How would you feel if you suddenly started receiving letters from someone you didn’t know? Personal letters, from someone who seemed to know more about you than you ever wanted to admit to yourself? The End of the Sentence (2014) delivers–it’s not only difficult to put down, (or stop listening to, if you opt to experience it as an audiobook) but it is also easily digestible and instantly gives the reader that desirable feeling of unease and fear.
With every turn of the page, we find ourselves more and more deeply immersed in the life of Malcolm Mays, a man whose life is falling apart as he moves into a foreclosed home in Ione, Oregon–what he doesn’t realize is that the original owner never left and doesn’t intend to. The end of his 117-year sentence is almost over…
Interview with Kat Howard
We found out that you’re not just a horror writer, but you have also explored the science fiction and fantasy genres, so what initially drew you to horror fiction?
I’ve always loved horror. Some of the first “grown up” books I read were by Stephen King, but even before that I loved stories that scared me. I like to write horror because sometimes that’s the genre that works best for what I have to say. Plus, it’s fun writing stories that might give people the shivers.
Can you tell me about how you and Maria Dahvana Headley decided to come together to co-write The End of the Sentence?
Maria’s a dear friend. We were guests at an annual convention (ConFusion) and made a comment about wanting to write something together in front of Bill Schafer, the head of Subterranean Press. He said he’d buy it, and we wrote a contract on his arm. (There was a much more official contract later.) It was honestly a joy of a project to write with her.
How did you come up with the idea of The End of the Sentence?
Maria had recently moved, and had been getting mistaken letters delivered to her address. Things kind of went from there.
Kat, we understand that this was your debut novella, how did it feel being named one of NPR’s Best Books of 2014?
I literally fell out of my chair when I found out. I’m really proud of the work we did on this novella. It remains one of my favorite things that I’ve written, and so I’m always extremely happy to see it find readers. Seeing it recognized like that meant so much.
A Cathedral of Myth and Bone
Is there anything new that you’ve published or are working on that you’d like to talk to us about?
As this is a horror venue, I have to say I was extremely pleased when my recent collection, A Cathedral of Myth and Bone, was long-listed for the [Bram Stoker Award]. It didn’t make the final ballot, but just to see it recognized was a delight. I’m currently working on A Sleight of Shadows, the sequel to my novel An Unkindness of Magicians.
A lot of our fans are actually aspiring writers and artists, do you have any advice for them?
I always feel a little weird about giving advice, because I feel like I’m still figuring things out myself. But I think that one of the great (and yes, sometimes terrifying!) things about writing or art is that there are so many ways to come into the field. Don’t cut yourself off because you think you’re too old, or you should have gone to a different school, or that people have already done what you’re interested in. No one else can make what you will.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
You’ve come across an ancient book, not just some dust-covered antique that you found at your local bookstore; no, this was gifted to you with the confidence that you would heed the warning on the attached note and stash the book in a lock-box far away from prying eyes that may fall upon the archaic and mysterious pages of this increasingly enticing tome. Its pages call out to you, begging you to gaze upon them and to unleash the horrors that reside within. What would you do? Well, if you’ve seen any horror movie ever, you’d know that the ancient and creepy compendium of nightmares you’re holding is, in fact, what you can single-handedly bring about the apocalypse with–however, just like every horror movie you’ve ever seen, you’re probably going to open that damn book.
Stop it, Pandora. Don’t you dare open that goddamn book.
Photography by Staffan Vilcans
You opened the book, didn’t you? This is why we can’t have nice things.
Don’t worry, you’re not the first one. That’s part of what makes movies like Evil Dead (1981) so much fun, the horny group of teenagers fall victim to curiosity and another one–or three, or four–bite the collective dust. The curiosity may be unbearable but when it comes to the Necronomicon, a mythical book of demonic power, you should probably leave well enough alone.
What exactly is the Necronomicon?
Depending on where you know the Necronomicon from there may be different lore attached, but legend tells us that the original Necronomicon was written by the mad Arabian poet Abdul Alhazred. After spending a decade roaming the ruined cities of Babylon and Memphis he completed his tome before he descended further into madness and by A.D. 738 was devoured by an invisible monster according to Lovecraft. The actual name Necronomicon is, according to Lovecraft translated to, “the book of the customs (or laws) of the dead,” but other translations include, “the book of dead names.”
It is said that his manuscript was translated into Greek by scholars in the 10th century then burned in the middle ages, which only a few copies were said to survive; which of course allows us all to enjoy the delightfully awful antics that follow the contents being read aloud. Despite being a product of H.P. Lovecraft’s strange and mystifying imagination, it was inspired by real historic texts such as the Egyptian Book of the Dead. It has been said in certain sources that Lovecraft confessed the original idea for the Necronomicon came to him in a dream and he first showcased his idea in the short story The Hound (1924).
What else is really in the book though? From what Lovecraft divulges within his stories, Alhazred spoke mostly of the Old Ones and it makes sense that a book like the Necronomicon could only exist in a universe where ancient, god-like beings would bring their wrath by those who sought to wake them. In fact, the book was even said to contain the very passages that would wake the Old Ones and inspire madness just from viewing its pages. In Dunwich Horror, Lovecraft gives us a quite lengthy excerpt from the Necronomicon, speaking specifically about Yog-Sothoth. A much more popular creature, Cthulhu, is also mentioned as a monster who lies at the bottom of the ocean.
In fact, many fans tend to think about the Necronomicon as a sort of bible for Lovecraft’s pantheon of the immensely powerful extraterrestrial beings. The book appears within eighteen of his own stories, more often than any other real or fictional ancient tome that he was known to reference. Later on, with the adaptations of other authors, the book gained more of a reputation as a book of spells and rituals, but Lovecraft’s original intention for the book lay mostly in mythology and origin stories for the creatures that were the foundation of his universe.
Within the context of horror Lovecraft’s portrayal of the history of our world, in the times before man, as a universe controlled by beings so terrifying that just reading about them had to potential to drive a person completely insane. This was the birth of cosmic horror, as many of the stories Lovecraft developed ended with at least one of the characters descending into the depths of madness after flipping through the Necronomicon because these creatures were so beyond human comprehension that even thinking about them could be mentally devastating. It would be interesting to see how Lovecraft might feel to know that eighty-two years later there would actually be people convinced that his Necronomicon was an authentic and evil book of spells.
Is the Necronomicon Real?
The short answer is no, the Necronomicon is a purely fictional book that was brought to life through the creative genius of H.P. Lovecraft. To be fair though, Lovecraft did a pretty great job creating a comprehensive universe with its own history, deities, and forbidden lore, which added the element of cosmic horror to his tales. While in reality, the Necronomicon doesn’t exist, there are more than half a dozen books with the same title that you can find at bookstores–these books are all works inspired by, or containing Lovecraft’s book.
The practice of developing such a rich background in fictional literature would inspire other writers to do the same; renowned author J.R.R. Tolkien would follow suit when he brought Middle Earth to life. Lovecraft’s immersive method caught fire with other writers, such as August Derleth and Clark Ashton Smith, who regularly had exchanges with him and even expanded upon the universe by using the Necronomicon and all of the related Chtulhu mythos in their own work. Lovecraft also included his peer’s creations in his own tales as well, as an example, Smith came up with the idea of The Book of Eibon, which was mentioned within his own body of work. Lovecraft even included Robert Bloch’s De Vermis Mysteriis, a book which was said to have the power to summon demons from alternate dimensions, in his stories The Haunter of the Dark and The Shadow Out of Time.
As an avid letter-writer, Lovecraft quite frequently mentioned the Necronomicon in his correspondences to his colleagues where he suggested that his inspiration was also derived from Gothic writing; Gothic writing often made use of the idea of ancient texts and forbidden literature. There was a tendency among authors of the time to do their best to blur the lines between fiction and reality. An author that Lovecraft quite openly admired, Edgard Allan Poe, would go to extremes in an attempt to convince his audience that his stories were true–he even published his 1844 story The Balloon-Hoax as a legitimate article in the New York’s The Sun. As can be seen, by radio performances likeWar of the Worlds by H.G. Wells in 1938, as well as found-footage movies like The Blair Witch Project (1999), the V/H/S series, and the [REC], it is something that modern horror culture still strives to do.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The Lottery is a short story that Shirley Jackson wrote in 1948—it was written within the month of its first publication. It appeared withinthe June 26, 1948 issue of The New Yorker and describes a fictional account of a small town that participates in a lottery of sorts. This particular short story has often been described as “one of the most famous short stories in the history of American literature.”
Conceptually, two creative stories come to mind immediately after reading this story–no doubt the authors of which were inspired greatly by the Jackson original. The cult classic film The Wicker Man (1973), then later the novelization and The Hunger Games franchise both echo the idea of a ritual where the town comes together and holds what they call a lottery.
This lottery is, unfortunately, not the type that anyone hopes to win, but mirrors the dystopian attitude where the losers rejoice in the winner’s predicament. Without spoiling the entire story for anyone, let’s just say it’s most definitely worth the read (or simply listen below). What is truly interesting with this story–one that leaves the reader with a feeling of utmost terror and despair–is that Jackson apparently wrote within the confines of a single morning. The agreed-upon account of its creation is that Jackson came up with the idea for the story while she was shopping for groceries in the morning, came home, set her two-year-old daughter in her playpen to play, and had it finished before her son came home from kindergarten for lunch.
Talk about a whirlwind turn-around for something so utterly and terribly fantastic. Along with other myths that surround the creation of The Lottery, there was a time when people actually believed that the story was a factual report–this is in part due to the fact that at the time The New Yorker didn’t distinguish between fact and fiction when it came to the stories within its publications. As a result of the misunderstanding, much to the chagrin of Jackson, subscribers sent her several hundred letters that in her words could be summed up to, “bewilderment, speculation, and plain old-fashioned abuse.” It was especially alarming to her that some of the letters were from people who wanted to know where such lotteries were being held and whether they would be allowed to watch.
The Haunting of Hill House (1959)
The Haunting of Hill House (1959)
This gothic horror novel stands in the same class as those by Edgar Allan Poe, Arthur Conan Doyle, and Bram Stoker—to the point of even being a finalist for the National Book Award in the category for best literary ghost stories published during the 20th century. While Shirley adhered more to the thrilling psychological aspects, which successfully elicited stronger emotions in her readers. It has since been adapted into two feature films, a play, radio theater, as well as a Netflix series which premiered in 2018, although considerable liberties were taken with Shirley’s original story.
Shirley’s initial idea for this particular novel came to her after she read about a real-life group of researchers from the nineteenth century who had spent time in a reportedly haunted house and then published their experiences while investigating the site. She spent quite a bit of time researching and studying floor plans of large, potentially haunted houses around the country, and also spent time reading several volumes on hauntings and ghost stories before she sketched out the grounds of Hill House, as well as the floor plan for the house itself. Suffice it to say, she took her time considering how the characters might move about the house and made sure she had a clear vision of how a haunting would play out in such a house.
Check out this trailer of the Netflix series of The Haunting of Hill House and see how this novel translated to a television series.
We Have Always Lived in the Castle (1962)
We Have Always Lived in the Castle (1962)
Shirley Jackson’s We Have Always Lived in the Castle was published in 1962—just a few years before the radical social movement of the 1960s and 1970s—and served as her reaction to the movement of traditionalism that followed the Second World War. The fifties was an exceptional decade when women were transitioning from having jobs that supported the war effort while the men were overseas, to being expected to stay at home in order to support their husbands by cooking, cleaning, and rearing children.
This novel takes place in a small New England town where the remaining members of the Blackwood family stay in their ancestral home—they seem to live a peaceful, if not removed life from the rest of the town and its oppressive atmosphere. The initial perception of the people in town is one of apprehension when the main character Mary Katherine admits the anxiety she feels when having to pass the general store when the men are sitting out front. The mood of the novel changes to reflect what many literary scholars believe might have been Jackson’s own response to the changing social climate of the fifties and how stifling it would have been to be a housewife with a job. It also bears mentioning that it brings attention to the ways women had been oppressed in the past, referencing witch hunts where women would be killed for even the slightest misstep.
We Have Always Lived in the Castle echoed a lot of the same themes that were found in her profoundly popular short story The Lottery, with special emphasis on the strange and hostile townspeople who take on the type of mob mentality that allows otherwise sensible people to commit horrible acts with little to no impact on their conscience. It is said that this particular novel served as inspiration to many writers—including authors like Neil Gaiman and Joyce Carol Oates—who, after reading Shirley’s work, felt liberated in taking leaps with horror, speculative fiction, and just enough realism to create creepy atmospheres within their own novels.
Take a look at the trailer for We Have Always Lived in the Castle (2019) and let us know what you think between the differences you’ve found between it and the original novel.
Looking back on a career like Shirley’s it’s widely believed that despite the fact that raising four children is an extremely difficult task, Shirley couldn’t have been such a literary success without them—after all, her first success, The Lottery came only a few months before Shirley was set to deliver her third child. A cringe-worthy moment came when the clerk asked Shirley her occupation, when she responded that she was a writer, the clerk responded that he was going to put down the occupation of housewife instead. While it was true that being a mother was one of her jobs, Shirley was more than just a mere housewife—in fact, she was the breadwinner of the family.
Shirley Jackson happened to be both a housewife and a “talented, determined, ambitious writer in an era when it was still unusual for a woman to have both a family and a profession.” The appearance of a conventional American household generated material for this sassy mother of four—who thrived on the tensions that it created between both roles. The expectations of herself, her husband, family, publishers, and readers gave life to her writing since what was normal for her was unspeakably abnormal for the time. She made this clear during the early years of her career, when she drew, “a muscular woman, looking disgruntled, [dragging] her husband off by his hair as another couple [looked] on worriedly. ‘I understand she’s trying to have both a marriage and a career,’ one says to the other.” The truth of the matter was, that Shirley’s career only really took off after she became a mother, having gained an empathetic view of developing minds and the well of imagination that she drew therein. In this respect, Shirley was not only a sensational author, she was an admirable role model for any woman who may have wanted to follow in her footsteps.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
For fans of Bram Stoker, it’s no surprise that he wrote more than his infamous novel Dracula (1987); credited for being the major influence on popular vampire culture, Stoker was a master of Gothic horror. While not critically acclaimed in his day–even H.P. Lovecraft had critical words for some of his literature–Stoker was a successful author and did great work within the genre.
Leaving a Mark With Short Fiction
Authors like Bram Stoker had much more potential for short fiction works than they did in novel-length literature, at least in the opinion of this writer. While it’s true that Stoker is considered a master of the Gothic horror genre, his short stories were captivating and less drawn out. Below is a selection of just a couple of his short stories that are available on YouTube for public consumption.
Dracula’s Guest
This short story is an offshoot of Stoker’s famous novel, Dracula and proves to be an interesting side-plot of the story of our favorite evil blood-sucking fiend. Have a listen to this short story as it is narrated in a proper spooky fashion!
The Judge’s House
This classic ghost story as told by Bram Stoker is definitely one that people need to hear read aloud–listen here and enjoy!
Horror Novels by Bram Stoker
The Snake’s Pass (1890)
Bram Stoker’s first full-length novel, The Snake’s Pass, is a story about Englishman Arthur Severn who inherits wealth and a title from an aunt who chose him as her heir, much to the chagrin of closer relations. What he inherits, is essentially the ability to become an adventurer and he seizes this opportunity as a man of leisure to tour western Ireland. A storm forces him to stop for the night in a mysterious village where Arthur hears the legend of “The Snake’s Pass,” which alludes to a hidden treasure hidden in the boggy hills near the village. This deadly bog, hidden treasure, and a sinister man from the village proved to give Arthur the adventure he sought after.
By far the most famous of Stoker’s literary works, Dracula became the foremost authority on vampires within fiction. Where introduced to Jonathan Harker a solicitor from England who is sent to Transylvania to assist Count Dracula with who has a need for legal assistance regarding real estate. Dracula’s ultimate plan, of course, is to spread the curse of vampirism as much as possible while supplying himself with a fresh source of blood. Through the course of the book, we see the malignant plans of Dracula come to fruition and are introduced to Abraham Van Helsing, a character that would become part of modern folklore of vampires.
The Mystery of the Sea tells the story of an Englishman living in Aberdeenshire, Scotland–he falls in love with an American heiress who has a special interest in the Spanish-American war. Over the course of the novel, we see elements of the supernatural with instances of second sight, and other thrilling aspects such as kidnapping, and cryptic codes. More of a political thriller than any of his other novels, the story explored themes important during his own time, such as the changing concepts of womanhood, and the uprising of feminism.
Written in a first-person narrative, we follow a young man by the name of Malcom Ross, a barrister. Summoned by Margaret, the daughter of a famous Egyptologist with whom he is enamored, to find that he had been called due to the strange sounds that were heard from her father’s room. When Margaret went to check on her father, she found he was bloodied and unconscious–as if in some type of trance–along with cryptic instructions to watch him, in case of his incapacitation, until he awoke.
Strangely, for a book entitled The Man, this story is initially about a tomboy named Stephen (at the behest of her mother who died shortly after childbirth). Stephen grows to be an assertive, free-thinking child and becomes friends with Harold, the son of a friend of her father. After her father’s friend passes away, Harold becomes a ward of Stephen’s father. She and Harold pass the time visiting her family’s graveyard. After reaching adulthood romantic storylines enter into play, causing characters to suddenly disperse and then later and unexpectedly come together unwittingly. This tale is wrought with death and romance, key components to gothic horror, and Bram wrote it fantastically.
An epistolary novel, narrated primarily by the central character Rupert Saint Leger, the black sheep of his family. Rupert finds out that he is his uncle’s choice to inherit a large million-pound estate, under the condition that he lives in the castle of the Blue Mountains for a year before he can claim his fortune. Needless to say, this is his uncle’s way of testing him, to find if he can truly be worthy of such a grand fortune–little does Rupert know what awaits him in the castle of the Blue Mountains and how completely his life will change.
Based loosely upon the tale of The Lambton Worm, Stoker gave us a horror story based upon a giant white worm who has the ability to transform into a woman. The story revolves around the Australian-born Adam Salton, who receives word from an estranged uncle who wishes to make Adam his heir.
Bram Stoker’s twelfth and final novel before his death, The Lair of the White Worm (2011) is also sometimes titled as The Garden of Evil. Along with Dracula and The Jewel of Seven Stars, The Lair of the White Worm was actually one of Stoker’s most successful novels, which is interesting because the reception by the literary community was not entirely favorable. In 1988 it was adapted into a horror film, which starred Hugh Grant and Amanda Donohoe.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
It seems that podcasts are a dime a dozen these days, but fortunately for horror fans, the quality quite closely matches the quantity. We have scoured the web to find you the scariest podcasts. Also, quite luckily for the fans of the horror genre, the popularity of podcast creation is still on the rise. Like audiobooks, horror podcasts have turned into a popular form of entertainment because it only requires that we listen. We can listen to music, an audiobook, and even a scary podcasts while we’re doing our daily routine–when we’re getting ready for work in the morning, while we’re working out, while we’re commuting to or from work, and when we’re taking a relaxing bath… With horror podcasts, we especially enjoy allowing these creepy stories into our brains during the relentlessly sleepless nights, when an audio-only creepfest entitles us to retreat to the safety of our comfiest blanket while the darkness envelopes us entirely. Check out the ten scariest podcasts below.
10. Ghosts in the Burbs
Ghosts in the Burbs is a podcast made by a children’s librarian, who interviews her neighbors in Wellsley, Massachusetts about stories that no one would ever want to tell children. While she doesn’t bring all the special effects of music, special editing, or anything extraordinary, it’s her content that drives the creepy content of her podcast–while the stories don’t need to be heard in any particular order, we still recommend that you start at the beginning so you can get the full experience that Liz brings us with her dark tales that lurk in the otherwise sunny Wellesley.
9. The NoSleep Podcast
If you follow the NoSleep subreddit, then you’re probably not a stranger to the NoSleep Podcast, but if you’ve never heard it before, then give it a listen–there are so many plausible horror short stories that are a variety of styles as well as perspectives, but the one thing that they all share is the quality of scares. You’ll be consistently spooked by the stories told by NoSleep and you can thank us later.
8. PseudoPod
It seems like PseudoPod is kind of a horror-household name, they have amazing narrators, read some of the best horror short stories, that have come from some of the best authors around. There is something for everyone with this insanely simple and blood-curdling story-telling experience, it stands to reason if you don’t like one you should try another one, you’ll find something that you’re bound to enjoy.
7. Knifepoint Horror
Where other podcasts have an amazing track, or melodious narrators with voices of angels, who can emote through their presence of voice alone, Knifepoint Horror seems to only use the strengths of the narrator voices as well as limited sound effects somehow makes it feel like you’re there in the room with the characters. It makes you feel as if you might be the one that will next fall victim to the horrors that the characters are made to face. We highly recommend this horror podcast if you want something that will make your skin crawl at its best points and intrigue you at its slowest parts.
6. The Other Stories
At number 6 in our scary podcast recommendation list is a self-proclaimed modern take on the Twilight Zone, it doesn’t fail to deliver with its eclectic collection of author contributions as well as narrators along with stellar audio effects make this an immersive experience, but what really makes this podcast special is the agonizingly spooky and mysterious nature of these short stories. The variety available with The Other Stories is perhaps one of its most attractive qualities of this horror, sci-fi, and thriller fiction show–but there’s also the themes that they tackle with each chapter. We even came up with a list of our favorites, so take a look at this podcast, we guarantee you won’t regret it!
5. Limetown
This horror mystery podcast gives the feeling that there is something real going on, it has the depth of a real news story–kind of like a forensic crime documentary. There is something wonderful about the production value of this particular podcast, as it features a fictional host of the fictional American Public Radio who is trying to solve the mystery of several hundred people vanishing from a town in Tennessee a decade ago. The interesting thing about this particular ongoing story is that there are moments where, despite being reminded that it’s pure fiction, that you can’t really be sure of whether or not it’s real. What’s more, there are moments where you might entertain conspiratorial beliefs about it being an elaborate cover-up. Regardless, it smacks hard of the Orson Welles’ adaptation of the H.G. Wells classic War of the Worlds as a radio broadcast that convinced many people that the world was being invaded by creatures from another planet.
4. Video Palace
So if you were to stumble upon Video Palace without any previous knowledge of what they were about, you might think that the narrative was a true story–it starts when the narrator’s girlfriend wakes him up after he began sleep-talking in a non-existent language. They decide to do a full investigation into what could be causing this and what they end up finding is something of a mystery that needs to be solved. The thing that really makes this fictional podcast feel all-the-more real, is the real-life writers, bloggers, and filmmakers that have their own history in the horror genre.
3. Unwell
There’s something very unwell about Mount Absalom, Ohio–even if everything about it screams hospitality. When Lily Harper returns home to Mount Absalom to look after her mother, Dot, she encounters all of the things she hated about visiting her mother during the summers. This podcast is amazingly done, with impeccable audio and a quirky sense of humor that doesn’t overwhelm the darkness and malice that lays beneath the facade of niceties. If you want to disappear into a story, then this is an incredible one to immerse yourself in.
2. The Magnus Archives
Another anthology podcast with a classical sense of tone, the cadence of the narration weighs heavily upon the mood that is delivered–there is something soothing, but utterly petrifying about the way the words are spoken. Something that we find wonderful about the Magnus Archives is the fearless nature in which it tackles each of the episodes–the eerie ability to pull you into a story–submerse yourself in the Archives.
1. Alice Isn’t Dead
There isn’t a way to describe this podcast without gushing like a complete geek–there is something in the production value of this podcast that truly pulls you into the story. We’re following a female truck driver as she searches for her previously thought-to-be dead wife through a desolate landscape of mystery, allure, and a darkness that is difficult to capture through words. With a stunningly capturing score, an entrancing voice actress who gives us a narrative that we don’t want to quit. Just take a listen and tell us you didn’t want to keep listening through to the end.
We hope that you enjoyed this discussion on horror podcasts–it’s an eclectic bunch of channels, but if you’re a horror junkie, you now have hours of content at your fingertips and all for the low-low price of your time and attention! The popular Lore Podcast did not make the cut here, as it isn’t fully horror-based, but we do have a list of some of the scariest Lore episodes you can check out. Let us know what you think about these podcasts and let us know if you feel we should include other horror channels in any future podcast discussions?
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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