Category: Best Of

Puzzle Box’s Best of Supernatural Graphic Novels

Post author By Nick Torres
Post date November 9, 2020
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Winter winds are blowing, the nights are getting longer, the days are colder, but we still have plenty of graphic novels to go through, and today we’re bringing you a list of the best graphic in the supernatural sub-genre. We’ll see some overlap between some of our other “best of” lists, but some newcomers will definitely leave you needing a little something extra to go to sleep.

Sandman by Neil Gaiman

Morpheus, the titular Sandman, is the god of dreams. Set in the realm of the Dreaming, Morpheus faces many challenges: he has to rebuild his realm that fell apart while he was imprisoned–by an occult ritual, no less–and search for those who imprisoned him. This revenge tour follows Morpheus to the living world as well as magical worlds like Faerie, Asgard, and Hell. What more could you want from a supernatural graphic novel? Available on Amazon here.

Adamtine by Hannah Berry

I wouldn’t take the night train for a while after reading this one. That’s where you meet four strangers that are seemingly unconnected, but, as Berry slowly reveals, are all intricately linked to a dark secret that they’d all rather forget. Keeping a light on helps, not only to keep your fear at bay, but to illuminate the details hiding in those dark panels that may hold the keys to the entire mystery. Available on Amazon here.

Wytches by Scott Snyder

Perhaps the only thing more terrifying than these wytches in the woods are the people who submit to them. The Rooks come to town looking for a new start for their daughter, Sailor, but the rumors that drove them away from their old home have followed them to Litchfield, New Hampshire. And much darker things are waiting for them in the woods at the edge of town. Such is life in these old New England towns. Available on Amazon here.

Infidel by Pornsak Pichetshote, Aaron Campbell, and Jose Villarrubia

Infidel follows two Muslim-American women living in an apartment building haunted by racism. After a recent bomb blast in their building, a specter starts to play an increasingly disturbing role in the women’s, Medina and Aisha, lives. It seems to feed on hate and as Medina and Aisha search for the cause and the cure, more and more of their neighbors fall prey to the specter’s violence and bigotry. Available on Amazon here.

My Favorite Thing Is Monsters by Emil Ferris

This is one of the more unique graphic novels on this list and it’s a very interesting read. Our main character, Karen, is a middle school outcast who loves monsters. Shocking, I know, title be damned. The story, set in 1968, is told in incredible detail through Karen’s illustrations, where she draws herself as a werewolf and investigates the murder of one of her neighbors. Honestly, so many notes are hit by this graphic novel, from outcast angst to mystery, to a little history. Available on Amazon here.

Hellboy by Mike Mignola

Hellboy is an incredible character that has piloted several stories, from graphic novels to the silver screen, with plenty of spin-offs contained in the Mignola-verse. Our demonic anti-hero tangles with Nazis, cyborg Nazis, terrestrial and extraterrestrial monsters, all while bearing a destiny all his own: being the biblical Beast of Revelations. The occult and otherworldly take all manner of appearances in Hellboy, each as terrifying as the last. Available on Amazon here.

Something Is Killing The Children by James Tynion IV, & Miguel Muerto

The woods hold a host of unknowns, and the darker the days gets, so too do the woods. Something Is Killing the Children, the second graphic novel on this list with a fearsome forest, is about the disappearing children of Archer’s Peak. The ones that are taken rarely return, but those who do are forever changed and forever traumatized. Their only hope is Eliza Slaughter–she kills monsters– but they soon discover she may not be able to protect anyone. Available on Amazon here.

American Vampire by Scott Snyder, Rafael Albuquerque and Stephen King

Vampires, finally! Vampire lore is mixed with fanfiction, classic literature, and young adult novels, each with a unique take on the age-old fiends. This take sees the birth of the American Vampire, with unique abilities and unique weaknesses, a new branch in vampiric evolution. The vampire history weaved throughout builds a familiar world that contrasts well with the vampires fully influenced by the 1920s as well as the Wild West. Available on Amazon here.

Revival by Tim Seeley and Mike Norton

The dead are rising in central Wisconsin, for reasons unknown. It falls on the shoulders of Officer Dana Cypress to keep the balance and the peace in a town living with the undead. Noisy media coverage, religious fanatics, and a grisly murder stands in his way, but the truth about the murder and the return of the dead will make peace nearly impossible. Available on Amazon here.

Moonshine by Brian Azzarello

Azzarello’s story of blood and wolves is set in the exciting era of prohibition. Our hero, Lou Pirlo, an accomplished New York City slicker, travels to West Virginia to close a deal with a cunning moonshiner, but the task proves to be much taller than anticipated. This story of bootleggers and lycans does an incredible job of not only making the werewolves terrifying, but also shines a light on the toll the curse has on its victims. Available on Amazon here.

These are our favorite supernatural graphic novels, and we love them because they all cast a pretty wide net and nab a host of otherworldly creatures. What I love about these novels is that more often than not, the darkest elements are somewhat, if not exclusively, human. So, did we miss anything? Do some of our lower ranked graphic novels deserve to be higher? Let us know in the comments below! Thanks for reading!

Tags best of, graphic novel, illustrations, supernatural

Rise of the Goatman – Your Typical Night in the Woods

Best Of Best of Comics Comics and Graphic Novels Featured Horror Books Reviews

Post author By Max Gutierrez
Post date February 8, 2022
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Rise of the Goatman (2020) feels like a teaser for a compelling slasher series that explores the Maryland-based legend of Goatman. This book has a plot as bare bones as they come, providing just enough intrigue and dread to make you salivate. It’s all guts and no filler. There is no exploration of character or why Goatman is hellbent on splitting-up and splitting apart couples. It’s no different from finding yourself at Camp Crystal Lake on Friday the 13th: You’re simply at the wrong place at the wrong time.

For those who are new to the urban legend of this ax-wielding man-beast, Goatman was a creature that preyed upon the local lover’s lane in Fletchertown Road, Maryland or at least that was the tale that the teenagers spun. His origin can also be traced to a sinister experiment conducted on goats that took place in the Beltsville Agricultural Research Center. Supposedly, this terrible act transformed one of these poor creatures into a vengeful, predatory beast that terrorized the wilds in the surrounding area.

This account builds off of the legend and follows a family that decided to spend their vacation in a seedy cabin in the woods. When they arrive at the cabin they are greeted with a plethora of signs signaling that maybe they should pack up and return home, but vacations only come every once and awhile so why waste it? Unfortunately, their decision has grisly consequences as they discover the Goatman, who’s sure to ruin their plans.

This simple story is perfectly paired with minimalistic art that is full of dark spaces and cinematic imagery. The illustrations reminded me a lot of the cel animation from A Scanner Darkly (2006) executing a fine balance between realism and minimalism. With the identity of a slasher, it doesn’t actually rely on gratuitous violence and instead employs a Hitchcockian approach by leaving a lot of the kills up to the reader’s imagination. While it works for the most part, there is a brutality to Goatman that goes missing in its simplicity.

For a short comic in a single setting, we are treated to an extensive cast of characters that only serve as mincemeat for the sinister satyr. However, once the bodies start dropping and the titular villain takes the stage, the ride becomes all too brief as it speeds through kill after kill.

Goatman charges in full of sound and fury, but it’s curtains before you notice he was ever there. If the goal was to wet your appetite for more of this sinister Billy, then this one definitely hits the nail. You can’t call it in an origin story since this book adds little to no lore about this horned villain, but it serves as more of an introduction of the havoc that is to come. He’s been unleashed and I can’t imagine that this is the last we have seen of him. This book is very much a catalyst to a larger series that can potentially give this horror legend the spotlight it deserves as it leaves a messy trail of lads and lassies who should have just canceled their vacation plans.

Rise of Goatman is available now digitally from Afterlight Comics.

Max Gutierrez

Like most Constant Readers, Max’s love of horror began with Stephen King. After devouring stories of rabid dogs, sinister cars, and bloodied prom queens he went on to the next best thing: Slashers. While he enjoys the mindlessness of Jason Takes Manhattan and Malignant, he’s also a major sucker for complex stories like Midsommar, The Only Good Indians, and Get Out where the genre is used to tackle very real horrors that don’t wear a mask. Horror films may take up most of the space on his shelves, but he also has a deep love for comics and literature that can make you look over your shoulder without the suspenseful score.

When he’s not consuming every medium of entertainment, Max works in Civil Engineering while finding time to be a struggling writer. He writes for his own personal enjoyment and occasionally for the pleasure of others with hopes of eventually publishing a work of his own. He believes that horror is the one genre that isn’t afraid to explore the world with full and total honesty.

Tags best of comics, book review, horror comics

Rogue Planet Sci-Fi Horror Comic Review

Best Of Best of Comics Comics and Graphic Novels Featured Horror Books Reviews

Post author By Ben Long
Post date March 28, 2021
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In his seminal novel Dune, author Frank Herbert writes, “I must not fear. Fear is the mind-killer”. This idea, that fear steals and kills who we are, is taken to a terrifying new level in the space horror comic Rogue Planet (2020) where the fears of our main characters literally come to life and hunt them down in a strange alien landscape. Though the story shackles itself within its sci-fi horror conventions, if you’re a fan of the Alien franchise or H.P. Lovecraft then you will probably still have a good time with this one.

In a faraway galaxy there is a “rogue” planet (i.e. one not bound to any planetary system or star) where aliens worship a grotesque and horrifying elder god. The comic wastes no time introducing us to some of its main elements, namely the towering fleshy monument of the god and the lengths the inhabitants will go through to appease its bloodlust. We see an alien father sacrifice his own son in front of the multi-eyed obelisk, which really helps set the dark and dangerous tone that runs throughout the story.

After this jarring opening we cut to the salvage ship Cortes, where the crew is just beginning to wake from hyper-sleep. They’ve found a distress signal and followed it to the unknown world, hoping to loot whatever treasures they may find. However, upon discovering a massive ship graveyard they begin to feel something is amiss. This uneasy feeling quickly turns to outright terror as they are attacked by a massive tentacled monster, and they spend the rest of the comic fighting for their lives against numerous bizarre and deadly enemies.

No spoilers here, but the Rogue Planet comic makes it clear pretty early on that none of the crew are safe from the planetary nightmares they face. While this ramps up the stakes and tension, it would have been even more effective if we cared more for our main characters. We do get scenes of expository banter that lend layers to their personas, but for the most part they remain static archetypes typical of the sci-fi horror genre. This isn’t inherently a bad thing, but it adds to the feeling of “been there, done that” that permeates the story.

For a story about a ship following a distress signal to a hostile world, it plays out about like one would expect. The humans are placed in increasingly dangerous scenarios as the mysteries of the planet are slowly revealed. The aliens are all fairly nondescript, resembling a primitive tribe that has been intruded upon by foreigners. Following its cosmic horror roots the plot also dips into a baffling spirituality and mythos in its final act. True to the genre I was left wondering what I’d just read, but unfortunately it didn’t have the unnerving impact that the best in cosmic horror carries.

Where Rogue Planet really shines is in its unsettling imagery, abundant violence, and eye-catching artwork. The chaotic evil force is presented in various ways: there’s a gargantuan, veiny, many-mouthed worm (reminiscent of Junji Ito’s manga Remina), a host of hollowed out astronauts with streaming tentacles where their heads should be, and even a larger, bonier version of the facehugger from Alien. All iterations are unnerving, and all represent new levels of dread and mayhem for our misfortuned crew. These creatures are particularly creepy thanks to the bold illustrations from Andy Macdonald and the shimmering colors from Nick Filardi.

In terms of sci-fi horror, Rogue Planet doesn’t break any new ground. But the comic also manages to elevate above being a completely awful rip-off. There’s enough here – between the intriguing concepts and provocative artwork – to keep readers engaged in the story, even when they’re confused or find themselves feeling déjà vu. Though previous entries in the genre have tackled the same concepts with better results, the creepy images and stellar coloring make this one still worth a read. Just lower your expectations and you’ll have fun with it.

Rogue Planet is available now from Oni Press.

Ben Long

Ben’s love for horror began at a young age when he devoured books like the Goosebumps series and the various scary stories of Alvin Schwartz. Growing up he spent an unholy amount of time binge watching horror films and staying up till the early hours of the morning playing games like Resident Evil and Silent Hill. Since then his love for the genre has only increased, expanding to include all manner of subgenres and mediums. He firmly believes in the power of horror to create an imaginative space for exploring our connection to each other and the universe, but he also appreciates the pure entertainment of B movies and splatterpunk fiction.

Nowadays you can find Ben hustling his skills as a freelance writer and editor. When he’s not building his portfolio or spending time with his wife and two kids, he’s immersing himself in his reading and writing. Though he loves horror in all forms, he has a particular penchant for indie authors and publishers. He is a proud supporter of the horror community and spends much of his free time reviewing and promoting the books/comics you need to be reading right now!

readingvicariously.net/

Tags comicbooks, oni press, review, rogue planet, sci-fi

Sacrifice – Lovecraftian Inspired

Best Of Best of Movies Featured Horror Movie Reviews Scary Movies and Series

Post author By Joe Clements
Post date February 16, 2022
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Sacrifice (2021) (originally titled The Colour of Madness) is the sophomore effort of directors Andy Collier and Toor Mian, adapted by Paul Kane’s folk-horror novelette, Men Of The Cloth. Inspired heavily by the monstrous mythology of HP Lovecraft and, while not without its merits, frequently struggles to break through the earth’s-mantle barrier which limits most, if not all screen translations of cosmic horror.

Young couple Emma (Sophie Stevens) and Isaac (Ludovic Hughes) return to Isaac’s Norwegian family home after a twenty-five year absence. The townspeople, including their sprightly sheriff played by horror heavyweight Barbara Crampton (of such masterpieces as Re-Animator (1985) and From Beyond (1986)), become increasingly familiar with Isaac as strange and terrible secrets about his family’s history unfold. In no time at all (from the first thirty seconds of the trailer in fact) we learn that the uncanny Norwegian folk worship an entity that early-horror aficionados will recognise as none other than Cthulhu himself.

Having never read the source material, I was more than ready to enjoy an atmospheric horror with the A24-feel and Lovecraftian overtones the trailer hinted towards. In a sense I got what I wanted, though by the credits I had realised that in terms of ingredients I need a lot more than just those things. Sacrifice’s story unfolds through a series of meandering conversations and repetitive dream sequences that reduce its slow-burn to a dying spark of infrequent, moderately effective chills. True effort is shown by the handful of actors attempting to keep an ironically shallow script afloat as scene after scene of derivative half-scares trickle by, the surprise climaxes of which are likely to have dawned on you moments before they happen.

Conceptually this is my type of film, and there are elements here to enjoy. Isaac’s growing obsession with the cultish townsfolk and their customs is a great angle and offers some interesting visual and psychological ideas to be employed, even if he began to border on cartoonishly arrogant in the final act. Inspiration being taken heavily from Lovecraft’s work allowed some tantalising points regarding science, religion and cultism to be explored, though again not quite to the extent that might satiate true ‘intronauts’. These pondering breaks still offer enough intrigue to keep viewers guessing up until the climactic turnaround. Sacrifice’s ending is fun, though nothing too thought-provoking, and features a quietly effective final shot that would have been all the more powerful had I not seen an almost identical one in 2017’s Hagazussa.

Sacrifice offers some sharp and vividly colourful imagery aided by striking views and focused cinematography. While the editing can be erratic in places, and some instances of coloured lighting feel less purposeful than their inspirational counterparts, the film’s overall aesthetic does warrant the majority of its artistic choices. The lake itself is vast and ominous and many lines uttered by its worshippers are devilishly thought-provoking. The finished product sadly feels underdeveloped, had it not repeatedly fallen into the same handful of formulaic choices over its brief runtime, I’m convinced Sacrifice could have been an effective psychological horror about obsession with the deep, dark and unknown.

Joe Clements

Joe first knew he wanted to write in year six after plaguing his teacher’s dreams with a harrowing story of World War prisoners and an insidious ‘book of the dead’. Clearly infatuated with horror, and wearing his influences on his sleeve, he dabbled in some smaller pieces before starting work on his condensed sci-fi epic, System Reset in 2013.Once this was published he began work on many smaller horror stories and poems in bid to harness and connect with his own fears and passions and build on his craft.
Joe is obsessed with atmosphere and aesthetic, big concepts and even bigger senses of scale, feeding on cosmic horror of the deep sea and vastness of space and the emotions these can invoke. His main fixes within the dark arts include horror films, extreme metal music and the bleakest of poetry and science fiction literature.
He holds a deep respect for plot, creative flow and the context of art, and hopes to forge deeper connections between them around filmmakers dabbling in the dark and macabre.

linktr.ee/Joeclements

Tags cosmic horror, review

Scariest Nightmare on Elm Street Movie of Them All

Best Of Best of Movies Scary Movies and Series

Post author By Tritone
Post date January 21, 2018
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What is the Scariest Freddy Krueger Movie?

There are nine films featuring the finger-bladed Nightmare on Elm Street killer, Freddy Krueger. Out of the nine films, some performed better at the box office than others, and some were ultimately scarier than others. And while Freddy Krueger may always draw a crowd…he was much more entertaining in some films. Some of the special effects and changes in production throughout the Nightmare on Elm Street movies have contributed to varying levels of terror felt within the audience. And they can be ranked!

Ranking the Nightmare on Elm Street Movies by Scariest Movie

Freddy Krueger always comes back, which is why there are so many Nightmare on Elm Street movies! So without further ado, Horror Enthusiast ranks the Nightmare on Elm Street movies in order of scariest to least scary.

A Nightmare on Elm Street (1984)

#1 Scariest Nightmare on Elm Street Movie

It is truly hard to beat an original. The original Nightmare on Elm Street was revolutionary. Wes Craven (the director and writer) and Robert Englund (Freddy Krueger actor) made the horror slasher an instant icon. This movie offers the least effects of any of the movies…but Horror Enthusiast ranks this film, by far, the scariest of them all.

Wes Craven’s New Nightmare (1994)

2^nd Scariest Nightmare on Elm Street Movie

Returning to write and direct A New Nightmare, Wes Craven built a brilliant, real-life Freddy Krueger. In this movie, the real life actors from the original film experience the fictional character, Freddy Krueger, breaking into their real world. This movie made Freddy Krueger more real than ever before and absolutely secured its place as the second scariest Nightmare on Elm Street film in the franchise.

A Nightmare on Elm Street 3: Dream Warriors (1987)

3^rd Scariest Nightmare on Elm Street Movie

This D&D-like edition to the Nightmare series was absolutely entertaining. With characters that had special powers to keep the audience interested in between Freddy scenes, and extremely exciting death scenes, Nightmare 3 had it all!

A Nightmare on Elm Street (2010)

4^th Scariest Nightmare on Elm Street Movie

The Nightmare on Elm Street remake highlighted many aspects that made the original film so great. Character development was perfectly deep, without wasting too much time on any one character. The audience feels immersed. The chilling story line is thorough, from start of the film to finish. And Freddy Krueger (a new actor, Jackie Earle Haley) did a great job of bringing on the fear. It was not the same as the traditional Freddy Krueger, but it was admittedly pretty good!

A Nightmare on Elm Street 4: The Dream Master (1988)

5^th Scariest Nightmare on Elm Street Movie

The fourth movie in the franchise is decent. In “Dream Warrior” fashion, the idea of the characters having powers in their dreams is still an important part of the plot. Freddy Krueger takes out nearly everyone in this movie in spectacular, terrifying fashion…hunting the heroine for last and solidly securing the 5^th scariest Nightmare on Elm Street rank!

A Nightmare on Elm Street 5: The Dream Child (1989)

6^th Scariest Nightmare on Elm Street Movie

This movie simply wasn’t as scary as the better half of the Nightmare on Elm Street movies. It was meant to be scary, but seemed to drain an already dying story line. The movie is a little weird, focusing on the fetus of pregnant fourth movie heroine, Alice. Weird is not exactly scary, maybe creepy, but not nearly as scary as the other movies.

A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

7^th Scariest Nightmare on Elm Street Movie

This movie received mixed reviews. Some fans claimed it was attempting to push gay rights. Ultimately, however, it did not seem as scary as the other films. The emphasis on the characters was too great and the audience mostly lost track of the horror slasher in between his appearances altogether.

Freddy’s Dead: The Final Nightmare (1991)

8^th Scariest Nightmare on Elm Street Movie

Literally, Freddy’s Dead was an attempt to ride the franchise into the grave: this film was meant to be the last Nightmare on Elm Street movie. It was also one of the least scariest. The production quality felt cheesy and rather crude. The series seem to be relying more on Freddy’s humor than ever before. Freddy Krueger comedy is good, but Freddy Krueger scary is better!

Freddy vs Jason (2003)

9^th Scariest Nightmare on Elm Street Movie

Although Freddy vs Jason was a whole new level of excitement for the fans, it was ultimately much less scary than the other films. The cinematic effects were focused on building the anticipation of the fight between the two horror slashers. The story line may have provided a few victims, but ultimately, it was all centered on pitting the two horror movie killers against one another. Even with Jason Voorhees making appearances throughout the film, it is simply less scary than the true Nightmare on Elm Street films.

Freddy Krueger is Always Scary

Whether the movie is the scariest in the franchise or not, every Nightmare on Elm Street movie features a fantastic Freddy Krueger. And even the weakest movies in the franchise offer a strongly entertaining death scenes and Freddy’s quirky sense of humor. As one of the smarter horror movie slashers, Freddy has held the limelight throughout all of his movies. All of the Nightmare on Elm Street movies have a unique feel that cannot be ignored: they are simply some of the best horror movies to grace the industry!

Tritone

Tritone’s love of horror and mystery began at a young age. Growing up in the 80’s he got to see some of the greatest horror movies play out in the best of venues, the drive-in theater. That’s when his obsession with the genre really began—but it wasn’t just the movies, it was the games, the books, the comics, and the lore behind it all that really ignited his obsession. Tritone is a published author and continues to write and write about horror whenever possible.

puzzleboxhorror.com

Tags best of movies, freddy krueger, nightmare on elm street

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Join "The Horror List" for Weekly Horror in your inbox

Recent Posts

What is the Scariest Freddy Krueger Movie?

Ranking the Nightmare on Elm Street Movies by Scariest Movie

A Nightmare on Elm Street (1984)

Wes Craven’s New Nightmare (1994)

A Nightmare on Elm Street 3: Dream Warriors (1987)

A Nightmare on Elm Street (2010)

A Nightmare on Elm Street 4: The Dream Master (1988)

A Nightmare on Elm Street 5: The Dream Child (1989)

A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

Freddy’s Dead: The Final Nightmare (1991)

Freddy vs Jason (2003)

Freddy Krueger is Always Scary

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