced tulpamancer. What’s worse? Since tulpas share a headspace with their host they will know the moment their host first considers attempting to destroy them–and this will, naturally, make the tulpa very angry. There are tulpamancers in the world who live in constant fear of the very beings they created.
Tulpa Obsession
Even tulpas that have been created and manifested in a healthy environment can create unexpected consequences and events for their host. Once a tulpa has reached maturity it is not unheard of that they develop romantic feelings for their host. While some tulpamancers encourage these feelings, having relations with a tulpa can run the same risks as becoming romantically involved with a real human being including abuse and intense jealousy. Only, you can’t get away from your tulpa.
There have been instances where a tulpa’s devotion to their host has become unhealthy, even dangerous. Emotionally stunted tulpas may cause no end of problems if they feel their host is paying too much attention to real humans. Even a host/tulpa relationship that began from a place of love and harmony can turn sour like human to human relationships do…Problem is, you cannot simply walk away from your tulpa once a breakup occurs. Your tulpa remains with you, in your headspace.
Tulpa Dependency
Even supposedly healthy relations with a tulpa can have detrimental effects on a person and their relationships with other people. As bonds form between a tulpa and their host, the host may find themselves unintentionally, or deliberately, neglecting their other relationships, even familial and platonic ones. Why go all the way to a friend’s house when you have a tulpa friend right in your head? Why ask for support from loved ones when one can ask for support from their tulpa, all while sitting on the couch?
Relying on a tulpa for every emotional need can lead to alienation and neglect.
Tulpas and Mental Illness
It is also strongly advised that individuals who suffer from personality disorders, mood disorders, and/or schizophrenia do not attempt to create a tulpa. During the manifestation process tulpamancers often report first communicating with their developing tulpas as a voice in their head. Often times these mental tulpas will speak to their host using their host’s voice as they have yet to develop the skill of vocality.
Individuals who suffer from intrusive thoughts, split personalities, or auditory hallucinations may mistake their mental illness for an emerging tulpa and neglect to seek treatment. As these false tulpa encounters continue, and grow stronger, individuals run the risk of causing permanent damage to their mental wellbeing.
Many tulpamancers argue that their lives were bleak, and lonely prior to the creation of their tulpa(s). However, tulpamancy is an intense, emotionally, and mentally grueling process with varying, unpredictable results. Tulpas can create lasting, even permanent, changes to a person’s life and state of being. Such a practice is not for the meek, the bored, or underprepared individuals.
Bladenboro, a quiet rural community, was established in 1857. To this day, it remains tucked away in the swamps and pine forests of the southeastern edge of the North Carolina Piedmont (Scary Truth). The population of the area remains limited to this day. In 1954 the peaceful community of Bladenboro experienced two weeks of terror that would put it on the map forever.
Newspapers all over the southeastern United States covered the mysterious incidents. Gallehugh mentioned that even the United Press International and Associated Press carried the story. Those articles were unable to be located for confirmation. The creature that stalked the countryside for those two weeks was never able to be accurately identified.
The authorities never successfully identified the creature. As such, the Beast of Bladenboro would continue to be
As a result, the monster panic that gripped the community would be remembered as a “standing joke” for North Carolinians (Gallehugh 53).
The Elusive Vampire Cat of North Carolina
The story of the vampire cat of North Carolina is one that stretches back seventy years. Unlike many urban legends which are based primarily on stories passed around verbally from person to person, this legend has a basis in fact. Whether the antagonist of the story was truly a vampire cat is up to you to decide. We here at Puzzle Box Horror believe that anything is possible, especially given the evidence.
December 29, 1953
A woman local to Clarkton in Bladen County heard the neighbor’s dogs barking and whimpering in the evening. Her curiosity spurred her to investigate since she didn’t often hear the dogs at all. She would later recall that what she saw was a sleek, black catlike animal. She believed it to be about five feet long with a round face just before it disappeared into the darkness. The creature had only eaten a piece of the body, according to Police Chief Roy Fores (Gallehugh 53).
Reports from D.G. Pait stated that he saw a dog being attacked by a large creature and subsequently dragged into the woods, from his service station.
New reports of canine death flooded Chief Fores’ office from all across the county. These reports varied between sightings of bears or panthers, but the description was consistent—three feet long, twenty inches high, long tail, and a face like a cat.
December 31, 1953
Woody Storm, a local farmer, called Chief Fores out to his property. Storm had found two of his dogs dead, slaughtered by something large and powerful. Fores found a disturbing similarity between Storm’s dogs and the victim from the day before. Something had completely drained their blood.
January 1, 1954
Gray Callihan, a local farmer, found his dog slaughtered. Just like the previous victims, the carcass had no blood and a crushed skull (Gallehugh 54). Two more dogs turned up dead and drained of their blood. Fores called in a team of professional hunters from Wilmington, NC to track down the animal. (NCG)
January 2, 1954
“Several imaginative townspeople” brought around the theory that they were dealing with a vampire-like creature, due to the state in which they found the bodies of the slaughtered animals. Despite his skepticism, Police Chief Fores organized a small search party. Their efforts to locate the animal before dark were hindered by the dense swampy land they had to cover. The town became noticeably more anxious as the creature continued to go undiscovered. (Gallehugh 54)
January 3, 1954
Fores examined the carcass of another dog that had been killed at a service station on the outskirts of Bladenboro. He concluded that “all except a drop or two of blood had been sucked.” A witness found another dead dog within city limits later that day. This would cause fear and rumors to begin to run wild. Mayor G. W. Fussell took more direct control over the investigation and ordered Fores to form a larger search party. Nearly thirty armed men and seven dogs scoured the Big Bay and Red Hill Swamp areas to find the creature. (Gallehugh 54)
The search party returned by nightfall, unsuccessful in their venture to find any sign of the creature. The failure of yet another search only served to bolster the apprehension the residents of Bladenboro felt in their own homes. This newfound fear for the residents of the small town caused them to lock their doors, concerned that the next victim might not be “just a good dog,” fortunately there were no new sightings that night. (Gallehugh 54)
An increasing number of newspapers had taken up the story of the mysterious “Vampire Beast of Bladenboro,” and the news spread like wildfire. Professional hunters throughout the state eagerly flocked to eastern North Carolina for a chance to kill the notorious creature. Speculation on what the beast really began to grow, some stating that it was a black panther, or a large bobcat, while still, others claimed that it was just a rabid dog or a wolf. None of these theories accounted for the immense force the beast possessed, nor did they consider the vampiric tendency to lust for blood. (Gallehugh 54)
January 4, 1954
The next morning, a citizen reported “unusual tracks” at the edge of the swamp behind the mill section. That same morning, three illustrious hunters arrived from Wilmington, fifty miles away, to aid in the hunt. The hunters brought their professionally trained dogs and began their search where they found fresh tracks. Their hunt for the creature was fruitless, but they gained some helpful insight into its behavior. They deduced from the evidence of the creature’s tracks that it traveled in a circular pattern and stayed within an approximately three-mile radius. The three men believed that this might indicate the creature had a mate and therefore presumed that there was more than one creature making the killings. (Gallehugh 55)
As the day passed more hunters joined the fray to locate the creature—before the end of the night, there were between forty and fifty men seeking out the elusive beast. When darkness fell, they gave up the hunt for the day. They knew that if it were indeed a large cat that it would undoubtedly be capable of eluding them under the cloak of darkness. (Gallehugh 55)
January 5, 1954
Despite no new incidents overnight—no unusual sounds, tracks, or drained animal carcasses to speak of—the hunting party continued to grow (Gallehugh 55). Most notably, a man by the name of Sam Spivey came from Tabor City and brought along with him his bear dogs.
Escalation of the problem…
The attitude of the hunting party changes dramatically when “a dog within a hundred feet of the hunting party was attacked by the vampire beast.” It was reported to have been dragged screaming into the swamp nearby before anyone could arrive to help it, or a shot could be fired at the creature.
Another Body Found…
Eventually, they found the dog with its head crushed and drained of all of its blood. They got a break in their search, however, when they found tracks that revealed claws that were at least an inch long. This indicated to the hunters that the beast was approximately a hundred pounds. When the hunt ended that night, the town was abuzz with inquisitive tourists, newspaper reporters, and an inpouring of hunters hoping to be the ones to catch the dreaded community menace. (Gallehugh 55)
Cutting from News and Observer in Raleigh, NC from January 5, 1954
The Clemmons Incident…
Mill worker Lloyd Clemmons and his wife heard their two dogs growling that night and to them, it was highly unusual. Mr. Clemmons decided to investigate the commotion. Clemmons was on record saying, “I glanced out of the window and saw this thing … [the beast] had me plumb spellbound.”
Before Clemmons was able to load his shotgun the beast had already disappeared into the darkness, so he called the police to report his sighting and provide his description of the creature. In his words, it was “about three feet long and 20 inches high. It had a long tail, about 14 inches long. The color of it was dark … it had a face exactly like a cat … Only I ain’t never seen a cat that big.” (“Vampire on Loose” 1)
The story of the Beast of Bladenboro made front page news across several different news outlets across the state. One such report from the Raleigh News and Observer detailed an incredible close-call with the creature on the same day as the Clemmons sighting. Not too far from the Clemmons’ home, Mrs. C. E. Kinlaw heard two of her puppies whimpering outside of her house. The beast charged from the darkness the moment Kinlaw stepped out onto her porch to investigate.
Her screams prompted her husband to rush immediately to her aid, which gave the beast an opportunity to escape back into the night. When questioned by authorities as to what she saw near her dogs, she reported that there, “was what looked like a big mountain lion.” It had apparently raced from three houses down the dirt street on which she lived to just a few feet from her porch. When Chief Fores had a chance to investigate around the Kinlaw’s home he reportedly found tracks that were “bigger than a silver dollar.” (Gallehugh 56)
The Beast attacks a woman…
After this incident, an armed posse of around five to six hundred people and scores of dogs thoroughly searched the mill section that surrounded the Kinlaw home. They remained on the premises until daybreak and yet found no sign of the evasive beast. When hunters compared two sets of tracks found, they surmised two different animals created them. On that same night, D.G. Pait and Chief Fores were standing together in the mill section when they heard a dog yelping in pain. Fores believed the dog was being dragged into the thicket that enclosed the houses, but when Fores and Pait arrived to save the dog, there was no sign of either creature. That dog’s body was never found. (Gallehugh 56)
January 6, 1954
The continued search for the beast was hindered by the excessive amounts of armed hunters who were vying for the chance to claim the life of the beast for themselves. “By midafternoon, all hopes of killing the beast were given up,” but that didn’t keep the beast from attacking another pet. It was later found out that a pet rabbit had been killed, its head bitten off, and the blood sucked from its body. Even more disturbing, is e fact that the rabbit’s body was still warm and found in an area that had been covered by the search parties earlier in the day. (Gallehugh 56)
A new hope emerged to put an end to the monster panic. A group of volunteer hunters with their purported “cat dogs” (think bird dogs, but for hunting big cats). Their first tactic, the night previous had been a lure-and-chase strategy which unfortunately ended in failure (“News Shorts”). Traps were set and baited with dogs as a way to bring the beast out of hiding and lure it to its death. Police Chief Fores, Bladen County Sheriff John B. Allen, and the State Highway Patrol were tasked with crowd control. Despite the traps, people refused to move out of the area where they were set. The threat of the Beast of Bladenboro was superseded by the hundreds of nervous armed people milling around the outskirts of town. Chief Fores and Mayor Fussell decided to stop the hunt to avoid the possibility of someone getting accidentally shot. (Gallehugh 57)
January 11, 1954
Two cars full of witnesses watched, shocked, as the “Beast of Bladenboro” crossed a road at its leisure near Bladenboro. Each of the six witnesses gave Chief Fores an expectedly similar description to those of the past two weeks. One of the witnesses, by the name of Jeff Evers, described the beast as having a large head with “runty-looking” ears. The road it crossed was near the bridge at Big Swamp, an area approximately four miles away from Bladenboro and near to the area where the creature and its tracks had been spotted frequently. (“Runty-Looking Ears”)
January 13, 1954
Five days after the hunt had been called off, Luther Davis a local farmer brought in a 25-pound bobcat that he had trapped and killed around 8:30 that morning. The authorities believed that the bobcat fit all of the descriptions and tracks of the Beast of Bladenboro, but in retrospect, it seems as if they were trying to make it fit the descriptions so as to ease the townsfolk of their fears.
The only thing they could not manage to explain was how a wildcat so small could manage to take down dogs twice its size. Regardless, Mayor Fussel decided to report to the newspapers that the beast had been killed, as a means to quiet any remaining excitement over the creature.
Despite the claims that the bobcat was the infamous beast, townsfolk continued to report sightings of a large catlike creature in the Big Swamp section of Bladen County. The bobcat was nonetheless hung from a flagpole in the center of town by Fores and Fussell and displayed with a sign that read “This is the Beast of Bladenboro”. (Gallehugh 58)
As an added curiosity to the claims that the beast had been killed, Berry Lewis, a farmer local to the area reported that he had found a half-grown hog killed near Big Swamp to Chief Fores. When examined, Fores saw that the hog’s bones had been crushed and part of its flesh eaten. (Gallehugh 58)
By February the entire incident would become akin to satire. Bladen County assigned S. Ray Johnson as its newest Wildlife Protector. People began to doubt the copious amounts of evidence collected and the beast would remain an unverified story. (“S. Ray Johnson”)
May 5, 1954
The Tabor City Tribune ran a story by W. Horace Carter about a trip he took to Burgaw on April 29, in order to attend a Junior Chamber of Commerce meeting. Carter stopped in Bladenboro to pick up Lumberton Jaycees, Jim Phillips and E.J. Britt. The meeting ran much longer than they expected, so they didn’t leave Burgaw until approximately 10:30 PM. (Carter)
The three drove through Elizabethtown toward Bladenboro and around a quarter to twelve they witnessed “a huge cat-like animal” jump out of the woods into the road around 100 feet in front of the car. It disappeared almost as quickly as it appeared, but the three witnesses were positive that it wasn’t a bobcat, as they all saw it had a long tail, which “appeared to be about half the length of the cat itself”. The three witnesses described a creature remarkably similar to the vampire cat. Carter didn’t explicitly state that it was the Beast of Bladenboro. It was clear, however, that it was a frightening experience that he wished to not repeat. (Carter)
December 15, 1954
An alleged strike from the beast, had residents of Robeson concerned that the Beast of Bladenboro was back “on the prowl.” The attack happened “within shouting distance” of Robeson Memorial Hospital, where the beast killed five pigs and three chickens on a farm belonging to K. M. Biggs. The killings left behind no blood evidence. This indicated that there was a recurrence of the blood-sucking traits associated with the vampire cat. (“’Beast Of’”)
The Return of the Beast of Bladenboro
The shocking pattern returned with a vengeance in October 2007. More than fifty pets and livestock died in a strikingly similar way to the killings of 1954. The victims showed little sign of struggle, this indicated that they died instantly. Leading experts believe that the creature is an efficient predator. Those who examined the bodies postmortem would find that the victims not only had their blood drained, but their skulls crushed as well. (MonsterQuest)
The beast claimed a larger hunting ground and roamed an approximately two-hundred-mile range. This information shocked authorities, as it meant it had a larger range than any known predator of the region. Townspeople reported incidents in Bolivia, Bladenboro, Lexington, and Greensboro. A new name for the creature circulated—The Beast of Bolivia.
More Dogs found dead…
After the more recent attacks, new witness descriptions of the creature surfaced—with claims that it was dark brown, approximately 4.5 feet long, with the face of a cat, claws of a dog, and vampiric teeth. Due to the areas the creature has claimed as its hunting ground many assume that the predator dwells primarily in the swamps.
In Lexington, a local farmer found approximately sixty goats with their blood drained and heads crushed. Thirty miles away, in Greensboro, another farmer lost his goats in the same way. Residents of Bolivia became concerned that the vampire cat had returned after several dogs had turned up dead. One morning Bill Robinson, a resident of Bolivia, found his pitbull gutted in his yard. Robinson proceeded to bury his dog quite a distance from where he had found it laying dead. The next morning Robinson discovered his dog was back where it had been lying dead the day before. The beast allegedly unearthed and dragged the carcass back to the origin of the kill. Robinson’s dog was just one of ten that had been found slaughtered in the area, over a two-week period.
New tracks found…
Four days after Robinson found his dog dead in his backyard, another resident of Bolivia—Leon Williams—found his own pit bull dead, covered in blood, and missing a few body parts. There was no sign of a struggle which Williams found incredibly strange considering his dog’s breed. Around that time, Robinson found unidentifiable tracks in the surrounding area. Robinson measured the tracks and found that they were 4.5 inches in diameter. The town of Bolivia grew more apprehensive, due to the inexplicable dog deaths, and as a result, parents kept their children inside.
Scientists Remain Skeptical and Unimpressed
Over the decades this alleged vampire cat has had several eyewitnesses who have all come back with fairly similar descriptions. Skeptics theorize that it’s due to the Beast being a variety of Eastern Puma, since common descriptors include the beast being black in color, 3-4 feet in length, with an approximately 14-inch tail, and an estimated 20-inch shoulder height (Eberhart 37).
MonsterQuest aired an episode about the Beast of Bladenboro in 2008 due to a recurring pattern of animal deaths. In this episode, Tom Padget, a now-retired biologist from the North Carolina Wildlife Resources Commission appeared to lend his expertise. He spoke on the claims that he received yearly calls on the death of wildlife and pets, but his scientific background leads him to question the existence of a vampiric beast. Instead, he hypothesizes that the killings are simply other, known predators and that it happens more regularly than most people are aware of. (MonsterQuest)
For Padgett, it was clear that the physiological abilities of cougars would surpass that of the dogs and other animals in the area. Extreme habitat loss and logging at the turn of the last century had all but extirpated the cougar from North Carolina. Up to that time, there had been no documented evidence that cougars existed in North Carolina for the past century.
New Evidence Surfaces…
The evidence came one month after the initial investigation when Bill Robinson and Brian Gardner received an update from a photographer that happened upon a startling find. Less than half a mile from the homes of Robinson and Williams, the photographer captured a blurry image of a cougar. MonsterQuest did not bother to authenticate the photo in question, but they concluded that people were experiencing a resurgence of cougars reclaiming territory. This, of course, took into consideration the fact that the cougar had been extinct through the east coast of America—except the tip of Florida—for the past century. (MonsterQuest)
Immortalized into Folklore
To this day, the Beast of Bladenboro remains a genuine terror to central North Carolinian communities. The North Carolina Folklore Society added the story of the Beast of Bladenboro to its annals in 1976. Over the last seventy years, the residents of Central North Carolina have pieced together a recurring pattern they have imputed to being the alleged vampire cat.
Related Creatures
Check out this list of related creatures to learn more about Cryptids alive in legend and urban folklore:
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Women don’t get a lot of credit in any field that they may excel in, so why should the world of literature be any different? While, they get recognized by their peers, how many of you can name more than a handful of famous female horror authors off the top of your head? It’s unfortunate that most can’t, to say the least, but that’s something that we plan to remedy here today.
Photography by H.F.E. & Co.
While we are asserting that all of the writers listed here are horror writers, a lot of these amazing women have actually produced written work that is outside of the horror genre–or, even more astoundingly, their main genre of work may not even be horror.
Mary Shelley
(08/30/1797 – 02/01/1851)
Born Mary Wollstonecraft Godwin, Shelley is best known for her novel Frankenstein (1818) which is quite widely cited as the very first Science Fiction horror novel. Unfortunately, her career wasn’t quite as prolific as some modern writers, but her work seems to have been more about quality, rather than quantity. Unsurprisingly she wasn’t the first writer within the horror genre, but she was the first female horror writer and she did invent two completely different subgenres of horror. I do find it rather nice though, that all of her works are within the public domain and can be enjoyed by anyone who wishes to read her Gothic-styled genius.
Check out our coverage of Mary Shelley in her Dead Author Dedication we did earlier this year.
Daphne Du Maurier has generally been classed as a romantic novelist, but the stories she produced in her lifetime have been described as “moody and resonant,” and most if not all of them have paranormal and supernatural overtones. Critics never gave her a fair shot when her bestselling works were first published, but her exceptional talent with her voice in narrative changed their minds and earned her a persistently unparalleled reputation.
A few of her novels have been adapted into films—quite successfully in fact, including Rebecca (1938), adapted by Alfred Hitchcock to film in 1940—which starts off as such an innocent romance, but quickly turns into a story with such a haunting atmosphere, you can’t be sure if it’s a ghost story, or one of subterfuge. Don’t even get us started on his adaptation of her novel The Birds (1952) which was released in 1963!
Some Books to Read by Du Maurier
Jamaica Inn (1936)
Rebecca (1938)
My Cousin Rachel (1951)
The Birds (1952)
Not After Midnight and Other Stories (1971)
Unfortunately, we haven’t covered the life and times of Daphne Du Maurier as of yet, but believe us when we say that her style of writing is phenomenal–actually, don’t believe us, read some of them and decide for yourself! Since we’ve been trying to cover a single dead author per month, in memoriam during the month in which they passed, we won’t be visiting the life and achievements of Daphene Du Maurier in full until April of 2021.
Shirley Jackson
(12/14/1916 – 08/08/1965)
Shirley Jackson is one of those writers that the weird, dark, and haunted can thoroughly relate to–personally, I believe that she is the one writer I can relate to the most. Not because she was insanely talented–I’m not self-centered enough to believe I rank on her level–it’s because she never made an attempt to pretend that she was in any way normal and I mean that in complete admiration.
If you’re interested in learning more about Shirley Jackson, take a look at the articles we did to honor her for August’s Dead Author Dedication:
Lois Duncan made a name for herself by writing for young adults–those transitioning from childhood to adulthood, who needed a voice to relate to that would help them understand what it was like to have to evolve into a responsible human being, even under the worst of circumstances. As a horror writer for the young and the young-at-heart, Duncan left a legacy, not only for her readers, but for those who were inspired to follow in her footsteps.
She paved the way for writers and creatives to finally be able to appeal to the younger audiences who, otherwise would only have had adult horror to turn to–because, let’s be honest, those among us who love horror now have loved horror for a long time and if it hadn’t been for Duncan’s books we might not have had age-appropriate content for our nerdy dark brains to dive into.
You can learn more about Lois Duncan through our exploration of her life, literary achievements, and legacy–Puzzle Box Horror style, in our Dead Author Dedication in July 2020.
She is a best-selling American author and having sold nearly 100 million copies of her books, is one of the most widely read authors in modern history. World-renowned, among her works the most well-known are the Vampire Chronicles, where she demonstrates her ability to convey love, death, immortality, existentialism, as well as the human condition under the umbrella of the gothic horror genre. One thing is certain, aside from Mary Shelley, Rice is possibly the most popular female author on this list!
Octavia E. Butler
(06/22/1947 – 02/24/2006)
Butler started her writing career in her twenties after studying at several universities and she blended elements of science fiction and African American spiritualism in her novels. Her first book, Patternmaster (1976) which would kick start her first series of books. It wouldn’t be her last series, however, as she continued to write and publish books up until her death in February of 2006. Although Butler was better known to be an author of science fiction, she often incorporated elements of our favorite genre, horror. Her most horror-inspired novel was published just a year before her death and told the story of a girl who discovers she’s a vampire. Often hailed as a genius, Butler worked to address racism from her vantage point as a writer and exposed the horrors of oppression in American history. When talking about one of her most popular books, she explained that, “[she] wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.”
Join us in February of 2021, for when we honor Butler’s contribution to horror.
Kathe Koja
(01/06/1960 – Present)
As a writer, director, and independent producer, Kathe Koja is a multiple platform powerhouse of a woman—her talent allows her to work within several different genres, from Young Adult, to contemporary, to historical, as well as horror fiction genres. Several of her novels have won awards and have also been translated into multiple different languages and her work has also been optioned for film and performance pieces.
Caitlín R. Kiernan
(05/26/1964 – Present)
As an Irish-born American, Caitlín R. Kiernan is a published paleontologist and author of both science fiction and dark/horror fantasy. An accomplished author in her own right, Kiernan has published ten novels, a series of comic books, and over two hundred fifty short stories, novellas, and vignettes—for all of her hard work she has received both the World Fantasy and Bram Stoker awards twice!
Tananarive Due
(01/05/1966 – Present)
Tananarive is an all-around wonder when it comes to the horror community, not only is she an award-winning author, she also teaches about Black Horror and Afrofuturism at the University of California Los Angeles. But wait, there’s more—as a prominent figure in black speculative fiction over the last twenty years, she and her husband collaborated to write “A Small Town” for the second season of the reboot of The Twilight Zone. This is by no means a complete biography for Due but we hope it’s enough to interest you in her incredible literature and work for equality as she helps to educate in the exclusionary history of not just American history, but horror history.
To get better acquainted with Tananarive Due, check out her official website and the upcoming article we have dedicated to her work in horror.
For a more in-depth look at the history of horror and the role that black people have historically played within the genre, keep an eye out for Shudder’s Horror Noire: A History of Black Horror. Tananarive Due is listed as an executive producer for this highly anticipated documentary and it’s coming out in February 2021, just in time for Black History month!
Gemma Files
(04/04/1968 – Present)
London-born, Gemma Files is a Canadian horror writer, journalist, and film critic—but she had quite a meager start as a freelance writer until she landed a continuing gig with an entertainment periodical called Eye Weekly. It was this position that led to her gaining local traction, as she began critiquing horror, independent, and Canadian films. In 1999 Gemma won the International Horror Guild Award for Best Short Story, with The Emperor’s Old Bones. Since then, five of her short stories have been adapted to television for The Hunger series. She’s been nominated for countless awards, including the Shirley Jackson Award in 2009 and 2010 for a short story and novelette respectively.
Jemiah Jefferson
(01/01/1972 – Present)
Another elegant African American horror author, Jemiah Jefferson toes the line between horror and erotica through her gift to horror-loving women everywhere—her Voice of the Blood series about the famous creatures of the night has been called “smart, beautiful, sexy, and vicious.” (I’m not going to lie, I may have purchased all four of them the very same day I discovered her.) Jemiah has a lot more to offer in the way of novels and short stories, however, and we’re exceptionally excited to share her with you all.
Helen Olajumoke Oyeyemi
(12/10/1984 – Present)
Oyeyemi and her writing are equally unique, her writing transcends any genre that attempts to confine or define her, so the best way we can describe her work is a blend of horror, fantasy, fairy tales, and folklore. While not a dedicated horror writer, her work is often unsettling (just the way we like it), frightening, and she often explores the paranormal, bizarre, and supernatural elements of fiction. When she was a young woman, just twenty years of age, she published her first novel The Icarus Girl (2005), which mixed the paranormal with Gothic horror themes and Nigerian folklore. In 2009, her novel White is For Witching, was published and is considered one of the great modern cosmic horror novels—we personally loved it!
Kat Howard
(09/14/19** – Present)
As a modern-day writer in a genre dominated by a more masculine influence, Kat Howard is a refreshing change of pace–since the best writing is when you are allowed to immerse yourself in the story and are otherwise unaware of the writer’s gender, skin color, sexuality, or how they otherwise identify themselves.
We were lucky enough to be able to speak to Kat Howard recently—so, check out the interview that we did with Kat Howard, where she speaks about her novel The End of the Sentence (2014), horror, and what it’s like to be a writer. You can check out that interview here if you’d like to know more!
We reserve the right to update this list in the future to further represent female writers of the horror genre that we may currently be unfamiliar with–an exclusion of an amazing female horror author here only means that we have yet to be introduced to her work! Let us know if you believe someone should be included here!
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Like many other folktales of the
arctic region, Yup’ik folklore emphasized keeping children safe from the elements
and the dangers of being alone and ill-prepared. This folktale is no different,
but it definitely gave me goosebumps the first time I heard it over an
early-winter bonfire.
Photography by Jayberrytech
A very long time ago, in the Cape Prince of Wales, in a village off the shore, there once lived a poor orphaned boy with no one to look after him—because he had no one to care for him, he often found himself being forced to do the bidding of all the other villagers. Every single villager treated him cruelly, especially when they all gathered in the kashim—the men’s communal building where they gathered to stay warm, eat, and keep company during the cold winter months. One particularly blustery night, while the snow was falling harshly upon the village, the other villagers told him to leave the kashim to see if the weather was getting any worse. Due to the fact that he was an orphan, he had no one to make him skin boots or warm clothes, so he objected. It was too cold and the boy did not wish to go outside but was driven out of the kashim anyway. Upon returning inside, he told the others that it had stopped snowing, but the weather had gotten even colder. Every so often, the men would drive him back out into the elements, just to torture the poor boy.
Finally, the boy came in, stating that he had seen a ball of fire that looked like the moon coming over the hill to the north, but the men simply laughed at him. They accused him of seeing things and told him to go back out and to look again, that he might see a whale coming over the hill instead. When the boy quickly returned inside, he looked scared and reported that the red ball had come nearer to the kashim and that it was right outside of the house. Once again, his words were met with laughter, but the boy was truly frightened and hid within the kashim. As the men were still laughing, a large fiery figure appeared on the gut-skin covering over the vent in the ceiling and it appeared to be dancing. The men were both scared and captivated by the figure and did not notice the figure creeping through the passage into the room on its elbows and knees. The figure was a frightful sight—a human skeleton that with a brief wave of its hand somehow caused all of the men in the room to follow it, as it crawled through of the passage to the outdoors. Under the spell of the skeleton, the men followed it to the edge of the village until every last one of them had died of the elements, at which point it vanished.
Other villagers returned from fishing to find the rest of the men of the village had died, bodies scattered over the snowy landscape. They entered the kashim finally, finding the orphan boy who recounted the entire story and how the men had died—investigating where the tracks of the skeleton had come from, they followed the tracks through the snow, up the side of the mountain. The tracks ended when they came upon an ancient gravesite—it was the grave of the boy’s father.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
As was discussed in our article Ghosts Can Be More Than Just Dead People, ghosts are generally the spirits of humans and animals that have passed away. What people assume or claim are ghosts are not necessarily fitting of their description, but it’s easy to understand why the whole thing might be a little bit confusing. The truth is, is that ghosts, demons, and poltergeists are often mislabeled and it, therefore, makes it more difficult to really know what kind of being the evidence acquired actually points to. Ghosts, spirits, and apparitions all point to the same thing—the spirit or soul of a human or animal that has passed on. These spirits haunt locations, objects, and most importantly other living creatures. Haunting living creatures is not to be confused with possessing living creatures, not to say they are unable to possess, but not all possessions are ghostly in nature—and this is an important distinction to be made.
Possessed by Demons
Photography by Camila Quintero Franco
Another topic for confusion is how demons are perceived, this is unfortunate because much of the evidence for demons seems to simply be cases of malevolent ghosts and not entities that are truly demonic in nature. One such misinformed definition, from Rosemary Ellen Guiley’s The Encyclopedia of Ghosts and Spirits, is that demons are, “a type of spirit that may be either good or evil that allegedly has the ability to intervene in the affairs of humankind.” While it’s true that many cultures perceive some demonic entities to be good, the word spirit was a poor choice in attempting to define what a demon actually is.
Religious definitions, such as the one from Christianity, assert that demons are evil minions of Satan and that their sole purpose is to torment people, then inevitably lead them into sin. The strategic takeover of pagan cultures turned their deities into demons in Christianity. Other religions, however, suggest that demons can be good or evil entities—or indeed have a dual nature like human beings. Regardless of the nature of the entity, good or evil, demons quite often exercise their ability to possess or inhabit living creatures. There are instances reported where demons have possessed inanimate objects, but this can be chalked up to another case of a ghost that has been mislabeled as a demonic entity.
Terrorized by Poltergeists
Demons and poltergeists are also quite frequently confused for one another—the main reason for this is because Poltergeists are mischievous and often malicious spirits or energy. Ghosts and poltergeists also confused for each other, but poltergeists, in particular, are entities or energies identified by their consistent abilities to interact in a vigorous way with their environment. It would be unfair to say that poltergeists are not, in fact, a type of ghost or spirit, but if they are to be classified as ghosts in any sense, they are in a league of their own entirely.
The earliest reports of poltergeists tell of the different types of interactions they have within the environment that they inhabit. These interactions include, but were not limited to, throwing rocks or other objects, loud noises (such as shrieking, and knocking or rapping), inexplicable lights and apparitions, as well as in rare cases sexual assaults. Later cases would grow to include technology-related events, such as phone numbers being dialed repeatedly or televisions turning on. The speculation that remains with poltergeists relates to the scientific data that has been collected in pursuit of evidence of their existence—many cases of poltergeist activity have clear indications of mental problems within the agent (or the primary person being affected) that even support theories of psychokinesis.
Some examples of poltergeist activity caught on camera.
Hopefully, this helps answer an age-old question we often see: “What is the difference between a ghost, a demon, and a poltergeist?” Below are a few scary movie recommendations related to ghosts, demons, and poltergeists.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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