The 10 Most Underrated John Carpenter Horror Films

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Reviews Scary Movies and Series

These ten movies directed by horror-master John Carpenter sadly live on as underrated additions to the horror film genre—in fact, many of these you won’t ever hear mentioned in daily horror culture, but that’s a shame because all of these are worthy of at least a little attention.

Someone's Watching Me (1978) Movie Poster

Someone’s Watching Me (1978)

While this horror movie isn’t truly a paranormal horror tale, it is a classic horror tale that many women can relate to in their real lives—being stalked. True to form of successful movies that continue to live on from the 70s, Someone’s Watching Me (1978) is a traditional, “less is more,” type of piece. It relies upon the situations that would if one were to experience them in own life, would cause incredible anxiety and lasting fear. This is possibly Carpenter’s most underrated movie, perhaps simply due to the years that have passed since it was released. In truth, it’s the kind of movie that might constantly be giving loud advice to the main character while she gets increasingly sticky situations.

Someone’s Watching Me IMDB listing

The Fog (1980) Movie Poster

The Fog (1980)

As the title suggests, this film brings its scare from the fog—it’s a horror movie that focuses on the creeping and inevitable, there is no stopping the fog from rolling in, especially when it moves against the wind. What can you do when there is something deadly in the fog—something that moves with it, that kills without provocation? All you really can do when it comes is bolt your doors, lock your windows, and stay inside your house. This story of Captain Drake and his ill-fated crew is definitely a classic worth watching or re-watching if it has been a while.

Enjoy seafaring horror? Check out our article on hauntings at sea as well

The Fog IMDB listing

Creepshow (1982) Movie Poster

Creepshow (1982)

Honestly, this is one of those classic movies that you just have to watch, anthologies this entertaining are few and far between and while it’s not nail-bitingly scary, each of the stories are interesting and unique. This movie scared the pants off of me as a child, because it never went over-the-top with any attempts to use technology that was out of its reach but just believable enough to allow you to be in the story with the characters.

Creepshow IMDB listing

Christine (1983) Movie Poster

Christine (1983)

The classic tale about a boy and his first car—his possessed car that is. Have you ever felt that someone you know is overwhelmingly obsessed with one of their belongings, to the point that their life and well-being becomes intertwined with the well-being of their belonging? This film is among the first of its kind to really put an emphasis on the possession of an inanimate object in a meaningful way.

Christine IMDB listing

Prince of Darkness (1987) Movie Poster

Prince of Darkness (1987)

Although there are many movies based on the emergence of Satan, this was possibly one of the most imaginative takes on how the Prince of Darkness might escape from hell into the world. After a priest finds a huge vial filled with some unidentifiable slime, he requests that a scientist and his students to help him figure out what it really is; finding out what it is, is only a small part of the problem, once they find out they’ll realize it’s already too late. The end is already beginning, will they be able to stop it in time?

Prince of Darkness IMDB listing

They Live (1988)

They Live (1988)

This is one alien horror flick that stands out among the rest, They Live (1988) is a movie that is classic from the time that it was made and is definitely worthy of a shout out or three. If you’ve ever wondered where the line, “I’ve come here to chew bubble gum and kick ass—and I’m all out of bubble gum,” comes from, you’re in luck. Aside from the wrestler to actor shenanigans with Rowdy Roddy Piper, the acting is what you might expect from a movie made in the late eighties. Forget action movie alien invasions, this kind of invasion is creepier than any other witnessed in cinema history.

They Live IMDB listing

In the Mouth of Madness (1994) Movie Poster

In the Mouth of Madness (1994)

This movie shows how society might devolve if violent books, movies, and video games were truly to blame for the erratic behavior of human beings—can an author really have the sway over the way people act, well if you were to read a Sutter Cane book, you might not be able to control yourself at all. It might sound far-fetched, but the easily persuaded might be just a short read away from storming the streets with axes in hand. This is not a predecessor of The Purge (2013), it’s another Carpenter movie that stands on its own within the horror genre, as a horror ride of the imagination—or at least the imagination of an author who wants to cause people to go mad.

In The Mouth of Madness IMDB listing

Village of the Damned (1995) Movie Poster

Village of the Damned (1995)

This is one of those movies where the terror develops over time, but if you’re one of those people who finds small children disturbing, this is definitely one that you might enjoy. What I like most about this movie is the creep factor—it’s not scary in the traditional sense, no real startling moments, nothing is going to pop out and scare you. The focus of the fear factor here is how it would feel to have a malevolent, creepy child in control of your actions. It reminds me of The Bad Seed (1956) if Rhoda were able to force you to kill yourself with her eyes.

Village of the Damned IMDB listing

Vampires (1998) Movie Poster

Vampires (1998)

Along with zombies, vampires have been creatures that have been overworked to death in books, films, and television shows, everyone has a new take on it to show why their vampires are somehow better, scarier, or more realistic than everyone else’s. Originally creatures that would incite fear, now they’re more and more often portrayed as objects of romance, love interests, so overdone that they went from truly evil, to rebellious bad boys. Fear not, Vampires (1998) is still in the genre of horror, where vampires truly are evil creatures suited only for hunting.

Vampires IMDB listing

The Ward Movie Poster

The Ward (2010)

Not conceived to be a true horror movie, this paranormal thriller offers more in the way of jump scares than much of anything else—while it doesn’t boast a well-known cast, the cast does a convincing job of selling their fear. The plot is enjoyable and decently executed, nevermind some of the plot holes, but the climax of fear is typically punctuated by a complete loss of the moment, followed directly by a cheap startle. The only thing that makes this movie less enjoyable is the ghost itself; we get a clear view of her from the beginning and there is no room left for that character and plot device to grow. It has its own share of twists and turns though, so the important thing about this movie is to watch until the very end—it doesn’t end exactly how you think it would.

The Ward IMDB listing

The Honey Island Swamp Monster of Louisiana

Categories
Horror Mystery and Lore
Dark and spooky swampland
Photography by Anthony Roberts

Louisiana is rife with local folklore, particularly stemming from the untouched acres of the Honey Island Swamp just a short drive from New Orleans. These legends are of the pirates of the Bayou who were said to have hidden buried treasures, Native American ghosts, and the mysterious green lights that lure unsuspecting night travelers into the depths of the swamp, never to be seen again. These are just a few examples of all of the stories that are hidden in the unfathomable depths of the Louisiana swamps, which is home to the Honey Island Swamp Monster.

In August of 1963, Harlan Ford—a retired air traffic controller—was the first to catch sight of the bigfoot of the Bayou, having recently taken up wildlife photography. He described this seven-foot-tall, bipedal creature as being covered in grey hair, with yellow or red inhuman eyes set deep into its primatial face. The air hangs thick around this swamp monster, with an odor of rotting, decaying flesh—a smell so distinctive and disgusting that it would warn anyone of its presence.

The Honey Island Swamp Monster
Honey Island Swamp Monster

In 1974, the Honey Island Swamp Monster gained fame nationally, after Ford and his associate Billy Mills claimed to have found footprints that weren’t like any other creature in the area—these footprints according to myth, and a chance casting of a footprint found by these two men were at between ten to twelve inches long with three webbed toes, along with an opposable digit that was set much farther back than the others. Along with the luck of finding this footprint and casting it, they found the body of a wild board whose throat had been gashed open just a short way away. For the next six years, until his death in 1980, Ford continued to hunt for the creature—after his passing, a reel of Super 8 film was found among the belongings he had left behind, this film supposedly showed proof of the creature’s existence.

In the early twentieth century, before the first reported sighting of the Honey Island Swamp Monster by Ford, there was a legend of a traveling circus—traveling by train, a catastrophic wreck resulted in the escape of a group of chimpanzees. These chimpanzees were said to have gone deep into the swamps and interbred with the local alligator population. The Native Americans who called the area home, referred to the creature as the Letiche—they knew it as carnivorous, living both on land and in water—they believed this creature had originated as an abandoned child, raised by alligators in the darkest, most untouched regions of the swamp.

The Honey Island Swamp Monster caught on Super 8 Video footage

Researchers who have studied the lore of the Honey Island Swamp Monster, believe that it is related to Bigfoot—one reason that it is often referred to as the Bigfoot of the Bayou. While their description is similar, the tracks do not resemble those collected of Bigfoot from the Pacific North West. Despite the reputable nature of Ford and Mills, there have been a number of shows that have focused on hunting down the Honey Island Swamp Monster in order to prove the existence of this cryptid—all of them have come down on the side of the whole thing being a hoax, which isn’t entirely surprising.

The Qalupalik: Monsters of the Deep

Categories
Featured Horror Mystery and Lore

When you think of a mermaid, you may conjure images of a kind-hearted, beautiful half-fish, half-human or the dangerous siren that can lure sailors to their death—however, the Inuit legend of the Qalupalik is a little bit different. The Qalupalik is likewise a creature of the sea, but she is more often thought of as a water spirit, a sea monster, or a demon. In this respect, it is said to be more similar to the Japanese Kappa, a water demon who steals children and consumes them. Folklore recorded from Inuit sources are purposefully vague on whether or not the Qalupalik is the only one of her kind, or whether there are great numbers of these monsters living in the Arctic seas, but she is regularly referenced as being a single creature.

Legend of the Inuit Siren

Qalupalik, the Inuit Siren or Mermaid
Photography by Li Yang

In Alaskan and Canadian Inuit culture, there are Arctic ocean-dwelling creatures known as Qalupaliit (kah-loo-pah-leet)—unlike other mythical mermaids and sirens, there is absolutely nothing attractive about the Qalupalik. Despite the persistent popular mermaid princess culture that surrounds much of the lore of this aquatic creature’s cousins in lore, the Qalupalik (kah-loo-pah-leek) is not described as having any pleasant features, let alone an amenable demeanor. Wraith-like in appearance, her long black hair is perpetually plastered to her sallow, slimy, scaly skin—her ghastly despondent face is paired with her dark and hollow eyes. These creatures are often depicted as having fins that jut out of their heads, backs and arms, and their webbed feet and hands are topped with long sharp claws—all of this is enough to strike terror into the hearts of the children that the Qalupalik preys upon.

The Qalupalik is rumored to reek of sulfur—you know, the smell of rotting eggs? So it’s curious that she would ever get close enough to someone without them noticing, but adventurous children who don’t heed the warnings of their parents are the ones she seeks to claim; she hums beautiful melodies to lure them to the icy banks of the ocean’s shore where she snatches them up and stuffs them in her amauti, a duck-skin coat similar to a parka with a pouch for young children to be carried in. It’s quite normal for Inuit parents to caution their children about the dreadful Qalupalik and they would do so frequently, telling their children that if they hear the humming noise near the shore that the Qalupalik is near. Unfortunately for children, the humming is similar to that of a Siren’s song, as it is meant to entice children to come closer to the shore or out onto the dangerously thin ice.

Those who have sighted the Qalupalik report that these creatures can only be seen for an instant before they are gone, but the child victims of the Qalupalik would not be as lucky. She would leap out from under the water, sink her shark claws into their flesh and drag them forward into the water. It is said, once she seizes a child, she takes them down to the freezing depths of the ocean where she either eats them, or takes them away enchanting them with sleep and feeding off of their youth so that she may remain young forever; the child is never to be seen or heard from by their family again. Alternatively, the child would get a brief glimpse of the face of the Qalupalik, which might resemble a woman’s face that had turned green and bloated from rotting and under the sea—this child would experience their last few moments of life in pain as the freezing water rushed into their open, screaming throat, and feel the blood in their veins freeze as they heard the distant voices of their family, crying out their name.

So what purpose does the myth of the Qalupalik serve for the Inuit society? Well, the harsh arctic environment within which the Inuit people live is terrifying and dangerous; within a community that works so hard to survive, the parents and elders used storytelling as a way of aiding in the upbringing and survival of the children of the village. Essentially, the use of scare-tactics was a way for children to avoid the dangerous aspects of their environment when they were alone,. The story of the Qalupalik was created to encourage these children to fear to be alone near the dangerous shores of the sea, where they could easily fall prey to the natural elements by either drowning or dying from hypothermia.


Qalupalik, Inuit Siren, stalks the shores
Photography by Jana Sabeth

Tales & Traditions: Qallupilluit

The Central Eskimo (1888) recorded by Franz Boas

An old woman lived with her grandson in a small hut. As they had no kinsmen they were very poor. A. few Inuit only took pity on them and brought them seal’s meat and blubber for their lamp”. Once upon a time, they were very hungry and the boy cried. The grandmother told him to be quiet, but as he did not obey she became angry and called Qallupilluk to come and take him away. He entered at once and the woman put the boy into the large hood, in which he disappeared almost immediately.

Later on the Inuit were more successful in sealing and they had an abundance of meat. Then the grandmother was sorry that she had so rashly given the boy to Qallupilluk and wished to see him back again. She lamented about it to the Inuit, and at length a man and his wife promised to help her.

When the ice had consolidated and deep cracks were formed near the shore by the rise and fall of the tide, the boy used to rise and sit alongside the cracks, playing with a whip of seaweed, Qallupilluk, however, was afraid that somebody might carry the boy away and had fastened him to a string of seaweed, which he held in his hands. The Inuit who had seen the boy went toward him, but as soon as he saw them coming he sang, “Two men are coming, one with a double jacket, the other with a foxskin jacket” (Inung maqong tikitong, aipa mirqosailing. aipa kapiteling). Then Qallupilluk pulled on the rope and the boy disappeared. He did not want to return to his grandmother, who had abused him.

Some time afterward the Inuit saw him again sitting near a crack. They took the utmost caution that he should not hear them when approaching, tying pieces of deerskin under the soles of their boots. But when they could almost lay hold of the boy he sang, “Two men are coming, one with a double jacket, the other with a foxskin jacket.” Again Qallupilluk pulled on the seaweed rope and the boy disappeared.

The man and his wife, however, did not give up trying. They resolved to wait near the crack, and on one occasion when the boy had just come out of the water they jumped forward from a piece of ice behind which they had been hidden and before he could give the alarm they had cut the rope and away they went with him to their huts.

The boy lived with them and became a great hunter.


Nunavut Animation Lab: Qalupalik

Nunavut Animation Lab created an animated version of one of the traditional tales about the Qalupalik, just like all of the folklore originating in Alaskan Native culture, there is always a moral to the story. This is an example of one told to children, to inform them of the dangers of not obeying their parents and wandering by the icy coastal waters on their own. Not to be mistaken with her more traditional lore, the video (linked below) describes a circumstance where the child who was kidnapped is rescued by his father, which of course is not what would typically happen if a child were kidnapped by this Inuit monster of the deep.


Mythical Monsters Podcast: Qalupalik

Another excellent resource for this particular mythical beast is Mythical Monsters Podcast who produced this podcast episode entitled “Qalupalik”. Check it out below!


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The Qalupalik by Elisha Kilabuk

The Qalupalik (2011)

An even less traditional take on the legend of the Qalupalik was fairly recently made into a children’s book, but it errs more on the side of child-friendly, where it suggests that despite her frightful appearance, she is rather easily tricked. It’s clear through all of the recent reimaginings of the legend of the Qalupalik that this story is still very widely told within Inuit communities, where the parents and teachers alike share this story with the children of the village in order to protect them from a curious and wandering nature.

The Qalupalik (2011) by Elisha Kilabuk is a mystical Inuit tale that has been reworked from its original well-known narrative. In the original folk tale, the children are always considered the victims and much like the grim nature of the folk tales told by the Brothers Grimm, the story ends without coming to the realization of a happy ending. In this version, we see the new tradition of vulnerable children, or the underdog, outsmarting the monster that happens to be bigger, older, and stronger than themselves; an orphan gets the better of the Qalupalik and survives an encounter with the monster.

This is the first book in the Inhabit Media’s Unikkakuluit Series, which features traditional native folklore being retold in new and interesting ways—while these stories pay homage to the original oral tradition of storytelling, they give the newest generation their own stories to identify with. Despite illustrator Joy Ang creating an incredibly frightening visage for these creatures, her illustrations are incredible and the story they sit alongside can give the meekest child reassurance that even the scariest of opponents will have a weakness that can be exploited.


Works Cited

Akulukjuk, Roselynn. “PUTUGUQ & KUBLU AND THE QALUPALIK.” Kirkus Reviews, Inhabit Media, 7 May 2019.

Houston, James. “Inuit Myth and Legend“. The Canadian Encyclopedia, 04 March 2015, Historica Canada. Accessed 17 December 2020.

Hrodvitnir, Yamuna. “Qalupalik: The Monstrous Inuit Mermaid.” Medium, Medium, 26 May 2020.

INUIT MYTHOLOGY.” Inuit Mythology.

Kilabuk, Elisha, and Sarah Sorensen. “The Qalupalik.” Quill and Quire, 30 June 2011.

National Film Board of Canada. “Nunavut Animation Lab: Qalupalik.” National Film Board of Canada, 2 Dec. 2010.

Oliver, Mark. “11 Mythological Creatures That Reveal Humanity’s Deepest Fears.” All That’s Interesting, All That’s Interesting, 17 June 2020.

Pfeifle, Tess. Qalupalik. 8 Jan. 2019, www.astonishinglegends.com/astonishing-legends/2019/1/7/qalupalik.

“Qalupalik.” Mythpedia Wiki, mythpedia.fandom.com/wiki/Qalupalik.

“Tales and Traditions.” The Central Eskimo: Introd. by Henry B. Collins, by Franz Boas, Smithsonian Institution, Bureau of Ethnology, 1888, pp. 212–213.