If you hadn’t noticed by now, we really enjoy what Horror Short Film producers ALTER have been putting out into the horror universe, so much so that some of us dedicate a good amount of time just going through their content every week, just for fun. Even if you haven’t heard of ALTER until now, this is a great one to start with. Who knew such a wealth of horror culture would lay within the confines of the lower-budget, self-produced content of YouTube? Well, we did, but now you do too!
ALTER’s The Dollmaker (2019)
Almost a year to the day ALTER came out with what can only be described as one of the creepiest, blatantly paranormal films yet. We won’t spoil the story for you, so let’s just leave you with this–a mother’s love is eternal.
Photography by Kat Jayne
The question that this short horror film leaves us with is, to what lengths would a mother go in order to preserve the memory of her lost child? Grieving the death of a child is a long and arduous journey; it ruins marriages and it can ruin lives, with some people never fully recovering from the pain. So to cope with that loss, it’s not incredibly difficult to believe that a grieving mother would turn to the supernatural to bring back some semblance of normality after her child was taken from her. The Dollmaker (2019) shows us the gritty and uncaring attitude that would accompany the kind of person willing to take monetary advantage of someone who is suffering this kind of loss, but it also shows us what can happen when we don’t seek the help we need. Both psychological and supernatural influences are at work in this simple, yet incredibly complex story and hopefully it freaked you out as much as it did us. You can find ALTER’s Youtube channel here, if you’d like to check out what else they’ve produced.
Movies That Capture the Disintegration of a Family After Loss
Pet Sematary (1989)
Based upon the Stephen King’s Pet Semetary (1983) novel, where the regular American family by the name of the Creeds move into their perfect home in the countryside. What they don’t know is that they have moved in right next door to a pet cemetery that was built on an ancient Indian burial ground, which is revealed to them by their mysterious neighbor just after disaster has struck their happy home. What evil have they awakened?
Based on the Japanese movie, Ringu (1998), if you’re not old enough to remember the sensationalism that surrounded this movie when it first came out, you certainly missed some pretty great scares. I’ll never forget after watching that movie, I would randomly get calls from friends telling me in a creepy gravelly voice that I had, “seven days.” The story starts off with a bang, as we see the fate of a teenage girl who has watched the mysterious videotape–those who have the misfortune to watch it will be doomed to die within seven days. We follow a journalist, that we know is the aunt of the teenager we saw die at the beginning of the movie, as she investigates the videotape and races the clock before she suffers the same fate as her niece.
After the heartbreaking experience of losing a child just before it has been born, the Coleman’s decide to adopt a nine-year-old who is the picture of perfect manners and an amiable, talented girl. We start to see the dark nature that plagues this girl as she hides her behavior in front of her adoptive parents.
If you ever come across a disturbing storybook called, “The Babadook,” that has randomly turned up in your home, it’s probably a sign that something sinister is afoot. The story takes place six years after the violent death of, our protagonist, Amelia’s husband and she is still plagued by his memory. Amelia also happens to be struggling to discipline her six-year-old son, Samuel, who she believes has been hallucinating about a monster who he says has invaded the house. When Samuel tells his mother that the Babadook is coming to kill them both, she ends up getting her son medicated–she could have never imagined what would happen next.
Not quite in the same line of grief and loss as the rest of the movies in this list, The Witch (2015) still deals with a certain type of grief–the anger that comes when people place blame for the death or loss of a child. This period-piece is as dark and nail-bitingly exquisite as they come, from the perspective of typical New England colonialists we get witchcraft, black magic, and possession. We see a family of farmers who have moved to an unconquered plot of land that sits on the edge of a dark and dreary forest. Is evil looming within its shadowy depths? You bet your ass it does, watch it and see just how messed up Robert Eggers’ debut film that still left me rooting for the Witch of the wood.
The Graham family has suffered the loss of one of its most beloved members, the grandmother, and matriarch–Ellen. This is when things start to turn creepy for them because it’s only then that the family begins to find out mysterious and dreadfully frightening new things about their family’s ancestry. Once they realize the malevolent destiny that they have inherited, we see the breakdown of each and every character within the movie.
A remake of the original Pet Sematary (1989), there are a few swap outs when it comes to the characters that we knew from way back when, but this movie actually had a lot more mixed reviews that you might expect. Not everyone was a fan to see this one remade for the big screen, but it was actually still pretty compelling.
Are you a fan of creepy dolls and the roles that they play within supernatural and paranormal horror lore? Well then take a moment to read these articles, we guarantee you’ll learn something new!
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Bladenboro, a quiet rural community, was established in 1857. To this day, it remains tucked away in the swamps and pine forests of the southeastern edge of the North Carolina Piedmont (Scary Truth). The population of the area remains limited to this day. In 1954 the peaceful community of Bladenboro experienced two weeks of terror that would put it on the map forever.
Newspapers all over the southeastern United States covered the mysterious incidents. Gallehugh mentioned that even the United Press International and Associated Press carried the story. Those articles were unable to be located for confirmation. The creature that stalked the countryside for those two weeks was never able to be accurately identified.
The authorities never successfully identified the creature. As such, the Beast of Bladenboro would continue to be
As a result, the monster panic that gripped the community would be remembered as a “standing joke” for North Carolinians (Gallehugh 53).
The Elusive Vampire Cat of North Carolina
Watch the story here on Youtube
The story of the vampire cat of North Carolina is one that stretches back seventy years. Unlike many urban legends which are based primarily on stories passed around verbally from person to person, this legend has a basis in fact. Whether the antagonist of the story was truly a vampire cat is up to you to decide. We here at Puzzle Box Horror believe that anything is possible, especially given the evidence.
December 29, 1953
A woman local to Clarkton in Bladen County heard the neighbor’s dogs barking and whimpering in the evening. Her curiosity spurred her to investigate since she didn’t often hear the dogs at all. She would later recall that what she saw was a sleek, black catlike animal. She believed it to be about five feet long with a round face just before it disappeared into the darkness. The creature had only eaten a piece of the body, according to Police Chief Roy Flores (Gallehugh 53).
Reports from D.G. Pait stated that he saw a dog being attacked by a large creature and subsequently dragged into the woods, from his service station.
New reports of canine death flooded Chief Flores’ office from all across the county. These reports varied between sightings of bears or panthers, but the description was consistent—three feet long, twenty inches high, long tail, and a face like a cat.
December 31, 1953
Woody Storm, a local farmer, called Chief Flores out to his property. Storm had found two of his dogs dead, slaughtered by something large and powerful. Flores found a disturbing similarity between Storm’s dogs and the victim from the day before. Something had completely drained their blood.
January 1, 1954
Gray Callihan, a local farmer, found his dog slaughtered. Just like the previous victims, the carcass had no blood and a crushed skull (Gallehugh 54). Two more dogs turned up dead and drained of their blood. Flores called in a team of professional hunters from Wilmington, NC to track down the animal. (NCG)
January 2, 1954
“Several imaginative townspeople” brought around the theory that they were dealing with a vampire-like creature, due to the state in which they found the bodies of the slaughtered animals. Despite his skepticism, Police Chief Flores organized a small search party. Their efforts to locate the animal before dark were hindered by the dense swampy land they had to cover. The town became noticeably more anxious as the creature continued to go undiscovered. (Gallehugh 54)
January 3, 1954
Flores examined the carcass of another dog that had been killed at a service station on the outskirts of Bladenboro. He concluded that “all except a drop or two of blood had been sucked.” A witness found another dead dog within city limits later that day. This would cause fear and rumors to begin to run wild. Mayor G. W. Fussell took more direct control over the investigation and ordered Flores to form a larger search party. Nearly thirty armed men and seven dogs scoured the Big Bay and Red Hill Swamp areas to find the creature. (Gallehugh 54)
The search party returned by nightfall, unsuccessful in their venture to find any sign of the creature. The failure of yet another search only served to bolster the apprehension the residents of Bladenboro felt in their own homes. This newfound fear for the residents of the small town caused them to lock their doors, concerned that the next victim might not be “just a good dog,” fortunately there were no new sightings that night. (Gallehugh 54)
An increasing number of newspapers had taken up the story of the mysterious “Vampire Beast of Bladenboro,” and the news spread like wildfire. Professional hunters throughout the state eagerly flocked to eastern North Carolina for a chance to kill the notorious creature. Speculation on what the beast really began to grow, some stating that it was a black panther, or a large bobcat, while still, others claimed that it was just a rabid dog or a wolf. None of these theories accounted for the immense force the beast possessed, nor did they consider the vampiric tendency to lust for blood. (Gallehugh 54)
January 4, 1954
The next morning, a citizen reported “unusual tracks” at the edge of the swamp behind the mill section. That same morning, three illustrious hunters arrived from Wilmington, fifty miles away, to aid in the hunt. The hunters brought their professionally trained dogs and began their search where they found fresh tracks. Their hunt for the creature was fruitless, but they gained some helpful insight into its behavior. They deduced from the evidence of the creature’s tracks that it traveled in a circular pattern and stayed within an approximately three-mile radius. The three men believed that this might indicate the creature had a mate and therefore presumed that there was more than one creature making the killings. (Gallehugh 55)
As the day passed more hunters joined the fray to locate the creature—before the end of the night, there were between forty and fifty men seeking out the elusive beast. When darkness fell, they gave up the hunt for the day. They knew that if it were indeed a large cat that it would undoubtedly be capable of eluding them under the cloak of darkness. (Gallehugh 55)
January 5, 1954
Despite no new incidents overnight—no unusual sounds, tracks, or drained animal carcasses to speak of—the hunting party continued to grow (Gallehugh 55). Most notably, a man by the name of Sam Spivey came from Tabor City and brought along with him his bear dogs.
Escalation of the problem…
The attitude of the hunting party changes dramatically when “a dog within a hundred feet of the hunting party was attacked by the vampire beast.” It was reported to have been dragged screaming into the swamp nearby before anyone could arrive to help it, or a shot could be fired at the creature.
Another Body Found…
Eventually, they found the dog with its head crushed and drained of all of its blood. They got a break in their search, however, when they found tracks that revealed claws that were at least an inch long. This indicated to the hunters that the beast was approximately a hundred pounds. When the hunt ended that night, the town was abuzz with inquisitive tourists, newspaper reporters, and an inpouring of hunters hoping to be the ones to catch the dreaded community menace. (Gallehugh 55)
Cutting from News and Observer in Raleigh, NC from January 5, 1954
The Clemmons Incident…
Mill worker Lloyd Clemmons and his wife heard their two dogs growling that night and to them, it was highly unusual. Mr. Clemmons decided to investigate the commotion. Clemmons was on record saying, “I glanced out of the window and saw this thing … [the beast] had me plumb spellbound.”
Before Clemmons was able to load his shotgun the beast had already disappeared into the darkness, so he called the police to report his sighting and provide his description of the creature. In his words, it was “about three feet long and 20 inches high. It had a long tail, about 14 inches long. The color of it was dark … it had a face exactly like a cat … Only I ain’t never seen a cat that big.” (“Vampire on Loose” 1)
The story of the Beast of Bladenboro made front page news across several different news outlets across the state. One such report from the Raleigh News and Observer detailed an incredible close-call with the creature on the same day as the Clemmons sighting. Not too far from the Clemmons’ home, Mrs. C. E. Kinlaw heard two of her puppies whimpering outside of her house. The beast charged from the darkness the moment Kinlaw stepped out onto her porch to investigate.
Her screams prompted her husband to rush immediately to her aid, which gave the beast an opportunity to escape back into the night. When questioned by authorities as to what she saw near her dogs, she reported that there, “was what looked like a big mountain lion.” It had apparently raced from three houses down the dirt street on which she lived to just a few feet from her porch. When Chief Flores had a chance to investigate around the Kinlaw’s home he reportedly found tracks that were “bigger than a silver dollar.” (Gallehugh 56)
The Beast attacks a woman…
After this incident, an armed posse of around five to six hundred people and scores of dogs thoroughly searched the mill section that surrounded the Kinlaw home. They remained on the premises until daybreak and yet found no sign of the evasive beast. When hunters compared two sets of tracks found, they surmised two different animals created them. On that same night, D.G. Pait and Chief Flores were standing together in the mill section when they heard a dog yelping in pain. Flores believed the dog was being dragged into the thicket that enclosed the houses, but when Flores and Pait arrived to save the dog, there was no sign of either creature. That dog’s body was never found. (Gallehugh 56)
January 6, 1954
The continued search for the beast was hindered by the excessive amounts of armed hunters who were vying for the chance to claim the life of the beast for themselves. “By midafternoon, all hopes of killing the beast were given up,” but that didn’t keep the beast from attacking another pet. It was later found out that a pet rabbit had been killed, its head bitten off, and the blood sucked from its body. Even more disturbing, is the fact that the rabbit’s body was still warm and found in an area that had been covered by the search parties earlier in the day. (Gallehugh 56)
A new hope emerged to put an end to the monster panic. A group of volunteer hunters with their purported “cat dogs” (think bird dogs, but for hunting big cats). Their first tactic, the night previous had been a lure-and-chase strategy which unfortunately ended in failure (“News Shorts”). Traps were set and baited with dogs as a way to bring the beast out of hiding and lure it to its death. Police Chief Flores, Bladen County Sheriff John B. Allen, and the State Highway Patrol were tasked with crowd control. Despite the traps, people refused to move out of the area where they were set. The threat of the Beast of Bladenboro was superseded by the hundreds of nervous armed people milling around the outskirts of town. Chief Flores and Mayor Fussell decided to stop the hunt to avoid the possibility of someone getting accidentally shot. (Gallehugh 57)
January 11, 1954
Two cars full of witnesses watched, shocked, as the “Beast of Bladenboro” crossed a road at its leisure near Bladenboro. Each of the six witnesses gave Chief Flores an expectedly similar description to those of the past two weeks. One of the witnesses, by the name of Jeff Evers, described the beast as having a large head with “runty-looking” ears. The road it crossed was near the bridge at Big Swamp, an area approximately four miles away from Bladenboro and near to the area where the creature and its tracks had been spotted frequently. (“Runty-Looking Ears”)
January 13, 1954
Five days after the hunt had been called off, Luther Davis a local farmer brought in a 25-pound bobcat that he had trapped and killed around 8:30 that morning. The authorities believed that the bobcat fit all of the descriptions and tracks of the Beast of Bladenboro, but in retrospect, it seems as if they were trying to make it fit the descriptions so as to ease the townsfolk of their fears.
The only thing they could not manage to explain was how a wildcat so small could manage to take down dogs twice its size. Regardless, Mayor Fussel decided to report to the newspapers that the beast had been killed, as a means to quiet any remaining excitement over the creature.
Despite the claims that the bobcat was the infamous beast, townsfolk continued to report sightings of a large catlike creature in the Big Swamp section of Bladen County. The bobcat was nonetheless hung from a flagpole in the center of town by Flores and Fussell and displayed with a sign that read “This is the Beast of Bladenboro”. (Gallehugh 58)
As an added curiosity to the claims that the beast had been killed, Berry Lewis, a farmer local to the area reported that he had found a half-grown hog killed near Big Swamp to Chief Flores. When examined, Flores saw that the hog’s bones had been crushed and part of its flesh eaten. (Gallehugh 58)
By February the entire incident would become akin to satire. Bladen County assigned S. Ray Johnson as its newest Wildlife Protector. People began to doubt the copious amounts of evidence collected and the beast would remain an unverified story. (“S. Ray Johnson”)
May 5, 1954
The Tabor City Tribune ran a story by W. Horace Carter about a trip he took to Burgaw on April 29, in order to attend a Junior Chamber of Commerce meeting. Carter stopped in Bladenboro to pick up Lumberton Jaycees, Jim Phillips and E.J. Britt. The meeting ran much longer than they expected, so they didn’t leave Burgaw until approximately 10:30 PM. (Carter)
The three drove through Elizabethtown toward Bladenboro and around a quarter to twelve they witnessed “a huge cat-like animal” jump out of the woods into the road around 100 feet in front of the car. It disappeared almost as quickly as it appeared, but the three witnesses were positive that it wasn’t a bobcat, as they all saw it had a long tail, which “appeared to be about half the length of the cat itself”. The three witnesses described a creature remarkably similar to the vampire cat. Carter didn’t explicitly state that it was the Beast of Bladenboro. It was clear, however, that it was a frightening experience that he wished to not repeat. (Carter)
December 15, 1954
An alleged strike from the beast, had residents of Robeson concerned that the Beast of Bladenboro was back “on the prowl.” The attack happened “within shouting distance” of Robeson Memorial Hospital, where the beast killed five pigs and three chickens on a farm belonging to K. M. Biggs. The killings left behind no blood evidence. This indicated that there was a recurrence of the blood-sucking traits associated with the vampire cat. (“’Beast Of’”)
The Return of the Beast of Bladenboro
The shocking pattern returned with a vengeance in October 2007. More than fifty pets and livestock died in a strikingly similar way to the killings of 1954. The victims showed little sign of struggle, this indicated that they died instantly. Leading experts believe that the creature is an efficient predator. Those who examined the bodies postmortem would find that the victims not only had their blood drained, but their skulls crushed as well. (MonsterQuest)
The beast claimed a larger hunting ground and roamed an approximately two-hundred-mile range. This information shocked authorities, as it meant it had a larger range than any known predator of the region. Townspeople reported incidents in Bolivia, Bladenboro, Lexington, and Greensboro. A new name for the creature circulated—The Beast of Bolivia.
More Dogs found dead…
After the more recent attacks, new witness descriptions of the creature surfaced—with claims that it was dark brown, approximately 4.5 feet long, with the face of a cat, claws of a dog, and vampiric teeth. Due to the areas the creature has claimed as its hunting ground many assume that the predator dwells primarily in the swamps.
In Lexington, a local farmer found approximately sixty goats with their blood drained and heads crushed. Thirty miles away, in Greensboro, another farmer lost his goats in the same way. Residents of Bolivia became concerned that the vampire cat had returned after several dogs had turned up dead. One morning Bill Robinson, a resident of Bolivia, found his pitbull gutted in his yard. Robinson proceeded to bury his dog quite a distance from where he had found it laying dead. The next morning Robinson discovered his dog was back where it had been lying dead the day before. The beast allegedly unearthed and dragged the carcass back to the origin of the kill. Robinson’s dog was just one of ten that had been found slaughtered in the area, over a two-week period.
New tracks found…
Four days after Robinson found his dog dead in his backyard, another resident of Bolivia—Leon Williams—found his own pit bull dead, covered in blood, and missing a few body parts. There was no sign of a struggle which Williams found incredibly strange considering his dog’s breed. Around that time, Robinson found unidentifiable tracks in the surrounding area. Robinson measured the tracks and found that they were 4.5 inches in diameter. The town of Bolivia grew more apprehensive, due to the inexplicable dog deaths, and as a result, parents kept their children inside.
Scientists Remain Skeptical and Unimpressed
Over the decades this alleged vampire cat has had several eyewitnesses who have all come back with fairly similar descriptions. Skeptics theorize that it’s due to the Beast being a variety of Eastern Puma, since common descriptors include the beast being black in color, 3-4 feet in length, with an approximately 14-inch tail, and an estimated 20-inch shoulder height (Eberhart 37).
MonsterQuest aired an episode about the Beast of Bladenboro in 2008 due to a recurring pattern of animal deaths. In this episode, Tom Padget, a now-retired biologist from the North Carolina Wildlife Resources Commission appeared to lend his expertise. He spoke on the claims that he received yearly calls on the death of wildlife and pets, but his scientific background leads him to question the existence of a vampiric beast. Instead, he hypothesizes that the killings are simply other, known predators and that it happens more regularly than most people are aware of. (MonsterQuest)
For Padgett, it was clear that the physiological abilities of cougars would surpass that of the dogs and other animals in the area. Extreme habitat loss and logging at the turn of the last century had all but extirpated the cougar from North Carolina. Up to that time, there had been no documented evidence that cougars existed in North Carolina for the past century.
New Evidence Surfaces…
The evidence came one month after the initial investigation when Bill Robinson and Brian Gardner received an update from a photographer that happened upon a startling find. Less than half a mile from the homes of Robinson and Williams, the photographer captured a blurry image of a cougar. MonsterQuest did not bother to authenticate the photo in question, but they concluded that people were experiencing a resurgence of cougars reclaiming territory. This, of course, took into consideration the fact that the cougar had been extinct through the east coast of America—except the tip of Florida—for the past century. (MonsterQuest)
Immortalized into Folklore
To this day, the Beast of Bladenboro remains a genuine terror to central North Carolinian communities. The North Carolina Folklore Society added the story of the Beast of Bladenboro to its annals in 1976. Over the last seventy years, the residents of Central North Carolina have pieced together a recurring pattern they have imputed to being the alleged vampire cat.
Related Creatures
Check out this list of related creatures to learn more about Cryptids alive in legend and urban folklore:
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Body horror movies are films that focus specifically on trauma, mutation, mental deterioration, and illnesses that occur in the human body. Some of these processes are natural, while others are inflicted. Movies that fall into this genre are typically gross, morbidly fascinating, and outright alarming, and the reason they are so effective is because they concern aspects of living we all can relate to: our physical and mental health. It’s quite horrifying when something invades, violates, and/or transforms our conceptions of who we are.
Though the term “body horror” is relatively new in the world of horror, there is thankfully no shortage of examples in film. The list below constitutes some of the best in the genre, along with a dozen other recommendations (and though David Cronenburg’s ouevre could be a list of its own, we did limit him to two films here to allow other movies to shine).
Check out Puzzle Box Horror’s best movies about body horror!
Possessor (2020)
Tasya Vos is an assassin working for a high-tech secret organization. This organization uses brain implants to sync her mind up with another, giving her control over someone else’s body in order to commit the murder and leave them behind as a scapegoat. That’s already pretty freaky stuff, but then things take an even darker turn when her latest host regains control over their mind/body. There are several layers of disturbing body horror happening here – loss of control, blackouts, possession, transformation – and it’s all very dramatic and unsettling. Possessor is directed by Brandon Cronenburg (of Antiviral fame), and stars Andrea Riseborough and Christopher Abbott.
American Mary (2012)
Mary is upset because the high tuition costs at medical school are thwarting her dreams of becoming a surgeon. But things take a turn when she performs impromptu surgery at a strip club, and then they take another turn when people being paying her to alter their bodies and introduce her to the world of extreme body modification. Not only are there numerous graphic scenes of highly illegal body modifications, but there is also a revenge storyline involving Bloody Mary and the man who raped her. The film verges on torture porn levels, but it’s also highly intriguing in its subversiveness. American Mary is directed by the Soska Sisters and stars Katharine Isabelle, Antonio Cupo, and Tristan Risk.
Teeth (2007)
We often feel as strangers to our own bodies during adolescence (thanks puberty), but Teeth takes this concept to a strange new level. Dawn suffers from a rare condition, referred to in the film as “vagina dentate” or “vagina teeth”, that makes physical intimacy with another impossible. But when a shocking and nonconsensual encounter awakens her violent side, she realizes she can use her condition to take revenge on other bad man. Heads up for those with male reproductive organs, this is a tough one to watch. It’s also a bleak and unsettling coming of age tale told through emotional performances and streaks of dark comedy. Teeth is directed by Mitchell Lichtensteina and stars Jess Weixler.
Slither (2006)
A small town in South Carolina is invaded by a malicious alien parasite that immediately infects someone and spawns numerous larvae offspring. These new parasites continue the trend, turning their unsuspecting hosts in all manner of mutated grotesqueries and forming a large hive mind. It’s up to a ragtag group of survivors, led by Police Chief Bill Pardy, to stop the spread before the whole town goes under. The film manages to be both extremely disgusting and extremely hilarious. This blend of alien invasion and body horror is certainly an example of horror comedy at its finest, and it’s filled to the brim with blood, goo, and gross-out scenes. Slither is directed by James Gunn (right?!) and stars Nathan Fillion and Elizabeth Banks.
Society (1990)
Bill is a teenager who lives with his wealthy family in Beverly Hills. Bill has always felt a little different from his sister and parents, who subscribe to the upper class elite mentality, and he begins to wonder if there is something darker going on behind the scenes. A series of strange events lead up to a shocking conclusion where all of Bill’s fears will be revealed. Like some of the other films on this list, Society is a movie with something to say. Sure, it’s not very subtle in its satirical take on wealthy urbanites, but it’s certainly memorable (especially that last orgy scene…). Society is directed by Brian Yuzna and stars Billy Warlock, Devin DeVasquez, and Evan Richards.
Tetsuo: The Iron Man (1989)
A man and his girlfriend are driving when they accidentally hit and kill another man. They begin having strange visions and noticing horrifying changes to their bodies. Turns out the man they killed was a metal fetishist who is taking his revenge by turning them into a monstrous mesh of man and machine. This film, with its abstract narrative and soundtrack of scraping metal, certainly falls into the avant-garde style of experimentation. This black-and-white cyperpunk nightmare is also one of the wildest movies you’ll ever experience. It begins with a man shoving a metal rod into a cut in his leg, and then it just escalates from there. Tetsuo: The Iron Man is directed by Shinya Tsukamoto and stars Tomorowo Taguchi and Kei Fujiwara.
The Fly (1986)
A brilliant scientist finds his world turned upside down when a failed experiment mixes his genes with that of a common fly. This freak encounter leads to a slow and painful transformation for the scientist. The grotesque scenes of mutation are as haunting as they are harrowing for the man and his loved ones. The film, a remake of an earlier movie from the 1950s, takes its source material and elevates it to higher levels of emotion, anxiety, and terror. The film has also become a classic in its own right, especially in the world of sci-fi horror, and is likely the director’s most well-known mainstream movie. The Fly is directed by David Cronenburg and stars Jeff Goldblum, Geena Davis, and John Getz.
The Thing (1982)
In a remote facility in Antartica, a research team is hunted by a bizarre alien life form that can transform its body to mimic other forms, in this case shapeshifting to assume the form of its victims. The plot of this film is simple and wastes no time in getting to the good stuff. The paranoia and body count runs high as the isolated research station is invaded and the team desperately tries to root out the evil and survive. The movie also has some of the best practical effects ever, making the many “wtf” moments that much more special. It’s bizarre, it’s gruesome, and it’s a whole lot of fun. The Thing is directed by John Carpenterand stars Kurt Russell as well as a great cast of supporting characters.
Videodrome (1982)
There’s a shocking new satellite feed airing on television called “Videodrome”, which depicts random people being sodomized, tortured, and murdered in various ways. The president of the TV station, Max Renn, becomes determined to find out who the creators are: a quest that will feature a wide variety of graphically deranged scenes and lead to his own psychological unhinging. It’s a body horror program within a body horror movie, full of the director’s emphasis on surrealism but loaded with even more gore. It also effectively blurs the line between reality and fantasy as it becomes something of a study on the genre itself. Videodrome is directed by David Cronenburg and stars James Woods, Debbie Harry, and Sonja Smits.
Ben’s love for horror began at a young age when he devoured books like the Goosebumps series and the various scary stories of Alvin Schwartz. Growing up he spent an unholy amount of time binge watching horror films and staying up till the early hours of the morning playing games like Resident Evil and Silent Hill. Since then his love for the genre has only increased, expanding to include all manner of subgenres and mediums. He firmly believes in the power of horror to create an imaginative space for exploring our connection to each other and the universe, but he also appreciates the pure entertainment of B movies and splatterpunk fiction.
Nowadays you can find Ben hustling his skills as a freelance writer and editor. When he’s not building his portfolio or spending time with his wife and two kids, he’s immersing himself in his reading and writing. Though he loves horror in all forms, he has a particular penchant for indie authors and publishers. He is a proud supporter of the horror community and spends much of his free time reviewing and promoting the books/comics you need to be reading right now!
That most wonderful month of October is once again fast approaching, when stores begin to stock their most malicious outfits and decorations and movie channels run red with the blood of the living, and the dead. Most of us would gladly hunker down with some of the most gruesome and bloody slasher flicks the world of film has to offer, but what if the kids are still up? We can’t very well expect them to fall asleep after the sheer volume of sugar that Halloween provides, so the best course of action is to take a trip back to the family friendly horror movies you loved at their age. With this in mind, I’ll dive into some of the best family-friendly horror movies around, from old favorites to modern classics which capture exactly what kids want from the spookiest season of the year, without being too scary for younger audiences.
Goosebumps
More than just a film, Goosebumps has been one of the forerunners of children’s horror since 1992 with the groundbreaking Goosebumps children’s book series, and the hair raising tv series of the same name beginning in 1995. In addition were two more recent Goosebumps films and some noteworthy comic and video game adaptations. I indulged in plenty of the Goosebumps literature at a young age, particularly the ‘choose your adventure’ titles as something about making the wrong choice resulting in someone dying horribly was all the scarier. That being said, I remember being frightened witless at just as many moments in the television series. Slappy’s original design from Night of The Living Dummy still lives bored into my mind as one of my earliest jumpscares, and his sinister smile still chills me to this day. That episode also featured another sentient doll which held her owner hostage and threatened to kill her entire family (yes, this show was aimed at 7 year olds). I blame Goosebumps as a franchise almost entirely for my love for, and discerning taste in, all things horror.
Are You Afraid of The Dark?
A show known only to me as ‘Canadian Goosebumps’ at one point in time, the equally creepy Are You Afraid of The Dark aired from 1991 to 1996, with one revival show airing from 1999-2000 and another beginning in 2021. The most recent revival has been met with a great reception, though the early-90s original was not without its charms. All adaptations centre around a group of kids who called themselves ‘The Midnight Society’, who meet up ritualistically in spooky places in the dead of night to tell scary stories. Each episode, these stories are shown to the viewer as blood-curdling short films, which often bleed over into that character’s reality in some way.
Frankenweenie
Tim Burton is a name that will likely pop up a number of times in this article, as he is one of the few who truly understands the balance between dark scares and childlike wonder. To be told that Frankenweenie is Burton’s best film in a long time should be encouragement enough to watch it, and that is exactly what the general consensus is. In this alternate timeline, a young Victor Frankenstein is a scientist and outsider at school with one true friend; his dog Sparky. When Sparky is tragically killed, Victor takes the advice of his science teacher and reanimates his companion. When Victor’s classmates steal his work and attempt to use it on their own pets however, things go horribly awry. Burton pays homage to plenty of classic horror movies and returns to his roots with blazing success with Frankenweenie, a flick not to be missed by horror fans young and old.
Monster House
It took me a criminal amount of time to finally watch the brilliant animated family horror Monster House, though better late than never. This clever little tale centers around two friends who discover that their creepy neighbor’s even creepier house is far more monstrous than it looks. When the house itself begins eating people on the run-up to Halloween, the boys must try to convince an adult of what is going on before the ultimate smorgasbord of trick-or-treaters file up to its ravenous door! Featuring an all-star cast of voices, and some bone-chilling animation including the evil house’s twisted transformations, Monster House is a modern classic which blends family-friendly humour with a tangible and at-times terrifying threat.
Coraline
Coraline was adapted from the 2002 Neil Gaiman book of the same name, and is an utterly skin-crawling experience, albeit one packed with heart and nostalgia. 11 year old Coraline finds an alternate, and rather ideal, version of her own home within its walls, though before long she realizes that the place holds a dark and insidious secret. While remaining appropriate for children, Coraline features some truly chilling concepts and hair-raising stop-motion animation that is kept raw to utilize the unsettling effect stop-motion can have. Neil Gaiman always manages to capture the hearts and minds of his audience, especially given his penchant for horror, so one can only be thankful that Henry Selick had the directorial prowess to take it to the big screen.
The Nightmare Before Christmas
You’ve seen the merchandise, you’ve heard at least one of the songs, though if you haven’t actually sat down to watch The Nightmare Before Christmas yet you’re missing out in a big way. This 1993 Burton classic paved the way for many animated films that followed its staggering popularity. The story focuses on Jack Skelington, King of Halloween Town as he one day stumbles upon the neighboring Christmas Town. When he becomes obsessed with Christmas culture he attempts to bring it back to his own people, to great confusion and uproar. Jack’s is a unique tale with a solid moral compass, one layered with catchy songs and lovable voice acting throughout.
Beetlejuice
This one might be a little bit of a cheat, as there are plenty of parents who wouldn’t want their young children watching Michael Keaton sauntering around making crude gestures and more innuendos than Austin Powers. But that is part of what makes this dark, wacky live-action headtrip such a quintessential Tim Burton classic. Sure, it’s not fully aimed at kids but there’s enough slapstick comedy and colorful integration of unnerving stop-motion (I’m looking at those sandworms) to entertain people of all ages. While it’s not exactly a musical, the placement of a couple of Harry Belafonte songs are particularly hilarious, and the overtly stylized look of the film combined with some brilliantly off-kilter performances are enough to warrant this film a cult classic. Keaton is a force to be reckoned with as the reverse-exorcist Beetlejuice, who promises to rid your home of the living should you simply say his name three times. No one would be that stupid though, right?
James and The Giant Peach
Things are getting personal now as we visit another early Tim Burton nightmare. One of my earliest memories of being terrified is of the hellish mechanical shark with its rotating layers of steel teeth, or the horror of the black rhino in the storm clouds. James and The Giant Peach is adapted from a Roald Dahl book and given a suitably dark and unsettling stop-motion style, blended cleverly with live-action as James crosses into a dreamlike reality of giant fruit and huge talking insects. On a voyage across the ocean and skies to New York, James and his band of oversized creatures must battle peril upon horrendous peril, while ultimately finding himself in the comfort of his friends. This adaptation catures the comic brilliance and surreal grimness of Dahl’s work perfectly, and makes for solid family viewing any time of the year.
Gremlins
Fun fact: Gremlins was almost an R-rated gorefest of a movie before some studio head decided it was worth converting into the fun and exciting festive horror-comedy we know and love. The story centers around struggling inventor Randall Peltzer who is looking for a Christmas present for his son, Billy. When he wanders into an old bazaar in Chinatown, he encounters an old man who presents him with a cute, furry creature called a Mogwai. The man imparts upon Randall the few vital rules one must follow when owning a Mogwai, though Billy himself has a little trouble keeping to them. While it remains a cult-classic among many adults, Gremlins has enough laughs and cuteness from Gizmo the Mogwai to entertain children of all ages, even though those under 10 might find certain scenes of fantasy violence disturbing.
Joe first knew he wanted to write in year six after plaguing his teacher’s dreams with a harrowing story of World War prisoners and an insidious ‘book of the dead’. Clearly infatuated with horror, and wearing his influences on his sleeve, he dabbled in some smaller pieces before starting work on his condensed sci-fi epic, System Reset in 2013.Once this was published he began work on many smaller horror stories and poems in bid to harness and connect with his own fears and passions and build on his craft. Joe is obsessed with atmosphere and aesthetic, big concepts and even bigger senses of scale, feeding on cosmic horror of the deep sea and vastness of space and the emotions these can invoke. His main fixes within the dark arts include horror films, extreme metal music and the bleakest of poetry and science fiction literature. He holds a deep respect for plot, creative flow and the context of art, and hopes to forge deeper connections between them around filmmakers dabbling in the dark and macabre.
What makes a horror movie scary? The answer to that question is fairly subjective, but there are likely some commonalities across the board.. And while intense action sequences, shocking twists, chilling imagery, and startling jump scares all deserve a place on that list, one of the most important factors (in our opinion) is realism. The more believable a horror film is, the more genuinely terrifying it will be. This suspension of disbelief, the thing that pulls audiences into the story and envelops them in its horror, is a contributing factor to some of the scariest films ever made. The best found footage horror movies exemplify this.
This is why the found footage horror genre works so well in horror. Found footage movies are presumed to be recovered recordings of actual events. They’re shot with low quality cameras, cast with no name actors, and often created on a tight budget. And yet this obvious lack of “quality” is exactly what makes these films succeed. The handheld cameras and documentary-style narratives help shape movies that seem incredibly realistic – and when they’re in the horror genre this also makes them incredibly frightening. To give you a taste of what this wide-ranging sub genre has to offer, we’ve explored the history of found footage horror to give you some of the best found footage horror films!
Host (2020)
It’s July of 2020, and the United Kingdom is in the middle of a lockdown due to the Covid-19 virus. A group of friends have decided to use weekly Zoom calls as a way to stay connected, and in this latest call they have invited a medium to host a seance. Things start off innocently enough, but when one of the friends feels the presence of their dead friend Zack, things start to go off the rails. It’s a frighteningly good time, blending real world circumstances with supernatural scares. The entire movie was shot on Zoom during Covid, so it works as effective found footage horror movie as well as a marker of life during the pandemic. In the realm of “movies shot on the Internet” this stands out above the rest.
Creep (2014)
A young, burgeoning filmmaker named Aaron has found a new gig: recording a video diary for a new client. Josef, who wants to film his final moments for his family, invites Aaron to his cabin in the woods. But Josef’s behavior is increasingly erratic and strange, and by the time Aaron realizes the truth of what’s going on it may be too late. This psychological horror film has the found footage horror movie genre hallmarks of a low budget and stripped down story, but it goes a step further by removing many of the obvious horrors. Instead it’s a case study of two men – one whose madness is slowly revealed and the other whose life is in danger because of it. It’s a risky choice for the genre, but it’s pulled off incredibly well thanks to the magnetic energy and chemistry of its leads Mark Duplass and Patrick Brice.
What We Do In the Shadows (2014)
It may not be as scary or disturbing as the other entries on this list, but as a horror comedy hybrid What We Do in the Shadows excels. The movie fits into another sub genre known as mockumentary, and the premise concerns a documentary crew who are filming a group of vampires who share a flat in a suburb of New Zealand. These vampires have varying powers and personalities, and much of the film follows their nightly exploits as they search for humans to kill and live their best undead lives. Comedic duo Taika Waititi and Jemaine Clement wrote, directed, and starred in the film that has also launched a television show and a cult following of loyal fans.
Frankenstein’s Army (2013)
It’s towards the end of World War II and a Red Army team on the Eastern Front has received a Soviet distress call. The company traces the call to a seemingly abandoned church where one of their members is suddenly attacked and disembowled by a zombot – a murderous half man/half robot creation. It turns out that the church, as well as the catacombs beneath it, are teeming with zombots created by a mad scientist descended from Victor Frankenstein. The movie has its gory moments and the plot takes some interesting twists and turns, but the standout stars by far are the uncanny and unsettling monster designs and grisly practical effects. Altogether the film is a fun mix of grindhouse, sci-fi, and body horror.
The Conspiracy (2012)
Two young documentary movie makers, Aaron and Jim, have decided to make a film about a local conspiracy theorist named Terrance. During the course of their movie, Terrance suddenly disappears, leading them further down the rabbit hole. Their search reveals a secret organization named the Tarsus Club, and soon they are wrapped up in its strange rituals and shadowy machinations. The film does a good job of striking a mysterious tone early on before shifting to mounting dread as the plot goes from faux documentary into straight horror. The final scenes are shocking, particularly one involving a bull’s head, and they will stay with you long after the movie ends.
Grave Encounters (2011)
Grave Encounters is about a reality tv show that focuses on the paranormal. Its crew consists of ghost hunters, occult specialists, and mediums who journey to various haunted locales. Each episode features a different spot, and their latest is an abandoned and presumably haunted insane asylum known as the Collingwood Psychiatric Hospital. Part of the hospital’s sordid history involves a mad doctor who conducted ghastly experiments on the residents. The crew decides to spend the night in the hospital and becomes inexplicably trapped inside, filming what may be their last episode. Not only is this movie a humorous parody of actual paranormal reality shows, but it is also one of the more genuinely frightening found footage horror movies.
Lake Mungo (2008)
The Palmer family is grieving the loss of their sixteen-year-old daughter, Alice, after she drowns while swimming in a dam. Her younger brother, Mathew, sets up video cameras around their house to record what appear to be images of her ghost as more dark secrets begin to unravel. The film is shot in a docufiction/mockumentary style, where the main story is communicated through a series of interviews with the family and found footage. More than just a supernatural thriller, the movie is a tense and mournful exploration of grief and how families cope with loss. There was no dialogue written into the script, and the ad-libbing of lines lends to the “real” feel of the movie. Overall, it’s a masterclass in making a powerful movie on a shoestring budget.
Cloverfield (2008)
Unlike most found footage horror movies, Cloverfield was created by a big name creator, backed by big name production companies, and funded with a moderate budget. J.J. Abrams was able to get the project secretly greenlit and utilized a viral marketing campaign of trailers, posters, websites, and merch tie-ins to build hype before the film’s release. The movie is about an enormous monster attacking New York City, and it’s all filmed cinema verite style through the camcorder of a character named Rob. The chaotic scenes of destruction, the incredible design of the creature, and the realistic shaky home video quality (which caused some moviegoers to fall ill) all work in tandem to create a tense and highly enjoyable found footage movie.
REC (2007)
A reporter and her cameraman are covering the night shift of a local fire station for the television program While You’re Sleeping. A fire station gets a distress call from a nearby apartment building, and after they arrive the building ends up being sealed off due to the outbreak of a deadly virus. The virus, which presents like rabies, is causing the residents to attack and subsequently infect each other, spreading quickly throughout the building. Those who haven’t been infected, including the camera crew, must find a way to escape and survive. The Spanish film was an immediate critical and commercial success, even spawning a less-than-stellar American remake (Quarantine).
Paranormal Activity (2007)
Not many movies (except the next one on our list) are as closely associated with the found footage movement as the Paranormal Activity franchise. The first film centers on a couple named Katie and Micah who are trying to capture evidence of and communicate with the increasingly angry demon that haunts their house. The creation of one-man show Oren Peli, who did pretty much everything but act in the movie, Paranormal Activity was an unexpectedly massive success. It’s one of the most profitable films ever made and, because Peli decided to focus on believability instead of gore and action, it’s also one of the most genuinely terrifying films in the found footage horror movie genre.
The Blair Witch Project (1999)
Paranormal Activity may have generated more sequels, prequels, and video game adaptations, but its success owes thanks to one of the first found footage horror films that pioneered the genre in America: The Blair Witch Project. The film, which follows doomed student filmmakers as they attempt to investigate and document the local legend of the Blair Witch, has all the classic tropes and markings of the found footage genre. It’s shot mockumentary style on handheld cameras, it features no name actors ad-libbing the script, it utilized a viral marketing campaign, and it grossed many times over its miniscule budget. It may not be the best found footage movie ever made, but it will always hold a special place in our hearts thanks to the groundbreaking work that paved the way for future films and enabled the genre to become a mainstay in pop culture.
Ben’s love for horror began at a young age when he devoured books like the Goosebumps series and the various scary stories of Alvin Schwartz. Growing up he spent an unholy amount of time binge watching horror films and staying up till the early hours of the morning playing games like Resident Evil and Silent Hill. Since then his love for the genre has only increased, expanding to include all manner of subgenres and mediums. He firmly believes in the power of horror to create an imaginative space for exploring our connection to each other and the universe, but he also appreciates the pure entertainment of B movies and splatterpunk fiction.
Nowadays you can find Ben hustling his skills as a freelance writer and editor. When he’s not building his portfolio or spending time with his wife and two kids, he’s immersing himself in his reading and writing. Though he loves horror in all forms, he has a particular penchant for indie authors and publishers. He is a proud supporter of the horror community and spends much of his free time reviewing and promoting the books/comics you need to be reading right now!
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