My day job is working as a pest control technician for an awesome company here in Blowing Rock, North Carolina. Come to find out, I have a haunted site on my route. (Yeah, I know. What are the odds that the horror author gets the route with a haunted place or even better a place haunted by a demon dog?) I have included pictures in this article that I took the last time I was in this area. This local legend of the demon dog of Valle Crucis has been around since the late 1800s.
The story was birthed at St. John’s Episcopal Church in Valle Crucis, North Carolina around 1860. A few people were found dead in the nearby woods by an apparent animal attack. Instead of looking for a rational explanation of what happened, the local minister claimed he saw a “demon dog” kill these people. I’m not bashing ministers or any religion or denomination, for I myself an am ordained minister, but given the time period should we be surprised?
This urban legend has gone on for several generations, but the most popular story has to do with two young men who were students at App State. They were traveling down the road next to the church one moonlit autumn night. A large, shadowy figure leaped our from behind one of the tombstones from the church’s graveyard and appeared in front of their vehicle. The driver swerved to the side of the road to avoid slamming into whatever had stepped in front of them. According to witnesses, he slammed on the breaks and eased his vehicle to the shoulder.
The two friends peered out the window into the darkness. The figure took shape under the moonlight and they were shocked at what they saw. A massive dog, the size of a full grown man, stood in the road staring at them. it was covered in shimmering black fur and had large, yellow teeth. It’s eyes were glowing red and did not reflect back the light like a dog or cat’s eyes will sometimes do at night. One of the young men turned to the other and said, “Do you see that?” His friend replied, “No, and neither do you.”
The dog eased towards the vehicle and growled. The driver took his foot off the braked and slammed on the gas. The vehicle sped down the dark, mountain road, hugging the curves as hard as it could without flipping. Sixty miles and hour…Seventy miles an hour…the driver did his best to keep the car under control. He glanced in his rear view mirror and had the shock of his life. The demon dog was keeping us with the car. No, it was gaining on them.
The driver mashed the accelerator even harder. The car sped over a the bridge where the streams in Valle Crucis meet to form a cross (the name in Latin means Vale of the Cross). The dog stopped following them and then vanished.
The frightened friends drove into Boone and stopped at a local diner, which was the only place open late at night. They tried to let their nerves settle down but it wasn’t happening. They knew neither of them were going to get to sleep for a while. They also knew they had experienced something terrifying and supernatural. The two men shared their story and the urban legend of the Demon Dog of Valle Crucis was cemented into North Carolina folklore forever.
There are other stories surrounding this quaint little cemetery at St. John’s. Some have reported seeing the apparition of a woman wondering around the graves. Others have reported sounds of gunshots and a weeping female, all of which cannot be connected to any known event.
Is the legend of the Demon Dog true? Is this a case of lycanthropy maybe?
When I was out there, I called and whistled for the demon dog several times. I walked among the graves and tried to see if I could get him to come out. He was either napping or had better things to do. I got back in my truck and drove away. I looked in my review, and to my disappointment, there was no demon dog chasing me.
Horror. It’s the balm that helps to relieve the chronically stressed—but we often forget exactly where the concept of horror began. Horror stories are spun from the fabric of the past, present, and future just like all other literary genres. The Holocaust is one such example of historical horror. The Jewish lottery of birth was arguably the greatest cause for fear within this period in history. Antisemitism and the “Big Lie,” that ran rampant within Nazi Germany is where real-life horror began within the twentieth century.
The Holocaust is what most people think of when the topic of World War II arises. That’s not surprising, since most of the war effort focused on ending Hitler’s atrocities and freeing survivors of concentration camps. By contrast, the political environment through which Nazi ideology was spread is not considered as often. Now you may be wondering, what does Word War II, Nazi Propaganda, and folklore have to do with horror? Well, read on friends.
The Horror of Hate Spun from Propaganda
The Nazi Party established Ministry for Propaganda and Public Enlightenment in March of 1933; Joseph Goebbels was then appointed as Minister of Propaganda and he began to execute Hitler’s vision shortly thereafter. German culture was reshaped through the rewriting of folklore and films; one such film, Jud Süss (1940) was rewritten from the British film made in (1934). The original Jud Süss was adapted from the historical novel of the same name. The original story tells of a Jewish man in the 1700s who helped his people by rising to power; inevitably, his enemies destroyed him. Unlike the propaganda film, the original message was pro-acceptance, with narrative on how meaningless racial distinctions actually are.
The British adaptation is of course more true to the original text than the following Nazi propaganda film, wherein Süss is portrayed as a monstrous villain who ends up sexually assaulting a young Aryan woman while torturing her fiance. The original script, which was revised by Goebbels to, “serve the politics of the state,” brought to life the most notorious and vile anti-Semitic film of the entire regime. As a representative of the most foul anti-Semitic propaganda, the German film Jud Süss has been censored from the general public since 1945, only being made available to scholars and historians.
Censorship and the Removal of External Influence
When reshaping the entire body of a culture’s literature, it makes sense to start with the foundation of a culture’s sense of self—that meant starting with the folk tales, the stories that German peasants most closely identified with. The ensuing power struggle came well before the beginning of the attempted extermination of the Jewish people. The National Socialist (Nazi) Party’s recognition of German Folklore as an “excellent means to educate young and old in the spirit of the new Weltanschauung,” that led to the changing of history. The Weltanschauung, or worldview and philosophical view of life, left no room for new culture or ideals that might challenge the progression of a “pure” master race. The new censorship policy affected “every author, artist, composer, publisher, bookseller, librarian, researcher, and teacher, as well as the general public.” New values and policies would obligate them to uphold these devastating principles (Kamenetsky 1977:168).
The National Socialist German Student’s’ Association which gathered together amongst German University students were some of Goebbels’s’ first allies in this censorship program, beginning in the early Nazi movement of the late 1920s. Middle-class, secular student youths were deeply anti-Semitic and ultra-nationalistic, and after the First World War, they became intensely vocal. Their opposition to the Weimar Republic drove them directly into the National Socialist Party, which provided them a safe community of like-minded politically discontent and hostile peers. On April 6, 1933, the Nazi German Student Association’s Office for Press and Propaganda asserted that they would be taking, “action against the un-German Spirit.” Thus, the Weltanschauung brought, “seemingly spontaneous book-burning ceremonies,” to the public in the early 1930s, as well as, “radical cleansing,” throughout all of the country’s libraries of, “undesirable and so-called ‘decadent’ literature,” (Kamenetsky 1977:168).
The Book Burning at The Bebelplatz in Berlin, Germany (May 10, 1933)
The Book Burning at the Bebelplats
May 10, 1933, sadly marks the most famous book burning in history. In order to have German society mirror Nazi ideologies, they needed to get rid of any “un-German” intellectual influence. Goebbels attempted to instill those influences within the artistic community and culture. Thus the purge of all cultural organizations whether Jewish or otherwise foreign began.
The Voice of the Peasant
During this time of extreme propaganda, there were new editions of Grimm’s Kinder und Hausmärchen printed, and upon their release, they re-emphasized the importance of a return to the ancient cultures and life of the peasant. It is also said that this endorsed the idea of the peasant being the, “pillar of the state,” and Hitler’s public aversion to decadent city lifestyles, despite his private indulgence in such frivolities he wanted to deny the German people as a means of control. Grimm’s tale of Hansel and Gretel comes to mind when considering this conflicting stance—as a tale where a family is stricken with famine, so much so that the evil stepmother is able to coerce the father into leaving their two children in the woods on their own to starve before being able to find their way back home.
The tenacity of these peasant youths is an image that would have been welcome in Hitler’s Germany, one where they overcome the evil witch, which could have been easily replaced with the image of an “evil Jew,” who was there to consume them, albeit not literally. Hitler was even quoted in 1933 saying, “we know from history that our Volk can exist without cities, yet it is impossible to conceive that it could exist without the peasant!” (Kamenetsky 1977:169)
Upon reflection of this kind of statement, as well as the transformation of, “the innocent folktale … into an ideological weapon,” it is clear that, while Hitler’s assertion of the importance of the peasant, he truly intended to drive most of the German people into poverty while the Nazi Party reaped the benefits. Furthermore, he aimed to brainwash his people, starting with the youngest generation through the tales they would be told in their childhood. “A closer examination of the National Socialist guidelines for educators, librarians, and youth leaders, throws light upon the folktale’s role and function in the Party’s indoctrination program for children and young people.” (Kamenetsky 1977:170)
Rewriting an Entire Culture’s Folklore
Re-education was conducted under the guise of bringing the collective mind of the country and to the nostalgic version of their nation’s past. It was a presumed appeal to the best of times, that is to say Hitler’s idealized version of the best of times. Kamenetsky further states that the purity of German Folklore was of utmost importance to the Aryan agenda and that they made tremendous efforts to isolate and aggrandize traditional German Folklore. As a result, it was the Ministry’s attempt to keep these stories from being muddled and decayed by international influence which meant it, “needed a thorough cleansing process to restore it to its original form and meaning,” (Kamenetsky 1977:172). Professor Strobel, a notable figure in Nazi re-education, made an emphasis on removing any “alien,” elements out and can be quoted as having written the following in 1937:
“The aim of folklore is and remains to give an unfalsified representation of that which is true to the Volk. However, a precondition for such a representation is an understanding of the Weltanschauung which is based upon the principle of the blood and on the right faith in distinguishing that which belongs to our race from that which is alien to it.”
Kamenetsky, 1972:226
Strobel believed it was the folklorist’s responsibility to remove any of these foreign elements that somehow sneaked their way into Nordic-Germanic myths, customs, and rituals in order to propagate folklore that would have been as “purely as possible related to ‘the ancestors,’” (Kamenetsky 1972:226). In this respect, not only did the Reich manipulate folklore to suit their needs, but in effect, they also manipulated history to reflect their own Aryan agendas and policies. Truly, they needed to instigate an image of instability for mixed folklore if they didn’t want anything to taint the otherwise noble and superior race they wished to establish. “If we want to walk safely into the future … then [we] will have to walk upon the firm soil of our folklore,” (Kamenetsky 1972:223).
It is true too, however, that the history of Germany was rife with anti-Semitism even before the beginnings of World War II. Martin Luther’s essay, “Von den Juden und ihren Lügen,” is one of the earliest anti-Semitic sentiments in literature, which dates back to the mid-1500s. This essay featured quotes such as, “into the fire, into the fire with the synagogues! Into the stables with the Jews! … let one drive all … Jews to hard labor … No indulgence, no sympathy for the Jews!” So, as you can see anti-Semitism being propagated through folklore was hardly the first instance of literary hatred for the Jewish people and it’s far from the last, but it was possibly the most damaging of all.
And if that’s not truly horrific, then I don’t know what is.
Kamenetsky, Christa. “Folktale and Ideology in the Third Reich.” The Journal of American Folklore, vol. 90, no. 356, Apr. 1977, pp. 168–178., DOI:10.2307/539697.
Kamenetsky, Christa. “Folklore as a Political Tool in Nazi Germany.” The Journal of American Folklore, vol. 85, no. 337, July 1972, pp. 221–235., DOI:10.2307/539497.
Mieder, Wolfgang. “Proverbs in Nazi Germany: The Promulgation of Anti-Semitism and Stereotypes Through Folklore.” The Journal of American Folklore, vol. 95, no. 378, Oct. 1982, pp. 435–464., DOI:10.2307/540750.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Mysterious low-flying spacecraft, doorways that appear in midair, disembodied voices, crop circles, mutilated cattle…the stuff of science fiction? Or just another day at Skinwalker Ranch? Though thousands of people have reported seeing UFOs over the decades, this particular 512 acres of property in the Uintah Basin region of northeastern Utah seems to be a hotbed for extraterrestrial activity.
Terry and Gwen Sherman bought the now-infamous ranch back in 1994, presumably unaware of what they were getting themselves into, and Skinwalker Ranch has since become one of the most heavily researched, and controversial, paranormal spots in the world.
The First Sightings
“For a long time we wondered what we were seeing, if it was something to do with a top-secret project. I don’t know really what to think about it.”
Terry Sherman
The family’s initial reports of bizarre and unexplained phenomena came from their first two years living there, where they and their two children witnessed a variety of unnerving events. Between 1994-1996 they saw three different types of UFOs, discovered eight foot by three foot rings of flattened crops, and lost seven cows (four disappeared, one apparently lifted straight from the snow in which it stood, and three were mutilated). The mutilations are particularly strange as the wounds were surgically precise and bloodless. The Shermans also report having seen strange animals, including a wolf three times larger than it should have been and impervious to bullets.
Real Estate Agents Love UFOs
The Shermans shared their paranormal findings with the Deseret News in June of 1996, and three months later Las Vegas real estate magnate and UFO enthusiast Robert Bigelow bought the property. Bigelow, also the founder of an organization known as National Institute for Discovery Science (NIDSci), set up 24/7 surveillance of the ranch with his team of scientists, researchers, and guards. Over the decades he reported having numerous experiences and sightings, but according to skeptics he was never able to provide hard proof. At one point the United States Defense Department even became involved, conducting a secret investigation under the name Advanced Aviation Threat Identification Program (AATIP).
Bigelow eventually sold the property in 2016 to Adamantium Holdings, which was later revealed to be a shell company of real estate tycoon Brandon Frugal, who wanted his identity to remain anonymous. Frugal is the one who acquired the trademark “Skinwalker Ranch”. The name Skinwalker refers to a malevolent being in Native American folklore. Many indigenous tribes believe these “skinwalkers” are witches who can transform themselves into various animals. Indeed there is a large population of Ute living in and around the Uintah Basin and they believe the ranch has been a haunt for skinwalkers for at least fifteen generations.
Final Thoughts
So have all the reports over the decades at Skinwalker Ranch been hoaxes? Are they less extraordinary phenomena with perfectly reasonable explanations? Or, as many claim, is there something otherworldly going on? It’s no surprise that in an area known to the extraterrestrial research community as “UFO Alley”, the Uintah Basin would draw worldwide attention. But there is a particular allure to Skinwalker Ranch, the crowned king of alien activity. It was even Google’s most searched cultural landmark in the U.S. in 2022. Thanks to media attention, billionaires, skeptics, and numerous books and shows, such as the History Channel’s currently running The Secret of Skinwalker Ranch, it’s clear that there is something about the ranch worth exploring.
Ben’s love for horror began at a young age when he devoured books like the Goosebumps series and the various scary stories of Alvin Schwartz. Growing up he spent an unholy amount of time binge watching horror films and staying up till the early hours of the morning playing games like Resident Evil and Silent Hill. Since then his love for the genre has only increased, expanding to include all manner of subgenres and mediums. He firmly believes in the power of horror to create an imaginative space for exploring our connection to each other and the universe, but he also appreciates the pure entertainment of B movies and splatterpunk fiction.
Nowadays you can find Ben hustling his skills as a freelance writer and editor. When he’s not building his portfolio or spending time with his wife and two kids, he’s immersing himself in his reading and writing. Though he loves horror in all forms, he has a particular penchant for indie authors and publishers. He is a proud supporter of the horror community and spends much of his free time reviewing and promoting the books/comics you need to be reading right now!
When you think of a mermaid, you may conjure images of a kind-hearted, beautiful half-fish, half-human or the dangerous siren that can lure sailors to their death—however, the Inuit legend of the Qalupalik is a little bit different. The Qalupalik is likewise a creature of the sea, but she is more often thought of as a water spirit, a sea monster, or a demon. In this respect, it is said to be more similar to the Japanese Kappa, a water demon who steals children and consumes them. Folklore recorded from Inuit sources are purposefully vague on whether or not the Qalupalik is the only one of her kind, or whether there are great numbers of these monsters living in the Arctic seas, but she is regularly referenced as being a single creature.
Legend of the Inuit Siren
Photography by Li Yang
In Alaskan and Canadian Inuit culture, there are Arctic ocean-dwelling creatures known as Qalupaliit (kah-loo-pah-leet)—unlike other mythical mermaids and sirens, there is absolutely nothing attractive about the Qalupalik. Despite the persistent popular mermaid princess culture that surrounds much of the lore of this aquatic creature’s cousins in lore, the Qalupalik (kah-loo-pah-leek) is not described as having any pleasant features, let alone an amenable demeanor. Wraith-like in appearance, her long black hair is perpetually plastered to her sallow, slimy, scaly skin—her ghastly despondent face is paired with her dark and hollow eyes. These creatures are often depicted as having fins that jut out of their heads, backs and arms, and their webbed feet and hands are topped with long sharp claws—all of this is enough to strike terror into the hearts of the children that the Qalupalik preys upon.
The Qalupalik is rumored to reek of sulfur—you know, the smell of rotting eggs? So it’s curious that she would ever get close enough to someone without them noticing, but adventurous children who don’t heed the warnings of their parents are the ones she seeks to claim; she hums beautiful melodies to lure them to the icy banks of the ocean’s shore where she snatches them up and stuffs them in her amauti, a duck-skin coat similar to a parka with a pouch for young children to be carried in. It’s quite normal for Inuit parents to caution their children about the dreadful Qalupalik and they would do so frequently, telling their children that if they hear the humming noise near the shore that the Qalupalik is near. Unfortunately for children, the humming is similar to that of a Siren’s song, as it is meant to entice children to come closer to the shore or out onto the dangerously thin ice.
Those who have sighted the Qalupalik report that these creatures can only be seen for an instant before they are gone, but the child victims of the Qalupalik would not be as lucky. She would leap out from under the water, sink her shark claws into their flesh and drag them forward into the water. It is said, once she seizes a child, she takes them down to the freezing depths of the ocean where she either eats them, or takes them away enchanting them with sleep and feeding off of their youth so that she may remain young forever; the child is never to be seen or heard from by their family again. Alternatively, the child would get a brief glimpse of the face of the Qalupalik, which might resemble a woman’s face that had turned green and bloated from rotting and under the sea—this child would experience their last few moments of life in pain as the freezing water rushed into their open, screaming throat, and feel the blood in their veins freeze as they heard the distant voices of their family, crying out their name.
So what purpose does the myth of the Qalupalik serve for the Inuit society? Well, the harsh arctic environment within which the Inuit people live is terrifying and dangerous; within a community that works so hard to survive, the parents and elders used storytelling as a way of aiding in the upbringing and survival of the children of the village. Essentially, the use of scare-tactics was a way for children to avoid the dangerous aspects of their environment when they were alone,. The story of the Qalupalik was created to encourage these children to fear to be alone near the dangerous shores of the sea, where they could easily fall prey to the natural elements by either drowning or dying from hypothermia.
Photography by Jana Sabeth
Tales & Traditions: Qallupilluit
The Central Eskimo (1888) recorded by Franz Boas
An old woman lived with her grandson in a small hut. As they had no kinsmen they were very poor. A. few Inuit only took pity on them and brought them seal’s meat and blubber for their lamp”. Once upon a time, they were very hungry and the boy cried. The grandmother told him to be quiet, but as he did not obey she became angry and called Qallupilluk to come and take him away. He entered at once and the woman put the boy into the large hood, in which he disappeared almost immediately.
Later on the Inuit were more successful in sealing and they had an abundance of meat. Then the grandmother was sorry that she had so rashly given the boy to Qallupilluk and wished to see him back again. She lamented about it to the Inuit, and at length a man and his wife promised to help her.
When the ice had consolidated and deep cracks were formed near the shore by the rise and fall of the tide, the boy used to rise and sit alongside the cracks, playing with a whip of seaweed, Qallupilluk, however, was afraid that somebody might carry the boy away and had fastened him to a string of seaweed, which he held in his hands. The Inuit who had seen the boy went toward him, but as soon as he saw them coming he sang, “Two men are coming, one with a double jacket, the other with a foxskin jacket” (Inung maqong tikitong, aipa mirqosailing. aipa kapiteling). Then Qallupilluk pulled on the rope and the boy disappeared. He did not want to return to his grandmother, who had abused him.
Some time afterward the Inuit saw him again sitting near a crack. They took the utmost caution that he should not hear them when approaching, tying pieces of deerskin under the soles of their boots. But when they could almost lay hold of the boy he sang, “Two men are coming, one with a double jacket, the other with a foxskin jacket.” Again Qallupilluk pulled on the seaweed rope and the boy disappeared.
The man and his wife, however, did not give up trying. They resolved to wait near the crack, and on one occasion when the boy had just come out of the water they jumped forward from a piece of ice behind which they had been hidden and before he could give the alarm they had cut the rope and away they went with him to their huts.
The boy lived with them and became a great hunter.
Nunavut Animation Lab: Qalupalik
Nunavut Animation Lab created an animated version of one of the traditional tales about the Qalupalik, just like all of the folklore originating in Alaskan Native culture, there is always a moral to the story. This is an example of one told to children, to inform them of the dangers of not obeying their parents and wandering by the icy coastal waters on their own. Not to be mistaken with her more traditional lore, the video (linked below) describes a circumstance where the child who was kidnapped is rescued by his father, which of course is not what would typically happen if a child were kidnapped by this Inuit monster of the deep.
Mythical Monsters Podcast: Qalupalik
Another excellent resource for this particular mythical beast is Mythical Monsters Podcast who produced this podcast episode entitled “Qalupalik”. Check it out below!
The Qalupalik by Elisha Kilabuk
The Qalupalik (2011)
An even less traditional take on the legend of the Qalupalik was fairly recently made into a children’s book, but it errs more on the side of child-friendly, where it suggests that despite her frightful appearance, she is rather easily tricked. It’s clear through all of the recent reimaginings of the legend of the Qalupalik that this story is still very widely told within Inuit communities, where the parents and teachers alike share this story with the children of the village in order to protect them from a curious and wandering nature.
The Qalupalik (2011) by Elisha Kilabuk is a mystical Inuit tale that has been reworked from its original well-known narrative. In the original folk tale, the children are always considered the victims and much like the grim nature of the folk tales told by the Brothers Grimm, the story ends without coming to the realization of a happy ending. In this version, we see the new tradition of vulnerable children, or the underdog, outsmarting the monster that happens to be bigger, older, and stronger than themselves; an orphan gets the better of the Qalupalik and survives an encounter with the monster.
This is the first book in the Inhabit Media’s Unikkakuluit Series, which features traditional native folklore being retold in new and interesting ways—while these stories pay homage to the original oral tradition of storytelling, they give the newest generation their own stories to identify with. Despite illustrator Joy Ang creating an incredibly frightening visage for these creatures, her illustrations are incredible and the story they sit alongside can give the meekest child reassurance that even the scariest of opponents will have a weakness that can be exploited.
“Tales and Traditions.” The Central Eskimo: Introd. by Henry B. Collins, by Franz Boas, Smithsonian Institution, Bureau of Ethnology, 1888, pp. 212–213.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
The occult, by definition, boils down to an involvement in the supernatural, mystical, or magical beliefs, practices, phenomena. In the sixteenth century, the term occult sciences was used to refer to astrology, alchemy, and natural magic. In the nineteenth century, occultism emerged in France and began to be associated with various esoteric groups therein connected to Éliphas Lévi and Papus, then in 1875, it was introduced into the English language by esotericist, Helena Blavatsky. During the twentieth century, the term was used to describe a wide range of different authors and their particular eccentricities—finally, during the twenty-first century, it is commonly used to describe a certain esotericism and the several different categories that it encompasses, including but not limited to spiritualism, theosophy, anthroposophy, the Hermetic Order of the Golden Dawn, and New Age practices. Then again, to be fair, the occult has been used since the twentieth century to also reference a more broad category of supernatural, including the beliefs in vampires, fairies, UFOs, and parapsychology.
When it comes down to it though, what is most often thought of when the occult is considered? The occult is this unknowable magical thing that is mostly considered to have a nasty nature about it—but that’s not always the case, while the occult in the broadest sense it can be more than just witchcraft and esoteric cults; far be it for this witch to say what every other practitioner of the esoteric arts does in their own craft, I can only speak from my own experience.
What is Dark Magic?
There is a misconception about dark magic–even those that practice magic may believe that dark magic, some people refer to it as “black” magic, is always a malevolent thing–this isn’t even remotely true, although there are two sides to that coin. There are many practitioners of dark magic who don’t even appreciate the connotation that what they practice is inherently negative or malevolent at all. Here we refer to it as dark magic because it is the most recognizable way to refer to this type of magical practice, so what we really mean when we are discussing dark magic is any type of magic that is not regarding the free will, emotional, mental, or physical state of the recipient. Now you might be thinking that those parameters automatically make this magic negative or malevolent, but love spells, legal justice spells, and so much more fall under this umbrella, as it benefits the caster, but not necessarily the target. Curses, hexes, jinxes, and other negative forms of magic may also be–as an example, cursing an addict to no longer be able to stand the thought of drug use–that isn’t necessarily a bad thing, now is it? In this writer’s opinion, dark magic can be anything that the practitioner casts that they use an excess of emotion–something that mentally, emotionally, and physically drains them of any existing energy that they may possess.
This is especially true of curses, hexes, and other unsavory forms of magic … It has … to do with the emotion that fuels them: that raw, untamed emotion goes way beyond peel-me-off-the-ceiling anger and can only be termed as livid pissed. And livid pissed is exactly what we are by the time we get around to even consider such things. The old adage of adding fat to the fire doesn’t even begin to cover it when fueling magic with this sort of emotion. In fact, it’s more like adding a hefty dose of jet fuel to a hearth fire. There’s going to be more than a minor flare-up. There’s going to be an explosion to end all explosions. And anyone who thinks that a simple [magical] shield is going to deflect that sort of energy definitely has another thing coming.
Dorothy Morrison, Utterly Wicked: Hexes, Curses, and Other Unsavory Notions
Fallacies of Dark Magic
Photography by Eduardo Cano
Dark Magic, or as it is more often (and inappropriately) referred to as “black magic,” is not at all what it seems to be. There is an argument that there is no “color” in magic, but even within the practice, there are references to different colors of magic–black, grey, white, green, etc. ad nauseam. To be honest, if you’ve been a part of the witchcraft community for almost two decades, you’d find the use of color within magic as a tad bit pretentious. Those who practice the darker aspects of magic tend to refer to it as baneful magic–it’s honest and unpretentious and it says exactly what it means.
Whatever you’ve experienced, be cautious before you utter: someone cursed me! I cannot honestly tell you how many times I have heard this uttered from someone who was down on their luck–to be completely honest it is the most unlikely reason for someone having bad luck, sometimes bad things just happen. While it may be possible that a witch is pissed off enough to have cursed you, more often than not the best curse is someone’s conscience–that’s not a curse, it’s just your own ethical code telling you to take a look at what you’re doing to other people or, more likely, yourself.
Recount the related problems you’ve experienced to the present, and try to pinpoint the time they began … Then look for any semblance of reason for their occurrence … give some serious thought to what led you to … the conclusion that a hex had been tossed your way … look for reasonable explanations … Because if you can find plausible reasons for any of the … trials and tribulations connected to the time period, it could be that a curse may not be the culprit at all … It’s quite possible that you, yourself, are at fault.
Dorothy Morrison, Utterly Wicked: Hexes, Curses, and Other Unsavory Notions
Are you sure that I haven’t been cursed? Yes, we’re pretty sure, and mostly because this author has personally cursed someone before–cursing, crossing, or hexing someone is definitely not as easy as it seems. It takes energy that is derived from our personal emotional, mental, and physical reserves. Most of the time, even if we’re really angry at someone, we realize that the nasty person that we’re angry at isn’t worth the time and energy it takes to do any dark work. If you’re an awful person though, we might take the time and sacrifice the energy, but that’s a personal choice.
… Cursing someone takes an inordinate amount of energy. Your energy. Energy that you’ve stored for other things, like the simple business of everyday living. And cursing someone effectively is going to wipe out all your reserves. But even if that weren’t the case, it’s important to remember that you’re going to be transferring that energy to the person on the other end of your magic. So, there’s a good chance that you’re inadvertently going to pick up some of that person’s energy along the way too. Do you really want that nasty stuff on you? Probably not.
Dorothy Morrison, Utterly Wicked: Hexes, Curses, and Other Unsavory Notions
Another thing I have heard in my time of practicing witchcraft is that blood magic is evil magic. That is absolutely not true–blood magic is just more powerful and potent magic. If a witch is practicing blood magic that usually means they know what they’re doing. If we’re using our own blood it means it is going to affect us personally, if we’re using someone else’s blood it means that they are going to be personally affected.
You Can’t Get Cursed if You Don’t Believe is probably the most laughable thing I have ever heard in my life–because if it were true there wouldn’t be any instances of curses at all. If you found out that someone was cursing you and you decided that you just didn’t believe, it would be quite ineffective, right? Truly, if you don’t believe it curses, it actually is more effective to let the person know in some way that they have been cursed. There is nothing more effective than using someone’s imagination against them.
Dark Magic Among the Different Practices
There are so many different religions and secular occult practices that have darker leanings–while not all of the practitioners utilize the darker aspects of these religions or occult practices, they are still there and they are still very legitimate practices.
Voodoo, Hoodoo, Rootwork, Conjure, Appalachian Folk Magic, & Santeria
These are four different titles for some very similar practices–Voodoo, is perhaps the exception among the bunch, as it is based within a religious practice and the occult practices that are utilized are done so within the context of that religion. Hoodoo, rootwork, and folk magic are unique in the fact that they are not necessarily tied into a religion but can be practiced by anyone and everyone–so long as they have the proper knowledge to utilize the techniques that are a learned aspect of these decades-old traditions that are typically passed down through familial lines. While many of these occult practices exist solely in the southern United States, such as Louisiana, Florida, Georgia, etc.–there are also the folk magic practices that are known as Appalachian folk magic which occur throughout the Appalachian Mountains.
Voodoo, Vodou, and Vodun are the variations upon the spelling of the same practice–it really just depends upon where the religion is practiced. It’s a religion that practices a sort of folk magic, but differing from other types of folk magic, it is entirely tied into the Christian or Catholic faiths. Voodoo also ties in African folk magic, however, by adding in the veneration of spirits or loa. If you’re looking for a movie that most accurately depicts voodoo, even if it is a bit campy and over-the-top, take a moment to watch The Serpent and the Rainbow (1988). You’ll get the feel of voodoo without having to delve too deeply into it. If you’re looking to get revenge on someone, while we certainly don’t recommend jumping into something as complex as Voodoo and getting in over your head, crossing is what you’re after when it comes to the Voodoo religion. It usually utilizes personal objects or bodily fluids–that’s an entirely different topic on its own.
If you’re looking to make someone bend completely to your will, you’re probably thinking of Haitian zombification. Zombies are some of the darker aspects of the Voodoo religion–as a whole, the religion doesn’t typically approve of zombification, you can learn more about the practice in one of our older articles.
Within Hoodoo, Conjure, Rootwork, & Appalachian Folk Magic you’ll find a lot of diversity, but a surprising amount of similarities considering the different terms to refer to this type of practice. This practice is generally considered separate from any religious practice, but isn’t exempt from including it either. Hoodoo, conjure, and rootwork are primarily practiced in the Southern United States, as well as the Caribbean and some other regions. Appalachian Folk Magic is quite similar to the hoodoo, conjure, and rootwork practices, but this particular folk magic practice only naturally occurs in the Appalachian Mountains.
The religion of Santeria is quite complex–the beliefs are more difficult to follow because a lot of the details of the practice are hidden to those who are not inducted into the religion. It has a poor reputation due to the newspaper articles that deteriorate the image of Santeria as a whole.
Satanism and Daemonolatry
Satanism is one of the most misunderstood occult practices, but it is also an umbrella term that encompasses quite a few different practices and religions. The witchcraft that follows along with the different practices of Satanism are not at all like what they show in the movies, in fact, the practices are generally a surprisingly vanilla expression of magical practice.
Daemonolatry is more of a practice that is considered separate from satanic practices–it is a less religious practice and can be compared to hoodoo the same way that satanism can be compared to voodoo.
Photography by Halanna Halila
Traditional Witchcraft
You don’t have to be any of the above mentioned practitioners in order to practice baneful magic–you can be of pretty much any magical background (except for, possibly, Wicca) and practice magic that is aimed to harm another person.
If you’re looking for more information on stuff like this, leave us a comment and let us know!
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Join "The Horror List" for Weekly Horror in your inbox
Recent Posts
Join The Horror List
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
