The Creepiest Apps for True Horror Enthusiasts

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Best Of Featured Reviews

In a time where technology and horror intersect, the thrill of the unknown has found a new home in our phones. For those of us who thrive on the spine-tingling, heart-pounding experiences, the world of horror apps offers an entirely different dimension of chills and thrills. From horror social media apps, streaming apps, to some great horror app games we’ve delved deep into the eerie abyss of the app stores to bring you a curated list of the best horror apps for true horror enthusiasts.

Social Apps

This category has had a rough ride lately with Twitter (Now X) having an identity crisis and AI bots not having a clue what the difference is between people talking about horror and people being horrible. Two apps standout in their ability to let the horror community be who they are talking about movies, books and all things creative horror without confusing the issues of real life horrors.

Slasher App

Slasher app screenshots showing how it is the Best horror app for social media

Slasher was built for horror fans! Now you can enjoy a friendly community with no censorship of bloody or gory special effects and makeup! Want to connect with other horror fans? Slasher makes it possible to make connections faster than any other social platform! The people behind Slasher are horror fans too! Available on Iphone, Android, and Desktop

You can find us there @puzzlebox

r/Horror

The horror subreddit on Reddit is a virtual haven for fans of all things macabre and spine-tingling. This thriving community is where horror enthusiasts, both casual and die-hard, come together to share and discuss their love for the genre. From chilling stories and terrifying urban legends to eerie photos and spine-tingling artwork, the horror subreddit is a treasure trove of everything that goes bump in the night. Users can post their own original horror content, engage in discussions about favorite horror films, books, and games, and seek recommendations for the best scares in the genre. With a diverse and passionate user base, the subreddit serves as a communal campfire for those who relish the thrill of fear and enjoy delving into the darkest corners of the human imagination. Whether you’re a horror writer looking for inspiration or a horror film fanatic seeking hidden gems, Reddit’s horror subreddit is the perfect place to embrace the darkness.

Horror Movie Apps

Shudder

Shudder is the ultimate streaming platform for horror aficionados, catering to those who crave a constant dose of spine-tingling and chilling content. This specialized app offers a vast and ever-expanding library of horror films, series, documentaries, and original content, making it a go-to destination for all things terrifying. From classic horror masterpieces to cutting-edge, exclusive releases, Shudder curates a diverse selection to satisfy every horror enthusiast’s appetite. With its dedication to the genre, Shudder ensures that subscribers can experience horror in its many forms, from supernatural to psychological, providing a nightmarish journey that’s both thrilling and horrifying.

Screambox

Screambox horror app screen shot showing many horror movie titles

Screambox is a dedicated streaming service designed to terrify and delight horror fans. This platform curates a vast collection of horror films, TV shows, and original content, offering a one-stop destination for all things eerie and spine-tingling. With a wide range of horror sub-genres, from classic slashers to supernatural thrillers, Screambox caters to every taste in the horror world. It’s the perfect haunt for those who seek a constant supply of scares and a diverse array of fear-inducing content, ensuring that subscribers can experience the best and darkest offerings in the horror genre. Screambox is known to have original content you cannot find elsewhere. It’s a Scream!

Shout TV

Shout TV’s horror offerings are a spine-tingling treasure trove for fans of the genre. With a vast collection of classic and cult horror films, as well as hidden gems and iconic series, Shout TV is your go-to source for all things chilling, macabre, and favors the campy side of horror.

Horror App Games for Phones

Simulacra

Ever wondered what would happen if you stumbled upon someone’s lost phone and discovered a series of unsettling messages and videos? Simulacra puts you in the shoes of the person who found that phone. This interactive, found-phone-style horror game delivers a deeply immersive experience, blurring the line between reality and fiction.

Into the Dead 2

For those who love the adrenaline rush of a good zombie apocalypse, Into the Dead 2 is your ultimate companion. This first-person runner game throws you into a world overrun by the undead, and your only goal is to survive. The haunting sound design and relentless zombie hordes make for an intense mobile gaming experience.

Night Book

screenshot from the horror app night book featuring a spooky face

Is a spine-tingling interactive horror experience that transcends the boundaries of traditional storytelling. It immerses players in a harrowing tale that takes place during a fateful night of translation work. As the protagonist, you must make choices that impact the unfolding narrative, but be warned: the consequences of your decisions are often far from predictable. The game’s live-action sequences and stellar performances by the cast add a level of realism that intensifies the sense of dread. With its gripping story, eerie atmosphere, and multiple branching paths, “Night Book” keeps you on the edge of your seat, making it a must-play for horror enthusiasts seeking an immersive and chilling interactive experience.

Dead By Daylight Mobile

brings the relentless terror of the popular multiplayer horror game to your fingertips. In this mobile adaptation, players can immerse themselves in the heart-pounding asymmetrical gameplay that pits survivors against a relentless killer. The mobile version faithfully captures the essence of the original, offering the same spine-tingling suspense, dark atmospheres, and heart-pounding chase sequences.

The game allows you to step into the shoes of both survivors and killers, each with their own unique abilities and objectives. The thrilling cat-and-mouse game play, coupled with a wide array of locked characters, perks, and customization options, ensures that “Dead by Daylight Mobile” offers a captivating and chilling experience for fans of the horror genre on the go. Whether you’re escaping the clutches of a merciless killer or hunting down your prey, the mobile version of Dead by Daylight delivers the horror experience you’ve been craving.

Five Nights at Freddy’s

Five nights at freddy's horror app screenshot featuring a scary animatronic bear

No list of horror apps would be complete without mentioning the infamous Five Nights at Freddy’s. This classic indie game has spawned multiple sequels and spin-offs, and it remains a must-play for fans of animatronic-based terror. As a night security guard at a creepy pizza place, you’ll need to survive against the animatronics’ murderous tendencies.

Granny

Granny is a heart-pounding mobile horror game that throws players into the nightmarish depths of an old, decrepit house, where the eponymous character, Granny, lurks. The game’s premise is simple but intensely chilling: you must escape Granny’s clutches and navigate a maze of dark, creaky rooms filled with secrets and puzzles. With a limited number of days to escape, players must maintain stealth, solve puzzles, and avoid being caught by the relentless Granny, who is always one step behind. The eerie ambiance, jump scares, and suspenseful gameplay make “Granny” a cult classic among mobile horror game enthusiasts. With its intense atmosphere and constant sense of dread, it’s not for the faint of heart, providing a thrilling and terrifying experience for horror aficionados looking for a good scare on their smartphones.

Conclusion

For horror enthusiasts, the realm of mobile apps offers a diverse array of experiences, from heart-pounding games to immersive narratives and augmented reality nightmares. Whether you’re into jump scares or prefer a slower, cerebral approach to horror, there’s an app out there to satisfy your craving for the macabre.

So, as you embark on your digital journey into the unknown, remember to keep your phone charged, the lights off, and your courage intact. The best horror apps are here to test your limits and plunge you into a world where the darkness holds secrets waiting to be discovered. Enjoy your descent into the depths of terror!

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The Cropsey Maniac: The Forgotten Origins

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Featured Horror Mystery and Lore

It’s not difficult to find sources about the Cropsey Maniac—that is if you’re looking for what has overwhelmingly taken the place of the original urban legend. Finding an article that doesn’t devolve into a true crime tell-all about Andre Rand and the serial kidnappings and assumed murders of disabled children from Staten Island is difficult, if not outright impossible. In fact, we’ve even addressed the true crime events here, but only in juxtaposition to the original, forgotten origins of the Cropsey Maniac urban legend.

The Origin of Cropsey

In 1977 the New York Folklore Society published an article that detailed some of the varied accounts of the Cropsey legend, from a survey of eleven New York City informants which Breslerman conducted in the fall of 1966 (Haring 16). What Breslerman found in his survey was, was that while all of the accounts varied on specific details, all of the significant plot events went relatively unchanged.

Watch Puzzle Box Horror’s Cropsey Urban Legend Video

As a time-honored tradition of summer camps in New York and some surrounding regions, children would attend bonfires to hear the story of the Cropsey Maniac. Once a well-respected member of the community, the accidental death of a loved one sparks a homicidal madness in him and drives him to stalk and kill children who stray off the grounds of the camp. Below is one of the accounts in full, from Peter Sherman, who was identified as a former camper and counselor at Camp Lakota on Masten Lake in Wurtsboro, New York.

George Cropsey was a judge. He had a wife and two children, all of whom he loved very much. He owned a small summer cottage along the shores of Masten Lake. His wife and children would go there for the summer months, and he would come up to visit with them on the weekends… One night two campers snuck away from the camp’s secluded evening activity and went down to the lake to roast some marshmallows. The fire they built went out of control and there was a big fire on the lake. George Cropsey’s family was burnt to death. When Cropsey read the report in the newspaper, it is said he became completely white and disappeared from his home. Two weeks later one of the campers from Lakota was found near the lake chopped to death wtih an ax. There was talk of closing the camp for the remained of the summer but they didn’t.

The camp owners insisted upon constant supervision of the campers, there were state troopers posted in the area, and each counselor slept with either a knife, an ax, or a rifle. One night at about three in the morning, one of the counselors was awakened by the screams of one of his campers. He put a flashlight in the direction of the screams and saw his camper bleeding to death, and, standing over him, a man with chalk-white hair, red, bloodshot eyes, and swinging a long, bloody ax. When the maniac saw the light, he ran from the bunk, but the counselor chopped at his leg with the hatchet he was armed with. The man got away but left a trail of blood into the woods. The state troopers were called, and followed the trail into the woods. They called to Cropsey to surrender, but all they heard was crazed laughter. They determined his position, and when he would not give himself up, they built a circle of fire around him. When the fire had subsided, they searched the woods for his remains but could find nothing. The police closed the file on Georg Cropsey, assuming him to be dead…

It is said that on the evening of the anniversary of the death of Judge Cropsey’s family, you can see the shadow of a man limping along the shores of Masten Lake.

(Haring 15-16)

Significant variations of the Cropsey Legend

Summer camps weren’t the only locations where these stories were told. Boy Scout circles, summer jobs, middle schools, high schools, and even universities were hot spots for spooky storytelling. Regardless of where the informant heard the story, their version was always localized to their respective camp or school.

Cropsey urban legend map of incidents
Mapped Locations from stories collected by Lee Haring and Mark Breslerman

Whether George Cropsey was the owner of a hardware store, a member of the city council, a county judge, or a retired businessman, he always seemed to be one of the best-liked men in town. In each story, he has a wife and at least one child who suffers an accidental death. Of course, it’s a tragedy and Mrs. Cropsey suffers immense sorrow—in most if not all cases, she dies from her grief not too long after her child.

In some instances, Cropsey’s wife and child(ren) die together in a fire or some other inexplicable accident. George Cropsey goes silently mad, disappears and that’s when campers start to go missing or turn up dead. When the police got involved, they would sometimes involve local residents organized into search parties. They would comb forests and even drag the nearest lake in an attempt to locate the missing children.

The terror continues as more campers and counselors go missing, or camp dorms go up in flames—Cropsey takes his revenge upon the innocent souls he deemed responsible for the misfortune that befell his family. The authorities realize that it is George Cropsey perpetrating all of these heinous acts against the youth and a manhunt begins.

In most stories, Cropsey is somehow cornered—whether by a fire in the forest, by bullet holes penetrating the boat he’s escaping in, or by chance of him plunging to his death off of a cliff. It is believed that he died, although there was no indisputable evidence, or body found to conclude that he was, in fact, dead. In every story, after his supposed death there is still a lingering suspicion that he is still out there, waiting to continue his murderous rampage. Overall the endings of each of the versions Breslerman acquired, the motif of the death of children as punishment remains the same.

This background story shows campers that an average person, who would usually be trusted in a city setting, may not be trusted in unfamiliar places. This shows the uncertainty of what might lurk in nature and serves as a warning away from the unknown.

(Vale 3)

Cropsey Pop Culture Parallels

When The Burning came out in 1981 it wasn’t particularly well received—especially not in comparison to the other slashers of the time, but it has since become something of a cult classic. Never mind the period-appropriate stunts, special effects, and over-the-top acting, this movie was loosely based on the original New York urban legend.

The film follows Cropsey, the abusive alcoholic caretaker of Camp Blackfoot; the counselors decide that pranking him will be the sweetest revenge. When their plan goes more terribly than they could have possibly expected, it ends with Cropsey being engulfed in flame, recovering in the burn unit of the hospital, and Camp Blackfoot being shut down.

The ill-fated prank spurs the beginning of a hunt for revenge, years later, against the counselors and campers of the local Camp Stonewater. Like other slashers of the time, the killings primarily surround the horniest of teenagers, leaving everyone else as victims of circumstance and convenience. Not precisely a blow-for-blow telling of the original legend, but it ultimately pays homage to it in ways that count.

Where the Cropsey Urban Legend Meets Reality: An Evolution to a Chilling True Crime Story

Cultures around the world have practiced the tradition of oral storytelling, mainly as fables and folklore for younger generations to learn an important lesson. This tradition would relate chilling tales to children about what could happen if they didn’t listen to their elders.

The community of Staten Island was no different in the mid to late twentieth century. When they would tell the story of the Cropsey maniac it was meant to warn them about the hidden dangers of the world and a feeble attempt to keep teenagers from misbehaving.

After all, Staten Island may have turned into a suburban community, but it was originally established as a dumping ground—not only for local garbage, but was also rumored to be a hot spot for mob body dumps.

My search for source material on this legend was originally quite thin; I was searching for the legend, the myth, and the fiction. My misfortune was that I consistently hit the same wall—with stories about the “real” Cropsey, which is what Staten Island locals dubbed Andre Rand, a convicted kidnapper, and suspected serial killer.

For the kids in our neighborhood, Cropsey was an escaped mental patient who lived in the tunnels beneath the old, abandoned Willowbrook mental institution. Who would come out late at night and snatch children off the streets.

Joshua Zeman, Cropsey (2009)

The origin story of Cropsey is often confused with the real-life tragedy that befell the Staten Island community in that surrounded the Willowbrook State School grounds. It’s not surprising that the story of Cropsey was linked to a devastating series kidnappings and subsequent killings. Afterall, there were striking similarities between the spooky story told over a summer camp bonfire and the man who later embodied the legend.

… as teenagers we assumed Cropsey was just an urban legend. A cautionary tale used to keep us out of those buildings and to stop us from doing all those things that teenagers like to do, but all that changed the summer little Jennifer disappeared. That was the summer all the kids from Staten Island discovered that their urban legend was real.

Joshua Zeman, Cropsey (2009)

Andre Rand became the boogeyman of Staten Island, but he allegedly started out as an employee of Willowbrook State School. In some instances, he’s said to have been an orderly and in others a lowly janitor—these two accounts don’t seem to line up at all and we found no sources to cite in this instance.

After his brief two years of employment at the Willowbrook State School, Rand didn’t leave the area, instead, he set up his own private shantytown and remained on the grounds of the school. Rand was allegedly seen with several of the victims before their disappearances which ultimately made him a suspect.

One of the girls was found buried in a shallow grave between 150-200 yards from where Rand’s campsite was located. There was a trial, but Rand was only able to be convicted on one charge of first-degree kidnapping, but the jury was unable to convict him of the murder charge, despite his proximity to her grave. Rand, who is currently serving two 25-years to life sentences will be eligible for parole in 2037.

Did you know all of this about the Cropsey Maniac? If not, what did you know about the legend? Where were you when you heard it and what age were you? Let us know in the comments below!

Sources

Cropsey. Directed by Joshua Zeman and Barbara Brancaccio. Breaking Glass Pictures, 2009.
Haring, Lee and Mark Breslerman. The Cropsey Maniac. New York Folklore 3. 1977 Pp 15-27.
The Burning. Directed by Tony Maylam, Metro-Goldwyn-Mayer, 1981.Vale, Meredith. The Cropsey Maniac. Artifacts Journal 11. 2014 Pp 1-5.

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The Decadence of Dawn of the Dead 1978

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Featured Scary Movies and Series

In modern usage, the word decadence is usually associated with luxury. A fancy dessert may be decadent, as may a gown encrusted with diamonds. More specifically, though, the term denotes a period of moral decline and extravagance prior to the collapse of a once-great civilization. Think of the orgies of the late Roman Empire, or the glamorous parties of the Roaring 20s. It also shares its root with another, less attractive word: decay. A society entering its decadent phase is one that has already died, and indeed has begun to rot. Party-goers and merry-makers may attempt to distract themselves from this, but eventually the stench will become unbearable. So hows does that relate to Dawn of the Dead 1978?

1978’s Dawn of the Dead is a movie about decadence in every sense of the word. Faced with the threat of human extinction, the film’s heroes barricade themselves inside a shopping mall, living out a consumerist utopia while zombies run rampant outside. The more they lose themselves in material pleasures and hedonism, the more obvious it becomes that the world as they know it has ended. This horror classic from George Romero is a scathing indictment of a civilization in decline, a chronicle of American decadence in all of its glitz, glamor, and gore.

Dawn of the Dead 1978 horror movie image of survivors in the mall

Initially, the social commentary in Dawn of the Dead may seem a touch on-the-nose. Watching zombies stagger around the mall, the characters comment how their behavior is not so different from before. They return to the mall due to “some kind of instinct,” says Stephen (David Emge), “a memory of what they used to do.” Horrified by the almost-human behavior of the shopping dead, Francine (Gaylen Ross) asks: “What are they?” Peter (Ken Foree) responds: “They’re us, that’s all.” There is little difference, Romero implies, between the mindless consumerism of 1970s America and the shambling of an undead horde.

Direct equivalence between mall-goers and zombies, though, is a more simplistic reading than Dawn of the Dead deserves. A richer meaning can be found by moving beyond simple metaphors and thoughtfully examining the dynamics between human beings and their environment. What this cinematic “dissection” reveals is a recurrent motif of decadence. Throughout the film, there is a consistent mismatch between living, flourishing tissue on the outside, and stagnation and decay beneath the surface. The characters who are unwilling to recognize the ugliness beneath a thin veneer of decadence are doomed; the only hope for survival is to stop living in denial and face the grim, unavoidable truth.

Dawn of the Dead 1978 Original Trailer

This mismatch is present from the very beginning of the film, and harkens back to Romero’s original Night of the Living Dead. In Night, the news was a source of security — TV anchors gave advice to survivors throughout the film, even directing them to evacuation sites. In the first moments of Dawn, however, we are taken behind the scenes at a news station where it is clear that nobody knows what they are doing. The studio is in chaos, with half of the staff yelling over one another, and the other half abandoning their posts. Even the list of evacuation sites from Night is revealed to be out-of-date — although this last detail does not stop an executive from insisting that the studio continue to broadcast the list. What’s sending a few survivors to their deaths, after all, as long as viewership remains high?

Right after this introduction comes another crucial sequence, in which a unit of the National Guard invades a public housing complex whose tenants have refused to give up their dead. By clinging to old rituals and refusing to accept their new reality, these tenement-dwellers have locked themselves in with a horde of zombies. More depraved, though, is the behavior of the National Guard toward these (mostly black and latinx) civilians; they fire machine guns indiscriminately, causing more deaths than the zombies themselves. Hidden beneath a thin layer of government-sanctioned authority, the moral decay of these unhinged, bigoted soldiers is apparent. Once again a curtain is whipped aside, revealing the ugly truth of a society hopelessly in decline.

These two introductory sequences expose how central institutions of modern America — media and law enforcement — are thin bandages over seeping wounds. The rest of the film, set almost entirely in the shopping mall, doubles down on this theme. Even after our heroes establish a secure base camp with enough supplies to last a lifetime, there is little comfort to be found. The novelty of an unlimited shopping spree wears off quickly, and it is soon clear that they are merely going through the motions of decadence. The more they distract themselves with lavish outfits and expensive toys, the more their consumerist paradise resembles a slaughterhouse.

dawn of the dead 1978 horror movie still image of zombies

Eventually the contradictions between outer decadence and internal decay become impossible to reconcile. After one of the four is killed securing the perimeter of the mall, the others decide they would rather face an uncertain future than die inside a prison of their own making. This about-face comes too late, though, as their attempts to flee attract the attention of a roving gang of bikers. The sinister delight with which the bikers descend on the mall may seem a bit over the top, but that is the point. Other than their lack of restraint, there is no substantial difference between these cackling Mad Max rejects and our own heroes. If the world as they know it has died, then what is really more depraved: basking in decadence, or stripping it for parts?
As the ending credits play over a cheerful montage of zombies romping through the mall, the film’s message stays with the viewer like a bad taste.

If Night of the Living Dead showed America as a powder keg ready to burst, then 1978’s Dawn of the Dead makes the claim that it has been dead for years already; we are simply living our last, decadent years inside its rotting corpse. What better way to illustrate this than to juxtapose the literal walking dead next to the rituals of modern consumerism? George Romero proved with his followup to Night that he could go bigger, bloodier, and more ambitious. But more than forty years later, it is the powerful social message of this horror classic that stands out the most.

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The Demon Dog of Valle Crucis, North Carolina an Urban Legend

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Featured Haunted Places Horror Mystery and Lore

My day job is working as a pest control technician for an awesome company here in Blowing Rock, North Carolina. Come to find out, I have a haunted site on my route. (Yeah, I know. What are the odds that the horror author gets the route with a haunted place or even better a place haunted by a demon dog?) I have included pictures in this article that I took the last time I was in this area. This local legend of the demon dog of Valle Crucis has been around since the late 1800s.

The story was birthed at St. John’s Episcopal Church in Valle Crucis, North Carolina around 1860. A few people were found dead in the nearby woods by an apparent animal attack. Instead of looking for a rational explanation of what happened, the local minister claimed he saw a “demon dog” kill these people. I’m not bashing ministers or any religion or denomination, for I myself an am ordained minister, but given the time period should we be surprised?

This urban legend has gone on for several generations, but the most popular story has to do with two young men who were students at App State. They were traveling down the road next to the church one moonlit autumn night. A large, shadowy figure leaped our from behind one of the tombstones from the church’s graveyard and appeared in front of their vehicle. The driver swerved to the side of the road to avoid slamming into whatever had stepped in front of them. According to witnesses, he slammed on the breaks and eased his vehicle to the shoulder.

Cemetery in Valle Crucis at St. John's Episcopal Church
St. John's Episcopal Church and gravestones

The two friends peered out the window into the darkness. The figure took shape under the moonlight and they were shocked at what they saw. A massive dog, the size of a full grown man, stood in the road staring at them. it was covered in shimmering black fur and had large, yellow teeth. It’s eyes were glowing red and did not reflect back the light like a dog or cat’s eyes will sometimes do at night. One of the young men turned to the other and said, “Do you see that?” His friend replied, “No, and neither do you.”

Sign in front of tombs at St. John's Episcopal Church

The dog eased towards the vehicle and growled. The driver took his foot off the braked and slammed on the gas. The vehicle sped down the dark, mountain road, hugging the curves as hard as it could without flipping. Sixty miles and hour…Seventy miles an hour…the driver did his best to keep the car under control. He glanced in his rear view mirror and had the shock of his life. The demon dog was keeping us with the car. No, it was gaining on them.

The driver mashed the accelerator even harder. The car sped over a the bridge where the streams in Valle Crucis meet to form a cross (the name in Latin means Vale of the Cross). The dog stopped following them and then vanished.

St. John's Episcopal Church sign established in 1862

The frightened friends drove into Boone and stopped at a local diner, which was the only place open late at night. They tried to let their nerves settle down but it wasn’t happening. They knew neither of them were going to get to sleep for a while. They also knew they had experienced something terrifying and supernatural. The two men shared their story and the urban legend of the Demon Dog of Valle Crucis was cemented into North Carolina folklore forever.

There are other stories surrounding this quaint little cemetery at St. John’s. Some have reported seeing the apparition of a woman wondering around the graves. Others have reported sounds of gunshots and a weeping female, all of which cannot be connected to any known event.

Is the legend of the Demon Dog true? Is this a case of lycanthropy maybe?

When I was out there, I called and whistled for the demon dog several times. I walked among the graves and tried to see if I could get him to come out. He was either napping or had better things to do. I got back in my truck and drove away. I looked in my review, and to my disappointment, there was no demon dog chasing me.

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The Devil’s In The Details – History of the Devil in Mexican Art

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Featured Horror Mystery and Lore

Across the spectrum of classically inspired national and regional local art, from paintings to sculpture, and masks, there is a long and still very active history of the presence of the demonic.

Why? Is this art religious? How did something with such strong stigma in the West become so ubiquitous here? To answer these questions, you have to look at both Mexican art history and the cultures of the country’s many regions.  

The presence of the devil in traditionally Mexican-made masks is far from traditional to Mexico, and actually came about as a result of Mexico’s conquest. The Spanish were able to completely change the economic structure of Mexico, slaughtering livestock and stealing land, but they weren’t able to eradicate the native practices completely. When the indigenous dances they tried to eradicate continued, the Spanish changed course and decided instead to co-opt the traditions, applying Catholic figures to the masks that once portrayed native gods. The devil, who sometimes appears painted black and red as inspired by a night god called Tezcatlipoca, was one of them.

The use of natural clay for these masks as well as diablitos, sculptures made popular in Michoacan by a sort of outlaw artist figure by the name of Marcelino Vicente, was a natural choice for an economically depleted country with plenty of clay available as a free and natural resource. Natural clays continue to be used, and molds are used instead of pottery wheels, just as they were 500 years ago. 

Despite the longstanding traditional methods used for making these sculptures, the story of the diablito figurines and tableaus, which can still be found today, depicting flesh-eating devils as well as symbols of current events, is a much more modern one. 

In the town of Ocumicho, in Michoacan, these sculpted scenes that have been said to resemble the nightmare scenes painted by Hieronymus Bosch began to appear in the 1960s. While now embraced, it wasn’t until Vicente took them to neighboring towns to sell that they began to draw positive attention and buyers at the open-air markets that became common as people looked for new ways to sustain themselves after the Mexican Revolution.

Back in Michoacan, his lifestyle was uncommon, his subject matter was unwelcome, but thanks to appreciators of his new style – specifically people like Francisco Mendoza of Fonart, a  government folk-art agency that gave Vicente his first major gallery show, he was able to pioneer and establish an art form in a short five-year span, prior to being beaten to death at a bar the weekend before Dia de lo Muertos

The artisan groups that he formed, men and women who worked together despite strict social rules that only allowed socialization between men and women related by blood or through godparents, meant that people directly trained by Vicente would be able to continue to craft his diablitos and teach the next generation to do it as well. Today you can find work in this style at Mexican markets, souvenir shops, and even galleries in and beyond Michoacan, and in places such as San Antonio in the US!

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