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The Haunted Heceta Head Lighthouse of Florence, OR

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Featured Haunted Places Horror Mystery and Lore
Heceta Head Lighthouse in Florence, Oregon
Heceta Head Lighthouse in Florence, Oregon

In a PBS special called Legendary Lighthouses, the Heceta Head Lighthouse is referred to as a haunted lighthouse—stating that nearly everyone who has stayed at the lighthouse since the 1950s has experienced paranormal activity. These experiences include things like disembodied screams, items moving or disappear and the reappearing on their own, as well as the shadow of an old woman’s ghost in an attic window. Along with the older woman, it is said that her daughter also haunts this scenic lighthouse.

The History of the Heceta Head Lighthouse

This Queen Anne styled cottage with a red roof overlooks the rocky cliffs and violent waves of the Pacific Ocean and has done so for more than a century. Originally built in 1894, when the lamp was first lit, to the early 1960s, the men who kept the lighthouse running, and their families called this cottage home. During World War II it served as military barracks and was used as a satellite campus for Lane Community College in Eugene from 1970 to 1995. Since 1995, it has been run as a bed and breakfast with room enough to fit fifteen guests comfortably.

Ghostly Experiences at the Lighthouse Keeper’s Cottage

Heceta Head Lighthouse Keepers Cottage
Photography by Jrozwado

Some of the experiences that have occurred on the premises have been the apparition of a gray-haired woman who appears wearing a late Victorian-era dress; a wispy gray figure has also appeared floating down the hallway. The sounds of sweeping and furniture being moved occur at night and they come from the locked and otherwise unoccupied attic. These occurrences in the lighthouse keeper’s cottage have given this location the reputation of being one of the most haunted places on the West Coast.

For the last four decades, the main apparition—or presence—has been known as Rue, ever since a group of the Lane Community College students broke out their Ouija Board and began to ask questions. Apparently the board spelled out, “R-U-E,” and the name stuck. While “[Rue] doesn’t ever do anything scary or harmful or threatening,” current manager Anderson reports, “it’s more like she’s watching over the place. Watching the house and looking for her daughter.”

Anderson has heard many versions of many stories over the years that she has managed the property, to the point where she wonders if they even know the truth, and says that “it’s just [their] version [of the story].” The only story that they do endorse as the truth is the theory that Rue was the wife of one of the lighthouse keepers, but records can’t confirm that due to the fact that the wives and children of the keepers were never documented. Anderson believes that Rue had two daughters and that one of them had drowned—they are uncertain whether she drowned in the ocean or in a cistern, but that there is an unmarked grave up on the hillside that had been long left undisturbed and consequently was overgrown.

Although Rue left the Heceta Head Cottage after her daughter died, it is said that she came back after her own death to look for her daughter. When checking into the bed and breakfast, there are many guests that request the Victoria room, where the keepers of the lighthouse and their wives were said to have slept. Others are drawn to the Cape Cove Room, which contains a closet that houses the stairs leading up to the locked attic. Still other guests prefer not to know at all.

Possibly the most frightening encounter with Rue that was ever reported appeared in the Siuslaw News in 1975—a workman was cleaning one of the windows in the attic when he noticed an odd reflection in the glass. When she turned to see what was behind him, he saw the apparition of an elderly woman wearing a late-Victorian style gown—he fled the house and didn’t return to the cottage for several days and refused to ever go into the attic again. Even when he accidentally broke one of the attic windows, he opted instead to repair the window from the outside and the broken glass was left on the attic floor. That same night, the caretakers of the house were woken up to the sounds of scraping sounds in the attic and reported that it sounded as if someone was sweeping up broken glass, but they had not yet been told about the broken window. The next morning when they went to investigate, they found that the glass had been swept into a neat pile.

Other stories include one from a guest when sleeping in the Cape Cove room, she was awakened at 4:30 in the morning to what felt like a presence climbing into bed beside her and staying for a couple of hours. She said she felt concerned about the experience, but she was unharmed and in an odd way felt honored that she had the opportunity to experience it. Despite the lack of truly negative experiences, the manager of the bed and breakfast, Anderson, refuses to spend the night there anymore.

One of her employees, a housekeeper and food server named Beth Mozzachio, said she often feels a presence while she’s working and specifically reported making the bed and then noticing a depression has formed, as if someone recently sat there. Mazzachio knows that if she ever saw an apparition of Rue that she would be terrified, but believes that because she takes care of the inn and makes it look nice that Rue doesn’t bother her much.

The Anna Byrne Chronicles: Chapter 01 – The Haunting of Heceta Head

We’ve discussed the Heceta Head Lighthouse before in our Encyclopedia of Supernatural Horror, where we aimed to discuss the facts of the location–in this article we’ve tried to go a bit further with witness experiences. We have even created an original horror fiction where our character visits Heceta Head–so check out The Anna Byrne Chronicles: Chapter 01 – The Haunting of Heceta Head.

Anna Byrne: Chapter 01 – The Haunting of Heceta Head
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The Haunting of Captain George Conrad Flavel House in Astoria, OR

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Featured Haunted Places Horror Mystery and Lore

About the House

The Flavel House
Photography by Matt Howry

The Flavel House in Astoria, while now a museum, was once a mansion that is haunted by the spirits of those poor souls of the family who once inhabited its walls. The phantom remnants of the Flavel family have made themselves known by speaking amongst themselves—which has been reported as disembodied voices—as well as practicing music in the empty rooms. A woman’s ghost has been sighted in the hallway, and Captain Flavel himself has been seen in his old bedroom before promptly vanishing.

The Interior

A Queen Anne style, two and a half story, 11,600 square-foot behemoth, the Flavel House sits on the corner of a fairly large plot of land—there is traditional woodwork around the interior windows, doors, windows, and staircase, all of which are Eastlake-influenced in design. The doors and window trim were made of Douglas Fir and were crafted by a master carpenter to look like mahogany and burl rosewood. There are six unique fireplace mantels within the house and they feature different imported tiles from around the world, an elaborate hand-carved mantel and a patterned firebox designed to burn coal. The first floor features fourteen-foot high ceilings, where the second floor’s ceilings sit at twelve feet high and are both embellished with crown molding and plaster medallions. The house was also fitted with indoor plumbing—incredibly state-of-the-art at the time—as well as gas-fueled lighting.

The first floor is dedicated to the public rooms, such as the grand entrance hall, formal parlor, music room—where the Flavel daughters held their music recitals—the library, dining room, and conservatory. The more private rooms on the first floor included the butler’s pantry, kitchen, and mudroom which were reserved for the housekeeping staff. The second floor was where the main bathroom, five bedrooms, and a small storage room or sewing room were. The attic floor is large and unfinished and houses the two plain wood bedrooms that were used by the Flavel’s domestic help. The four-story tower was made for the Captain to have a 360-degree view of Astoria and the Columbia River as a way for him to keep an eye on the local ship traffic coming through. There was also a dirt-floor basement that housed the large wood-burning furnace that kept the house warm.

The Carriage House was home to the family’s caretaker, and was also originally made to hold the family kept their carriage, sleigh, and small buggies—where it had three temporary holding stalls for their horses, a tack room, and an upstairs hayloft. In time it was transitioned to hold the more modern vehicles, such as the Flavel’s Studebaker sedan, and the family’s driver kept a room upstairs.

The Grounds

Not too long after the house was originally built, the family’s gardener, Louis Schultz, began planting trees, beautiful roses, as well as bulb flowers and shrubs—many of which were typical of a traditional Victorian garden. A number of the trees on the premises were officially named Oregon Heritage Trees—there is also a pond and a bench under the pear tree where Flavel’s daughters would sit in the shade. The entire house is considered a significant architectural and historical treasure for the entire Pacific Northwest.

The Timeline of the Flavels, Their Houses & Fate

1886

While the construction of the Captain George Conrad Flavel house was started in 1884, and it was finally finished in the spring of 1886. The Flavel House was built for Captain George Conrad Flavel and his family. The house was designed by German-born architect Carl W. Leick and the construction bordered between the Victorian and Colonial Revival periods. It was considered a prime example of Queen Anne architecture; one of the few remaining well-preserved examples in the entire Northwest. Due to the Captain’s long history and contributions to the community of Astoria, the Flavel family had long been considered the most prominent family in town.

The Captain had made his name and fortune as a prominent businessman through real estate investments and his occupation as a Columbia River bar pilot—becoming Astoria’s first millionaire—at the age of 62, he was finally able to retire in the house that he had built for himself and his family.

1887

The Carriage House was built on the south-west corner of the property.

1890s

Alex Murray, the family’s hired caretaker, called the Carriage House home while in the employment of the Flavels.

1893

Captain Flavel lived in the house for seven years with his wife Mary Christina Boelling and their two adult daughters, Nelli and Katie. Their son, George Conrad Flavel never resided within the George Conrad Flavel House, as he was already married and living in a house of his own. During his seventh year in the residence of the Flavel House, Captain Flavel passed away, leaving the to the family.

1901

Captain George Conrad Flavel’s son, George Conrad Flavel would build his house—the house that is now often referred to as the Harry Flavel House. George Conrad Flavel Junior had worked as a bar pilot for his father, becoming a Captain as well.

1922

When most of downtown Astoria was destroyed by a fire, the Flavel House was one of the only survivors.

1934

The Captain George Conrad Flavel House remained in the family until the great-granddaughter Patricia Jean Flavel gave the property to the city as a memorial to her family.

1936

The house was set to be torn down to establish an outdoor community property—the city ended up having financial difficulties and returned the property to Patricia Flavel—that same year, Patricia deeded the residence to Clatsop County, but with conditions. The understanding was that both the grounds and the house would be kept in good repair and used for public purposes.

1937

From the time the house was deeded the to county, until the end of World War II, the Public Health Department, Red Cross, and local Welfare Commission all had offices within the mansion.

1951

The Captain George Conrad Flavel House was officially added to the list of the National Register of Historic places, before which it was nearly demolished twice—once for a parking lot and again for a community park, but the townspeople rallied against the proposal and it began to be operated by the Clatsop County Historical Society in 1950.

2003

The Camperdown Elm, Sequoia Redwood, four Cork Elms, Bay Laurel, Pear, and Ginkgo Biloba trees on the premises were named official Oregon Heritage Trees in a state-wide dedication ceremony that was held on the grounds.

The Haunting at Captain George Conrad Flavels House

Truly, ever since the Flavel house was converted into a museum in 1951, there have been many reports of hauntings; phantom music and voices were heard on the first story of the house which was believed to have been a product of the Flavel sisters, as they were gifted musicians. The Library has always housed an unhappy and strange presence. There is an apparition of a woman who roams the hallway on the second floor, but she vanishes when approached—and a floral scent can be smelt at strange times in the bedroom of Ms. Flavel, when no one has been around. In Captain George Flavel’s room, his apparition can be seen, but he disappears into the floor once he has been noticed.

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Urban Legend: The Black Angel of Oakland Cemetery

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Featured Haunted Places Horror Mystery and Lore

Cemetery Angels

Loss has a way of striking us where it hurts most—our experiences shape who we are, as well as how we interact with and see the world around us. As a result of varied cultural and religious preferences, there is a symbolic connection between angels and death. It is popular, especially within religious traditions, to erect angel statues alongside the traditional headstone. Angels represent the symbolic connection between heaven and earth, but their additional meaning of strength, peace, faith, protection, and beauty can be comforting to those who are grieving the loss of loved ones. Angel costumes and art are associated with Christmas and other popular holiday celebrations. However, a certain black angel in an Oakland cemetery has become renowned for darker supernatural reasons.

Angelic Symbolism

The many different poses that these angels assume also contribute meaning to their presence over their respective graves. Angels represented in prayer signify the deceased’s devotion to god, an angel pointing upward can act as a symbolic guide for the soul to find its way to heaven. A weeping angel shows immense grief over the death of a loved one and an angel with their head bowed can symbolize the mourning of a sudden or unexpected death. Although angels are most commonly made from granite, they are often created from bronze as well—a granite angel would have less of a reaction to environmental factors, whereas bronze statues can come with unexpected consequences.

The Oakland Cemetery in Iowa City

In 1839, before the Iowa Territory became a state, its capital was located in Burlington; Governor Robert Lucas decided that the capital ought to be closer to the center of the territory and so the legislature created Iowa City. When the capital of the territory was finally moved there, two years later, the tiny hamlet had blossomed into a small city, at which point they recognized a problem arising—they had no place to put the dead. By 1843, the legislature deeded the Oakland Cemetery to the people of Iowa City.

The Truth Behind the Legend

Terezie (anglicized as Teresa) Karásek was born in Strmilov, Bohemia, in Czechia (formerly the Czech Republic) on October 14, 1836. In 1865, at the age of thirty, she married František Doležal, a doctor from Moravia. After two years of marriage, Teresa birthed their first son, Otto who died when he was two weeks old. After the loss of her first child, Teresa became a midwife; she obtained her certificate in Vienna and moved back to Strmilov where she became a prolific midwife, delivering nearly one hundred children.

Immigrating to the United States

Closer to her forties, Teresa had her second son, Eduard (anglicized as Edward)—by the time he was four years old, Teresa left her husband and moved to the United States in 1877 with her son. It’s unknown why she left her husband, although it was fairly commonplace at the time for immigrants from Bohemia and Slovakia to find themselves living in Iowa, working on the railroad, and taking jobs at farmsteads.

In many tellings of her history, Teresa is said to have been a physician that turned to midwifery once she arrived in America, whereas others maintain she was a midwife her entire career. Either way, Teresa’s son Edward had planned to follow her example and enter the medical field as a doctor and in his late teens, he worked at a drugstore. Unfortunately, Edward contracted meningitis around the age of 17 or 18 and passed away in 1891, at which time he was buried in the Oakland Cemetery. Over his grave, she erected a monument of a tree stump with an ax sticking out of it in his honor—it is generally assumed that this was intended as a metaphor for his life being cut short.

Loss of A Second Son

Soon after Edward’s death, Teresa is said to have moved around a lot, having lived in Chicago, and even marrying her second husband, Joseph Picha, in Minnesota. When that marriage didn’t work, her travels landed her in Eugene, Oregon which is where she met and married her third husband, a German rancher by the name of Nicholas Feldevert. The two were married on March 20, 1897, by Justice of the Peace A.E. Wheeler in the parlor of Wald House in Eugene, Oregon. Nicholas had also been married twice before and had experienced the death of his only daughter whom he had seen die as a child.

Back to the Family Plot

Her husband, Nicholas, died in 1911; it was around this time that she moved back to Iowa City and brought her husband’s ashes along to put to rest next to her son. In memorial to her late husband, she commissioned Mario Korbel, a Chicago-based Czech sculptor to create what has come to be known as the locally famous monument the Black Angel.

The Black Angel in Oakland Cemetery is not to be confused with the Black Angel in Council Bluffs, Iowa—which is considered to be a great work of art sculpted by Daniel Chester French, the same artist who created the seated Abraham Lincoln inside of the Lincoln Memorial in Washington, D.C. and the Minutemen in Concord, Massachusetts.

While there is a disagreement on the timeline of the commission and when it was delivered, it is believed that the statue was commissioned between 1911 and 1913 and that it was delivered to Oakland Cemetery between 1912 and 1915. Without historical documentation to lend as evidence of its commission, completion, and delivery it’s difficult to say, with authority, the exact dates.

Teresa’s Philanthropy

 When Nicholas died he left behind no heirs and by default left his estate estimated at $30,000 (more than $800,000 by today’s inflation rates) to his widow, Teresa. Teresa sold the ranch and began to send money back to Strmilov as a patron for students and public welfare—scholarships and community projects benefited from her generosity in this respect. As her years dwindled, she made a point to spend her husband’s wealth since she also had no immediate heirs to leave her money to. Projects in Bohemia, including a grade school in Strmilov, benefited from her generosity.

The Angel’s Appearance

At one point, the statue that watched over the Feldevert family plot in earnest was a glorious golden-bronze monument that represented the love and grief of Teresa at her many losses in her lifetime. The 8.5-foot sculpture took Korbel months to create and being cast out of bronze, it wasn’t exactly a cheap commission. The story that we’re told is that the statue was not immediately installed, as Teresa was said to have been unhappy with the final result. This is another source of conflicting accounts—as some versions of the story insist that it was immediately installed upon arriving via train; others believe that the statue sat in a barn for six years while Teresa pursued a lawsuit. When she inevitably lost the suit, it’s assumed that she paid the artist the $5,000 he was owed, then eventually installed the angel atop a four-foot pedestal where her husband’s ashes were interred and moved the monument of her son to stand alongside the angel.

At the End of a Long Life

Teresa died of cancer on November 18, 1924, at which time her ashes were placed beside her husband’s and although the monument displays her birthdate, she did not leave any money behind to inscribe the monument with the date of her death. As such, her remaining estate was appraised at $1,393.21 and since she had no immediate heirs, she willed $500 to a monument for fallen soldiers in Strmilov, $500 in books for the town’s public library, and whatever was leftover to be used for scholarships for two or three boys in town that were deemed worthy of the aid.

The Reputation of the Black Angel

The Black Angel of Oakland Cemetery has been a destination for those looking for paranormal thrills for literal decades; with all of the creepy legends surrounding it, how could those who have a thirst for the paranormal stay away? It’s likely that the stories about the monument are based less on fact than on fiction, with the tendencies of writers to embellish for the sake of a good story. As seen by the story of Teresa and her family’s life there was no immediate reason for the Angel to be haunted or cursed—loss happens, but there was no infidelity to speak of, no one committed suicide, nor was anyone murdered. So, why has the monument become part of such a famous urban legend?

The wild myths and legends that surround this monument were spawned primarily from the unsettling appearance that the monument took on after Teresa’s death. While the truth remains that the statue was forged in bronze and has oxidized over the years due to environmental factors—but that’s kind of a buzz kill isn’t it? The truth is, the creepiness of the blackened bronze isn’t lessened when people are eager to believe in the paranormal. To those who don’t do a deep dive into the true story behind the Black Angel, it’s clear to see how its reputation could make even seasoned investigators quake in their boots.

The Myths that Fuel the Superstition

Teresa Feldevert was, in life, a mysterious woman which led to many believing that she was in fact a witch—whether she ended up cursing, possessing, or simply haunting the statue is a source of some debate. Had she called some nameless evil to inhabit the Angel? Or was it simply her evil nature that caused the Angel to turn black as a reminder of the sins of her family? Was there really a severe storm that raged the night following Teresa’s burial, where a bolt of lightning struck the Angel and turned it black?

The myths become even more outlandish from there, based solely on rumors that make no sense after looking into the legend. Some believe that a man erected the monument upon his wife’s grave, but that his wife had been unfaithful throughout the marriage which caused the Angel to turn black due to her infidelity. Others maintain that a preacher buried his son beneath the Angel but it turned black because the preacher had actually murdered his son.

It’s believed by some that the Angel darkens every Halloween in recognition of the people that have been killed by the evil curse upon the statue. It doesn’t help that first-hand accounts from visitors report ghostly voices and strange anomalous lights floating around the statue. So what should you do (or not do) to avoid becoming the next victim of the Black Angel of Oakland Cemetery? We’ve compiled a list of simple rules to survive your encounter with the Black Angel.

  1. Never touch or kiss the Angel—to do so means instant death (unless you’re a virgin).
  2. Never kiss a girl near the Angel in the moonlight, or else the girl will die within six months.
  3. Never touch the Angel at midnight on Halloween, to do so means you’ll die within seven years.
  4. If you’re pregnant, never walk beneath the statue’s wings, otherwise, you’ll risk a miscarriage.
  5. If you happen to be a coed of the University of Iowa, then tradition states you must be kissed in front of the Black Angel.
  6. If a virgin is kissed in front of the Angel then the Angel will return to its original Bronze color and the curse will finally be lifted.

The Statue Vandalized

Throughout the history of the Black Angel, it has been noted that the black covering has never worn off to reveal the original bronze. The monument has, however, changed colors over the years when vandals have tried to paint it. One particular incident was recorded as having happened on a cold day in January of 1965 when the angel was painted a silvery gray—due to the weather, it remained that color until it was warm enough to reduce the risks of damage from the repairs. It’s also known to have had several fingers removed with hammers and hacksaws on a separate occasion, a bold move considering the alleged story that defacing the Angel will bring death.

Sources:

https://www.goiowaawesome.com/iowa-city/2018/03/2670/tales-from-iowa-city-the-black-angel-of-death

https://www.roadsideamerica.com/story/16409

https://www.atlasobscura.com/places/black-angel-of-oakland-cemetery

https://paranormal.lovetoknow.com/ghosts-hauntings/black-angel-oakland-cemetery

https://www.thegazette.com/life/time-machine-teresa-dolezal-feldeverts-black-angel

https://www.thegazette.com/life/time-machine-teresa-dolezal-feldeverts-black-angel/#?secret=txk88YPIGy

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Urban Legend: The Ghosts of Slaughterhouse Canyon

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Urban Legend: The Ghosts of Slaughterhouse Canyon of Arizona
In 1882 the town of Kingman, Arizona was officially established; throughout its history it had served as both a military camp and a reservation for Native Americans. It eventually experienced growth when a section of railroad was routed through the area.

The Gold Rush

The Gold Rush started in Arizona around 1858 and just like elsewhere in the western United States, it was a rough experience for those who expected to strike it rich. Once prospectors realized their chance of finding gold in Arizona was rare, they instead sought out the more common copper and silver ores. At one point, the worth of gold sank below that of copper and silver, due to its lack of prevalence in the region.

The established families that were uprooted and relocated in the west in search of wealth and success ended up being the ones who sacrificed the most. After lengthy and often excruciatingly difficult searches, many ended up starving to death.

The Ghostly Legend of Slaughterhouse Canyon

Like any urban legend that has arisen from times of extreme hardship, this story reeks of trauma spurned by sickness, starvation, heartbreak, and madness. This particular ghost story is one that swiftly turned from being a simple tragedy to macabre madness, which is why this canyon was put on the map of paranormal destinations.

Luana’s Canyon

When the first white settlers found the area, the area was named Luana’s Canyon, after the matriarch of the impoverished family who lived in a small wooden shack near the dry wash in the heart of the canyon.

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Dreams of Wealth

As one might expect, living in a small shack in the desert was no easy task. One miner, notably a dreamer, wanted to be able provide a better life for his wife Luana and their children. This miner would regularly venture off into the mountains to work in the gold mines and to search for food for his family. Their lack of a regular income made it difficult to keep food on the table, so the only food the family had available to them was what the miner was able to bring back from his regular expeditions.

The miner would set of to the Northwestern Mountains on his trusty mule, but different accounts of this story can’t agree on whether the miner left home every two weeks, or if he would be gone for two weeks at a time. What is known is that this was a pretty typical experience during the Gold Rush era. Regardless of how often he was away from home, his family’s only source of food, money, and supplies was what the miner was able to bring back with him. Luana and the children could consistently expect the miner to return with what they needed for their comfort and survival.

One fateful day, the miner kissed his wife, Luana, and children goodbye and was on his way—unfortunately, that would be the last time the family would see their father. Days turned to weeks and soon Luana began to worry that something had happened to her husband. As the supplies dwindled, her concerns that her husband had fallen ill, had an accident, or worse, had been killed by wild animals, or even the victim of robbery. The miner had seemingly become another tragic victim of the unforgiving Gold Rush.

Descent Into Madness

Luana’s reliance upon her husband’s consistency meant that she had not rationed any of the supplies that her husband had brought back on his last trip, so when food and supplies ran scarce the family began to starve. Living alone in the canyon meant that the family had no other possible means of support and soon the children wither and wept in pain. Despite being pale and weak with starvation, their screams and cries echoed throughout the canyon and even traveled on the nighttime breeze. The starving sobs of her children constantly begging Luana for food began to tear her down mentally.

Each day that went by pushed Luana closer toward the brink of insanity until one day, she just could no longer stand to see her children suffer and she snapped. Unable to cope with the reality of watching her children starve to death, Luana’s psychosis drove her to do the unthinkable. One night during a thunderstorm, tormented by her children’s screams and own agonizing hunger, she put on her wedding dress and slaughtered her own children to end their suffering.

Her mind lost, she chopped their dead bodies up into several pieces, splattering the walls of the small shack with blood, which earned it the name of the Slaughterhouse. After finishing her horrible deed, she carried the pieces of her children and tossed their remains into the river. At the river she collapsed into a heap, her wedding dress soaked in the blood of the children she had slain. Luana was overcome with sadness and guilt; she remained on the river bank, wailing and screaming over what she had done until she succumbed to starvation herself, the next morning.

Slaughterhouse Canyon

Slaughterhouse Canyon

Today, Slaughterhouse Canyon can be accessed by the public, it’s only a twelve minute drive from Kingman, AZ. It is said, that on quiet nights when the moon is full and the air is thick, that those brave enough to venture into the desert canyon after midnight are likely to have experiences. The dark oppressive nights allow the anguished screams of the mother and the bloody cries of her slaughtered children can still be heard throughout the canyon.

Similar Legends

The legend of Slaughterhouse Canyon bears striking similarities to other urban legends and ghost stories, such as the woman in white and the tragic Mexican legend of La Llorona, or the Weeping Woman. While it’s true that the stories are similar, make no mistake, they are separate legends.

What seems to be a common thread in all renditions of these stories is that the woman murders her children, but it’s the reason behind their vicious murder that varies from story to story. In La Llorona the most frequent rendition is that the mother kills her children after she finds that her husband has been unfaithful. However, every account of the Legend of the ghosts of Slaughterhouse Canyon alleges that the husband was not only a caring and loving partner, but a devoted father as well.

Personal Accounts & Experiences

Locals will tell you that it was popular when they were of high school age to load up a car with their peers and park down in the canyon by the remains of the old slaughterhouse shack. They would roll their windows down and sit in silence as they waited for Luana—inevitably, they would hear strange sounds that would prompt them to vacate the premises.

Another account recalls their experiences of hearing the stories of Slaughterhouse Canyon and their regular trips to the area with their brother. Their motives were simple curiosity and the desire to be teenagers away from prying eyes. They would have bonfires and act their age without consequence, until one night, after midnight they began to hear the wailing cries surrounding them. A quick search of the area revealed nothing, but frightened them enough to leave the canyon entirely.

Others still, primarily ghost hunters in search of the ghosts of Slaughterhouse Canyon, report that while driving down the road that leads into the canyon they would witness a mysterious woman wearing a black dress and dark veil while walking down the side of the road. Upon turning back to find her again she had mysteriously disappeared.

Sources

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Urban Legends: The Ghost of Kuhn Theater in Lebanon, Oregon

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Featured Haunted Places Horror Mystery and Lore

Kuhn Cinema—a theater that is located in Lebanon, Oregon—was built in 1932 and was a prime spot for watching movies until the late 1980s. The theater, unfortunately, had to close its doors in the eighties. It then sat vacant, abandoned, and unused until the Pitts purchased the property in 2004 and then proceeded to renovate with the goal to reopen. Eventually, when the theater was reopened in 2005, it opened its doors to a sold-out crowd to a popular movie. Since it is reported to be haunted by the ghost of a young girl in a white dress, is then it possible that all the renovations were what caused the little girl’s apparition to come out of hiding? Ever since the reopening of the cinema, both movie patrons and theater staff have claimed to have experienced strange activity. The doors open and close on their own and then they hear the disembodied laughter of children echo throughout the theater.

Kuhn Cinema in Lebanon Oregon
Kuhn Cinema in Lebanon Oregon

A Haunted Cinema

What is it about a haunted location? What draws people to be interested in these relics of the past that seem to have a history that just won’t cease to want attention. Ghost stories are always interesting to come across—they’re a peek into the past, whether you believe in spirits or you don’t. It’s true, even skeptics enjoy visiting and investigating places that are supposed to be haunted by the ghosts of the past. They do this with the hopes–or possibly even the fears–that they can experience something they can’t explain. It’s only natural to be curious about what we can’t explain. So, if you decide to visit Kuhn Cinema in Lebanon, you might end up seeing more than just a movie.

In recent years, the theater was at risk of being demolished, so the community came together to save it and it has since undergone several small renovations—despite the changing of the theater, the renovations that it has undergone over the course of its existence, one thing has remained the same—the ghostly little girl in the white dress who came to see a movie and never left. Would you go to this theater to see a movie, or to have a chance to see the little girl in white?

First-Hand Experience

There have been employees and visitors alike who have claimed to have seen this unfortunately young apparition in different places throughout the building. It’s as if she likes to explore the premises and some of the witnesses say they have seen her sitting in the theater seats, the women’s bathroom, and even reported that she has been seen sitting at the top of the stairs near the projection booth. There are some employees who believe that they have felt her presence while they were inside of the projection booth manning the projectors; there they reported having felt pressure around their waist, as if a small child were hugging them from behind. Lights seem to turn on and off by themselves all through the building and when the employees close up the theater at night, they seem to all report hearing small child-like footsteps, giggling, and odd thumps that cannot be explained. If keys or other small objects go missing, they can usually be found, but they’re in an entirely different location from where they went missing. So, even though the young girl’s ghost seems to enjoy pulling pranks on people quite regularly, she doesn’t seem to be a malicious entity at all.

As far as how she died? Well, people say that she fell from the theater’s balcony way back when, which is how they say she died, but then again—they also say that the theater has never had a balcony. So how did her apparition come to be?

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