The Beleaguered Buckner Building of Whittier, Alaska

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Featured Haunted Places Horror Mystery and Lore

The Buckner Building stands in Whittier, Alaska—the gateway to Prince William Sound—as a relic to a forgotten past. It is tucked away in the hidden port town of Whittier, a town that can only be accessed by boat, plane, or through a single train tunnel that moonlights as a passage way for big rigs, and automobiles. The bay area that surrounds Whittier is solely deep-water ports that stay ice-free year round and the railroad port is one of two, all-weather ports that supplied Anchorage with military necessities and during times of war was of key importance in order for it to stay functioning and safeguarded. The climate that the port operates under is one of nearly constant cloud coverage, which is beneficial in the respect that it protects the port and its facilities from air strikes. With all aspects of this port town taken into consideration, Whittier was possibly the most perfect place to have a military base of this caliber.

The Buckner Building in Whittier, Alaska
The Buckner Building in Whittier, Alaska Photography by Mary Farnstrom
The Buckner Building in Whittier, AK
The Buckner Building in Whittier, Alaska
Photography by Mary Farnstrom

The Construction and Function of the Buckner Building

Early in the course of World War II General Simon Buckner, the commander of the defensive forces of the state of Alaska was highly concerned that the state would be vulnerable to air attacks. Buckner also believed that the best type of facility would be one that autonomous, with its own power plant, sufficient storage space, and bomb-proof. The Cold War began two short years after the end of World War II and in 1953, six years into the second red scare, the construction of the Buckner Building was completed, and having been cast in place by reinforced concrete on a bedrock of slate and greywacke the building was on stable ground not susceptible to seismic shifting from earthquakes, or from thawing of any remaining permafrost.

The building was once listed as one of the largest in the state, it stands six stories tall, is approximately 500 feet long and between 50-150 feet wide (depending on which part of the floor plan it is)—all of this adds up to around 275,000 square feet of space. This massive concrete building was built in seven sections, each section having been separated by eight-inch gaps—as a means to have the structural flexibility to ride out large magnitude earthquakes and concussive forces.

In its heyday, The Buckner Building once housed the entire city of Whittier, Alaska—within its walls were also all of the relevant services were located. There was a small hospital, a 350 seat theater, four-lane bowling alley, six-cell jail, church, bakery, barbershop, library, radio station, rifle range, photography lab, commissary, officers’ lounge, as well as a mess hall, and innumerable sleeping quarters for military personnel and their families.

The Earthquake of 1964

In March of 1964, Alaska was hit by the most powerful earthquake in the history of North America (second most powerful throughout world history)—registering at a magnitude of 9.2 and lasting a full four minutes and thirty-eight seconds, the Great Alaskan earthquake caused multiple ground fissures along south central Alaska, but it also collapsed structures and caused multiple tsunamis—all of this resulted in an estimated 131 deaths. Whittier itself was not immune to the natural disaster, with thirteen people dead and damages to private and federally owned property that were over five million dollars. The Buckner building itself was also slightly damaged, although the structural integrity was not compromised due to the foundation upon the bedrock—the rest of the town received considerably more in damages due to the unconsolidated sediment that it rests on.

The Abandonment of the Base

The building was in operation until 1966, when the military finally pulled out of the Port of Whittier, the building was then transferred to the General Services Administration; after being vacated by the military, however, the ownership of the building changed hands several times. At one point Pete Zamarello, a man dubbed as the “Anchorage Strip Mall Czar”, obtained ownership of the Buckner Building with ideas of turning it into the state prison—but his deal with the state fell through and it was purchased by the citizens of the new City of Whittier in 1972. By the 1980s, the building had fallen into disrepair, windows and doors were missing, so the building began to decompose—being exposed to the elements allowed water to begin accumulating, and the building itself being in a constant state of freeze and thaw.

By 2014, nearly every inch of the building, inside and out, had been vandalized—the floors were covered in at least an inch of water, and was riddled with asbestos, mold, and mildew—suffice it to say it was no longer a safe environment for people to go exploring in. The problem was, was that there was hardly any regulation in place to keep people out of the building—so they began to crack down on trespassers on the property.

The city of Whittier came under the ownership of the Buckner Building in 2016 when the building officially went into foreclosure, it was at this point that a fence went up around the building to keep trespassers out. While the Whittier Department of Public Works and Public Utilities has done work on the property, and the city continues to express their desire to maintain it in order to preserve history, the Alaska Department of Environment Conservation has recommended demolition. While there have been many discussions to demolish the building, it has been ruled as being cost-prohibitive—this is due to the sheer amount of asbestos that is in the building and that the only land route in and out of Whittier. This route is through the Anton Anderson Memorial Tunnel, a two and a half mile railroad tunnel which allots thirty-minute windows for cars to travel through at certain times during the day—the only other option to remove debris would be on ships.

Having been abandoned for over forty years has taken its toll on the interior—where the ceilings are falling in, the light fixtures are and some parts of the exterior of the building which is tagged and degraded. The Buckner Building does still stand as of July 2020—it stands as a crumbling, darkened, cracked, and adulterated monument of an era of military and government ambition that has not since returned.

A Look Inside the Abandoned Buckner Building

Is the Buckner Building Haunted?

While this enormous abandoned building in Whittier looks incredibly spooky against the typically overcast, grey dreary skies of this hidden port town, there are also rumors of the building being haunted. While this writer’s personal investigation didn’t result in the capture of any evidence of the paranormal, other people have reported encounters and experiences that they have been more than happy to share. The Buckner Building is closed to the public, so going into the building itself is a no-go unless you want to risk health complications (mercury, lead, and asbestos poisoning is possible), injury, death, or–most likely, a hefty fine from the local police. Locals of Whittier are pretty vigilant to keep people away from and out of the building, but it doesn’t mean people haven’t ventured in to get an up-close and personal experience inside of these reportedly haunted walls. There are believed to be multiple presences within the building, although there are no records to explain these hauntings.

Due to the dilapidation of the building, the first basement is only accessible through a hole in the wall now, where the second basement is now only accessible through a hole in the floor. These two rooms are said to house an entity of “pure evil,” and people are warned to stay away from the area completely, especially the stairwell that has red, detached wiring hanging from the ceiling. Far southwest stairwell, the second corridor on the second floor, the jail, and the third floor are all haunted by apparitions–in particular, an entity that is witnessed hanging from water pipes on the second floor, and a little girl who is seen wandering the third floor crying. Room three to the right of the mental ward of the hospital, within the corridor right before the jail is reported to be especially haunted, to the point that the entity within will only allow certain people to enter the room. If this entity does not accept the person trying to enter, the door will slam shut before they can enter and seems to be locked from the inside.

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Anna Byrne: Chapter 05 – Night of Resurrection

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Featured Indie Horror Short Horror Stories
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It was a nice walk from the corner store to the cemetery I had marked on my map, it was so alien to see grass that was still green this time of year, and the sun beat down through the thick humid air. I reminded myself to not get used to the length of the days down in the lower forty-eight, it would just make me miss the sun that much more when I got home. Walking through what felt like ancient relics dedicated to days of luxury, I noticed many of the tombs I was passing by were in various states of decay. The lavish stonework had gone through years of disrepair and had been devastated by vandals in some places, but there was still a certain beauty to it. Moss grew heavy on the older monuments to the dead as if the tragically forgotten were being reclaimed by the earth. I found the tomb when I stumbled upon it, quite literally, my foot had caught on a rough edge that stuck out just-so underneath the bedraggled grass that lined the trodden pathway.

The tomb adjacent to the one I had been searching for had enough of an overhang to cast some shade—I settled myself down on the grass and leaned back lazily, sweat beaded down the side of my face. I had just realized how much I had been moving around when I finally let out the breath I had unwittingly been holding. The vèvè graffiti had been covered up since the picture I had, had been taken. The blotchy, mismatched paint stared back at me tauntingly—why had it been covered up when the rest of the cemetery was in such disarray. I pondered the thought for a while, even though I already had my suspicions—I had no authority to jump to conclusions, but I had a gut feeling that there was someone higher up involved with keeping it all under the radar.

The shadows grew longer and longer as the day drew to a close, the rhythmic chirp of the crickets as they began to sing caught my ears, but I still felt the sun left me too exposed to be comfortable with leaving an offering out in the open. My paranoia often worked in my favor, so I couldn’t help but listen to the agonizing anxious conspiracies that often traipsed lackadaisically through my mind. The sun seemed to be taking its sweet time and in my restlessness, I got my notebook out to study and scribbled down the address I had been given at the voodoo shop. Another thirty minutes would go by before I finally opened the bags I had been hauling around.

I set the candles down, on the left and right sides of where the covered vèvè was blaring through the shadows that had been cast by the fading sunlight. I set the sweet snacks and the cigars next to one another and then produced a shot glass from the tchotchkes section of the corner market I had found on my way here. I poured an ample shot of rum into the glass, took a swig and winced at the roughness of the liquor that hit my tongue. I lit the candles and began what some may call a ritual, others may call witchcraft—I knew it best as an offering, in honor of the spirits of the region. My experience had proven, that when in Rome wasn’t just a silly thing that people said when they were feeling uncomfortable with customs that seemed alien to them. I slipped the metal pendants over my neck and verbally petitioned Papa Legba and Baron Samedi to be with me in my investigation. It was just something you paid attention to—customs were to be respected and followed if at all possible.

After two hours of sitting there in silence I noticed the sky darkened until it was eventually pitch black. With just the flickering of the dim golden glow of the candles against the paled, peeling paint of the stones they sat against, I felt my eyes grow heavy as I sat there, in near meditation. I shook my head and mentally made a note to get a grip. The heaviness in the surrounding air still hadn’t given me a break since I had left the airport and I doubted I would find a reprieve from it before I left. I decided that I had sat there long enough and gathered everything but the offering I had left then set a course to walk back to the hostel. It still wasn’t all that late, and the Blues being carried by the wind through the streets on the way back, gave me a bit of bliss after a trying evening. In unfamiliar territory, I was just thankful that the GPS on my phone was working, or else I might be utterly lost.

I noted the course that I would have to take from where I was and slipped my phone into my bag—I couldn’t shake the feeling of eyes on me though and I stopped in my tracks just as I began to pass what looked to be an abandoned shop. My eyes were fixed on the door to the shop, it was white, the glass panes cracked from the corners, paint peeling on the bottom where the sun was brightest and hottest during the day. What really made me stop though, was the slight creak that rose above the fading melancholy of the band playing at the old club around the corner. The ruddy glow of an aging light fixture cast a haunting shadow—did that door just—I instantly dismissed any notion that it had but watched as it creaked open into the darkness beyond.

I walked slowly towards the door and stopped short of the cracked and weathered façade when I felt the force of someone pushing me hard against the door. My head cracked against the threshold, the sound drowned into blackness and conscious thought evaporated from me completely.

Zombified victim of voodoo ritual

My eyes opened to look upon a freshly painted black vèvè that stung the wall of the tomb and it was barely illuminated in the night that surrounded me, but it wasn’t night. I realized that when I looked to either side of me, the shadow was as thick as tar. I looked back at the tomb where the symbol was; it had begun to bleed down the wall in an inky red. Over my shoulder, I could feel someone press their chin gently upon the top of my head as if viewing the blood as it gushed down the face of the wall. Beyond the adulteration of my peripheral and through my own copper hair, I saw the outline of what looked to be a skull, but was it wearing a top hat?

The Cheshire grin that spread across its toothy smile was unsettling, even so I couldn’t help but bring myself to look at it directly. My eyes barely caught the hand reaching for my neck before it grasped me unrelentingly, the ashen skin was streaked with blood as it protruded through a large crack that had appeared in the center of the symbol. There were drums in the distance, a beat that I had not ever heard before, I gasped for air, closed my eyes for a moment, then opened them to find I was back staring up at the surface of the water. I screamed inaudibly and water began to fill my lungs.

My screams were interrupted by an abrupt jerk of my head; my head throbbed. The last thing I remembered was a misty old storefront and an intense curiosity. My confusion was unaltered by the strangeness of my current surroundings. My eyes were crusted over, no doubt from the sensation of choking… was that a dream? By the looks of it, I was in a root cellar somewhere; the only problem was, the infamous swamplands of the south didn’t create a hospitable foundation for root cellars to even exist. I twisted my body and finally noticed that my hands and feet had been bound. Awkwardly, I squirmed into a sitting position and backed up against the wall; I could tell now that I wasn’t actually underground at all, but the room had been insulated with a thick layer of muddy clay.

The darkened corners of this room seemed to house a dark and looming presence, a guttural and graveled groan that arose after a moment of my blurred gaze. It took longer than I would later like to admit, but I finally recognized the figure of a man in the corner, hunched and aggressive. “What have I gotten myself into?” My chest felt like it was going to explode—this adrenaline rush was working me up into fight-or-flight mode, but neither option would really get me anywhere in my current situation. I closed my eyes gently and took in a shallow unsteady breath.

This wasn’t the first time I had been in a tough situation but given the circumstances, I felt that I would much rather be back in front of the polar bear I had the bad luck of running into while traveling in the North Slope as a teen. Luckily for me, not so much for the unfortunate polar bear, I had my rifle with me that day and I survived to tell the tale. Looking back, I still wasn’t sure how I had steadied myself, but my mother’s brothers had developed a fondness for me, their little kassak niece from which we had formed an unlikely bond. I had known how to track and make myself scarce in the wild from the time I was a child—a forte I had never managed to possess while in the city or around too many people.

My face felt hot when I heard chains drag against the concrete floor, the automaton in the corner had grown more agitated; in a grasp for hope, I hugged my legs close to my chest and awkwardly fished through the ankle of my boot for the knife I always kept handy. When I finally fumbled it out of my boot, it loudly clacked upon the floor. The creature that kept me company responded in kind, his chains clanked as a hand reached out from the shadows. The blood-streaked arm reaching for me from my nightmare flashed through my mind, I shuddered and grasped the knife and clipped the zip tie on my ankles, then made quick work of my wrists as well. Before my corner companion could utter another, “eergh!” I was up on my feet with my knife tucked back into my boot.

My investigative and curious nature urged me to look more closely into the figure in the corner—the light was too dim for me to see much of anything, but my internal voice was telling me this was just a man. He lunged at me when I inched too close trying to analyze something which I had never truly believed could exist and he briefly came into the light—this man looked as if he had been drained of all of his color, his lips were cracked, his eyes bloodshot and glazed over.

“Holy fuck, Stanley?” slipped out of my mouth before I even realized I had said it and I stumbled backward. This last sound must have roused the suspicions of whoever was guarding the room because I heard steps echo from the hall just outside the door. In a moment of hesitation, my feet slipped out from underneath me as I scrambled on the concrete to get behind something, anything, that I could hide behind to stall for time. I narrowly ducked behind a bookshelf stacked with dusty boxes when the door opened. Another man walked in, he was large in stature and all of his exposed skin painted in symbols I wasn’t familiar with. My breathing was unsteady as I watched the man through a space between the boxes, he was obviously looking for me and I wasn’t exactly ready to be found.

It wasn’t long before the man found me in my hiding place, I wasn’t exactly a secret agent, skilled in elusive behavior. I feel like I bravely attempted to fight back left me kicking my feet in futility as he ultimately dragged me out of the room and into the hallway. There the strange drumbeats I just barely recognized, could be heard coming from the direction in which we were headed. I was pulled violently through another door which led outside, the drums grew louder and the lights got brighter. I was tossed into a corner of what looked to be a small, closed-off courtyard and my head hit the ground hard. Dazed and likely concussed I tried to regain my senses once again and even with my blurred vision I saw the bonfire in the courtyard. If I had been uncertain of whether or not I was in danger before, it couldn’t be clearer now—this is what I had been searching for all along.

There were several men and women gathered loosely around the fire, one of the women danced around in a trance, a man followed suit chewing on coals, while a couple of others dragged a struggling pig into the mix. I wasn’t versed in French Creole, otherwise, I might have been able to understand words other than the brief recognition of them calling out the names of the loa I was familiar with. I knew I heard, “Baron Samedi!” as well as, “Papa Legba!” being shouted within their chants and hollers, but it wasn’t until a man came into the circle with a machete and slit the screaming pig’s throat that I became nauseous. The pendants that rested against my chest began to burn slightly and another man dragged me closer to the bonfire.

My vision had cleared somewhat and I could see a man standing over me, colorful clothes, beaded jewelry, and white paint adorned this man—he looked like a witch doctor straight out of an anthropology textbook. I knew, without having to be told, that he was the bokor I had come to New Orleans to find. He knows… I need to find out what he knows. Tears involuntarily began to streak down my face, I would never be able to find out how to help my father if I didn’t find out the source of this man’s power. The bokor crouched down, a handful of white powder presented in his palm, and just as he was about to blow it in my face, I kicked my feet out at the man who was holding me on the ground. Apparently, I caught him off guard because he stumbled directly into the powder that burst forth from the bokor’s palm, in a last-ditch effort I rolled off to the side. The man writhed and screamed, the white powder coated his face and the ceremony came to an abrupt end.

Sirens blared just as the participants were ready to converge upon me and police officers burst through the doors, breaking up a party that would have likely ended in my own demise. An intense hour of speaking with the police made me aware that an anonymous caller had alerted them to my location and that I had been kidnapped. Despite not understanding who might have called it in, I was just thankful that the night was over and that these people were going to go away for a long time. I was allowed to recover my bag, which had been taken from me, my laptop and phone were still in my bag as if it had been utterly undisturbed. It was clear these people had no idea who I really was, perhaps they really just didn’t want anyone on their trail, and the act of someone coming to look for one of their zombified victims was enough to catch their attention. I could have just been another statistic, a tourist who slipped through the cracks in a city with a hidden reputation of violence.

I told them about Stanley being locked up in the building and once all of the participants had been cuffed and stuffed into the back of police cruisers, I was told I was free to go. The police officer I had been speaking with turned and walked away and I was left to my own devices. I spotted a large book that had been sitting in proximity to where the pig had been slain, but in the commotion had been knocked into the blood that had been spilled on the ground. Certain that no one was paying attention, I grabbed the book and haphazardly stuffed it into my bag. It was the only thing I knew I could get from the scene without an extensive search of the premises which I knew was not an option now.

Coffee and Beignets at Cafe Du Monde
Photography by Chelsea Audibert

Light broke over the horizon and I finally felt my body start to give in to exhaustion, I had managed to call a taxi and asked to be taken to a place where I could get food and coffee at such an early hour. I was dropped off after a short ride at Café Du Monde, apparently famous for their beignets and chicory coffee. I had spent the past several hours feeling as if I were going to die at any moment and to me, this was a relatively sane response. I heard the relay of orders being shouted to and from the kitchen, the scant crowd of early birds waited for their piping hot beignets and scalding coffee while a lovely, slender black woman tended dutifully and happily to her customers.

The waitress approached me with a coy smile, “what can I get you, hun?” and I knew that the woman had me pegged as a tourist. Who could blame her, after all, I was wearing heavy jeans in New Orleans.

“I was told this place was great for coffee and beignets,” I responded with a weak smile; I must have looked as exhausted and disheveled as I felt because the waitress simply nodded and took down my order.

“I’ll have it right up for ya!” there was an enthusiasm in this woman’s voice and step that I knew I couldn’t hope to match even on my best day, let alone today.

I pulled my laptop out of my bag and was pleasantly surprised to find that my phone still had a decent charge on it when I turned on my hotspot access. I began the long task of documenting what I had encountered during my investigation? Kidnapping? I honestly didn’t know what to call it at this point. I felt as if I was no closer to the answers that I needed than I was before. I would have to wait to take a look at the book when I was back home, a cursory glance at it when I had been in the taxi proved that it was far too much to absorb in a short car ride and much too disturbing to look through in public. I was midway through a new entry into the dossier when a message popped up on my screen.

BanJack: You’re lucky I knew where you were going.

I wasn’t sure whether or not I should be happy that my anonymous friend had been keeping tabs on me; there was part of me that was disconcerted at the idea of him knowing where I was.

Nevermore: I’m guessing you hacked the GPS on my phone?
BanJack: You promised to keep me in the loop, remember?
Nevermore: Fair enough, I’m catching a flight home later today, I’ll send you some of what I found when I get back.
BanJack: Just don’t disappear on me again.
Nevermore: Pinky promise.

My waitress set my coffee and before she set the beignets in front of me, asked if I wanted extra powdered sugar on them. I thanked her and politely declined, then changed my booking to an earlier flight as she walked away from the table. I had never ached to be at home, curled up in my bed next to my goblin of a cat, more in my life.

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The Tormented and Tortured, Troublemaker—Shirley Jackson

Categories
Featured Horror Books Women in Horror

Early Life

Born December 14, 1916, in San Francisco, California–Shirley spent most of her childhood in North Burlingame, California. Shirley’s maternal grandmother, a Christian Science faith healer lived with the Jacksons during Shirley’s childhood—later she would bitterly recall a time when her little brother broke his arm and instead of taking him to the hospital, her grandmother only prayed over his broken arm. It wasn’t until her senior year in high school when her family was uprooted, due to an abrupt transfer of her father’s job to Rochester, New York. Initially, she cited hating the Northeast and missing the avocados and pomegranates (two for a nickel, according to her recollection) that were so readily available in California. Despite her fond memories of growing up in California, she only wrote one novel set within California, which drew upon the memories of her childhood in Burlingame, The Road Through The Wall (1948).

Education & Young Adulthood

Despite growing up in California, Jackson is more often associated with New England writers—Nathaniel Hawthorne being one of them, who is considered her American Gothic predecessor. Shirley attended the University of Rochester, but she was kicked out after her sophomore year, having spent more time hanging out in cafes with her best friend at the time—a French exchange student—instead of studying. There is evidence that she suffered from severe depression and ultimately took a year off before she finished her education in 1940 at Syracuse University, where she would meet her future husband. During her time at Syracuse University, she acted as the fiction editor of the humor magazine on campus–which could be considered where she began her career within the literary community.

Along with the beginning of her creative endeavors, Shirley married the American literary critic Stanley Edgar Hyman. Unfortunately, neither Shirley nor Stanley’s parents attended their wedding. For Stanley’s part, despite declaring himself a “militant atheist,” as a teenager, was actually brought up in a very traditional Jewish household and his family did not approve of interfaith marriage. In Shirley’s case, she simply didn’t tell her parents until after they were wed, knowing that they were more than a little anti-Semitic and would never accept him as their son-in-law. Despite all of this, they had settled in North Bennington, Vermont by 1945. She remained there for most of her adult life; many speculate that she even used it as the setting for her most famous story, The Lottery (1948).

Her Work & Career

After graduating from university, Jackson moved her entire life to New York City and began to write professionally. Her work began to appear in publications such as The New Yorker, Redbook, The Saturday Evening Post, and The Ladies’ Home Journal. It wasn’t until 1948 when she finally was able to publish her first novel entitled The Road Through The Wall. During the same year, Jackson’s most famous work, by far, was published in The New Yorker and it was a short story by the name of The Lottery (1948).

During her early career, Jackson actually struggled to get published, for every successful publication, she had suffered through several rejections. Even though The New Yorker published eight of her stories between 1943 and 1944, they rejected everything until her 1948 submission of The Lottery. This wasn’t incredibly unheard of, J.D. Salinger’s early submissions were also all rejected by The New Yorker. Each rejection, however, caused Shirley to suffer another bout of depression, her husband Stanley requested that her agent only tell her when her work was accepted—leading to Stanley having to occasionally break the news to her that she had been otherwise rejected.

The Lottery

Among one of her earlier published works, The Lottery (1948), a tale that despite its overwhelming popularity was highly controversial for its time. The story starts off as seemingly benign, a banal festival where children gleefully galavant around the town square until all of the adults of the small three-hundred-person community have convened to take part in an annual ritual. While no one outwardly states their objections to such a ritual, it is clear half-way through her story that every person in attendance is silently anxious. Her story, published within The New Yorker, garnered the most attention and mail correspondence in the history of the magazine. Shirley received several hundred letters from subscribers to the magazine, which she said all consisted primarily of “bewilderment, speculation, and plain old-fashioned abuse.” An alarming amount of the letters wanted to know where such ritual lotteries were still held and if they would be able to watch such a ritual. These days it might seem strange that so many readers believed that the story was true, but at that time the magazine didn’t label articles as fact or fiction. Despite the controversy stirred by a simple, yet disturbing story, it has remained one of the most significant sort stories of its time.

It’s funny how many myths surround her writing The Lottery, but what is even better is knowing that Shirley actually spread a lot of them herself. In a lecture she gave about her creation of the story, she said that The New Yorker had asked her to change the date on which the lottery was held and that as a result, the magazine published the story just a few weeks after she submitted it—these were both untrue. One well-known rumor that has been said to have truth to it, was that Shirley was out getting groceries one day when she got the idea for the story, she went home and wrote the entire thing that morning while her two-year-old daughter kept busy in her playpen, she finished just in time for her son to come home from kindergarten for lunch.

Later Works and Movies

Shirley’s later works included novels such as The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962), as well as Life Among the Savages (1953), the latter of which was an embellished memoir about her experiences as a housewife and mother. Her 1959 novel, The Haunting of Hill House was turned into a Netflix original series in 2018, and We Have Always Lived in the Castle was adapted to film in 2018. Most of her work relied on supernatural themes and provocative topics that metaphorically explored how people dealt with differences.

Here’s how not to be taken seriously as a woman writer: Use demons and ghosts and other gothic paraphernalia in your fiction. Describe yourself publicly as “a practicing amateur witch” and boast about the hexes you have placed on prominent publishers. Contribute comic essays to women’s magazines about your hectic life as a housewife and mother.

The Haunted Mind of Shirley Jackson by Zoë Heller in The New Yorker October 10, 2016

The Role of Witchcraft

In her earliest years of college, Shirley became interested in witchcraft, her assertion of Christian Scientist as her religion notwithstanding. She continued to study the craft for the rest of her life which aided to her historical perspective and references within many of her books, including Life Among the Savages, which cited historical witchcraft grimoires. She amassed an enormous library of books on the topic, read Tarot cards for friends and family, and was described as “… the only contemporary writer who is a practicing amateur witch.” While that might not still be the case today, it’s interesting to see her having joked about her skill in witchcraft. She even spread the rumor that she had cursed Alfred A. Knopf—a publisher who was involved in a contract dispute with her husband—causing him to break his leg while skiing in Vermont. Surprisingly, considering her interest in witchcraft and the occult, Shirley reported having never experienced anything supernatural. Her most famous ghost story The Haunting of Hill House was based on the accounts of haunted houses that others had experienced, as well as the pictures she collected of haunted locations.

Death

It was fairly well-known that Shirley suffered from severe agoraphobia in her later years, so severe that she was often unable to even leave her house. She had made a full recovery and had just completed a reading tour of several college campuses, where she would read from two separate works that were in progress, the first was a novel called Come Along with Me and a children’s fantasy called The Fair Land of Far. Shirley tragically passed away before either of them were finished, at the height of her creative career, and just before her forty-ninth birthday, on August 8, 1965 in North Bennington, Vermont. The cause was said to be heart failure. As to her direct legacy, her two children, Laurence Jackson Hyman and Sarah Hyman Dewitt became the editors of her unpublished works, Let Me Tell You: New Stories, Essays, and Other Writings, which was released in August 2015 to help mark the fiftieth anniversary of her death.

Index of Sources

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Lois Duncan–Making Waves and Winning Awards

Categories
Featured Horror Books Women in Horror
Lois Duncan
MAY 6 1981 Duncan, Lois (Author) – Ind. Credit: The Denver Post (Denver Post via Getty Images)

If you haven’t been following the Dead Author Dedication for the month of July, you might not be aware of Lois Duncan or what she contributed to the literary community. If that’s the case, then here’s the short of it: she was a warrior of literature who pioneered the Young Adult horror genre, something that has been continued on by well-known authors such as Neil Gaiman and Cassandra Clare.

Her life was no cakewalk though and despite her proclivity for writing horror fiction for young adults, that ended as abruptly as her life was changed when one of her daughters was murdered and her killer was never caught. If you’re interested in reading more about Lois Duncan and her hard-worked life, then take a look at our article where we discuss The Trials and Tribulations in the Life of Lois Duncan.

Duncan never stopped writing, even throughout her grief and suffering and she left behind a legacy in print, on film, and within the hearts and minds of the people who related to her body of work. This is discussed in greater detail in our article about The Legacy of Horror Writer, Lois Duncan–it’s worth a read, just like all of the books she contributed to Young Adult horror fiction.

Lois Duncan's Books
Lois Duncan’s Various Books

She Won Awards?

Considering the skill and history-making work Duncan contributed to the world of Young Adult fiction–especially in the genres of horror, thriller, and suspense–she was undoubtedly deserving of all (if not more) of the attention and acclaim that she received. We’ve compiled a list of the awards that Lois Duncan received during her lifetime, with the intention of promoting another amazing author.

The Randolph Caldecott Medal

In 1963, Duncan received the Randolph Caldecott Medal–an honor that is bestowed upon writers for the preceding year’s “most distinguished American picture book for children”. She received this award for best children’s book for her publication Silly Mother (1962)–a first edition of which is now worth nearly a thousand dollars!

The Edgar Allan Poe Award

In the spring of each year, the Mystery Writers of America (MWA) present the Edgar Allan Poe Awards (usually referred to as The Edgars)–the Edgars are considered to be the most prestigious awards that an author can receive in the genre. MWA is the premier organization for mystery and crime writers, professionals allied to the crime-writing field, aspiring crime writers, and people who simply love to read crime fiction. What is really spectacular about knowing how prestigious it is to win this award, is the fact that Lois Duncan has actually won six of them! As an author of Young Adult fiction, five of these awards were for the category of “Best Juvenile” fiction, for Ransom (1966), They Never Came Home (1969), The Third Eye (1984), Locked in Time (1985), and The Twisted Windows (1987). While it may seem strange that she didn’t receive any more after the eighties, it becomes less mysterious when her daughter’s murder is factored into it–Duncan no longer had a taste for writing fiction within the crime and horror genre after that.

Summer of Fear by Lois Duncan
Summer of Fear by Lois Duncan

Dorothy Canfield Fisher Award

The Dorothy Canfield Fisher Award is based out of Vermont, it’s an amazing accomplishment and an enormous honor within the world of Young Adult literature, simply due to the fact that the winner is voted for by students across the entire state. In the spring of each year, the eight-person committee for the award carefully selects and nominates thirty books for students to consider. Students are required to read at least five of the books from the list before they are able to vote for their favorite titles. The winner is then invited the following spring to speak with the students of Vermont about their experience as a writer and how they have contributed to the literary world. In the year of 1978, Lois Duncan happened to be nominated for the Dorothy Canfield Fisher Award for her book Summer of Fear (1976) subsequently received the award and was able to speak to the students of Vermont.

Margaret A. Edwards Award

Established in 1988, the Margaret A. Edwards Award honors an author in addition to a specific body of their work, for their significant and lasting contribution to young adult literature. A subdivision of the American Library Association (ALA), the Young Adult Library Services Association (YALSA) annually awards the Edwards to recognize authors whose work addresses the issues that adolescents face as they become aware of themselves, as well as what their role and values within relationships, society, and the world. In 1992, Duncan received the Edwards Award from the ALA for her contribution to writing for teens and being able to relate to them through her literature. They include six of Duncan’s books, citing several of her novels and added, “whether accepting responsibility for the death of an English teacher or admitting to their responsibility for a hit and run accident, Duncan’s characters face a universal truth–you actions are important and you are responsible for them.”

The Edgar Allan Poe Grand Master Award

In 2015, a year before Duncan’s death, she did however receive what can be considered an achievement of a lifetime. The MWA awarded Lois Duncan the Edgar Allan Poe Grand Master Award, something that any author would consider themselves lucky to receive.

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Urban Legends: The Legendary Shanghai Tunnels of Portland, Oregon

Categories
Featured Haunted Places Horror Mystery and Lore

The city of Portland, Oregon is known in modern times as America’s most “livable cities,” but it wasn’t all too long ago that the seedy underbelly cause it to be one of the most dangerous port cities on the west coast—possibly even the entire world. During the second half of the nineteenth century, the ports of Portland saw all of the criminal traffic that filtered through from the ships that docked with supplies—every time a new ship hailed the arrival of the opportunity to make money. Drinking, prostitution, and general criminal activity reigned supreme due to this exceptionally active port.

The Shanghai Tunnels in Portland are talked about all over the world—they’re often said to be one of the most haunted places in all of America—and their dark, creepy nature draws in the skeptics and phobophiles (someone who loves dark, nightmarish, and macabre things) alike. The tunnels are located under the streets of the old town and the tunnels were in constant use for nearly a century, between 1850 and 1941 with illegal activity including human trafficking and prostitution. So many people died in these cheerless, filthy tunnels which visitors believe have left the ghosts of their tormented spirits behind. Nowadays, tourists are led through these dreary tunnels; many investigating the possibility of hauntings, where they hear disembodied voices, moaning, and screaming.

The Shanghai Tunnels of Portland

Downtown Portland has more of a draw than the simple shops and restaurants that tourists tend to enjoy visiting, in fact, there is something that lies just below their feet that they might not even be completely aware of. The 150-year-old tunnels that connect the basements of the city’s oldest buildings to the Willamette River and Portland’s own Chinatown are known across the world, but at the same time, there is a mystery and ambiguity to them. It’s said that the tunnels were originally built by Chinese workers during the time when Chinatown was the center for trade business. They were designed for transporting goods from cargo ships to the inner city so that the crews of the ships could avoid the hassles of traffic within the inner-city—this was excellent for the businesses of Portland because many of them used their basements to store their goods, which meant their deliveries would be sent directly to their storage space.

The Criminal Underground

Shanghaied Sailors

Once a small town, the port of Portland was quite large and was able to host several ships—these ships would have sailed for long periods of time to cross the Pacific Ocean before they would be able to unload in Portland. This long travel time meant that they had quite a bit less downtime after their months at sea and would spend most of their time in bars and saloons, drinking or fighting. Some of them took this downtime as an opportunity to abandon their career at sea, because of their increased fear of death by disease or injury. This abandonment of their post meant that ship captains would be left with a post unmanned and an inability to leave port without filling this position—the shadier of these captains would use crooked tactics to “shanghai” replacement sailors, capturing them through the tunnels and paying $50 a head for each man.

The way it was made possible, is that any man looking to make a quick buck would watch men who were drinking alone, then creep into drug their drinks—after the lone-drinker was sufficiently drugged or unconscious, they would be abducted and carried through the series of tunnels that led to the waterfront. These poor unsuspecting men would awake once they were at sea, with no way to escape and having been sold to the ship’s captain as slave labor—the only choices they had were to work or die of starvation. While it may seem as if it’s no more than a cautionary tale, but these stories are backed up by real evidence and are trusted as fact.

Cannibalism

There have also been some incredible tales regarding the shanghaied victims—disturbing tales of ship crews eating some of them—with trapdoors and pits within the tunnels filled with corpses. There is particular reference to the local legend of Bunko Kelly, the Kidnapping King of Portland, as being the first local reference to the plague of cannibalism.

Human Trafficking and Prostitution

Eventually, men traveling alone became wary of Shanghaiers and as a consequence became more difficult to abduct—instead these Shanghaiers began kidnapping women instead, since solo women who frequented drinking establishments were easy prey. Many such women had trapdoors opened out from under them and they would fall into the tunnels without any possibility of getting back out. These women were abducted into prostitution rings and ended up being held as groups in cages over long periods of time, which gave them enough time to secure buyers outside of Portland.

The Mob and Prohibition

During the days of prohibition, the Shanghai tunnels became an underground expressway—they would be used to transport shipments of liquor and spirits from ships on the Willamette River to bars, hotels, and taverns all over Portland. Bootleggers used the tunnels to conduct their illegal activities away from the eyes of police and prying eyes, but law enforcement would regularly raid bars making the day to day operations impossible for bar owners. In an effort to get around those difficulties, they would stash their liquor supply deep in the tunnels in order to avoid arrest for maintaining a supply of alcohol—this led to hidden doors being installed within bars so that when they were raided, there was an escape route until the police officers would leave the premises. The White Eagle Saloon, another notable haunting in Portland also used underground tunnels during prohibition to run as a speakeasy.

The Hauntings in the Tunnels

Unsurprisingly, these tunnels and their history of abduction, abuse, and corruption has caused them to be of huge interest to historians as well as the supernatural and paranormal investigators as well. To be honest, there is no better venue for ghosts than the musty, neglected, underground sites of this century-old criminal underground. The Northwest Paranormal Investigations teams have declared the Shanghai Tunnels to be the most haunted location in all of Oregon—and the Cascade Geographic Society regularly offers the “Shanghai Tunnels Ghost Tours,” as well as the “Heritage Tour.”

First-Hand Experience

In 2013, Ghost Mine hosts Kim Lunman and Patrick Doyle decided to conduct a ghost hunt inside of the tunnels due to the sheer number of reports of paranormal activity. Many visitors have shared that while on tours they have experienced ghostly encounters both in and around the tunnels—it’s common for them to report the sounds of people crying, moaning, and screaming while in the tunnels, but there are also experiences from the locals. In the nearby tavern and pizzeria, there have been reports of hearing, seeing, and smelling odd things during their visit to the business.

Dark Dreary Tunnel
Photography by Casey Horner

Experiences of Claustrophobia in the Cinema

While these movies might not exactly be about Portland’s infamous Shanghai Tunnels, they are great horror movies that give us that claustrophobic feeling and send chills down our spines. We invite you to check them out and let us know what you think!

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