This creature is an Inuit legend, one who hunts people during the winter, but it’s not actually a predator in the strictest sense–it’s a spirit of the Netherworld. The Keelut (key-loot), also known as the Qiqirn (key-kern) is sometimes referenced as a spirit of death or an evil earth spirit. While it is actually a spirit, it takes the form of what some believe to be a true cryptid. To be honest, it’s hard to say which is a more frightening aspect of this creature, that it’s an immense, malevolent, black, hairless dog with the sole purpose of preying upon humans, or that it’s also a spirit so it doesn’t necessarily abide by the laws of physics. The Keelut’s mythological cousin is the Church Grim or Barguest of Great Britain, who stalks those traveling in the night which results in an untimely death.
The major difference between the Church Grim and the Keelut is the fact that the Keelut doesn’t have any hair, except for on its feet. They say that this makes their tracks in the snow disappear easily, which gives the advantage of stalking prey without being noticed. Aside from their predatory nature, these creatures have other similarities that transcend the separation of culture—both are known to act as a harbinger of death, and otherwise feast upon the dead. In Inuit folklore, the Keelut is known to attack lone travelers, the sight of one would cause disorientation, then eventually hypothermia and death.
Hold the Dark (2018): Bringing Alaskan Horror Legends to Life in a New Way
This Alaskan creature of terror was made to take the sidelines in William Giraldi’s book Hold the Dark: A Novel (2014) and now a Netflix original film Hold the Dark (2018) when the residents of Keelut, a remote (fictional) Alaskan village, have been the unfortunate targets for a dangerous pack of wolves. These wolves have successfully taken three children before the main story takes place. It’s certainly a spin to the original tale of the Keelut, but it pays special homage to the Inuit folklore wherein it was born.
While it certainly didn’t get rave reviews from this critic, I have a personal bias when it comes to films that include Alaska and the surrounding culture, even if it’s not terribly accurate.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
You’ve come across an ancient book, not just some dust-covered antique that you found at your local bookstore; no, this was gifted to you with the confidence that you would heed the warning on the attached note and stash the book in a lock-box far away from prying eyes that may fall upon the archaic and mysterious pages of this increasingly enticing tome. Its pages call out to you, begging you to gaze upon them and to unleash the horrors that reside within. What would you do? Well, if you’ve seen any horror movie ever, you’d know that the ancient and creepy compendium of nightmares you’re holding is, in fact, what you can single-handedly bring about the apocalypse with–however, just like every horror movie you’ve ever seen, you’re probably going to open that damn book.
Stop it, Pandora. Don’t you dare open that goddamn book.
Photography by Staffan Vilcans
You opened the book, didn’t you? This is why we can’t have nice things.
Don’t worry, you’re not the first one. That’s part of what makes movies like Evil Dead (1981) so much fun, the horny group of teenagers fall victim to curiosity and another one–or three, or four–bite the collective dust. The curiosity may be unbearable but when it comes to the Necronomicon, a mythical book of demonic power, you should probably leave well enough alone.
What exactly is the Necronomicon?
Depending on where you know the Necronomicon from there may be different lore attached, but legend tells us that the original Necronomicon was written by the mad Arabian poet Abdul Alhazred. After spending a decade roaming the ruined cities of Babylon and Memphis he completed his tome before he descended further into madness and by A.D. 738 was devoured by an invisible monster according to Lovecraft. The actual name Necronomicon is, according to Lovecraft translated to, “the book of the customs (or laws) of the dead,” but other translations include, “the book of dead names.”
It is said that his manuscript was translated into Greek by scholars in the 10th century then burned in the middle ages, which only a few copies were said to survive; which of course allows us all to enjoy the delightfully awful antics that follow the contents being read aloud. Despite being a product of H.P. Lovecraft’s strange and mystifying imagination, it was inspired by real historic texts such as the Egyptian Book of the Dead. It has been said in certain sources that Lovecraft confessed the original idea for the Necronomicon came to him in a dream and he first showcased his idea in the short story The Hound (1924).
What else is really in the book though? From what Lovecraft divulges within his stories, Alhazred spoke mostly of the Old Ones and it makes sense that a book like the Necronomicon could only exist in a universe where ancient, god-like beings would bring their wrath by those who sought to wake them. In fact, the book was even said to contain the very passages that would wake the Old Ones and inspire madness just from viewing its pages. In Dunwich Horror, Lovecraft gives us a quite lengthy excerpt from the Necronomicon, speaking specifically about Yog-Sothoth. A much more popular creature, Cthulhu, is also mentioned as a monster who lies at the bottom of the ocean.
In fact, many fans tend to think about the Necronomicon as a sort of bible for Lovecraft’s pantheon of the immensely powerful extraterrestrial beings. The book appears within eighteen of his own stories, more often than any other real or fictional ancient tome that he was known to reference. Later on, with the adaptations of other authors, the book gained more of a reputation as a book of spells and rituals, but Lovecraft’s original intention for the book lay mostly in mythology and origin stories for the creatures that were the foundation of his universe.
Within the context of horror Lovecraft’s portrayal of the history of our world, in the times before man, as a universe controlled by beings so terrifying that just reading about them had to potential to drive a person completely insane. This was the birth of cosmic horror, as many of the stories Lovecraft developed ended with at least one of the characters descending into the depths of madness after flipping through the Necronomicon because these creatures were so beyond human comprehension that even thinking about them could be mentally devastating. It would be interesting to see how Lovecraft might feel to know that eighty-two years later there would actually be people convinced that his Necronomicon was an authentic and evil book of spells.
Is the Necronomicon Real?
The short answer is no, the Necronomicon is a purely fictional book that was brought to life through the creative genius of H.P. Lovecraft. To be fair though, Lovecraft did a pretty great job creating a comprehensive universe with its own history, deities, and forbidden lore, which added the element of cosmic horror to his tales. While in reality, the Necronomicon doesn’t exist, there are more than half a dozen books with the same title that you can find at bookstores–these books are all works inspired by, or containing Lovecraft’s book.
The practice of developing such a rich background in fictional literature would inspire other writers to do the same; renowned author J.R.R. Tolkien would follow suit when he brought Middle Earth to life. Lovecraft’s immersive method caught fire with other writers, such as August Derleth and Clark Ashton Smith, who regularly had exchanges with him and even expanded upon the universe by using the Necronomicon and all of the related Chtulhu mythos in their own work. Lovecraft also included his peer’s creations in his own tales as well, as an example, Smith came up with the idea of The Book of Eibon, which was mentioned within his own body of work. Lovecraft even included Robert Bloch’s De Vermis Mysteriis, a book which was said to have the power to summon demons from alternate dimensions, in his stories The Haunter of the Dark and The Shadow Out of Time.
As an avid letter-writer, Lovecraft quite frequently mentioned the Necronomicon in his correspondences to his colleagues where he suggested that his inspiration was also derived from Gothic writing; Gothic writing often made use of the idea of ancient texts and forbidden literature. There was a tendency among authors of the time to do their best to blur the lines between fiction and reality. An author that Lovecraft quite openly admired, Edgard Allan Poe, would go to extremes in an attempt to convince his audience that his stories were true–he even published his 1844 story The Balloon-Hoax as a legitimate article in the New York’s The Sun. As can be seen, by radio performances likeWar of the Worlds by H.G. Wells in 1938, as well as found-footage movies like The Blair Witch Project (1999), the V/H/S series, and the [REC], it is something that modern horror culture still strives to do.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
There is always a cause for panic for some when the words
“Satanic” or “Devil” worship is uttered—people have gone to
jail over such accusations of satanic crimes as recently as the 1990s. The
so-called “Satanic Panic” of the eighties and nineties pursued an
imaginary evil, yet left so many innocent lives ruined. Unlike the cults that
led the victims of Jim Jones, a cult leader who instigated the massacre of
Jonestown and inspired movies like Jonestown (2013), the
satanic cults that exist in popular culture simply do not exist in real life.
How Devil Worship is Depicted in Popular Culture and Mainstream Media
There’s a lot to say about Satanism versus the
ever-so-popular concept of devil worship. The long and tumultuous history of
the latter is one based on the religious bias of dominant religions, unfairly
painted as being so evil that words “demonic,” or “satanic,” became synonymous
with the worst type of evil imaginable. So, where did this image really come
from?
Satanic Panic
Unfortunately, the myths that surround Satanism as imagined by Hollywood and religious fear-mongers, continue to be a problem today—these media portrayals are simultaneously entertaining and besmirching, leaving people to accept any negative aspect about topics such as Satanism as truth, without regarding the possibility that much of it could just be associated with teenage rebellion or misunderstood alternative religious beliefs. During the eighties and early nineties, much like the red scare of the forties and early fifties, Satanists were the hidden boogie-man in everyone’s neighborhood. For many innocent men and women convicted of satanic crimes, it was a literal witch hunt, they became everyone’s favorite scapegoat.
For the people on the accusing end, it’s easy to see how fear and superstition could easily overcome their ability to process things within reason and proceed logically. This widespread panic pit people against each other, because without a designated cult leader, there was a chance anyone you knew might have been a Satanist and no one was above suspicion. The problem with this hypervigilance was that most of the accusations were of child molestation, abuse, and various other obscene activities that were done deliberately involving minors. The made the children who were really suffering, whose validity was already under question, seem like they weren’t genuine cases. Although less frequent now in the United States, especially since Satanism became a federally recognized religion.
The generic reaction to the idea of Satanism, or “devil-worship,” during the time of the Satanic Panic.
Religious Satanism
A considerably newer concept is the formation of Satanism as a recognizable religion. It’s said that modern Satanism was born from the literary movement in the later parts of the 1600s that started with John Milton’s pitiable portrayal of Lucifer, in Paradise Lost (1667). Despite his Puritanical beliefs, he started a new way of characterizing the Devil—a sympathetic one.
Atheistic Satanism
While it may seem like a foreign concept to those not, “in the know,” a larger portion of Satanists don’t actually believe Satan to actually be a god, or entity at all—in fact, he’s more of an idea, or a symbol, one that embodies what they stand for.
The Satanist, in accordance with LaVeyan theological viewpoints, is a carnal, physical and pragmatic being. Being able to physically enjoy existence with an undiluted view of the worldly truths is promoted as the core values of Satanism, which propagates the naturalistic worldview that sees mankind as animals existing in an amoral universe. After LaVey’s death in 1997, the church was moved to New York and taken over by a new administration; suffice it to say, LaVey’s daughter didn’t appreciate this change and founded the First Satanic Church in honor of her father in 1999 which she continues to run out of San Francisco.
Sigil of the Satanic Temple
The Satanic Temple
Another atheistic institution of Satan is the Satanic Temple—it is more of a political activist organization rather than a religious movement. The focus of their fury lies solely in the waves they can make in the political and social spectrums with special regard to separation of church and removing restrictions on personal freedoms. In such ways, the Satanic Temple serves as a way for followers to rebel against arbitrary authority and social norms. They have made an effort to be a voice for the people and denounce oppressive laws and religious persecutions.
Theistic Satanism
Even though theistic Satanism is the thing that most people actually fear, theistic Satanists make up the smallest number of those who call themselves Satanists at all. Theistic Satanism is what could also be referred to as traditional Satanism, Spiritual Satanism, or “devil worship,” that so many people still fear today. Their beliefs have a Satan-centric view of religion, where Satan is a deity to revere. Most of these traditional Satanists incorporate a belief of magic into their religion, but the main thing that they all have in common is that they consider themselves devotees to Satan.
Luciferianism
Sigil of Lucifer
One of the forms of traditional Satanism, is Luciferianism, a belief system that takes aspects of that are most commonly associated with Lucifer and venerate him as a higher being. Although there is little difference between the concepts of Lucifer and Satan, they are not always characterized in the same light—that is to say that Satan is the embodiment of evil in most common characterizations of him, whereas Lucifer is considered the “light-bearer,” or an angel who has fallen from grace. Within Luciferianism, there are those who venerate one concept or the other, but not both simultaneously. The tradition most typically reveres Lucifer not as the devil he’s depicted to be, but as a being who will liberate and guide his followers, replacing the Christian God, or “true god,” with Lucifer being the good guy in the story that traditional Christians adhere to.
Order of Nine Angles
Sigil of the Order of the Nine Angles
Based in the United Kingdom, with associated organizations in other parts of the world, the Order of the Nine Angles claims to have been established in the 1960s. It wasn’t until the 1980s when the Order gained public recognition; the political activism and ideologies that it showcased to the world during this time had a huge neo-Nazi affiliation. The Order of Nine Angles describes its approach to religion as traditional Satanism, but academics have been known to associate it more with hermetic and pagan practices.
The Order established advocacy for a spiritual path in which the practitioner is required to break any and all societal taboos. They are encouraged to isolate themselves from society, commit crimes, embracing political extremism and violence, as well as carry out acts of human sacrifice. For these reasons, this branch of Satanism has been described as being the most extreme and dangerous group, under the theistic Satanism umbrella, in the world. So when people immediately jump to “devil-worship,” it is likely that they are considering the Order of Nine Angles without even realizing it; as the least popular sect of Satanism to be a part of, it is the most popular when referencing in popular culture.
Temple of Set
Inverted Pentacle
Established in 1975, The Temple of Set inspired a new religious movement—the practitioners of which consider themselves Sethians. Scholars and practitioners alike condemn the idea of Sethianism being likened to Satanism, as they argue it is actually a form of Gnosticism. In 1975, when the religion was first founded, Michael Aquino, a high-ranking member of the Church of Satan, was entirely unsatisfied with the direction in which LaVey was moving the Church in. According to claims from Aquino, he resigned his position with the Church of Satan and embarked upon his own religious path. While doing some soul searching, he believed that Satan revealed his true name to be that of the Ancient Egyptian deity, Set.
Sethians believe that Set is the one true God, who bestowed upon humanity the ability to gain knowledge. This is a familiar concept that is known in Christian texts when Lucifer presented himself as a serpent and tempted Eve with the apple from the Tree of Knowledge when Eve gave in to temptation, she gave humanity free will. Unlike other theistic Satanic organizations, despite being considered a god, Set is to be emulated, but not worshipped or venerated. This is one of many religions that do not condemn the idea of self-deification or worshipping the self. Another magic practicing religion, Sethians believe that through ritual black magic that the world around the practitioner can be manipulated for their own benefit.
Instead of emphasizing the negative aspects of the encounter with Lucifer in the Garden of Eden, toting it as human weakness, it promotes the encounter as “divine fullness,” stating that Eve is to be praised for tossing away blissful ignorance and stepping towards independence and freedom. The snake in the Garden of Eden is therefore considered a heroic figure in its own right, instead of the vilified proto-Satan who is the adversary of humanity. In the opinion of practicing Sethians, eating the fruit of knowledge was the first act of human salvation from the cruel and oppressive powers of the Christian god.
Dark Magic: Is it Always Satanic in Nature?
This is a fairly difficult question to answer, because the short and straight-forward answer is a definitive, “no.” That’s hardly a full answer though, but considering the complexity of dark magic, the people who use it, and the debate about whether dark magic actually exists creates an almost impossible task of alleviating the fears of this question. So, let’s start with the fact that not all practitioners of magic and witchcraft actually believe that magic can be, “dark,” because this implies that the magic itself is evil.
Photography by Freestocks.org
Most practitioners take a modern-day approach to the concept of magic, is that it is truly just natural energy that practitioners of magic manipulate to change the world around them. These practitioners also take into consideration the volatile nature of the human condition, this means that while magic is a neutral energy, human beings are varying levels of good or bad—this is how there can be benevolent, charitable people like Mother Teresa, as well as serial killers like Jeffrey Dahmer.
Practitioners who thrive on what people consider, “dark magic,” typically refer to what they practice as baneful magic or magic that has ill consequences for the person they may be targeting. Baneful magic is not a practice that is only embraced by Satanic occultists, it is something that is practiced by voodouisants, hoodoos, conjurers, rootworkers, chaos magicians, grey witches, and more. In fact, there is a common saying within the witchcraft community, “a witch that cannot hex, cannot heal,” which always instigates a passionate debate that typically ends with frustration or fury. The fact that baneful magic is practiced by all types of practitioners, means that demons are not just a part of the Christian or Satanist belief systems; demons exist in so many different cultures, so the practice of demonic magic, often referred to as demonology.
American Horror Story: Apocalypse (2011 – )
The Roles that Demons Play
When we see demonic magic in action on the big screen, it’s always regarding some terrible sacrifice that requires the blood of the innocent to be spilled, perhaps dominion over the demons that are summoned, subservience to the demons that are summoned, or world-ending scenarios. Demons are as diverse as can possibly be imagined, some can be friendly, although it’s not wise to ever consider them compassionate or generous; they’re like your local loan shark, they’ll give you what you want, for a price. Then again, if you’re desperate enough to want to offer something up to a demon for personal gain, then you might not actually be too worried about what that offering might be.
Movies and TV Shows that Stir the Satanic Panic:
While these movies and television shows are a great thrill ride, they don’t exactly portray Satanism in a realistic way; then again, that’s part of what makes it entertainment, isn’t it?
What inspires your fear about devil-worship? Do you enjoy a good demon-driven plot as much as we do? Did we miss an excellent satanic horror movie or television series that you think we should know about? Tell us your thoughts below!
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Built in the 1800s, the Oregon State Hospital has a reportedly insidious past that went on for years. Once an insane asylum, it is said that terrible malpractice occurred within its walls and that it had a secret tunnel that connected the buildings which shrouded these terrible experiments that were rumored to have been conducted on its patients. Today, part of the hospital has been preserved as a museum, and even now visitors to the hospital claim to have experienced paranormal activity, where they feel as if they are being watched, while on the premises.
The History of the Oregon State Hospital
Located in Salem, Oregon many of the original parts of the State Hospital still remain in use, while other parts are closed off due to severe disrepair. A new wing was constructed in 2011 where most of the patient care takes place now—the grounds look fairly inviting from the outside, there is unfortunately very little indication of the kind of horrors that took place within. When the facility was originally built, it was intended to serve all patients, but it soon became overcrowded and due to this, it became a more specialized facility that served the criminally insane and the mentally handicapped. Visitors are free to tour the campus as well as the interior of the hospital, where they learn that an estimated two-thirds of the population was found to be both mentally insane and found guilty of a crime.
Although these days, the original hospital and asylum are no longer taking patients, the Oregon State Hospital is still in business—but now mostly as a museum, perhaps as a monument to the way we used to treat those who had mental turmoil or abnormal conditions. Taking a tour of the hospital provides those interested with a fairly accurate perspective at the people who were once housed there, as well as the insanity that they actually endured at the hands of doctors who did not have their patients’ best interests at heart. The hospital was built in 1883 and for only having existed for almost a century and a half, the building has a lot of stories to tell. Like any old-fashioned asylum, patients fell victim to things that would never be acceptable by today’s medical practice standards. Over the years that these terrible experiments, abuse, and torture felt at the hands of both staff and fellow patients, it’s estimated that hundreds if not thousands of patients died within the asylum—it’s not incredibly surprising that it has the reputation of housing so many tortured souls.
If you take a tour of the facilities, you’ll find the museum is certain to educate people on the terrifying experiences that patients lived through in their time within the hospital. Exhibits fill the halls that were once filled with patients and the location was made popular when it was used as the filming location for One Flew Over the Cuckoo’s Nest. Surprisingly it functions still as the state’s sole psychiatric hospital. Within the exhibits, visitors can see the entire overview of how procedures for treating mentally ill patients has changed over the years, from its opening in the late 1800s to the present day. Even though the rooms were all remodeled, there lingers an intensely creepy presence throughout the museum.
The Unfortunate Incident of 1942
David Maisel, Library of Dust 103-566
One of the more ghastly stories that haunt the walls of this old facility happened in 1942, when forty-seven people were killed and hundreds more were struck incredibly ill after they were served their daily breakfast.
The Real Story…
Nearly eighty years ago now, on November 18, 1942, a terrifying scene unfolded at the Oregon State Hospital; what began like any other day ended in tragedy and confusion. After being served an enticing breakfast of scrambled eggs, patients began to die left and right—they presented with illness by vomiting blood and writhing on the floor in agony. Some patients died in minutes, others succumbed to this mysterious terror hours later, the death toll ended at forty-seven lives having been lost. In the official report, 263 patients fell ill, but the newspapers that ran the story reported that over four hundred patients had contracted this unknown illness.
At first, there was a fear of sabotage—Governor Charles A. Sprague called it a mass murder, where today it would be called a terrorist attack during a time where the country was already in the midst of World War II. With the fear of sabotage on the West Coast, there was a suspicion that the food supply had been compromised, as it was considered a vulnerable target. The eggs that had been served at the state hospital came from the federal surplus commodities that were distributed by the U.S. government and were part of a shipment that had been divided between the state institutions, schools, as well as other programs in Oregon. Governor Sprague immediately ordered that all institutions stop using the eggs which had come packed frozen in 30 lb. tin cans—the federal government followed suit and issued a similar order.
An investigation was immediately launched and officials from the Army, American Medical Association, and Food and Drug Administration were quickly dispatched to the state hospital campus in Salem. Considering the patient occupancy of the hospital was estimated to have been around 2,700 at the time—which is more than five times the amount that it treats today—it was exactly the reaction that we would hope to see. First-hand accounts remain what can be found in newspaper archives and a report submitted to the Journal of the American Medical Associationfrom two of the doctors who worked at the state hospital, and one who worked at the Oregon State Police crime lab in Portland.
One of the doctors to first respond was Dr. William L. Lidbeck, a pathologist who lived in one of the cottages on-site. What he found was a horror show—patients were experiencing abdominal cramping, and severe nausea, which turned into them vomiting blood, having seizures, struggling to breathe, and even some experiencing paralysis. Lidbeck had deduced that they had ingested a virulent poison and believed those who died the quickest had eaten the most of the poisoned eggs, whereas others would have had their death prolonged for hours. The night ended with a full morgue, chapel, and a hallway lined with bodies.
It is said that the death toll would have been worse if not for one heroic staff member, Nurse Allie Wassel, who took one bite of the eggs after the trays were brought to her ward. She immediately noticed the taste wasn’t right, so she refused to serve them to any of her patients. She became ill, but survived and was credited with saving many lives. Those who weren’t lucky enough to be in her ward put their spoons down after complaining that the eggs tasted too salty, or soapy and they began to immediately experience symptoms.
The investigation into the incident was of the utmost importance was conducted swiftly—autopsies were done on six patients, and samples of the poisoned eggs were taken from their stomach contents as well as the patients’ plates. These samples were fed to rats who succumbed within minutes and within twenty-two hours it the poison was identified as sodium fluoride, but it was also only found in the eggs cooked at the Oregon State Hospital. Commonly used as an insecticide for rats and cockroaches, it is a white substance that acts quickly, but could be easily mistaken for flour, baking powder, or powdered milk—even ingesting a small amount could be fatal. The thing they didn’t know, was whether it was intentionally fed to the patients, or if it had been a horrible accident.
According to the reports, the hospital’s assistant cook confessed and told the officials that he had sent a patient to the basement storeroom for powdered milk and the patient mistakenly brought back roach poison and it had been mixed in with the scrambled eggs. Patients in asylums were regularly used to help in the kitchen and around the hospital, as a part of a work-experience opportunity to help them with self-esteem, feeling productive, as well as earning a small wage. Procedures now have changed so vastly that an incident like the one that occurred at the Oregon State Hospital could no longer happen.
The patient who had retrieved the poison instead of the powdered milk? Twenty-seven-year-old George Nosen, who had admitted himself to the hospital as a paranoid schizophrenic. Nosen had been assigned to kitchen detail—washing dishes, cleaning floors, preparing for lines of other patients—and the kitchen was seriously understaffed. That mealtime had been incredibly busy, so Abraham McKillop the assistant cook had sent Nosen to fetch the powdered milk—a violation of the rules established at the hospital in 1908—and Nosen apparently wandered into the wrong storeroom, which tragically opened with the same key he had been given for the food storeroom. The storeroom with the poisons and the storeroom with the food were only eleven feet apart—and it was ruled to have been a tragic accident. While terrible, it did bring about some necessary changes to the way the hospital conducted its safety practices, as well as the labeling, is done by the Food and Drug Administration.
A lot of the unrest that can be found here can also probably be attributed to the controversy of the hospital staff having lost over 1,500 cans of patients’ cremated remains.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
Any object can be haunted, but perhaps due to the fact that dolls are
physically modeled to bear a resemblance to human beings, they have more of a proclivity
to be vessels of spirit possession. According to Ghosts
in Popular Culture and Legend, “haunted dolls are either
possessed by malign, nonhuman entities or earthbound spirits—who are usually
female—either children who died as a result of a horrific accident or women who
are the victims of domestic violence. In both instances, prospective buyers are
cautioned to treat the dolls with respect and to rehome them with another buyer
if the object becomes too much to handle; destruction would free the spirit and
either cause it distress or make it more dangerous.”
Artwork by Mary Farnstrom
An exception to the gender stereotype that plagues the haunted doll theory, is Robert the Enchanted Doll. This particular doll has been located in Key West, Florida since 1904 and is still on display in the Fort East Martello Museum. The original owner of Robert was a four-year-old boy named Robert Eugene Otto—Gene to his family—the doll was given to him by the family’s maid and activity started immediately after Gene came into possession of the doll. While the doll’s name is Robert, little is known about the spirit that haunts the doll, all is known are the stories that are told about its activity. During Gene’s childhood, Robert was frequently blamed for items being scattered across the home, as well as upturned furniture. As an adult, Gene maintained ownership of the doll, but knowing what it was capable of, he locked it in the turret of his home, where neighborhood children said they saw it staring at them from the windows, often changing places on its own.
It’s unclear as to why people still insist upon wanting to own spirit-possessed dolls, but what is clear is that it’s sure to be a trend that continues on for quite a while. One possible reason why these things continue to be items that are sought after is that there are a lot of would-be paranormal investigators who have little to no experience dealing with spirits in the first place. They get the idea that they can collect evidence and make it big if they come into ownership of a doll, simultaneously proving the existence of ghosts and the dolls they haunt, as well as making a name for themselves. Whatever their motivation, it feels like they lack the guidance to understand what they are getting themselves into and therefore are making decisions without knowing the full risks of their endeavors.
Haunted dolls are considered a commodity in today’s culture, due to popular horror culture making them popular with horror films like The Conjuring (2013), Annabelle (2014),Annabelle: Creation (2017), and the most recent horror movie Annabelle Comes Home (2019). People enjoy the fictional horror stories so intensely that they feel a connection to haunted objects without realizing the perils that can be attached to them. The story behind The Conjuring and Annabelle franchise though is actually more real than many people realize—sure the movies are amped up to create the thrills and adrenaline rush that people so desire, but these movies were based on true accounts of paranormal investigators Ed and Lorraine Warren.
Annabelle: Creation (2017) Trailer
The Warren’s Museum of the Occult contains more haunted and cursed objects than any other museum presently known, which serves as evidence of the paranormal and supernatural forces that are at work within this world. Although I have never been to the museum myself, it is said that the collection is dominated by dolls that are haunted or inhabited by evil spirits—the most well-known of which is actually the real Annabelle doll. There is a rather long and convoluted history about the doll and its origin, which is further convoluted by the fictional embellishments added to the movies.
Annabelle Comes Home (2019) Trailer
What has been alleged is that the doll’s original owner consulted a medium who said the doll was actually inhabited by an evil spirit and not a ghost at all—which is when the Warrens took possession of it, had it exorcised, then locked it in a blessed cabinet to ward off any potential activity from starting at their own house. The whole story is spoken of in-depth in the book The Demonologist: The Extraordinary Career of Ed and Lorraine Warren. The real Annabelle is quite a bit different from her presence in the films, where she is portrayed as a fragile, yet incredibly creepy porcelain doll with exaggerated features. In reality, she is what seems to be a run of the mill Raggedy Ann doll, the same type that many of us girls owned as children, something that would seem soft, safe, and cuddly.
Dolls like Robert and Annabelle remain objects of scary stories and fascination for a lot of people across the world and while the idea of them definitely belongs to the public, the dolls belong in a place where they can be properly warded and kept away from unsuspecting bystanders.
Georgia-based author and artist, Mary has been a horror aficionado since the mid-2000s. Originally a hobby artist and writer, she found her niche in the horror industry in late 2019 and hasn’t looked back since. Mary’s evolution into a horror expert allowed her to express herself truly for the first time in her life. Now, she prides herself on indulging in the stuff of nightmares.
Mary also moonlights as a content creator across multiple social media platforms—breaking down horror tropes on YouTube, as well as playing horror games and broadcasting live digital art sessions on Twitch.
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