The Best Movies About the End of the World

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Remember when everybody thought the world would end in 2012? Nearly a decade later and we’re still here, but the terrifying apocalyptic movies will never stop… and we like it that way. These films are the ideal combination of action, suspense, and horror – watching society unravel as the main characters quite literally run for their lives, often to no avail. What would you do if you were simply getting your hair done at the salon, when buildings started to collapse all around you? Is there any imaginable way to escape a natural disaster of this capacity? Answer these questions and get a fix of apocalyptic horror with these top-rated films about the end of the world.

These Final Hours (2015)

These final hours movie poster

If you found out the world was ending, what’s the first thing you would do? Some would say goodbye to their loved ones or chill out with Netflix and good food, but the protagonist in These Final Hours wants to party. And party hard. The film begins in Perth, Australia as an asteroid collides with Earth, with about twelve hours to go until a firestorm reaches the country. James wants to experience the “party to end all parties” before he exits the planet, but things take a unique turn as he meets new people and comes across terrifying things. This is definitely one of the most underrated end-of-the-world thrillers, ever. 

Take Shelter (2011)

Take Shelter movie poster

The end of the world is even more terrifying when it’s all happening inside your head, and that’s exactly what happens to Curtis LaForche in this apocalyptic thriller. He sees raindrops made of oil and swarms of black birds, while nobody else does… and his increasing anxiety and strange behavior begins to cause issues with his job, family, and life. Is he simply going through a rough time period, struggling with mental illness, or foreshadowing a future disaster? You’ll have to watch this Jessica Chastain thriller (her specialty) and find out. 

2012 (2009)

2012 end of the world movie poster

For many years, there were conspiracy theories about the world ending in 2012, as this was the conclusion of the Mesoamerican Long Count calendar. Obviously, it didn’t happen… but we did get a pretty sweet disaster movie out of it. Released in 2009, this film centers around Jackson Curtis and his attempts to save his family from impending doom. And by that, we mean a series of natural disasters that are slowly crumbling the Earth and killing off the population. This film has the ideal combination of action and scares, and you can sleep easy knowing that we all survived the year 2012. 

I Am Legend (2007)

I am legend movie poster

I hope you are enjoying the apocalypse. So what do you do when 90% of the Earth’s population is killed by a virus, while you’re the 1% who lives and the other 9% are terrifying mutants who want to kill you? Ask scientist Robert Neville, who is living a post-apocalyptic life in the ruins of Manhattan. Will Smith gives a breathtaking performance as he tries to survive and find a cure for the virus, while tracking down any fellow survivors and trying not to get attacked by the mutants. As you can imagine, it’s an eventful film!

Children of Men (2006)

Children of men movie poster

The premise of this film is quite simple. Humans have mysteriously become infertile and society is quickly (and not so quietly) dying out. There are less natural disasters and more quiet moments of fear, but Children of Men still has plenty of action. When a woman is believed to be pregnant, it becomes a symbol of hope for society… and the film follows a group of people as they do whatever it takes to stay alive. 

World War Z (2013)

World War Z Movie Poster

Brad Pitt spending a nearly 2 hour movie trying to stop a zombie pandemic, and looking amazing doing it? That’s why you need to watch World War Z. Pitt stars as Gerry Lane, a former United Nations agent who is assigned to gather clues about how to stop zombies from taking over the planet – guided by his duty to his job and need to protect his family. This movie is based on the 2006 novel World War Z, which you should also check out! If Brad Pitt can’t make the apocalypse fun who can?

28 Days Later (2002)

28 days later movie poster

This film hits a bit close to home in 2021, as it centers around four individuals trying to rebuild their life after a contagious virus hits and destroys society as they once knew it. Before there was Bird Bo or The Quiet Place, there was 28 Days Later… as this film shows the survivors trying to cope with their losses while avoiding the zombies that could possibly infect them. Among many, many other things. Some critics even say that it revived the zombie genre all the way back in 2002!

The Best Supernatural Horror Streaming Now

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Updated March 19th 2021

Have you been endlessly clicking through each of your streaming services looking for the best supernatural horror movies and series? Look no further as we have taken the time to watch them all and select the best supernatural horror currently streaming on HULU, NETFLIX, and AMAZON PRIME. You won’t find slasher films in this list because we prefer the supernatural. Included but not limited to hauntings, possessions, monsters, and complete and total psychological mind f#$%ks. We’ll keep updating so you don’t have to mindlessly scroll through endless movie lists like the zombie you might be someday.

Best Supernatural Horror on HULU

  1. The Wretched

75% Tomatometer “The atmosphere is eerie and there’s a nice twist I did not see coming.” Staci Layne Wilson

A young boy begins the journey of navigating not only his parent’s divorce but also fighting the old witch that has possessed the next-door neighbors. Great story and very well executed with a classic twist in the end. Like witch horror movies? So do we and here is our best of witch horror list.

  1. Pyewacket

82% Tomatometer “The director is out for blood, and while this is a slow-burn affair that craftily bides its time until just the proper moment to unleash a flurry of dexterously ominous thrills, the craven wickedness of it all is portentously intoxicating.” Sara Michelle Fetters 

The angst of a teenage girl mixed with a bumpy relationship with her mother leads to grim things. Out for blood, the young girl performs an ancient death curse. Whose demise will it really end in?

  1. Lights out

76% Tomatometer “A lean, mean scare-machine, and a surprise contender for horror of the year. Seek it out. Then, for God’s sake, buy a bedside lamp.” Simon Crook

Rebecca could never tell fact from fiction in the dark as a child, and now her young brother faces the same problem. A supernatural entity has come to torment the two holding a strange attachment to their mother.

  1. Thelma

93% Tomatometer “Thelma is a wonderfully composed work, one that involves you at a pace of its own.” Rhys Tarling

A college student experiences a series of extreme seizures resulting in new supernatural abilities. Her new powers are dangerous and frightening, seemingly triggered by her love for another student. (In Norwegian, only has English subtitles)

  1. Welcome to Mercy

70% Tomatometer “A rare horror movie whose creators seriously represent both sides of a dilemma, and is therefore more mature than it seems at first glance.” Simon Abrams

Madaline visits a convent and learns she is on her way to becoming the Antichrist. She must work together with her friend August to confront and fight and demons inside of her.

Best Supernatural Horror on NETFLIX

  1. The Ritual

74% Tomatometer “It is a haunting film, with immaculate direction, impressive creature design, as well as well-acted and well-realised characters.” Adi Pramana

After a death in their group, four friends go for a hike through the Scandinavian wilderness. When they become lost in the forest, a series of evil and mysterious events plague the travelers.

  1. His House

100% Tomatometer “His House is a terrifying debut that breathes a fresh voice into the haunted-house subgenre.” Robert Daniels

A refugee couple from South Sudan have just escaped the horrors of their world, only to be thrown into another. Evil hides in the corners of their new English town life.

  1. Girl on the Third Floor

84% Tomatometer “Stevens shows that he is ready to earn his chops in the directors chair and it’s easy to get excited about what he plans to tackle next. Girl on the Third Floor has a lot of heart and some of it might be bleeding out right on the living room floor.” Ryan Larson

A couple moves into a house with plans to renovate it. The house has other plans though. 

  1. Apostle

78% Tomatometer “Evans departs from his usual action fare to weave a gripping story centered around unique Pagan-like mythology steeped in blood and sacrifice. It’s folk horror, but with a new level of brutality and viscera unlike most of its ilk.” Meagan Navarro

Thomas Richardson comes home to discover that his sister has been kidnapped by a cult. Thomas infiltrates the cult and learns of the true evil lurking within it.

  1. Polaroid

The critics hated it but we really enjoyed it so it’s on our list. Give it 15 minutes and you decide if it really is that rottne!

A highschool girl who has an innocent interest in photography finds a vintage polaroid camera and begins to experiment with it. But the people who have their picture taken with the camera are mysteriously met with a sudden and gruesome death.

  1. Little Evil

92% Tomatometer “Little Evil is fast-paced, funny, and more clever than you think it will be.” Eddie Strait 

This one has a comedy twist but who doesn’t love a horror comedy? A newlywed couple is enjoying their life with their five-year-old son who may or may not be the Antichrist.

Best Supernatural Horror on AMAZON PRIME

  1. Annabelle: Creation

71% Tomatometer “It’s perhaps one of the most exciting connective twists I’ve seen in a horror film.” Jordy Sirkin

Based on the famous haunted Annabelle doll. A nun and 6 orphaned girls are welcomed into a new California home. The owner’s 7-year-old daughter had passed away in that home a few years earlier, leaving a mysterious doll behind in her bedroom. One of the curious orphans discovers it and the evil inside of it.

  1. Devil

50% Tomatometer  This is another one where we watched and really enjoyed it. Critics be damned for messing with the devil in an elevator. “A taut, expert and engrossing thriller with sense of visual restraint that is refreshing in this age of abhorrent overexposure.” David Keyes

5 strangers are on a normal elevator ride until it gets stuck in the Philidelphia office tower. Their normal ride turns dark when they learn that the Devil is among them.

  1. It

86% Tomatometer “In the end, Muschietti’s film is a big, fat, gorgeously produced love letter to King’s epic novel.” Sara Michelle Fetters

Based on Stephen King’s novel, this movie follows the journey of seven young outcasts. They meet the evilest ancient being out there that emerges from the depths of the sewers every 27 years. They all must overcome their fears to banish the clown, Pennywise.

  1. Midsommar

83% Tomatometer “Ari Aster’s approach to horror filmmaking seeps into your subconsciousness with great effect, lingering like an uninvited guest.” Wenlei Ma

A young couple struggling with their relationship decide to go on a trip to a Swedish festival. It turns into a nightmare when the locals show their true colors.

  1. Possum

90% Tomatometer “[Possum’s] shiver-inducing, claustrophobic, hauntingly brilliant nightmare fuel, powered by an engagingly disturbing central performance from Sean Harris.” Joey Keogh

A puppeteer has to relive his childhood nightmares and past secrets.

The Bloodhound from Filmmaker Patrick Picard

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The Bloodhound is the directorial debut from Patrick Picard, and is loosely based on Edgar Allan Poe’s short story, The Fall of The House of Usher (1839). The story follows a disenchanted young man who visits his elusive childhood friend at the request of a beckoning letter, and the uncomfortable terrors that follow.

Clocking in at only 72 minutes, this psychological slow-burn explores a few of the themes and ideas of its inspirational ancestor, using a few key plot points from the short story to present its ideas, though for the most part remains its own film completely. Inclusions such as the titular, and likely metaphorical, antagonist himself and the modernised setting of the Luret mansion enable a fresh horror to be invoked from the work while key themes retain what made the original so chilling. 

These themes are as relevant now as they were almost two hundred years ago; social isolation, mental health (with obvious correlations between the two), and obligations felt through different relationships. Although ideas of friendship are explored in some emotional ways, a rather cold atmosphere permeates the picture, aided by uncannily stilted performances from its two leads. These, along with beautiful, yet clinically-focused camerawork give the impression of looking into another universe at times.

The Bloodhound horror movie poster featuring a drawing of 2 men and a red doorway

As mentioned, this is another slow one, but if you’ve read any of my previous articles you should almost expect that by now. Rather than rely on scenery or atmosphere The Bloodhound is primarily dialogue-driven, as expected from a classic story adaptation. And it’s expertly handled by the two leads Joe Adler and Liam Aikan, both in delivery and consistent conviction until the final scene. You feel every pinch of Francis’ (Aikan) discomfort at the whims of the eccentric and disturbed Jean Paul Luret (Adler) and the growing distrust by both of them as each narrative intricacy reveals itself. 

The Bloodhound plays out much like an upper-class The Lighthouse (2019) in many ways, with a modernised dash of Alex Garland’s Ex-Machina (2014). With plenty enough detail within its short runtime to keep the most perceptive viewer engaged. It appears almost play-like with its limited cast, allowing plenty of opportunity for them to bounce off each other and get the most out of plot and setting. It revels in the confusion of the viewer, being that much of the information ascertained is unreliable, which bleeds through into our viewing experience as we start to doubt the things we are seeing are real. Those favouring familiar plots and more immediate scares may become frustrated. 

Even Francis, our initially implied connection with sanity, begins to act oddly. Where most would have undoubtedly left the Luret household after many of JP’s increasingly hostile antics, Francis stays to enact his own motives, leaving us all the more alone in the Luret mansion. The chemistry between these two characters is so engrossing at times that any ‘horror scene’ that does fall upon us is made all the more jarring because of it. This elevates the film from effective psychological horror to a testament to the importance of strong acting and direction within the genre. 

The Bloodhound is an intense, atmospheric and darkly comedic tribute to Edgar Allan Poe’s The Fall of the House of Usher, and a strong first entry for Patrick Picard. If his work continues to exude the same unsettling nihilistic macabre as this debut offering then I for one am in for the long haul.

The Good, The Bad, and The Saw: The Best Texas Chainsaw Massacre 

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Last month saw the release of yet another entry in the Texas Chainsaw Massacre franchise, marking the ninth in the series. This latest sequel (reboot? remake? reboot-quel?) has been largely panned by critics, with calling it “a startling misfire” and Rolling Stone concluding “it’s time to put the chainsaw down and walk away.” While many fans agree, some think the critics are being too harsh. One tweet that stood out to me in particular, from user @creepyduckart, said: “Sometimes a film called Texas Chainsaw Massacre is literally about a massacre in Texas with a chainsaw and if you don’t overthink it you might just enjoy it.” 

While I agree that the new movie is not entirely deserving of its hate, I want to push back a little on the point made by this tweet. Having seen all of the films in the franchise, I believe there are certain core attributes that define the series. Namely, the films work best when they combine an oppressive atmosphere, a dark sense of humor, and a liberal amount of violence. When deployed right, these ingredients can add up to horror movie magic. 

With that in mind, I have decided to analyze the movies in the Texas Chainsaw series and rank them worst to best, based on how effectively they adopt this winning formula. This ranking will be inevitably subjective, but I have tried the best I can to lay aside my personal biases and evaluate the movies on how successful they follow this formula, rather than how much I enjoy them. 

Texas Chainsaw Films from Worst to Best

With no further ado, sharpen your saws, and let’s get started with…

Texas Chainsaw 3D (2013) 

Texas Chainsaw Massacre 3D horror poster featuring leatherface with a chainsaw

Like the recent Texas Chainsaw, this 2013 installment attempted to breathe life back into a dying franchise by going back to the beginning. Disregarding every film after the 1974 original, Saw 3D picks up right where that masterpiece left off, even featuring several clips from the first film. This was the filmmakers’ first mistake, as such a direct comparison to a superior film makes Saw 3D look even worse than it is.

Boring, convoluted, and joyless, Texas Chainsaw 3D’s worst sin is that it doesn’t feel like a Texas Chainsaw movie at all. The film is devoid of the sweaty, brutal atmosphere of the original, featuring flat cinematography and bizarre, contemporary soundtrack choices that do nothing to build up tension. The characters, too, have none of the charisma that made the original cast so fun to watch. Leatherface and his family are reimagined as somehow sympathetic (?), undercutting the aura of menace they ought to have. Despite a few effective gore sequences, Texas Chainsaw 3D is a low point in the franchise, evoking none of the humor or dread that made the original so successful. 

Texas Chainsaw Massacre (2022) 

Texas Chainsaw Massacre 2022 Netflix Release Movie Poster

Like the 2017 reboot before it, the latest film in the Chainsaw canon is guilty of simply not feeling like a Texas Chainsaw movie. This is largely due to the way the film isolates Leatherface away from the rest of his family; this is the first film that does not feature a single other member of the Sawyer/Hewitt Clan. The deranged (and often hilarious) interactions between Leatherface and his family are a core part of what made past movies so great. By depicting Leatherface as a lone killer, he becomes interchangeable with any other slasher villain. One almost wonders if this was originally an unrelated script that was clumsily rewritten to fit into the Chainsaw series. 

Like other worst-offenders on this list, TCM ‘22 spends too much time developing a convoluted, nonsensical plot – something about gentrification? – instead of delivering effective scares. There are attempts at humor, a hallmark of the franchise, but they fall embarrassingly flat (the “canceled” joke may be the absolute worst moment in any of these movies.) The one factor keeping this from the bottom is that it does a decent job of building atmosphere; the dusty, abandoned ghost town and fields of dead sunflowers are vaguely reminiscent of the menacing vibes of the original film. Other than that, though, this is yet another installment in the franchise that barely deserves to wear its name. 

The Texas Chainsaw Massacre (2003) 

Texas Chainsaw Massacre 2003 movie poster

As the only true “remake” on this list (every other Chainsaw movie post-2000 acts as some form of belated sequel), TCM ‘03 is the most likely to draw comparisons with the original film. Seen from that perspective, it is hopelessly outmatched. Marcus Nispel’s reimagining of The Texas Chainsaw Massacre,

part of a wave of early 2000s slasher remakes, doesn’t come close to recapturing the nightmarish spirit of the original. Its characters are less engrossing, its script clunkier, and its kills far less memorable – despite being dramatically gorier than the comparatively tame 1974 film. 

Still, unlike the films lower on this list, TCM ‘03 does a halfway decent job at actually being a Texas Chainsaw movie. This is most apparent in its grimy atmosphere, thanks in part to the presence of cinematographer Daniel Pearl, who shot the original film. And while they are a far cry from the charisma and hilarity of previous Sawyers, the family members in this film are at least memorable (Sheriff Hoyt, played by R. Lee Ermey, is a particularly despicable character.) Unfortunately, in its attempt to be dark and gritty, the movie avoids the humor that is necessary for a great Texas Chainsaw movie. All in all, it is a valiant attempt, but largely an unsuccessful one. 

Leatherface: The Texas Chainsaw Massacre III (1990) 

Leatherface: Texas Chainsaw Massacre 3 movie poster

Leatherface is the only one of the original four films to be a true dud. After the comedic left-turn that was TCM2, studio executives reportedly wanted to take the third movie back in the direction of “hardcore horror.” This was their first mistake, as comedy has always been a central part of the Texas Chainsaw franchise. While there are a few moments in this movie that try to be funny – cut to Leatherface learning his ABCs – it is a downright snoozefest compared to the anarchic lunacy of the previous two films. 

The bigger problem, though, is that this movie doesn’t really work as “hardcore horror” either. It has none of the punishing atmosphere or nihilistic tone of the first two films, leading to a bland, cookie-cutter final product. Much of this is due to the departure of Tobe Hooper from the franchise. Without Hooper’s unique vision, TCM3 is an unworthy successor to the previous movies. Despite a couple of solid performances – I could watch Ken Foree and Viggo Mortensen in this movie all day – TCM3 marks the beginning of a long downhill for the Texas Chainsaw series. 

The Texas Chainsaw Massacre: The Beginning (2006) 

Texas Chainsaw Massacre: The Beginning Horror Movie poster

Believe it or not, this 2006 prequel is actually a little better than the remake that preceded it. It boasts a tighter script and stronger characters than the ‘03 film,

while also featuring some genuinely terrifying, memorable moments. Highlights include the first time that Leatherface dons his signature skin mask, and a shocking ending that left me genuinely shook. R. Lee Ermey’s Sheriff Hoyt also gets plenty of screen time in this one, delivering what is by far the best performance in any of these films post-2000. There are even a few moments of trademark Texas Chainsaw black comedy: Leatherface performing an unsolicited amputation on his uncle got a good chuckle out of me. 

Let’s talk about gore, of which there is plenty to go around in this movie. Throats are slit, skulls are caved in, and bodies are butchered left and right. But The Texas Chainsaw Massacre has never been defined by its gore; the original film is fairly bloodless. Violence works best in the Texas Chainsaw movies when it is sudden, bizarre, and brutal – recall the infamous bludgeoning scene from the first movie. The Beginning relies too much on its graphic violence, sacrificing subtlety for mindless carnage. For this reason, it falls short of being a truly great Texas Chainsaw movie. 

Leatherface (2017) 

Leatherface 2017 Horror Movie Poster

Leatherface (the second movie in the series to hold that title) is far better than it has any right to be. It is also the most narratively ambitious film in the series, abandoning the traditional TCM plot structure and instead telling the origin story of its title character. Equal parts coming-of-age road movie, bleak family drama, and brutal gorefest, Leatherface comes the closest of any post-2000s installment to capturing the true spirit of the Texas Chainsaw franchise. 

Some purists might balk at this movie’s high ranking, since it veers so far from the tried-and-true Texas Chainsaw formula. But by experimenting within an established framework, Leatherface expands on the original film’s legacy rather than engaging in rote repetition. And by bookending the main story with two of the best Sawyer family sequences since the 1990s, the film firmly anchors itself in TCM lore. The movie’s opening birthday party scene alone, in all its gleeful gore and over-the-top acting, would be enough to cement this as a worthy and enjoyable Texas Chainsaw movie. 

The Texas Chainsaw Massacre: The Next Generation (1995)

Texas Chainsaw Massacre: The Next Generation Movie poster

Mocked since its release for its bizarre tone and nonsensical plot, The Next Generation might just be the best Chainsaw movie not made by Tobe Hooper. This is no doubt due to the direction of Kim Henkel, who was Hooper’s writing partner on the original film. Consequently, Henkel’s vision of Leatherface and family feels more authentic and visceral than the studio-helmed TCM3. As unconventional as some of his choices may be, Henkel knows the world of Texas Chainsaw on a gut level. 

While some fans balk at Henkel’s emphasis on campy, over-the-top humor, I believe it works as a natural evolution of Hooper’s two films. Yes, the film is not particularly gory, and the plot does take some questionable left turns in the final act. But at its heart, the Texas Chainsaw series has always been about unpredictable violence perpetrated by comically deranged characters. That is a letter-perfect description of The Next Generation, in particular Matthew McConnaughey’s performance as the unhinged Vilmer. If you’re going to watch any Texas Chainsaw movie not directed by Tobe Hooper, this should be the one. 

Tied for Best: The Texas Chainsaw Massacre (1974) and The Texas Chainsaw Massacre 2 (1985) 

Texas Chainsaw Massacre Movie Poster 1974

The two Texas Chainsaw movies directed by Tobe Hooper operate on another level from anything else in the franchise. While the other movies on this list range from great to unwatchable, TCM & TCM2 are crown jewels of horror filmmaking, chock-full of one unforgettable moment after another. From the brutal, apocalyptic imagery of the original, to the campy splatter of its sequel, these movies comprise a single, sustained peak for the TCM series, and an artistic triumph for one of the greatest horror directors of all time. 

The reason I am ranking these movies together is because each one represents different but equally vital components of what defines a Texas Chainsaw movie. The original film is one of the most atmospheric, brutal pieces of horror cinema ever made. It was even marketed as being based on a true story. Watching it, you can feel the sweat pouring down your brow, smell the decay and horror of every moment. The sequel, on the other hand, expands rather than retreads its predecessor, turning its black humor up to eleven. Both films are deeply scary and moody; both shock us with moments of brutal violence; both feature some of the hammiest and memorable performances of their respective decades. In short, both demonstrate everything you need for a perfect and clearly the best Texas Chainsaw Massacre movie.

Sources: -review-netflix-1302675/ 022

The Night 2020 – Creepy Hotels and Psychological Terror

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The Night (2020) is a warping and impressive directorial debut from Kourosh Ahari, director of such shorts as In Passing (2017) and Malaise (2014). While his time in the industry has been short, this promising offering displays a competence and understanding of what makes a truly chilling story, thankfully with enough talent to back up every inch of it.

An Iranian couple living in the US are lost on their way home from a night of drinks at a friend’s house. After arguing by the roadside over how to proceed, they eventually come across the majestic yet eerie Hotel Normandie, and decide to stay the night. What follows are enough spectral shenanigans and psychological trickery to satisfy Stephen King; And although it does tread similar ground to the fantastic 1408 (2007), The Night manages to hit hard in its own stylish and weighty manner. 

Invoking a similar claustrophobic dread to films such as The Borderlands (2013) and perhaps to a lesser extent Grave Encounters (2011); The Night presents us with the feeling that the characters we follow are being tortured to the full extent of their psychological threshold. To the disappointment of some, the film feels perhaps a little too scare-restrained to cross the border from unnerving to fully frightening. What area of the horror spectrum it does fall under, however, it owns to the fullest degree. 

The domestic troubles of lead couple Babak (Shahab Hosseini) and Neda (Niousha Noor) are apparent from the opening scenes, and it’s these demons and their collective secrets they must face if they are to survive their night at Hotel Normandie. Though slow in pace, the film is pulled along with ease by Hosseini and Noor’s compelling and involving performances. Additional characters show their faces now and then to instill some terror, shoving along a plot which keeps the brain whirring up until its revelatory, mind-bending third act.

And the ending…oh, that ending. 

The Night 2020 Horror Movie poster alternative featuring a mans face fading into the background

For a story of personal demons and their manifestations, the inference of real threat is a potent one. Dread builds through long -often hypnotic- camera takes, the slightest facial twitch indicating more than a monologue could ever achieve. The mesmerising effect of this style admittedly left me forgetting my place on more than one occasion, which is brilliantly appropriate. This, along with the heaps of mystery still seemingly looming beneath the surface even as the credits roll, absolutely warrants repeated viewings. The few jumpscares that were included are delivered with impeccable timing and accented with such dreadful musical spikes that I rejoiced at their inclusion, and I haven’t enjoyed a jumpscare since The Ring (2002)

The Night takes its time and strikes when it needs to with uncanny precision. Starting slow (almost deceptively dull), this build-up should be taken as such, and immersion in the world of these brilliantly acted characters is a top priority. This exquisitely-balanced drama/horror blend is a pleasant surprise from Ahari and hopefully a promising look at a bright future in cinema. I felt lost within the Hotel Normandie, which I would say is the highest possible praise for a film with The Night’s intent. 

The Night 2020 Movie Trailer

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