The Haunting of the SK Pierce Mansion

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Featured Haunted Places Horror Mystery and Lore

A 10 bedroom, 2 1/2 bath 6,661 square foot mansion with intricate wooden details, original windows, doorknobs, and marble fireplaces. Servant quarters with formal maid and butler pantries, a classic Mansard roof and grand staircase showcase the victorian era style of this mansion. With a team of 100 men, it took a year and a half to complete building. You would expect something like this to go up for millions, right? Well this house was sold in 2015 for $315,000, the same price as most three bedroom homes in the town of Gardner, Massachusetts where the SK Pierce mansion resides. This beautiful home was built all the way back in 1875 by a very wealthy owner of a manufacturing business named Sylvester Knowlton Pierce. His business was across the street from the home he built, and was the reasoning behind Gardner, Mass. being known as “Chair City”. It also supposedly housed very prestigious guests such as Calvin Coolidge (the 30th US president), Norman Rockwell (a famous painter), Bette Davis (a popular actress at the time), and P.T. Barnum (a politician and business man). So how exactly did this place turn into a destination for people investigating the paranormal?

The Haunting Lore

Very unexpected and mysterious misfortune struck the Pierce family shortly after moving into the house. Pierce’s first wife died three weeks after moving in. She had somehow picked up a bacterial disease that ate her flesh. Years later, during a downfall in the economy, SK Pierce passed away, and the rivalry between his son Frank and his second wife who was two years older than Frank began. The house ended up being passed to his second wife, Ellen, instead of his eldest son. This was not customary during the time and it angered Frank greatly. Eventually, Ellen died and her three sons fought in court over ownership of the house, ending in her son Edward winning. He utilized the size by turning it into a boarding home. Activities such as prostitution, drinking, and gambling ended up taking place at the boarding home. Among the darker activities was death. Edwards two-year-old daughter he had with his wife Bessie passed away from influenza. There was also a boarder by the name of Eino Saari who passed away from smoke inhalation in his room, though it is widely believed to have been caused by spontaneous combustion because the surrounding room had hardly any damage. Bessie also died in 1951 while the family occupied the home. Edward then lost the house in a poker game and a new owner took his place named Jay Stemmerman.

Jay Stemmerman.

SK Pierce Haunted Mansion

Jay Stemmerman didn’t last long in the Sk Pierce Mansion, he abandoned it somewhere in the 1980s and it sat like that for a near 20 years. It was filled with paintings depicting odd characters and scenes making people question what went on in the house. These paintings were discovered when the house was purchased in 2008 by Edwin Gonzalez and Lillian Otero, they were only able to stand living in the house for two years. They experienced many paranormal incidents including a message from a spirit leading Otero downstairs to a kiln where there were bones identified to be that of a young child. There had been stories in the past of a young boy dying at the home though no such reports were ever filed by the police. Edwin claimed to have seen the apparition of a young boy at his side in his office, many have speculated that it could be the ghost of the mysterious possible death of one. A book came out about the couple’s experience called “Bones in the Basement” by Joni Mayhan.

A Haunted Attraction

After a short two weeks on the market, this haunted home was owned by Rob and Allison Conti. They bought this house because of the title it holds as the second most haunted home in Massachusetts, and they quickly turned it into an attraction. You can now stay overnight at the SK Pierce Mansion or just visit for a paranormal experience of your own. Many guests there have reported a lot of strange activity. People have seen doors slam, full body apparitions accompanied by voices, furniture moving of its own accord, foul odors, and sudden temperature changes. There was even a guest who was said to have been pushed down the stairs by a ghost.

Paranormal Investigation

A group of people who investigate the paranormal went to visit the haunted mansion. They claimed to be able to feel the spiritual energy all over the house, which was also measured by multiple psychics using various tools. There were 25 people in the investigation that split into five groups of five people. Rooms such as the Red Room that were linked to some sort of tragedy were looked into. Colleen Costello was one of the psychics that were able to receive entities in many of the rooms. Specifically, in the Red Room, her group heard the spirit of a homicide victim using a spirit box. A spirit box is a device that uses radio frequencies to detect the voices of spirits. They also pinpointed and communicated with a nanny who had died in the house. The nanny would answer yes or no questions using lights but strangely refused to answer the one male in the room. Another room that they experienced strange events was the billiards room where they communicated with the spirit of P.T. Barnum. In the basement, Costello encountered a slightly angry spirit that had unresolved business issues with the Pierce family, from what the group understood it was about a false accusation. They realized the spirit was in the basement when the pendulum, a divination tool to detect said spirits, starting rapidly swinging.

Nicole Costello’s story doesn’t end there with the rest of the group though. She ended up spending the night and had more evidence of the paranormal. In the middle of the night, she reported hearing footsteps on the second floor which she was staying on. She later made sure it wasn’t one of the other guest’s footsteps, none of them had stepped foot out of their room that night aside from people on the first floor who never went up the stairs.

The Mysteries of The SK Pierce Mansion

There are still so many unanswered questions about this spirit-filled mansion such as why is there a tunnel below the house? Also are there more deaths there than have been reported? Did the strange paintings of half-beast half-human figures mean something more? There are many theories for all of these questions including the use of dark magic, child labor, human trafficking, and more. Would you dare to spend a night in this beautiful haunted mansion?

Index

https://www.estately.com/listings/info/4-west-broadway–5

https://www.littlethings.com/haunted-victorian-mansion-gardner-massachusetts

https://www.countryliving.com/real-estate/news/a35307/would-you-buy-this-famously-haunted-victorian-mansion/

https://www.sentinelsource.com/elf/body_and_soul/chair-city-spirits-investigating-paranormal-activity-at-s-k-pierce-mansion/article_9cb695ec-2b52-11e7-8a73-a3018843344e.html

https://jonimayhan.com/2013/12/16/secrets-from-the-grave/

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The Head Hunter (2019) – A Dark Fantasy

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Featured Horror Movie Reviews Scary Movies and Series

The Head Hunter (2019) is the first feature film from director Jordan Downey, following a number of short projects including Critters: Bounty Hunter (2014) and Techno Western (2016), the cult hit Thankskilling (2009) and the Kickstarter-breaking Thankskilling 3 (2012)

How far would you go to avenge the death of someone you loved?

The Head Hunter 2019

Compared to these The Head Hunter is a far more serious, ambitious and rather understated exercise in dread and atmosphere. Downey takes the age-old concept of revenge and tries to make from it something of-itself and flavorful, something in some ways very unique. The trailer suggests a slow burner dark fantasy to me instantly, though its themes and setting might fool some into thinking this will be an action-packed monster slaying adventure. Admittedly, I expected to see a bit of sword swinging myself and had to quickly acclimate to what did lay in store. 

Puzzle Box Horror Rating – The Headhunter 2019

Rating: 4 out of 5.
Head Hunter Festival Poster Featuring a warrior standing on a pile of skeletons

IMDB : 4.5/10
Rotten Tomatoes: 94% Fresh out of 100
Rated: R
Runtime: 1 hr 12 min
Starring: Christopher Rygh, Cora Kaufman, and Aisha Ricketts

Christopher Rygh, though a little restrained at times, does well in his first feature film role to communicate the desperation of a grieving father, and the obsession of a man bent on vengeance. As the unnamed patriarch he carries out contracts delivered (by arrow) that order the deaths of monsters sighted in the castle’s surrounding forest. One of these creatures took his daughter and it doesn’t take a clairvoyant to guess where this brief (clocking at merely 72 minutes) ordeal will climax. 

While minimal in plot, the film is focused enough to portray its few ideas with some effect. This is aided greatly by some impressive cinematography and elevates itself above its budget by employing quality costumes and set pieces, as well as a grim visual filter which helps immerse the viewer in its medieval darkness. Much of the monster fighting is unfortunately off-screen, which makes sense for the budget, though I am very glad the good sense was used to employ practical effects whenever one of those horrors was on display. Some juvenile part of me really wanted to see this guy crack some goblin skulls, though the tense climax involving the genuinely unsettling arch-antagonist did just about enough to satiate my bloodlust. 

..The Head Hunter is rapidly gaining a cult reputation, and that’s well-deserved; this is an atmospheric, well-shot and artfully conceived number which looks great in its first UK blu-ray release..

Eddie Harrison – film-authority.com

The Head Hunter operates almost as a dark-medieval Blue Ruin (2013) with its careful drip-feed of information that keeps each snail-pace scene all the more engaging for attentive viewers. That being said, the feeling can’t be ignored that there is fat that could be cut and perhaps this particular tale would have worked better as a short film. While just scraping a feature film duration it feels as though a few ideas went underdeveloped and, although the slow pace works in its favor, a part of me persists in thinking that the third act of The Head Hunter could have been a halfway point, leading onto some obscenely violent madness. Though that could just be the idealist in me.

The Head Hunter is a tightly executed creature-feature with ambiguous implications of deep lore and hideous evil. It uses subtle foreshadowing and claustrophobic scenery to invoke palpable dread, though sadly fails to deliver enough of its promises and runs the risk of leaving viewers wanting much more. I only hope that Downey feels the same and that a similar, denser project could be on the cards. 

EXCERPTS:

The Head Hunter takes the age-old concept of revenge and tries to make from it something of-itself and flavourful, something in some ways very unique.

The feeling can’t be ignored that there is fat that could be cut and perhaps this particular tale would have worked better as a short film. While just scraping a feature film duration it feels as though a few ideas went underdeveloped and the third act of The Head Hunter could have been a halfway point.

Head Hunter 2019 Trailer

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The History of Cosmic Horror

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Featured Horror Mystery and Lore

Don’t explain, because the unexplainable is the most frightening thing there is.

H.P. Lovecraft

What Exactly is Cosmic Horror?

Cosmic Horror movies and books are on the rise in the horror community lately—a refreshing turn away from the slashers and gore of the late seventies, early eighties, most of the nineties, and the last two decades. The Cosmic Horror genre is about more than just the copious amounts of senseless violence—it’s beyond its own monsters and dangers—it’s about testing the limits of your own humanity. How connected are you to the world around you? How frightened are you about the dangers of the unknown? When your perception of reality is suddenly pulled out from under you, you begin to experience overwhelming trepidation, anxiety, and an unanticipated creeping loss of sanity.

In stories with a central theme of Cosmic Horror, more often than not, have protagonists that are forced to face things that go well beyond the normal realm of comprehension, which leads to the idea that authors of the genre try to stand behind, “don’t try and over-explain what’s happening, rather let them stew in existential dread.” While this genre of horror contains plenty of gore and violence, it angles more on the supernatural, paranormal, and psychological sides of fear—so there is no reaction of disgust, but rather pure, unadulterated terror.

So, in the simplest terms possible, cosmic horror is a sub-genre of science fiction where horror is derived from the insignificance of our own existence within an often dispassionate universe … easy peasy, right? While Lovecraft is credited as the creator of cosmic (or Lovecraftian) horror, that doesn’t mean that he was necessarily the first person to write within this genre—he was simply the first person to dedicate his fictional writing solely to the genre which now bears his name. To this day Lovecraft remains the most famous writer of the cosmic horror genre, although the genre continues to expand with the works of writers around the world.

Where Did Cosmic Horror Come From Anyway?

A View Of the Cosmos
A View of the Cosmos
Photography by NASA

Now that we know what the genre of cosmic horror is all about, where exactly did this genre come from? As far as literary history has shown, cosmic horror began with one man—Howard Phillips Lovecraft. He is officially credited with being the father of the cosmic horror genre—but was he the first author to write in the genre, or was he simply the first author to be credited for it? Truth be told, Algernon Blackwood, an author out of England was officially the first one to write within the cosmic horror genre, but this subgenre of horror had not technically been established yet. His stories The Willows and The Man Who Found Out have historically been classified as general horror, gothic fiction, and fantasy fiction.

To understand certain types of horror, one must first understand where horror and the subsequent emotion of fear comes from. As has been mentioned many-a-times before, as said by Lovecraft himself, “the oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is the fear of the unknown.” This means that this particular subgenre capitalizes on this reaction to uncertainty (in its simplest form), the bread and butter of cosmic horror, and the inability to tell what is coming and when. This quote represents the spectrum of Lovecraft’s range of fiction—it’s elegant, yet somehow a pathetic representation of what can truly represent the genre as a whole. In no uncertain terms, Lovecraft and other authors of the genre make it increasingly clear that there are multiple ways in which the futility and insignificance of human beings can be frightening. If there is nothing meaningful connection to the purpose of human beings, then are we truly anything more than a plaything for celestial beings?

It’s truly an unsettling thought to acknowledge this nihilistic idea of the modern age—that we base our relevance on the time in which we live, but discount the ancient wisdom and forces that came before us. During the earliest days of cosmic horror, Lovecraft took exceptional influences from the plethora of pagan religions all throughout the world. He took particular influence from the most ancient of these pagan religions and cultures—this is in no small part, due to the fact that Lovecraft was quite reverent to paganism and quite openly rejected mainstream Christianity. Keep in mind, Lovecraft lived in a time and place where having beliefs, or favorable leanings towards paganism was highly taboo—where today it is quite a bit more commonplace. Cosmic horror, however, despite being more widespread isn’t an easy genre to write—not to mention capture on film—well at all.

When Lovecraft first began to write stories that exhibited his creations, he displayed a truth that is often disregarded in the course of our daily lives—that we don’t consider the idea that there is something unknown and completely unrelatable to anything we have ever experienced before in our years of life on this earth. We don’t consider that we might be in a world where we don’t recognize the god(s) that deserve idolization, that there may be a natural way of being that we are unaware of, that there may be some type of fate of the world that we haven’t considered as a possibility. This was something that Lovecraft and his predecessors might not have considered, but it is definitely a possibility that should be considered, even if it is completely alien to what we’re used to.

Dig into more cosmic horror by reading and watching our best of cosmic horror books, comics, and movies lists.

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The History of Halloween

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Featured Horror Mystery and Lore Lifestyle

September is coming to a close and the heat, brief as it was, is beginning to wane. For some this is a dark time, one foretelling many months of bitter cold, long stretches of darkness and bouts of seasonal affective disorder. Though for others an excitement builds through these darkening months that leads to the spookiest and one of the most beloved traditions in recent history; Halloween. Explore the history of Halloween from ancient Celtic traditions to trick or treating today in the U.S.

History of Halloween Celtic Roots

For many Americans, Halloween will feel as culturally homely as eagles and apple pies, although, (hold awed gasps) the tradition didn’t actually start stateside. The origins of this delectably macabre holiday date back to the ancient Celtic festival of Samhain (pronounced sow-in). The Celts, who occupied the area that is now Ireland, the United Kingdom and northern France over 2,000 years ago, celebrated their new year on November 1.

The date was considered the end of the autumn period and symbolizes the emergence of winter, when herds were returned from pasture and land tenures renewed. Legend told that during the Samhain festival, the souls of the departed would once more return to their homes and those who had died since the last festival would have their souls pass over to the afterlife. Bonfires were lit atop hills to ward off evil spirits, and to give the folk a place to relight their hearth fires over winter. They would wear animal heads and skin masks to the ceremonies to avoid being recognized by those spirits, while sacrificing animals to appease the gods. It was believed that on the night before the new year, the boundary between our world and that of the dead became thin, allowing them to communicate with spirits. On the night of October 31 they celebrated Samhain, when it was believed that the ghosts of the dead returned to earth.

According to historical records,the Celts believed that the spiritual communication on Samhain enhanced the premonitory powers of the Celtic druids, allowing them to predict the future in a far more accurate way. 

Bats and Halloween

Bats Flying by a full moon on Halloween

The widespread modern association of bats with Halloween actually has its historical origins too. The Samhain bonfires lit by the Celtic Druids attracted swarms of bugs from the surrounding wilderness which, in turn, drew flocks of bats to enjoy a rather fruitful supper. In later years, various folklore emerged citing bats as harbingers of death or doom. In Nova Scotian mythology, a bat settling in your home foretells that a man in your family will die. If it flaps around the place trying to escape, a woman in the family will pass on instead.

History of Halloween Roman Influence

According to other records, some Halloween traditions are actually rooted in ancient Roman history. By 43 A.D. The Romans had conquered and occupied most of the Celtic’s territory, bringing with them festivals such as Feralia, which took place in October and also commemorated the passing over of the dead to the afterlife. Another holiday, Pomona, was held in honour of the Roman Goddess of fruit and trees, which developed to this day as the reason why we bob for apples on Halloween.

A few Centuries later saw the further development of the festivals that would eventually become Halloween, as several Christian figures attempted to replace the pagan traditions with ones closer to God. By 1000 A.D., All Souls’ Day was announced on November 2 as a time for the living to pray for the souls of the dead. All Saints’ Day, or All Hallows, honored the saints on November 1. That made October 31 All Hallows Eve, which later became Halloween.

Halloween in The United Kingdom

Of course, old habits die hard, and people in England and Ireland mostly continued on as they had done, using the time of year to focus their attention on the wandering dead. They set out gifts of food to feed the peckish spirits, and as time went on and the tradition continued, folk would dress in creepy masks in exchange for treats themselves. The practice was called “mumming,” and was the beginning of a tradition we now know as trick-or-treating.

Trick or Treating in America

Scary Halloween Mask

In America, the southern colonies were the first to adopt the original festivities resembling Halloween, these early renditions of the festivals being called “play parties”. Towns would gather to celebrate the harvest, swap ghost stories and read each other’s fortunes, with far more events and activities being added over the years.

By the 1950s Trick-or-treating had exploded in popularity around the US, and Halloween had become a true national event. Today the holiday is celebrated by over 179 million Americans who spend around $9.1 billion on it per year, according to the National Retail Federation. 

Halloween obviously remains a popular holiday in America and the UK today, but it actually almost didn’t make it across the Atlantic in the first place. Puritans shunned the tradition, disapproving of its Pagan roots, though once Scottish and Irish immigrants began to arrive in America in greater numbers, Halloween made its way back into the zeitgeist. The very first American colonial Halloween celebrations featured large public parties to commemorate the upcoming harvest, tell ghost stories, sing, and dance.

https://www.history.com/topics/halloween/history-of-halloween

https://www.countryliving.com/entertaining/a40250/heres-why-we-really-celebrate-halloween/

https://www.goodhousekeeping.com/holidays/halloween-ideas/g4607/history-of-halloween/

https://www.businessinsider.com/history-of-halloween-2017-10?r=US&IR=T

https://www.britannica.com/topic/Halloween

https://www.historic-uk.com/CultureUK/Halloween/

https://www.worldhistory.org/article/1456/history-of-halloween/

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The History of Psychological Horror

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Best Of Featured Horror Books Scary Movies and Series

What’s scarier: a fabricated boogeyman, or the realistic pressures of paranoia, guilt, fear, and self-doubt gnawing at your very soul? When it comes to horror all scares are good scares, but when it comes to psychological horror the scares tend to hit closer to home. You may not have a den of devil worshipers trying to steal your baby, but as a parent you may fear for the safety of your child and the unknown dangers that could lurk around every corner. Oftentimes it’s the dreaded anticipation of something happening, rather than the actual thing itself, that is more alarming. 

Defining Psychological Horror

Psychological horror centers around the mental and emotional states of its characters, typically replacing actual physical monsters with psychological terrors instead (madness, paranoia, anxiety, guilt, and so on). And even when the story does contain monsters, it tends to keep these creatures shrouded in darkness so the focus is on subliminal rather than overt horror. In fact, the “monster” is often meant to function as a complex metaphor for the flaws of the character or society at large. The overall effect is an unsettling story that uses internal conflict to dig into the darker, underlying fears of the human psyche. 

Psychological Horror Origins and Development

Illustration from Horace Walpole's The Castle of Otranto showing a man and woman in a gothic castle hallway

Early gothic literature features mentally unstable protagonists and terrifying manifestations of guilt and fear, so it’s no surprise that much of the groundwork for today’s psychological horror was laid in the 18th century by popular gothic writers. Horace Walpole’s The Castle of Otranto, Ann Radcliffe’s The Mysteries of Udolpho, and Matthew Lewis’ The Monk are all shining examples of gothic horror establishing and promoting an emphasis on psychological terror.

In the 19th century American authors such as Ambrose Bierce and Nathaniel Hawthorne were instrumental in continuing the fascination with psychological fear. Henry James is another standout author during the time period, whose 1898 novella The Turn of the Screw effectively blends supernatural frights with mental uncertainty. But perhaps no one did it better than Edgar Allan Poe. Pick a Poe story from a hat – from “The Black Cat” to “The Tell-Tale Heart” and beyond – and you’ll likely wind up with an unreliable narrator suffering through thick layers of paranoia, terror, and even mental disorders.

Psychological Horror Films and Books in the Postmodern Age

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Going into the 20th century, psychological horror gained an even larger audience and wider popularity in literature. One notable contributor to the genre during this time is Shirley Jackson, who became a household name with her disconcerting novels of distrust and paranoia such as The Bird’s Nest (1954), The Haunting of Hill House (1959), and We Have Always Lived in the Castle (1962). Then of course there’s Stephen King, who wrote breakout hits in pretty much every horror genre, but whose novels Carrie (1974), Misery (1987), Gerald’s Game (1992), and The Girl Who Loved Tom Gordan (1999) in particular are known for their elements of psychological terror.

Jackson and King really helped propagate the genre, in the stories they wrote but also the numerous adaptations and spinoffs that they inspired. Other fan favorites from the 20th century include William Golding (Lord of the Flies), Robert Block (Psycho and American Gothic), and Thomas Harris (basically anything involving Hannibal Lector). This is also the time period when the “psychological thriller” rose in popularity, blurring the lines and making it more difficult to discern between the two overlapping genres. 

The Cabinet of Dr. Caligari poster from 1920's

The 20th century is also when psychological horror was woven into newer forms of media as well, specifically in movies. One of the very first films that fits into this genre is the 1920 German expressionist piece The Cabinet of Dr. Caligari, with its unnatural architecture, foreboding mood, and unsettling discomfort. Moving forward in the decades, some standout films in American cinema include Repulsion (1965), Rosemary’s Baby (1968), The Shining (1980), The Silence of the Lambs (1991), Additionally, elements of psychological horror can also be found in the Italian genre of giallo and the Asian genres of “J-Horror” and “K-Horror” (all of which also have their American remakes, of course). 

Recent Examples of Psychological Horror

The 21st century has only seen an increase in popularity for the genre, as many notable creators seek to tell stories that not only disorient and unsettle, but that include relevant social commentary and complex metaphors as well. In the world of film Darren Aronofsky gave us Black Swan (2010) and mother! (2017), David Robert Mitchell made the subliminal hit It Follows (2014), Jordan Peele elevated the genre with Get Out (2017), and Robert Eggers continues to amaze with movies like The Witch (2015) and The Lighthouse (2019). Some newer authors who write in the vein of psychological horror are Josh Malerman, Brian Evenson, V.C. Andrews, Nick Cutter, and Mark Z. Danielewski. And of course there are plenty other examples; indeed far more than there is room for in this article. With these particular standard bearers and more, it is clear that the genre is in good hands.

The Lighthouse psychological horror film poster 2019

In Conclusion

The effectiveness of this horror genre lies in its ability to unnerve and disturb by getting inside your head and messing with your mind, Stories that stand on often shaky narrative ground sound risky, but in actuality this inability to discern fact from fiction (for the character and the audience) is quite effective in its ability to frighten. If you’re looking for a deeply unsettling scare that explores important societal issues while also making you question your very sanity, look no further than psychological horror.

Do you have a favorite book, film, or comic in the psychological horror genre? Let us know in the comments below!

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